Dear Frameworkers,
To those of you in the New York City area, just a reminder that experimental
and animated works preserved by the Women’s Film Preservation Fund will be
screening in a mini-series this Friday and Saturday nights, June 21st and 22nd
at Anthology Film Archives.
I’m
The Women’s Film Preservation Fund (WFPF), a project of New York Women in Film
& Television (NYWIFT) announces the March 15, 2018 opening of submissions for
its film PRESERVATION grants for this year. The deadline is June 15, 2018.
The WFPF preserves films made by American women and films made
I’m going to be spending some time in London late May/early June and would like
to find out about cinemas and alternative venues that screen experimental work.
Ann
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animated film about Black women coping with expectations about their
hairstyles. (available through Women Make Movies)
ANN
Ann Deborah Levy
filmmaker: www.resonantimages.com
and
Co-Chair, Women’s Film Preservation Fund of NYWIFT:
www.womensfilmpreservationfund.org
On Nov 2, 2017, at 9:
Hi Morgan,
My film “WATERSCAPE: illusions” is about myth and reality and creates an
illusion (deception) that is gradually exposed. Here is a description:
“WATERSCAPE: illusions” is a meditation on myth and reality. The setting of
this self-reflexive film is the surface of a mysterious
The Women’s Film Preservation Fund (WFPF), a project of New York Women in Film
& Television (NYWIFT) announces the opening of submissions for film
PRESERVATION grants for this year. The deadline is June 1, 2016.
The WFPF preserves films made by American women and films made in the US by
A number of experimental and animated films are included in this series. Other
great films will be shown too.
CARTE BLANCHE: WOMEN WRITING THE LANGUAGE OF CINEMA, a program of films of all
genres including narrative, documentary, experimental, and animated works from
the Museum of Modern
Hi All,
I realize this is last minute but I want to post information about the Women’s
Film Preservation Fund Grant, a project of New York Women in Film Television
because I am not sure that there is much awareness of it among members of this
list. It is yearly grant so, if you are eligible
Filmmakers who still have negatives stored at DuArt:
I've just learned that DuArt is reorganizing its space and needs to
have all filmmakers who have negatives stored in the vault retrieve
them or arrange for them to be moved to an archive. Outstanding
storage fees can be negotiated.
Steuernagel
THIS IS MY SHOW: WORKING WITH NATURE, Lori Felker
LANDSLAG, Kyja Kristjana
The OCTOPUS, Lili White
WATERCOLORS, Ann Deborah Levy
MANIMA MUNDI, Kate Balsley
Anthology Film Archives
Second Avenue at Second Street
New York, NY
May 23rd at 7:30 pm
tickets $6.00
This screening is curated
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