Hello Bernie, apologies for my late reply. I took a weekend off, which
once in a while happens.
Your comments I think are to the point. One of my students reacted in
a similar way, stating that what I screened was in a way a curatorial
choice. Which in this case was a difficult process because
Thanks so much for posting this list. It's useful to my current teaching at
Evergreen which is focused on integrating animation with marine microbiology
and the anthropocene. In fact I just screened a few of Painlevés films day
before yesterday.
Ruth Hayes
http://www.randommotion.com
Marco, we don't know one another. But the question posed here is
appropriate for the list, in my opinion. This is because film is, in my
opinion, just an element of a larger project, of which we are a part. For
my part, the films will be shown as film. I can say that about work I
make. But
Hi Bernie,
Maybe we should have this conversation off list. As I just wrote it's
an itemized list that I shared on request of some members of
frameworks to comunicate what selection of films my idea brought me
to.
To answer specifically, yes they were shown digitally (including my
work, shot on
''la jetée didn't do it to
me: it's a narrative about humans against a passive backdrop''
and yet what haunts me after all these years are the objects (the googles,
blindfolds etc) and the
observation deck itself.
2016-01-28 18:52 GMT-04:00 Marco Poloni :
> Hi Bernie,
>
la jette ?
2016-01-28 16:09 GMT-04:00 Bernard Roddy :
> Hi Marco:
>
> I wasn't watchng when you posted the request, but I have to wonder how
> these works were shown, given that everything has been forced into lower
> case titles.
>
> On Thu, Jan 28, 2016 at 1:56 PM,
This may be a bit academic, but there are conventions of citation within
publishing, as well as a body of thought about "best practices" bearing on
digital uses. I was remarking on the fact that all of the titles are
written in lower case, and this seems unlikely to be how they were all
titled.
Hey Bernard,
I am not sure I get your point about higher and lower case. What I
sent you is a copy paste of one of my work documents. The films were
organized in groups according to thematic lines and some conceptual
affinities amongst them, and properly introduced.
On 28 January 2016 at 21:09,
Hello all,
I just finished screening a number of films at the University of the
Arts of Helsinki, in the context of a workshop for graduate students
about filmmaking at the anthropocene.
Some of you helped me identify suitable movies, and I am very thankful
to you. I had promised, in return, to
Hi Marco:
I wasn't watchng when you posted the request, but I have to wonder how
these works were shown, given that everything has been forced into lower
case titles.
On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni wrote:
> Hello all,
> I just finished screening a number of
i was trying to articulate a flat ontology in which human and nonhuman
entities somehow have an equivalent agency. la jetée didn't do it to
me: it's a narrative about humans against a passive backdrop
On 28 January 2016 at 21:33, Francisco Torres wrote:
> la jette ?
>
>
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