A short experimental film by Anna Geyer:
http://www.dr-yo.com/loquat/oolite.html
Regards,
Aaron
At 6/7/2013, you wrote:
Hi, there,
I'm looking to compile a list of good points of reference for
'Proustian' cinema (in terms of form and style relating to memory -
not adaptations of
Last Year at Marienbad, of course.
Sent from my iPhone
On Jun 7, 2013, at 1:11 PM, Benjamin R. Taylor cont...@benjaminrtaylor.com
wrote:
Sorry, just to clarify 'Proustian' a bit more:
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory
So Is This – Michael Snow
Last Year at Marienbad, of course.
Sent from my iPhone
On Jun 7, 2013, at 1:11 PM, Benjamin R. Taylor
cont...@benjaminrtaylor.commailto:cont...@benjaminrtaylor.com wrote:
Sorry, just to clarify 'Proustian' a bit more:
I'm thinking of films that are being used as a
Have you considered: IN THE MOOD FOR LOVE by Wong Kar-wai, A TIME TO LIVE
AND A TIME TO DIE by Hou Hsiao-Hsien, COLD WATER by Olivier Assayas, or THE
MAGNIFICENT AMBERSONS by Orson Welles?
By the way -- what made you decide to do this series? What's it for? By the
way -- is Proustian Cinema a
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory and how it works
Unstuck-in-time narratives can be considered tropes of memory: Renais' J'Taim,
J'Taime; Catch 22, Slaughterhouse 5...
Films framed as memories of a narrator: Little Big
Sans Soleil; Level 5.
Best
John
Sent from my iPhone
On Jun 8, 2013, at 6:13 AM, David Tetzlaff djte...@gmail.com wrote:
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory and how it works
Unstuck-in-time narratives can be considered
Larry Gottheim's Mnemosyne Mother of Muses (Canyon Cinema).Scott
Original Message
Subject: Re: [Frameworks] Proustian Cinema
From: Francisco Torres fjtorre...@gmail.com
Date: Fri, June 07, 2013 11:14 am
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
There might be a problem with the term Proustian being too vague and broad
here.
A lot of films work with questions of memory, and also the related concept of
nostalgia. Often this is a narrative element, and sometimes dramatized by the
presence of media of some kind: thus Rear Window
I think Tarkovksy's *The Mirror *would be worth investigating. Apparently,
he based the film all on his own personal memories. What impressed me most
about the film was that the narrative was just as flawed as memory itself
is. For instance, the same actors will play different characters that span
The films of Nicolas Roeg may be considered 'Proustian'.
On Fri, Jun 7, 2013 at 11:17 AM, Benjamin R. Taylor
cont...@benjaminrtaylor.com wrote:
Hi, there,
I'm looking to compile a list of good points of reference for 'Proustian'
cinema (in terms of form and style relating to memory -
The work of Jonas Mekas.
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of
Francisco Torres
Sent: Friday, June 07, 2013 2:15 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Proustian Cinema
The films of Nicolas Roeg may be considered 'Proustian
Sorry, just to clarify 'Proustian' a bit more:
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory and how it works
and/or
uses formal elements (structure and editing predominantly) to work with the
viewers memory of the film's content
On Jun 7, 2013, at 1:11 PM, Benjamin R. Taylor wrote:
Sorry, just to clarify 'Proustian' a bit more:
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory and how it works
Memento (Christipher Nolan, 2000)
Inception (Nolan, 2010)
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