Last Year at Marienbad, of course.
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On Jun 7, 2013, at 1:11 PM, Benjamin R. Taylor cont...@benjaminrtaylor.com
wrote:
Sorry, just to clarify 'Proustian' a bit more:
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory
So Is This – Michael Snow
Last Year at Marienbad, of course.
Sent from my iPhone
On Jun 7, 2013, at 1:11 PM, Benjamin R. Taylor
cont...@benjaminrtaylor.commailto:cont...@benjaminrtaylor.com wrote:
Sorry, just to clarify 'Proustian' a bit more:
I'm thinking of films that are being used as a
Have you considered: IN THE MOOD FOR LOVE by Wong Kar-wai, A TIME TO LIVE
AND A TIME TO DIE by Hou Hsiao-Hsien, COLD WATER by Olivier Assayas, or THE
MAGNIFICENT AMBERSONS by Orson Welles?
By the way -- what made you decide to do this series? What's it for? By the
way -- is Proustian Cinema a
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory and how it works
Unstuck-in-time narratives can be considered tropes of memory: Renais' J'Taim,
J'Taime; Catch 22, Slaughterhouse 5...
Films framed as memories of a narrator: Little Big
Sans Soleil; Level 5.
Best
John
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On Jun 8, 2013, at 6:13 AM, David Tetzlaff djte...@gmail.com wrote:
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory and how it works
Unstuck-in-time narratives can be considered
Larry Gottheim's Mnemosyne Mother of Muses (Canyon Cinema).Scott
Original Message
Subject: Re: [Frameworks] Proustian Cinema
From: Francisco Torres fjtorre...@gmail.com
Date: Fri, June 07, 2013 11:14 am
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
The
This week [June 8 - 16, 2013] in avant garde cinema
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Enter your announcements (calls for entries, new work, screenings,
jobs, items for
Is anyone interested in a work exchange?
A few years ago I organized some exchanges of DVDs. That seems a bit 'old
fashioned' today so how about a list of URLs?
Just post in reply, or email me, and I'll compile a list to share and can
post to the group too.
Michael Betancourt
Savannah, GA USA
There might be a problem with the term Proustian being too vague and broad
here.
A lot of films work with questions of memory, and also the related concept of
nostalgia. Often this is a narrative element, and sometimes dramatized by the
presence of media of some kind: thus Rear Window
I think Tarkovksy's *The Mirror *would be worth investigating. Apparently,
he based the film all on his own personal memories. What impressed me most
about the film was that the narrative was just as flawed as memory itself
is. For instance, the same actors will play different characters that span
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