Re: [Frameworks] new (future) film stock

2013-07-24 Thread Royce Marcus (Film)
Huzzah's all around. Thanks for sharing, Roger. Royce Marcus Cell: 919-616-5425 E-Mail: roycemarcusfi...@gmail.com Staff Me Up: http://staffmeup.com/profile/roycemarcusfilms Behance: http://www.behance.net/RoyceMarcusFilms

[Frameworks] SCMS CFP: Sexuality and Urban Space panel

2013-07-24 Thread Ara Osterweil
To everyone who responded to our request, thank you.We've already received enough submissions and are going to have a hard time choosing our third panelist. So, this is just a note that we are not looking for anymore submissions!Thanks for all of your interest.Look forward to seeing some of you

[Frameworks] new (future) film stock

2013-07-24 Thread Beebe, Roger
Just saw this (on Facebook) courtesy of Dagie Brundert: http://www.filmkorn.org/ferrania-the-new-old-hope-for-analogue-film/ Gives us some additional hope as Kodak scales back their offerings. Thrilled about the prospect of a 100D reversal in super 8 and 16mm... Heads up, Roger ___

Re: [Frameworks] Exposing 3374 as reversal

2013-07-24 Thread Stephanie Wuertz
Thanks, Scott. This is very helpful. On Wed, Jul 24, 2013 at 2:01 PM, Scott Dorsey wrote: > > What precautions should one take with estar stock? > > Mostly, use a camera that doesn't have a lot of motor torque, and be > very, very careful it's threaded right. > > The problem is that the ESTA

Re: [Frameworks] Exposing 3374 as reversal

2013-07-24 Thread Scott Dorsey
> What precautions should one take with estar stock? Mostly, use a camera that doesn't have a lot of motor torque, and be very, very careful it's threaded right. The problem is that the ESTAR stock won't break... it is very rugged, which is why they use it for print stock. (They use it for sou

Re: [Frameworks] Exposing 3374 as reversal

2013-07-24 Thread Stephanie Wuertz
Hi Scott, What precautions should one take with estar stock? I just bought some Kodak 3374 too. Please advise. Thanks, stephanie On Wed, Jul 24, 2013 at 12:05 PM, Scott Dorsey wrote: > I have not run 3374 sound stock in-camera, but I have run Agfa ST-8 in > camera. With conventional reversa

Re: [Frameworks] Exposing 3374 as reversal

2013-07-24 Thread Scott Dorsey
I have not run 3374 sound stock in-camera, but I have run Agfa ST-8 in camera. With conventional reversal processing, if you were to expose at 40 ASA you'd probably be in the ballpark for outdoor pictorial stuff and for shooting credits. This stuff is very, very contrasty, though, so you can't ju

[Frameworks] °**° Directors Lounge Screening - Monika Rechsteiner - Reality Check - Thurs 25 July °**°

2013-07-24 Thread Klaus W. Eisenlohr
Directors Lounge Screening: Monika Rechsteiner Reality Check Thursday, 25 July 2013 21:00 Z-Bar Bergstraße 2 10115 Berlin-Mitte Monika Rechsteiner's films are metaphers of spaces, which unfold over the time of their viewing. Firstly, they seem to be long panorama travels over photographic st

[Frameworks] Exposing 3374 as reversal

2013-07-24 Thread Erin Weisgerber
Hello, I am wondering if anyone has experience using Kodak 3374 panchromatic sound recording stock as a REVERSAL camera stock? At what ASA did you rate the film? I have heard anywhere between 40 and 120 ASA. I plan to use D-19 as my first developer (probably at 20 degrees Celcius unless someone

Re: [Frameworks] Super 8 Work Prints

2013-07-24 Thread Jean-Louis Seguin
On 2013-07-24, at 2:26 AM, ben.weinst...@mindspring.com wrote: > Hey I was wondering since they dont make reversal film anymore, do labs make > super 8 work prints now? > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-