Navajo Film Themselves
http://www.penn.museum/sites/navajofilmthemselves/
https://www.youtube.com/watch?v=FWMO2UGfaBI
Rob
From: Nate Cummings
ncummingslamb...@gmail.commailto:ncummingslamb...@gmail.com
Reply-To: Experimental Film Discussion List
Film Is - Steve Dwoskin
From: Michael Betancourt
hinterland.mov...@gmail.commailto:hinterland.mov...@gmail.com
Reply-To: Experimental Film Discussion List
frameworks@jonasmekasfilms.commailto:frameworks@jonasmekasfilms.com
Date: Thursday, 29 January 2015 18:16
To: Experimental Film Discussion
Thanks for sharing this. Everything you need to know!
Rob
On 10/11/2014 23:46, JANA DEBUS i...@janadebus.com wrote:
Hi Vail,
check out Esther Urlus great website,
with extensive information,
including DIY booklets for download.
http://estherurlus.hotglue.me/d-i-y
Best,
Jana
On
Hi Matt
While what Dave says is true, it is still possible to do something
workable with little money. By not having parallel walls you can eliminate
standing waves. The space between the walls and the 'false' non-parellel
walls (and ceiling if possible) can be filled with insulating material of
Shirley Clarke's The Connection
Rob
From: Suyash Barve suyashba...@gmail.commailto:suyashba...@gmail.com
Reply-To: Experimental Film Discussion List
frameworks@jonasmekasfilms.commailto:frameworks@jonasmekasfilms.com
Date: Thu, 9 Oct 2014 12:11:53 +0530
To:
Monkey's Birthday, David Larcher; - colour separation, superimposition,
bi-packing etc.
Slides, Annabel Nicholson; pulling film through the gate etc
Film Sound, Andy Moss; short edits/loops (sound and picture), superimpositions
(all at LUX, London.)
Rob
From: Caryn Cline
The Free Cinema movement in the UK is important here. See
http://www.screenonline.org.uk/film/id/444789/
and Humphrey Jennings' Spare Time
Rob
On 11/05/2014 16:43, Chris G spy...@gmail.com wrote:
Hi all,
I'm looking for films that portray situations of labor and leisure
together. It
Hi Aaron
It would be worth looking at English experimental filmmakers working with
landscape in the 70s-80s - William Raban, Jo Millett, Chris Welsby and
Malcolm LeGrice etc. all figure - as landscape painting (impressionism in
particular) was frequently cited. To claim direct influence is
And there was Francis Alys' re-enactments twin screen video where he
bought a gun and bullets and paraded down the street with it until arrested.
He then re-enacted it with police collaboration.
http://www.youtube.com/watch?v=B4Ty4TTAX48
Rob
On 07/03/2014 15:26, Francisco Torres
with it until
arrested.
He then re-enacted it with police collaboration.
In some places (like in my country) you could be killed by the po-lice
for less
On Fri, Mar 7, 2014 at 2:51 PM, Gawthrop, Rob
rob.gawth...@falmouth.ac.uk wrote:
And there was Francis Alys' re-enactments twin screen
Arnulf Rainer by Peter Kubelka
(Nostalgia) by Hollis Frampton includes: James Rosenquist, Carl Andre,
Frank Stella, Larry Poons, Michael Snow etc.
Rob
On 05/02/2014 01:16, kate lain k...@katemakesfilms.com wrote:
Hi, frameworkers. I'm looking for examples of portraits of artists and/or
Peace Plenty: Ivor Montague
Hell Unlimited: Norman Mclaren Helen Biggar
Rob
On 28/01/2014 20:49, John McAndrew jj.mcand...@gmail.com wrote:
Hello all,
For a little under a year my main source of income has come through working
as a gallery warden in a historical museum specializing in
Jeff Keen used to leave film shot but unprocessed for years and then shoot a
few more layers on top. On some of his diary films you can see his daughter
Stella at various ages in the same sequence.
Rob
On 04/01/2014 08:37, nicky.ham...@talktalk.net nicky.ham...@talktalk.net
wrote:
I have
Tony Sinden: Time Motion
Ken Jacobs: Capitalism: Slavery
Rob
On 07/01/2014 10:33, Insa Langhorst insa.langho...@gmail.com wrote:
Dear Frameworkers,
I would like to build a list of video art and films which look at
aspects, concepts and realities of work. One piece I came across
recently
If Avant-garde is considered as any politically advanced or progressive
cultural practice then there is still a desperate need for it (though the
concept of 'progressive' may have ceased). The contexts of globalisation,
reification and commodification need resisting and not conforming to.
Hi Michael
The BFI has
Ai-Ye (1950, 22 min)
Bells of Atlantis (1952, 9 min)
Jazz of Lights (1954, 16 min)
Best Wishes
Rob
On 10/10/2013 14:00, Michael Kemp michaelkemp...@yahoo.co.uk wrote:
Dear FrameWorkers,
does anybody know who owns/distributes the films of Ian Hugo, in the UK, and
Contested Bodies
Murdoch House Redruth Cornwall UK 19th June 6.30pm
Programmed by Jo Millett and Rob Gawthrop for Gaslighting, an exhibition and
programme of events at CMR Gallery in conjunction with the West Cornwall
Freedom from Torture supporters group.
Contested Bodies is a programme of
An Interesting Story 1905 George Albert Smith
On 19/12/2012 18:19, Adam Hyman a...@lafilmforum.org wrote:
Those are the films I was thinking of:
Explosion of a Motor Car also
1900
How It Feels To Be Run Over (1900)
On 12/19/12 10:10 AM, Gawthrop,
Rob rob.gawth...@falmouth.ac.uk wrote
Hi Liena
To add to your contextual intro: James Broughton's The Pleasure Garden
(1954) was made in the ruins of Crystal Palace (London) where, coincidently,
I was brought up (the district not the ruins that is).
Rob
On 28/09/2012 06:21, Liena Vayzman liena_vayz...@hotmail.com wrote:
Hello
Jeff Keen
The Tanks at Tate Modern:
18 – 23 September 2012
10.00 – 18.00 (10.00 – 22.00 on 21 and 22 September)
Live performance Friday 21 September 2012 at 20.00
Jeff Keen (1923-2012) was a pioneer of experimental film whose rapid-fire
animations, multiple screen projections and raucous
Check UCA
its the former Maidstone course which has now moved to Canterbury.
I'd like to recommend the MA at Falmouth but we only have digital video
sound.
Rob
_
Rob Gawthrop - Award Leader: MA Fine Art Contemporary Practice
University College
You may be able to access things through cloudbusting:
http://www.churchofpureart.tk/
Rob
On 25/07/2012 14:38, David Tetzlaff djte...@gmail.com wrote:
Dearest Brett:
I can't sign anything right now, as my spirit is completely
disengaged from corporeal body. I would be happy to sign
This was theme was also discussed in 2010 -
https://mailman-mail5.webfaction.com/pipermail/frameworks/2010-December/subj
ect.html#2337
The 1998 Oberhausen Short Film festival's special programme Useful Images
(curated by Fred Truniger) engaged with these issues in some depth. Full
details are in
The other Lettristes Maurice Lemaitre Guy Debord etc. Obviously Jeff Keen.
Margaret Tait did a few experiements in the 50s and 60s.
Rob
On 05/06/2012 17:39, Madison Brookshire mbrooksh...@gmail.com wrote:
Fellow Frameworkers,
Does anyone have suggestions for films 1945-1962 that
create film
Klipperty Klopp – Andrew Kotting
Mad Love – Jeff Keen
Edge – David Hall Tony Sinden
This Surface - David Hall Tony Sinden
Dresden Dynamo - Liz Rhodes (how can an abstract film be funny ?)
Tribulation 99 – Craig Baldwin
Towers Open Fire - Antony Balch, William S. Burroughs
Entracte – Rene
Bought a set from them recently, I’m sure it’s what you want and they despatch
promptly.
Rob
On 18/05/2012 13:52, Kevin Timmins on-on...@hotmail.com wrote:
Thanks!
I'm located in the UK, ideally it would be great to find some from around here.
I found this:
The point I was making in my question followed on from Fred’s posting that
included:
It seems to be entirely acceptable and unquestioned on this list to post that
some or all forms of video projection look like crap ... As a format for
presenting film, it is, of course, imperfect, as I myself
I wonder whether there are some issues that need teasing out regarding
'quality' or 'production values' and what these are really about? Is it
particularities, peculiarities and specificities that need consideration
rather than assumed notions around image resolution, depiction (mimesis)? Is
it
What frame ratio do people think is best for a painting and should it be
cropped later to fit the ready-made picture-frame?
Rob
On 21/10/2011 09:50, Freya freya...@yahoo.com wrote:
It's because there were no cars back then so the people who were allergic to
horses had to walk really fast to
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