Nobuhiko Ohbayashi's Hausu - http://en.wikipedia.org/wiki/Hausu - and to throw
in some relevant objects from other media, Henry Darger's The Story of the
Vivian Girls and John Ashbery's Girls on the Run.
On 2011-12-26, at 5:17 PM, Michele Smith wrote:
...Zazie dans le metro, Alice in
A correction: Shambhavi Kaul, director of 21 Chitrakoot, is mistakenly
referred to as 'Shambvani Kaul' in the press release that I attached. My
apologies for this error.
On Fri, Aug 31, 2012 at 2:19 PM, Stephen Broomer sbroo...@tiff.net wrote:
Dear Frameworkers,
Please find attached
Geez Nick, twice! Thanks for the correction, and for the announcement! Hope all
is well.
On 2013-06-20, at 4:21 PM, Nicholas Kovats nkov...@gmail.com wrote:
Hello everyone,
I am pleased to announce Stephen Brommer's new silent experimental
UltraPan8 work called Blue Guitar. A beautiful
at the Toronto Film
Festival), as one of them would know where they sourced the print from.
Best,Stephen Broomer
From: ste...@radonlake.com
To: frameworks@jonasmekasfilms.com
Date: Sat, 7 Sep 2013 12:09:10 -0400
Subject: [Frameworks] Ronald Nameth's Exploding Plastic Inevitable
Dear Frameworkers
Pardon the correction: Charles and Ray Eames were not siblings, they were
married.
If they've not been mentioned yet: the Polonia Brothers. Not avant-garde, but
certainly out there.
Date: Wed, 9 Oct 2013 14:22:43 -0700
From: kelly.se...@gmail.com
To: frameworks@jonasmekasfilms.com
Subject: Re:
Joyce Wieland uses text prominently in several of her films: 1933, Reason Over
Passion, Sailboat, Solidarity, Pierre Vallieres. Mike Rice mentioned Hollis
Frampton -- Frampton collaborated on the alphabetical permutations of text of
Wieland's Reason Over Passion.
There's a short chapter on text
Herb,
A couple of examples from Canada:
Jack Chambers' R-34 (1967). This is Chambers' film of the neo-Dada collagist
and painter Greg Curnoe, which mixes footage of Curnoe at work in his studio
with scenes from his daily life and his community in London, Ontario; Chambers'
editing mirrors
Hi Shumona,
I can’t speak to whether there used to be a standard font, however, if you see
a font that you like in a film, you can use a font identifier website like this
one: https://www.myfonts.com/WhatTheFont/ https://www.myfonts.com/WhatTheFont/
Just take a screen cap and upload it and it
Film Festival
408 Queen Street West, #7
Toronto, OntarioM5V 2A7
Canada
The deadline for submissions is September 30. Please note that we do not
exhibit projects on video or digital.
If you have any questions, please contact the8f...@gmail.com.
Stephen Broomer
CALL FOR SUBMISSIONS: the8fest
Hi John,
I've had excellent experience with Niagara Custom Lab in Toronto, who
rephotographed five of my films -- they were very conscientious and did a
number of tests to confirm best results.
And if by chance you ever visit Canada by way of Toronto, LIFT has excellent
facilities for doing
com/2015/12/17/on-jack-chambers-hybrid/>
On Jack Chambers'
Hybrid<https://cfmdcresidentscholar.wordpress.com/2015/12/17/on-jack-chambers-hybrid/>
cfmdcresidentscholar.wordpress.com
By Stephen Broomer The following text is an excerpt from my ongoing writings on
the films of Jack Chambe
I saw The Loom for the first time a few weeks ago - much of it is shot from
fixed vantage points looking into a chicken pen (the image becomes layered -
other barnyard animals enter - painted images are superimposed, as are flames,
if memory serves). Perhaps others can correct me if my
Hi Richard,
Christine Lucy Latimer has used VHS to make some very interesting work dealing
with the format's aesthetic character.
The Pool comes to mind -- https://vimeo.com/32115389
I screened this work about three years ago and seem to remember her entrusting
me with an exhibition copy on a
Lights, by Marie Menken.
SB
> On Nov 14, 2016, at 9:55 AM, Gene Youngblood wrote:
>
> Here are George Kuchar’s Christmas diaries. Descriptions are at VDB.
>
> 1985 Thanks Giving NY CA, 55:30
> 1986 XMAS 1986, 36:51
> 1987
Joyce’s Rat Life and Diet in North America
The rats move north to Canada and grow vegetables - no DDTs!
Stephen
On Sep 12, 2017, at 9:14 PM, lagonaboba
> wrote:
Another from Frampton, regrettably neither contemporary nor “by frameworkers
Hi Albert,
Jack Chambers' R34 features a section of Ayler's Bells for the last stretch of
it.
Joyce Wieland's Rat Life and Diet in North America has a violent cacophony of
free jazz at the beginning that I've not been able to identify.
Joyce's Water Sark has an improvisational soundtrack by
Ah geez, can’t forget: Phill Niblock’s Magic Sun featuring Sun Ra & the
Arkestra.
S
On Nov 8, 2017, at 8:03 AM, Stephen Broomer
<stephen_broo...@hotmail.com<mailto:stephen_broo...@hotmail.com>> wrote:
Hi Albert,
Jack Chambers' R34 features a section of Ayler's Bells for
Albert,
I believe Ian Hugo's films had electronic soundtracks that predate many of the
examples discussed here. Louis and Bebe Barron (who, with Forbidden Planet,
gave commercial cinema its first electronic score) composed the sound for Bells
of Atlantis (1953) but many of his later films (ex.
Hi Gene & Jane,
I've never seen it but it sounds like a description I once read of Cat Film
for Katy and Cynthia by Standish Lawder. Does that sound right? Made for a
cat film festival in NYC...
Stephen
On Wed., Apr. 29, 2020, 4:49 p.m. Gene Youngblood,
wrote:
> I’m drawing a blank on the
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