Re: [Frameworks] Dizziness and Disorientation

2013-04-02 Thread _blank
Hi Ruth and Leo, and everyone else,

I would say that any kind of flicker film has something to do with dizziness 
and disorientation (The Flicker, Epileptic Seizure Comparison, etc.). Anyway, I 
think that the best examples of that kind of practices in art are installations 
like the ones by Kurt Hentschlager, specially Zee, or Intersection by Don 
Ritter. Maybe some structural films also, like Serene Velocity by Ernie Gehr, 
some of the films by Peter Tscherkassky (Outer Space) and Jordan Belson 
(Allures)…

Best wishes.
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[Frameworks] Single-shot fixed camera landscape/cityscape films

2015-02-02 Thread _blank
Hi,

I’m looking for single-shot fixed camera landscape/cityscape films, as “Empire” 
by Andy Warhol or “Fog Line” by Larry Gottheim. When I say 
“landscape/cityscape” I mean it in the broadest sense of the term, I’m 
interested in all kinds of landscapes/cityscapes, with or without human figures.

Any suggestions?

Thank you!
Blanca

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Re: [Frameworks] Optical sound – Structural film

2015-02-11 Thread _blank
I’m really interested on that topic also, but I’m sure that you know more films 
than me. Lately I found this, but you probably know all these films…

http://otherfilm.org/optical-sound/ http://otherfilm.org/optical-sound/

A couple of weeks ago I spend one afternoon looking for optical sound films at 
vimeo and I found several interesting pieces, but most of them are from the 
80s, 90s or even more recent.

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 De: Albert Alcoz albertalc...@yahoo.es mailto:albertalc...@yahoo.es
 Para: frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com
 Fecha: 11 de febrero de 2015, 9:46:09 CET
 Responder a: Albert Alcoz albertalc...@yahoo.es 
 mailto:albertalc...@yahoo.es
 Asunto: [Frameworks] Optical sound – Structural film
 
 
 Hello,
 
 Does anybody know structural or structural-materialist or minimal/abstract 
 films from the sixties or seventies where the sound of the film comes 
 directly from the graphic treatment on the optical sound area of the 
 celluloid?
 
 Kurt Kren drew a line with ink in his film Trees of Autumn (1960) and Guy 
 Sherwin shot pictures on the variable area of the soundtrack. Those films 
 were collected on the Optical Sound Films (1971-2007) DVD.
 
 I thought the soundtrack of Roh Film (1968) by Birgit  Wilhelm Hein was done 
 directly from the collage materials attached on the surface of the emulsion 
 but it is not. It was done afterwards, as an autonomous noise piece by 
 Christian Michelis. 
 
 I'm thinking about films like Dynamo Dresden (1971) by Lis Rhodes or 
 Soundtrack (1969) by Barry Spinello, but they are more abstract animation 
 pieces following the visual music tradition than the structural or systemic 
 patterns.
 
 Any suggestion will be appreciated.
 
 Thank you very much,
 
 Albert Alcoz
 -- 
 http://visionaryfilm.net/ http://www.visionaryfilm.net/
 http://albertalcoz.com/ http://www.albertalcoz.com/
 
 
 
 
 
 
 De: Pip Chodorov framewo...@re-voir.com mailto:framewo...@re-voir.com
 Para: Albert Alcoz albertalc...@yahoo.es mailto:albertalc...@yahoo.es, 
 Experimental Film Discussion List frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com
 Fecha: 11 de febrero de 2015, 11:31:45 CET
 Asunto: Re: [Frameworks] Optical sound - Structural film
 
 
 There's Ten Drawings by Steve Farrer (1976)
 http://lightcone.org/fr/film-477-10-drawings 
 http://lightcone.org/fr/film-477-10-drawings
 
 
 At 8:46 + 11/02/15, Albert Alcoz wrote:
 Does anybody know structural or structural-materialist or minimal/abstract 
 films from the sixties or seventies where the sound of the film comes 
 directly from the graphic treatment on the optical sound area of the 
 celluloid?
 
 
 
 De: Peter Mudie peter.mu...@uwa.edu.au mailto:peter.mu...@uwa.edu.au
 Para: Experimental Film Discussion List frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com
 Fecha: 11 de febrero de 2015, 12:02:09 CET
 Asunto: Re: [Frameworks] Optical sound - Structural film
 
 
 Rarely discussed, but a fantastic film – one of the best from the LFMC.
 Peter
 (Perth)
 
 From: Pip Chodorov framewo...@re-voir.com mailto:framewo...@re-voir.com
 Reply-To: Experimental Film Discussion List frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com
 Date: Wednesday, 11 February 2015 6:31 pm
 To: Albert Alcoz albertalc...@yahoo.es mailto:albertalc...@yahoo.es, 
 Experimental Film Discussion List frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com
 Subject: Re: [Frameworks] Optical sound - Structural film
 
 There's Ten Drawings by Steve Farrer (1976)
 http://lightcone.org/fr/film-477-10-drawings 
 http://lightcone.org/fr/film-477-10-drawings
 
 
 At 8:46 + 11/02/15, Albert Alcoz wrote:
 Does anybody know structural or structural-materialist or minimal/abstract 
 films from the sixties or seventies where the sound of the film comes 
 directly from the graphic treatment on the optical sound area of the 
 celluloid?
 
 
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Re: [Frameworks] 3 sound works

2015-03-31 Thread _blank
I really like Yasuano Tone, I listen to his albums a lot, and I’ve seen him 
live a couple of times, so that’s not much of a dare :)

Best,
Blanca

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 -- Forwarded message --
 From: Bernard Roddy rodd...@yahoo.com mailto:rodd...@yahoo.com
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com
 Cc: 
 Date: Mon, 30 Mar 2015 09:42:26 -0500
 Subject: [Frameworks] 3 sound works
 
 
 Did I mention the course in which I included a section on sound?  Three works 
 I played:
 
 Tony Conrad with Faust, Outside the Dream Syndicate
 Alvin Lucier, Music for Solo Performer
 Yasunao Tone, Musica Iconologos
 
 I dare anyone on this list to play Tone for more than 5 minutes!
 
 Bernie

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Re: [Frameworks] Night films

2015-05-16 Thread _blank
Hi Esperanza,

I have one work that was shot at night, and it’s mainly about the limits of 
visibility and perception. It was shot using a digital photo camera and the 
image is not processed in any sense, it’s the raw video recording without any 
kind of special camera techniques, effects, colours correction, etc. (By the 
way, the sound is not the original sound of the recording, obviously, it was 
created saving all the frames as sound, so what you hear is the same that what 
you see).

https://vimeo.com/121534631 https://vimeo.com/121534631
password: tormenta5k

Best,
Blanca

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 On Tue, May 12, 2015, at 07:49 PM, Esperanza Collado wrote:
 Dear frameworkers,
  
 A friend is preparing a film in which she will work in the limits of 
 visibility, in the night, trying to force perception. Would you please 
 recommend experimental film references apart from Liotta, Dorsky, Dwoskin? 
 It would be interesting to get references of films and videos in which there 
 is no use of special camera techniques such as time-lapse or night-shot. 
  
 Many thanks!
  
  
  
  
 -- 
 Esperanza Collado
 - - - - - - - - - - - - - - 
 www.esperanzacollado.org http://www.esperanzacollado.org/

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Re: [Frameworks] Musical Noir?

2015-06-19 Thread _blank
Hi Shashwati,

The first thing that comes to my mind is Tokyo Drifter 
(http://www.imdb.com/title/tt0061101/ http://www.imdb.com/title/tt0061101/), 
which I’d described as neonoir. There’s a scene in which the protagonist sings 
a song in a manner that is very related to musical films, but it’s not a 
musical film.

Regards,
Blanca Rego

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 De: Shashwati Talukdar m...@shashwati.com
 Para: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Fecha: 19 de junio de 2015, 5:10:34 CEST
 Asunto: [Frameworks] Musical Noir?
 
 
 I am looking for examples of the use of music and songs in films that can be 
 described as noir. Where music plays an integral role in moving the film 
 along. Mainstream examples also welcome.
 
 -- 
 regards,
 
 Shashwati Talukdar
 夏雪莉
 ---
  https://www.facebook.com/fournineandahalf http://vimeo.com/shashwati 
 https://www.linkedin.com/profile/preview?vpa=publocale=en_US 
 https://twitter.com/cinedevi
  http://fournineandahalf.com/
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[Frameworks] Image data to sound data

2015-06-19 Thread _blank
Hi everybody,

Some days ago I performed an experiment that maybe some of you find 
interesting. I’m obsessed with the relationship between image and sound and I 
saved all frames from a silent abstract movie (Opus IV by Walter Ruttmann) as 
sound files. The result is this https://vimeo.com/130891108 
https://vimeo.com/130891108 What you see and what you hear are exactly the 
same files, I just saved all the jpg frames as aiff.

I’ve being doing this kind of experiments for a while (saving image files as 
sound files and vice versa), but never using material from other people or 
classic experimental films. I think that the result is curious because this 
kind of abstract films are really similar to the digital images used today in 
certain types of electronic music (giltch, minimal, noise, etc.) that are very 
related to the type of sound obtained from this data bending experiments.

Regards,
Blanca Rego

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Re: [Frameworks] Image data to sound data

2015-06-21 Thread _blank
Nicky, I’ve seen Lis Rhodes Light Music, yes :) In fact, when I started doing 
these experiments it was because I was looking for digital techniques inspired, 
or akin to, optical sound. As Francisco, says, it reminds to something Ruttmann 
did with optical sound. The idea is the same, but maybe the most curious thing 
is that the obtained sounds are similar to the ones generated using optical 
sound.

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 De: Francisco Torres fjtorre...@gmail.com mailto:fjtorre...@gmail.com
 Para: Experimental Film Discussion List frameworks@jonasmekasfilms.com 
 mailto:frameworks@jonasmekasfilms.com
 Fecha: 19 de junio de 2015, 17:15:28 CEST
 Asunto: Re: [Frameworks] Image data to sound data
 
 
 Reminds of something Ruttman did with optical sound
 
 http://sfsound.org/tape/ruttmann.html http://sfsound.org/tape/ruttmann.html
 
 2015-06-19 9:24 GMT-04:00 _blank bl...@null66913.net 
 mailto:bl...@null66913.net:
 Hi everybody,
 
 Some days ago I performed an experiment that maybe some of you find 
 interesting. I’m obsessed with the relationship between image and sound and I 
 saved all frames from a silent abstract movie (Opus IV by Walter Ruttmann) as 
 sound files. The result is this https://vimeo.com/130891108 
 https://vimeo.com/130891108 What you see and what you hear are exactly the 
 same files, I just saved all the jpg frames as aiff.
 
 I’ve being doing this kind of experiments for a while (saving image files as 
 sound files and vice versa), but never using material from other people or 
 classic experimental films. I think that the result is curious because this 
 kind of abstract films are really similar to the digital images used today in 
 certain types of electronic music (giltch, minimal, noise, etc.) that are 
 very related to the type of sound obtained from this data bending experiments.
 
 Regards,
 Blanca Rego
 
 (Ø)
 _
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 www.null66913.net http://www.null66913.net/
 www.mediateletipos.net http://www.mediateletipos.net/
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 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 
 
 De: nicky.ham...@talktalk.net mailto:nicky.ham...@talktalk.net
 Para: frameworks@jonasmekasfilms.com mailto:frameworks@jonasmekasfilms.com
 Fecha: 19 de junio de 2015, 18:44:04 CEST
 Asunto: Re: [Frameworks] Image data to sound data
 
 
 Have you seen Lis Rhodes' film Light Music (1975)? 
 
 Nicky.

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[Frameworks] Translation of «Piétage» and «Piéteuse»

2017-03-25 Thread _blank
Hi Esperanza,

I’ve worked with film and I’m a translator. It’s “pietaje”, as Pablo said. In 
regards to the machine, I’ve heard a couple of times the word “pietadora”, but 
I’m not sure if people who works at film labs use that word.

Cheers,
Blanca

(Ø)
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www.null66913.net
@null66913

> El 25/3/2017, a las 13:00, frameworks-requ...@jonasmekasfilms.com escribió:
> 
> De: Esperanza Collado <esperanzacolla...@gmail.com 
> <mailto:esperanzacolla...@gmail.com>>
> Asunto: [Frameworks] Translation of «Piétage» and «Piéteuse»
> Fecha: 25 de marzo de 2017, 11:30:57 CET
> Para: Experimental Film Discussion List <frameworks@jonasmekasfilms.com 
> <mailto:frameworks@jonasmekasfilms.com>>
> 
> 
> Hi FrameWorkers,
> 
> Could any of you help me with the translation of these French terms please? 
> Even if you don't know French, by the description some of you may know what 
> I'm referring to.
>  
> I actually need to translate these two terms into Spanish, but I am so lost, 
> even an English translation would do for a start.
> 
> These are the terms:
> 
> • Piétage («piétage de la pellicule») — (it refers to white numbers written 
> with a «piéteuse» machine on the image and on the sound strips at the same 
> time, in order to get them synchronized I guess. This operation is done with 
> a special machine called «pieteuse»)  —
> 
> • Piéteuse (the machine) — 
> 
> Fingers crossed there's someone out there who knows these words.
> 
> Cheers,
> 
> Esperanza.

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