All it outputs is a loud hum. Robert films told me that the amp is shorted out;
that it's a common issue with elmo's and the only solution is replacement of
the amp, which (if you can find one) is about $600. Needless to say, I left it
as is.
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Denevi Digital has Elmo belts. I got my ST600 working with Denevi belts. The
problem I have is my audio amp is shorted out and I have not found a solution
to that. I can play silent films though.
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Original Message
From: Scott
Are the moving shadows of objects in Blue Velvet any help?
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Original Message
From: Gene Youngblood
Sent: Thursday, February 25, 2016 10:24
To: Frameworks Listserv
Reply To: Experimental Film Discussion List
Subject: [Frameworks] Big
I just shot this stock, used a light meter and made sure the tungsten filter
was out (shot in daylight). It looked quite good, but it's grainier than the
old Kodak stocks.
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Original Message
From: Pip Chodorov
Sent: Saturday,
Test it with some tapes you don't care about. I have 2 VCRs which are still working fine, but I use them periodically to keep them in working order. It's the sitting around for long periods of time with the
Recent Kodak stocks do hold up much better, as do technocolor prints‎. In the 70's, 80's and 90's, especially during the explosion of the cineplex, cheaper prints were made to only last for the 6-8 weeks of a
I did a pretty good job of colour correcting a red print by shooting it with a video camera set to auto white balance. The shutter could be adjusted in 10ths to eliminate flicker. It brought it right back to
I did a pretty good job of colour correcting a red print by shooting it with a video camera set to auto colour balance. The shutter could be adjusted in 10ths to eliminate flicker. It brought it right back to
I have one mainly so I can have one place where I can concentrate all relevant
information for prospective employers or clients. I can direct all inquiries
to one site. I can then link all my youtube and vimeo videos to it and I
don't have to search whenever someone wants a link..i can just
I do, and it's a photo place in California that took over the Elmo inventory. I'll look it up this weekend and let you know. Christopher
I have several, but shipping from Canada is likely pricey.
I have heard of doing the same thing on a steenbeck which I want to try. Steenbeck gives you a nice constant speed.
Film rescue international will.
Wish I lived in San Francisco
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I believe that Niagara custom lab in toronto can still do this.Christopher
I have one in great working condition, but I don't want to give it up. I could
do a transfer or whatever for you though.
Christopher
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Original Message
From: Bill Seery
Sent: Thursday, April 23, 2015 16:44
To:
I shoot 16 and 35 (and super 8) as much as I can, but it's getting challenging
with the labs going down. I do not own camera gear beyond a regular 16 bell and
Howell wind up and some super 8 cameras. I shoot so many different formats
that camera gear is impossible to keep up with! The
Is he able to do a soundtrack on 35 as well, or just image blow ups?
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Original Message
From: lina.ro...@gmail.com
Sent: Monday, March 16, 2015 13:04
To: frameworks@jonasmekasfilms.com; Experimental Film Discussion List
Reply To:
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