Re: [Frameworks] Reflections on the horizon

[J A R E D h u t c h i n s o n]

"About the horizon?" ?

On Mon, Nov 14, 2016 at 2:41 PM, Francisco Torres 
wrote:

> About the horizon?
>
> 2016-11-14 1:12 GMT-04:00 Takahiro Suzuki :
>
>> Hi everyone,
>>
>> I’m currently collecting written reflections and contemplations on the
>> horizon.  If you have a few moments to offer and share your thoughts, I
>> would greatly appreciate it.  You can enter your post through the link
>> below.  Thanks!
>>
>> http://www.takahiro-suzuki.com/infinite-horizon/
>>
>> All the best,
>> Taka
>>
>> Takahiro Suzuki
>> www.takahiro-suzuki.com
>> www.acinema.space
>> thiro.suz...@gmail.com
>>
>>
>>
>>
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>>
>
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>


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Re: [Frameworks] Pac Lab and Cinelab in Mass

[r e]

Thanks for reaching out to us hapless NYers, Robert. Looking forward to
sending some rolls over.

On Tue, Sep 23, 2014 at 4:43 PM, Robert Houllahan lunarfi...@mindspring.com
 wrote:

 PacLab has contacted us at Cinelab and they want us to take over BW
 Reversal processing for them and their school clients.

 UPS Ground is overnight to Cinelab in Massachusetts and we run BW
 Reversal every day.

 I know it's not as convenient as bringing it directly to a lab in NY but
 we are trying to keep BW Reversal going and at a high consistent quality.

 I am part owner of the lab so if there are any questions I can address
 them at:

 r...@cinelab.com

 Robert Houllahan
 www.lunarfilms.com
 www.cinelab.com
 SnApple meTelephone mangled.


 On Sep 23, 2014, at 4:17 PM, Beebe, Roger W. beebe...@osu.edu wrote:

 I wonder if this might’ve been A1.  I used them for several years until
 they shut down.  My TB TX DANCE contact prints were done there and done
 well.

  …
 R.

  On Sep 23, 2014, at 4:07 PM, Jay Hudson jkh30...@gmail.com wrote:

  No, it was done there according to the student.  The processing was very
 good too, better than what Pac Lab usually did.

 On Tue, Sep 23, 2014 at 4:03 PM, David Tetzlaff djte...@gmail.com wrote:

  One of the students got Super 8 processed at some random photo place
 in the middle of Brooklyn.

  They almost certainly just shipped it out, probably to Pac Lab.

 On Tue, Sep 23, 2014 at 12:28 PM, Jay Hudson jkh30...@gmail.com wrote:

 Funny thing is, when I was working at Millennium, one of the students of
 the basic filmmaking class got Super 8 processed somewhere in the middle of
 Brooklyn. I never got the name and have never heard anything about it from
 other film makers.  I would love to try and find this place.  It was some
 random photo place.  Sound familiar to anybody?


 On Tue, Sep 23, 2014 at 1:35 PM, Matt Whitman i...@mawhitman.com
 wrote:

 Very disappointing to hear this. Perhaps as they sell their equipment a
 film/analog ally such as Mono No Aware, Millennium, or a colleague will
 pick up the equipment as a way to continue offering reversal film
 processing service in the NYC area - but this would be a lot to take on I
 am sure.


  On Sep 23, 2014, at 1:13 PM, Adam Levine alev...@amherst.edu wrote:

   They are closed for good- we use them for student work and they
 confirmed this yesterday.

 On Sep 22, 2014, at 4:55 PM, Matt Whitman i...@mawhitman.com wrote:

   if you call their phone number, there is a message that they are
 currently closed for maintenance. they keep pushing back the re-open date
 in the message though...

 // www.mawhitman.com
 // 610.416.4948

  On Sep 22, 2014, at 4:52 PM, Edward Choi wrote:

 I was under the impression that they had just closed temporarily to
 renovate their space?

  edo

 On Monday, September 22, 2014, Jay Hudson jkh30...@gmail.com wrote:

  Someone on Facebook said Pac Lab went under.  Any confirmation?

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[Frameworks] REVOIR -- a wish list for **NYC**

[r e]

Film can be so depressing these days - even black leader is being
discontinued.

Last night in bed [a dangerous place to think] I had the idea to start this
ongoing chain for NYC filmgoers -- a wish list of films we long to see
again; in hopes that a programmer will head our suggestions and make a few
of us happier. [Filmgoers in other cities should feel free to start their
own list.] I will begin. My faith might be restored [funny enough, as it
was sort of a religious commission] if I could see:

*Sunset*, Andy Warhol (USA), 1967, 33 min., 16mm film
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Re: [Frameworks] (no subject)

[r e]

On Sun, Nov 24, 2013 at 2:28 PM, Bernard Roddy rodd...@yahoo.com wrote:

 given a certain context of achievement, would indeed appear to be a
 failure, but in which . . tadaaa! . . the artist has moved beyond any such
 wanna-be status into a strange space occupied by a particular obsession


Hi there,

Trying to follow your train of thought. Seems like the technique of film
scratching might fall into the category of according to Hollywood, one
should avoid scratching film, but because of particular obsessions, people
do so. Paul Sharits, for one. And I would say his work expresses an
impatience of sorts, and that the tactility of the scratches (even through
visual perception) amplifies this immediacy.

Maybe its a start: http://www.bboptics.com/sound-strip-film-strip.html


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Re: [Frameworks] fwd: Longtime LES Resident And Warhol Star, Taylor Mead, Dies At 88

[r e]

;(
,
,
,






On Thu, May 9, 2013 at 8:48 PM, Eric Theise ericthe...@gmail.com wrote:

 Sad news. Still, 88 is a ripe old age, especially for a Superstar.

 http://gothamist.com/2013/05/09/taylor_mead.php#photo-6
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Re: [Frameworks] new critical studies film course in car culture

[r e]

Chen - I was going to suggest these two precisely - we have similar taste I
guess!


On Fri, Dec 14, 2012 at 7:54 PM, חן שינברג chen...@netvision.net.il wrote:

 Kustom Kar Kommandos by Kenneth Anger .1965

 Weekend by Jean Luc Godard. 1967


 Chen S


 נשלח מה-iPhone שלי

 ב-14 בדצמ 2012, בשעה 19:57, Bryan Konefsky bkonef...@gmail.com כתב/ה:


 Hello Frameworkers - I am in the early moments of developing a critical
 studies course that looks at different ways the automobile has been
 imagined in cinema.  To this end I'd love to hear from ya'll with titles of
 films that you think might be useful to explore/expand this idea and
 readings that might also dovetail themes that might be explored.

 Do know that my pal Antoni Pinent recently turned me on to a great text
 titled Car Fetish.

 OK, let's hear what ya got!
 best,
 --
 Bryan Konefsky
 director, Experiments in Cinema
 el presidente, Basement Films
 lecturer, Dept of Cinematic Arts UNM
 visiting lecturer, UCSC
 board of advisors, Ann Arbor Film Festival

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[Frameworks] super 8 repair person nyc - repost request...

[r e]

hi frameworks,

i was searching for a post that was passed around earlier this year about a
super 8 camera repair person in the nyc area. someone had a great
recommendation, but i've lost track of it. if anyone knows of the post and
can link me to it, i'd really appreciate it.

thanks for the help!

-r
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Re: [Frameworks] Kodak Is Selling Off Its Legendary Film Business [Photography]

[r e]

I have an idea. How about every member of frameworks chips in and we become
stake holders in the print film production division of Kodak. We can sell
shares at $100 a pop. I could do 10 shares and just eat ala Jack Smith for
awhile, 2 day old oatmeal. Watching my cholesterol anyway.

Anyone out there know if this is feasible?


On Fri, Aug 24, 2012 at 12:53 PM, 40 Frames i...@40frames.org wrote:


 From Jim Linder's post on AMIA (today)...

 Kodak has announced that it is selling other divisions including Consumer
 Film. Speculation is that this is due at least partially to low bids for
 the patents.

 http://online.wsj.com/article/SB1872396390444812704577607700939340864.html

 http://www.businessweek.com/news/2012-08-23/kodak-to-sell-imaging-units-as-patent-auction-continues

 But here is the biggie. According to this article Motion Picture Film is
 outside of the core and the article continues with a quote that suggests
 that the business may be up for sale. Page 2

 http://online.wsj.com/article/SB1872396390444812704577607700939340864.html


 --Alain




 On Fri, Aug 24, 2012 at 9:45 AM, 40 Frames i...@40frames.org wrote:



 On Fri, Aug 24, 2012 at 8:09 AM, Scott Dorsey klu...@panix.com wrote:


 The only hope for Kodak's film operation is for Kodak to split it off and
 get some people who actually understand film and the film market to run
 it.
 It's going to take some capital investment too... some of those long
 alleys
 are going to have to be split up and transformed into facilities more
 conducive
 to small production runs.  They are going to have to figure out how to
 make
 film in small runs and actually get that film to customers.


 I agree completely. The company needs to be broken up with motion picture
 being
 separated or bought by a company like Eastman Chemical.

 Perez, the board, and executive level management are stuffing their
 pockets with money
 through the sale of stock holdings and giving themselves raises and
 bonuses as the
 ship sinks.




 So, I am hoping this is a good thing.  If not, well, Fuji is making
 record
 profits today.



 True, we'll have Fuji and ORWO and maybe AGFA (print and sound films),
 but Kodak MP makes stocks
 in 16mm that are not available from these other companies. 7363 and 3374
 to name two. Though I believe
 AGFA still makes optical sound recording film in 16mm, getting it is cost
 prohibitive with minimum order
 requirements.

 I hope Kodak MP can survive in another form, but the current model needs
 to go.


 Alain


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 Alain LeTourneau
 Pam Minty

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 5232 North Williams Avenue
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 USA

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