Re: [Frameworks] two more

[Gene Youngblood]

It counts indeed. Thanks!

> On Mar 17, 2016, at 11:33 AM, Salise Hughes  wrote:
> 
> Does a TV series count? The Twilight Zone: Where is Everybody?
> 
> On Thu, Mar 10, 2016 at 2:43 PM, Gene Youngblood  > wrote:
> Friends, in the last couple of weeks you have generously assisted me in 
> finding films with certain content, like shadows, swings, and 360-degree 
> camera moves. They’re for two presentations I’m giving in San Francisco late 
> April, which I’ll tell you more about as the time approaches. Meanwhile, I 
> need two more:
> 
> 1. Empty city streets. “The World, Flesh, and the Devil” is an example, New 
> York without people.
> 
> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane Keaton 
> are really thinking as they talk with one another. I’m drawing a blank on 
> another, more recent, film with well known actors that has a similar scene. 
> My recollection is that it’s not necessarily intended to be humorous, but I 
> could be wrong about that. Any ideas about this or any film in which the 
> technique is used? It has to be text on screen, not voice-over “inner 
> monologue,” which text represents in these instances.
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com 
> https://mailman-mail5.webfaction.com/listinfo/frameworks 
> 
> 
> 
> 
> -- 
> Salise Hughes
> Artist, Filmmaker, Armchair Anthropologist
> 
> http://salisehughes.blogspot.com 
> https://vimeo.com/user1421998 
> 
> 
> 
> 
> ___
> FrameWorks mailing list
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> https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] two more

[Salise Hughes]

Does a TV series count? The Twilight Zone: Where is Everybody?

On Thu, Mar 10, 2016 at 2:43 PM, Gene Youngblood  wrote:

> Friends, in the last couple of weeks you have generously assisted me in
> finding films with certain content, like shadows, swings, and 360-degree
> camera moves. They’re for two presentations I’m giving in San Francisco
> late April, which I’ll tell you more about as the time approaches.
> Meanwhile, I need two more:
>
> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
> New York without people.
>
> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
> Keaton are really thinking as they talk with one another. I’m drawing a
> blank on another, more recent, film with well known actors that has a
> similar scene. My recollection is that it’s not necessarily intended to be
> humorous, but I could be wrong about that. Any ideas about this or any film
> in which the technique is used? It has to be text on screen, not voice-over
> “inner monologue,” which text represents in these instances.
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>



-- 
Salise Hughes
Artist, Filmmaker, Armchair Anthropologist

http://salisehughes.blogspot.com
https://vimeo.com/user1421998
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Re: [Frameworks] two more

[Francisco Torres]

50s sf movie  Five ' 1951

2016-03-17 14:21 GMT-04:00 Gene Youngblood :

> It counts indeed. Thanks!
>
> On Mar 17, 2016, at 11:33 AM, Salise Hughes 
> wrote:
>
> Does a TV series count? The Twilight Zone: Where is Everybody?
>
> On Thu, Mar 10, 2016 at 2:43 PM, Gene Youngblood 
> wrote:
>
>> Friends, in the last couple of weeks you have generously assisted me in
>> finding films with certain content, like shadows, swings, and 360-degree
>> camera moves. They’re for two presentations I’m giving in San Francisco
>> late April, which I’ll tell you more about as the time approaches.
>> Meanwhile, I need two more:
>>
>> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
>> New York without people.
>>
>> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
>> Keaton are really thinking as they talk with one another. I’m drawing a
>> blank on another, more recent, film with well known actors that has a
>> similar scene. My recollection is that it’s not necessarily intended to be
>> humorous, but I could be wrong about that. Any ideas about this or any film
>> in which the technique is used? It has to be text on screen, not voice-over
>> “inner monologue,” which text represents in these instances.
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
>
> --
> Salise Hughes
> Artist, Filmmaker, Armchair Anthropologist
>
> http://salisehughes.blogspot.com
> https://vimeo.com/user1421998
>
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] two more

[Jesse Malmed]

Ben Rivers - We The People
is a great *empty* streets film.

On Tue, Mar 15, 2016 at 8:27 PM, Gene Youngblood  wrote:

> Thanks Andy. A very imaginative piece.
>
> On Mar 15, 2016, at 3:19 PM, Andy Ditzler  wrote:
>
> A most astonishing empty-street film is James Nares' "Pendulum," filmed
> near the corner of Staple and Jay Streets in NYC, 1976. The occasional
> person or car is glimsped on the street as the titular pendulum swings to
> and fro, but for the most part the surprising emptiness of the Manhattan
> streets is crucial to the film's magical atmosphere.
>
> A pixleated excerpt, minus the section where the camera is attached to the
> pendulum, is here:
> http://www.nytimes.com/video/t-magazine/10001274396/pendulum.html
>
> Andy Ditzler
>
>
>
> Andy Ditzler
> Founder and curator, Film Love: www.filmlove.org
> Co-founder, John Q collective: www.johnq.org
>
>
>
> On Thu, Mar 10, 2016 at 5:43 PM, Gene Youngblood 
> wrote:
>
>> Friends, in the last couple of weeks you have generously assisted me in
>> finding films with certain content, like shadows, swings, and 360-degree
>> camera moves. They’re for two presentations I’m giving in San Francisco
>> late April, which I’ll tell you more about as the time approaches.
>> Meanwhile, I need two more:
>>
>> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
>> New York without people.
>>
>> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
>> Keaton are really thinking as they talk with one another. I’m drawing a
>> blank on another, more recent, film with well known actors that has a
>> similar scene. My recollection is that it’s not necessarily intended to be
>> humorous, but I could be wrong about that. Any ideas about this or any film
>> in which the technique is used? It has to be text on screen, not voice-over
>> “inner monologue,” which text represents in these instances.
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
*// // // J E S S E  M A L M E D *
505.690.7899 // jesse.mal...@gmail.com // live to tape

jessemalmed.net  // deep leap
 // nightingale
 // trunk
show  //
projective verse  // bad at sports
 // acre_tv  //
western pole 

*
Trunk
Show in Newcity
** / **JM
on WDCB ** /**
Live to Tape in the Reader

/ **Trunk Show in the Chicago Reader

/ JM in the Reader

/
Gapers Block

/ South Side Weekly
 / Chicago Tribune
Best of 2015
*







*3/4 — SELF-TITLED at ONION CITY 3/5 — Clay
Hickson for Trunk Show (Empty Bottle)
3/5 — Chicago and
Vicinity at Shane Campbell Gallery
3/10 — THAW
CHOIR, Links Hall Benefit
3/12 — UNTITLED (JUST
KIDDING) at the Madison Public Library
3/13
— THE FIERY PART OF FIRE (Cameron Gibson at the Nightingale
)*
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Re: [Frameworks] two more

[Gene Youngblood]

Thanks Andy. A very imaginative piece. 

> On Mar 15, 2016, at 3:19 PM, Andy Ditzler  wrote:
> 
> A most astonishing empty-street film is James Nares' "Pendulum," filmed near 
> the corner of Staple and Jay Streets in NYC, 1976. The occasional person or 
> car is glimsped on the street as the titular pendulum swings to and fro, but 
> for the most part the surprising emptiness of the Manhattan streets is 
> crucial to the film's magical atmosphere. 
> 
> A pixleated excerpt, minus the section where the camera is attached to the 
> pendulum, is here:
> http://www.nytimes.com/video/t-magazine/10001274396/pendulum.html 
> 
> 
> Andy Ditzler
> 
> 
> 
> Andy Ditzler
> Founder and curator, Film Love: www.filmlove.org 
> Co-founder, John Q collective: www.johnq.org 
> 
> 
> 
> On Thu, Mar 10, 2016 at 5:43 PM, Gene Youngblood  > wrote:
> Friends, in the last couple of weeks you have generously assisted me in 
> finding films with certain content, like shadows, swings, and 360-degree 
> camera moves. They’re for two presentations I’m giving in San Francisco late 
> April, which I’ll tell you more about as the time approaches. Meanwhile, I 
> need two more:
> 
> 1. Empty city streets. “The World, Flesh, and the Devil” is an example, New 
> York without people.
> 
> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane Keaton 
> are really thinking as they talk with one another. I’m drawing a blank on 
> another, more recent, film with well known actors that has a similar scene. 
> My recollection is that it’s not necessarily intended to be humorous, but I 
> could be wrong about that. Any ideas about this or any film in which the 
> technique is used? It has to be text on screen, not voice-over “inner 
> monologue,” which text represents in these instances.
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com 
> https://mailman-mail5.webfaction.com/listinfo/frameworks 
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] two more

[Andy Ditzler]

A most astonishing empty-street film is James Nares' "Pendulum," filmed
near the corner of Staple and Jay Streets in NYC, 1976. The occasional
person or car is glimsped on the street as the titular pendulum swings to
and fro, but for the most part the surprising emptiness of the Manhattan
streets is crucial to the film's magical atmosphere.

A pixleated excerpt, minus the section where the camera is attached to the
pendulum, is here:
http://www.nytimes.com/video/t-magazine/10001274396/pendulum.html

Andy Ditzler



Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org



On Thu, Mar 10, 2016 at 5:43 PM, Gene Youngblood  wrote:

> Friends, in the last couple of weeks you have generously assisted me in
> finding films with certain content, like shadows, swings, and 360-degree
> camera moves. They’re for two presentations I’m giving in San Francisco
> late April, which I’ll tell you more about as the time approaches.
> Meanwhile, I need two more:
>
> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
> New York without people.
>
> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
> Keaton are really thinking as they talk with one another. I’m drawing a
> blank on another, more recent, film with well known actors that has a
> similar scene. My recollection is that it’s not necessarily intended to be
> humorous, but I could be wrong about that. Any ideas about this or any film
> in which the technique is used? It has to be text on screen, not voice-over
> “inner monologue,” which text represents in these instances.
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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Re: [Frameworks] two more

[lindsay mcintyre]

fun disconnect between what's being said and text on screen:

Tape #158: Document 2B
Kandis Friesen and Nahed Mansour

great short film.


On Thu, Mar 10, 2016 at 8:13 PM, Luke Aspell  wrote:

>
> Geschichte, rather.
>
> On Fri, Mar 11, 2016 at 3:11 AM, Luke Aspell 
> wrote:
>
>>
>> For 1., Gerschicht der Nacht by Clemens Klopfenstein.
>>
>> On Thu, Mar 10, 2016 at 10:43 PM, Gene Youngblood 
>> wrote:
>>
>>> Friends, in the last couple of weeks you have generously assisted me in
>>> finding films with certain content, like shadows, swings, and 360-degree
>>> camera moves. They’re for two presentations I’m giving in San Francisco
>>> late April, which I’ll tell you more about as the time approaches.
>>> Meanwhile, I need two more:
>>>
>>> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
>>> New York without people.
>>>
>>> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
>>> Keaton are really thinking as they talk with one another. I’m drawing a
>>> blank on another, more recent, film with well known actors that has a
>>> similar scene. My recollection is that it’s not necessarily intended to be
>>> humorous, but I could be wrong about that. Any ideas about this or any film
>>> in which the technique is used? It has to be text on screen, not voice-over
>>> “inner monologue,” which text represents in these instances.
>>>
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>
>>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] two more

[Luke Aspell]

Geschichte, rather.

On Fri, Mar 11, 2016 at 3:11 AM, Luke Aspell  wrote:

>
> For 1., Gerschicht der Nacht by Clemens Klopfenstein.
>
> On Thu, Mar 10, 2016 at 10:43 PM, Gene Youngblood 
> wrote:
>
>> Friends, in the last couple of weeks you have generously assisted me in
>> finding films with certain content, like shadows, swings, and 360-degree
>> camera moves. They’re for two presentations I’m giving in San Francisco
>> late April, which I’ll tell you more about as the time approaches.
>> Meanwhile, I need two more:
>>
>> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
>> New York without people.
>>
>> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
>> Keaton are really thinking as they talk with one another. I’m drawing a
>> blank on another, more recent, film with well known actors that has a
>> similar scene. My recollection is that it’s not necessarily intended to be
>> humorous, but I could be wrong about that. Any ideas about this or any film
>> in which the technique is used? It has to be text on screen, not voice-over
>> “inner monologue,” which text represents in these instances.
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
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Re: [Frameworks] two more

[Luke Aspell]

For 1., Gerschicht der Nacht by Clemens Klopfenstein.

On Thu, Mar 10, 2016 at 10:43 PM, Gene Youngblood 
wrote:

> Friends, in the last couple of weeks you have generously assisted me in
> finding films with certain content, like shadows, swings, and 360-degree
> camera moves. They’re for two presentations I’m giving in San Francisco
> late April, which I’ll tell you more about as the time approaches.
> Meanwhile, I need two more:
>
> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
> New York without people.
>
> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
> Keaton are really thinking as they talk with one another. I’m drawing a
> blank on another, more recent, film with well known actors that has a
> similar scene. My recollection is that it’s not necessarily intended to be
> humorous, but I could be wrong about that. Any ideas about this or any film
> in which the technique is used? It has to be text on screen, not voice-over
> “inner monologue,” which text represents in these instances.
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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Re: [Frameworks] two more

[mary billyou]

For empty city streets in NYC:

Katrina Talking Pictures by Yvonne Rainer

On Thu, Mar 10, 2016 at 6:38 PM, Dave Tetzlaff  wrote:

> > Empty city streets.
>
> Force of Evil (Abraham Polonsky)
>
> 'I am Legend' and various similar post-apocalyptic films, e.g. '28 days
> later'. Also maybe the current TV shows 'The Walking Dead' and 'Last Man on
> Earth' (which i haven't seen…)
>
> ___
> FrameWorks mailing list
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>



-- 





www.marybillyou.com
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Re: [Frameworks] two more

[Dave Tetzlaff]

> Empty city streets.

Force of Evil (Abraham Polonsky)

'I am Legend' and various similar post-apocalyptic films, e.g. '28 days later'. 
Also maybe the current TV shows 'The Walking Dead' and 'Last Man on Earth' 
(which i haven't seen…)

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Re: [Frameworks] two more

[Francisco Torres]

the first sequence of west side story - nyc
the mouse that roared -nyc
the omega man - L.A.
the last man on earth - rome

2016-03-10 18:47 GMT-04:00 lagonaboba :

> 1.  The end of L’Eclisse
>
>
>
> On Mar 10, 2016, at 5:43 PM, Gene Youngblood  wrote:
>
> > Friends, in the last couple of weeks you have generously assisted me in
> finding films with certain content, like shadows, swings, and 360-degree
> camera moves. They’re for two presentations I’m giving in San Francisco
> late April, which I’ll tell you more about as the time approaches.
> Meanwhile, I need two more:
> >
> > 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
> New York without people.
> >
> > 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
> Keaton are really thinking as they talk with one another. I’m drawing a
> blank on another, more recent, film with well known actors that has a
> similar scene. My recollection is that it’s not necessarily intended to be
> humorous, but I could be wrong about that. Any ideas about this or any film
> in which the technique is used? It has to be text on screen, not voice-over
> “inner monologue,” which text represents in these instances.
> >
> >
> > ___
> > FrameWorks mailing list
> > FrameWorks@jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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Re: [Frameworks] two more

[lagonaboba]

1.  The end of L’Eclisse



On Mar 10, 2016, at 5:43 PM, Gene Youngblood  wrote:

> Friends, in the last couple of weeks you have generously assisted me in 
> finding films with certain content, like shadows, swings, and 360-degree 
> camera moves. They’re for two presentations I’m giving in San Francisco late 
> April, which I’ll tell you more about as the time approaches. Meanwhile, I 
> need two more:
> 
> 1. Empty city streets. “The World, Flesh, and the Devil” is an example, New 
> York without people.
> 
> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane Keaton 
> are really thinking as they talk with one another. I’m drawing a blank on 
> another, more recent, film with well known actors that has a similar scene. 
> My recollection is that it’s not necessarily intended to be humorous, but I 
> could be wrong about that. Any ideas about this or any film in which the 
> technique is used? It has to be text on screen, not voice-over “inner 
> monologue,” which text represents in these instances.
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks

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[Frameworks] two more

[Gene Youngblood]

Friends, in the last couple of weeks you have generously assisted me in finding 
films with certain content, like shadows, swings, and 360-degree camera moves. 
They’re for two presentations I’m giving in San Francisco late April, which 
I’ll tell you more about as the time approaches. Meanwhile, I need two more:

1. Empty city streets. “The World, Flesh, and the Devil” is an example, New 
York without people.

2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane Keaton are 
really thinking as they talk with one another. I’m drawing a blank on another, 
more recent, film with well known actors that has a similar scene. My 
recollection is that it’s not necessarily intended to be humorous, but I could 
be wrong about that. Any ideas about this or any film in which the technique is 
used? It has to be text on screen, not voice-over “inner monologue,” which text 
represents in these instances.


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