Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-25 Thread John MacKay
Hi Jaime,

and of course, please cite as you'd like!

Your second question is tricky: I wrote this piece up for a guidebook to
Russian cinema, but it was rejected (as too complex), so I just decided to
get it up on the web anyway. It's the only piece on MWMC that seriously
integrates archival material, to my knowledge, but touches on only some of
the film's many aspects. To answer more directly, though: writing it took
very little time, but I've been researching Vertov for over a decade.

The new book (which I'm finishing now) is a critical biography that
addresses all periods of his life and work, and Vertov reception as well;
I've published a lot on Vertov already. Send on any other questions you
might have, and good luck with the paper!
Yours,
John

On Tue, Nov 25, 2014 at 3:15 PM, jaime cleeland 
wrote:

> John, thank you for that link.  Is it possible that I quote from it ?  I
> am a undergrad student at Bangor University, Wales.  The paper is for an
> assignment for a class on documentary theory.
> Secondly, can I ask you how long did it take you to research and write
> your paper ?  I am interested because I see that there is much original
> thought that carries the work.
> Thirdly, what is your new book ?
>
> Jaime
>
>
>   On Monday, 24 November 2014, 17:57, John MacKay 
> wrote:
>
>
> Self-reflexivity in Vertov is a very complex topic, not least in relation
> to the questions of how and when he ended up taking recourse to
> self-reflexivity, and why he never thematizes it in his manifesta and other
> theoretical writings. I've got a lot about this in my upcoming book on
> Vertov, but here's something that looks at the film and its reflexivity
> from a somewhat different angle:
>
> https://www.academia.edu/4090580/_Man_with_a_Movie_Camera_An_Introduction_
>
> On Mon, Nov 24, 2014 at 11:19 AM, Francisco Torres 
> wrote:
>
> ''...the reflexive mode'' - that seems to apply to documentaries, and
> TMWAMC may not be a documentary but something else. Maybe something like an
> essay
>
>
> 2014-11-23 20:48 GMT-04:00 Jonathan Walley :
>
> I’m not sure anything’s ever been written about DV/MWMC that *didn’t*
> address his/its reflexivity. Any source you consult will have something to
> say about it. Some recommended sources include:
>
> http://www.ucpress.edu/book.php?isbn=9780520056305
> http://ukcatalogue.oup.com/product/9780199388707.do
> http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC
>
> This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to
> work with.
> JW
>
> Dr. Jonathan Walley
> Associate Professor
> Department of Cinema
> Denison University
> wall...@denison.edu
>
>
> On Nov 23, 2014, at 4:08 PM, jaime cleeland  wrote:
>
> Hello,  I am writing an academic essay about 'Man with the Movie Camera'
> .  Any pointers on the reflexive mode within the film would be helpful.
>
> Jaime
> ___
> FrameWorks mailing list
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>
>
>
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>
>
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>
>
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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-25 Thread Benjamin Léon
Hi Jaime,

You can find an interesting analysis/interpretation about "Man with a Movie
Camera" in the first chapter/introduction of "The Language of New Media" by
Lev Manovich. It's an archaeological media approach with a new point of
view of Cinema History. Manovich uses "Man with a Movie Camera" as a
"starting point" for his epistemology. Despite a systematically and a
methodically approach (it's not my way of thinking), there's some great
notes about the film, especially his "reflexivity aspects".

*Cf. "The Language of New Media" by Lev Manovich / Prologue: Vertov's
Dataset. *

Regards,

2014-11-24 19:26 GMT+01:00 Caryn Cline :

> I don't have the book in hand, and it has been awhile since I read it, but
> I believe that there is also a useful discussion on Vertov and MWMC in
> Robert Stam's Reflexivity in Film and Literature: From Don Quixote to
> Jean-Luc Godard.
>
> Best,
>
> CC
>
> On Mon, Nov 24, 2014 at 9:28 AM, John MacKay 
> wrote:
>
>> Self-reflexivity in Vertov is a very complex topic, not least in relation
>> to the questions of how and when he ended up taking recourse to
>> self-reflexivity, and why he never thematizes it in his manifesta and other
>> theoretical writings. I've got a lot about this in my upcoming book on
>> Vertov, but here's something that looks at the film and its reflexivity
>> from a somewhat different angle:
>>
>> https://www.academia.edu/4090580/_Man_with_a_Movie_Camera_An_Introduction_
>>
>> On Mon, Nov 24, 2014 at 11:19 AM, Francisco Torres 
>> wrote:
>>
>>> ''...the reflexive mode'' - that seems to apply to documentaries, and
>>> TMWAMC may not be a documentary but something else. Maybe something like an
>>> essay
>>>
>>>
>>> 2014-11-23 20:48 GMT-04:00 Jonathan Walley :
>>>
>>> I’m not sure anything’s ever been written about DV/MWMC that *didn’t*
 address his/its reflexivity. Any source you consult will have something to
 say about it. Some recommended sources include:

 http://www.ucpress.edu/book.php?isbn=9780520056305
 http://ukcatalogue.oup.com/product/9780199388707.do
 http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC

 This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots
 to work with.
 JW

 Dr. Jonathan Walley
 Associate Professor
 Department of Cinema
 Denison University
 wall...@denison.edu


 On Nov 23, 2014, at 4:08 PM, jaime cleeland 
 wrote:

 Hello,  I am writing an academic essay about 'Man with the Movie
 Camera' .  Any pointers on the reflexive mode within the film would be
 helpful.

 Jaime
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> --
> Caryn Cline
> Experimental Filmmaker & Teacher
> vimeo.com/carynyc
> Co-producer & cinematographer, *Acts of Witness*
> www.actsofwitness.com
>
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
*Benjamin Léon *



Benjamin Léon
Ph.D Candidate in Film and Visual Studies
Ed 267 "Arts et Médias"
Université Sorbonne Nouvelle - Paris 3
benjamin.l...@univ-paris3.fr
FR + 33 (0)6 28 07 18 00
Skype : benjil75
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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-25 Thread jaime cleeland
John, thank you for that link.  Is it possible that I quote from it ?  I am a 
undergrad student at Bangor University, Wales.  The paper is for an assignment 
for a class on documentary theory.Secondly, can I ask you how long did it take 
you to research and write your paper ?  I am interested because I see that 
there is much original thought that carries the work.Thirdly, what is your new 
book ?
Jaime
 

 On Monday, 24 November 2014, 17:57, John MacKay  
wrote:
   

 Self-reflexivity in Vertov is a very complex topic, not least in relation to 
the questions of how and when he ended up taking recourse to self-reflexivity, 
and why he never thematizes it in his manifesta and other theoretical writings. 
I've got a lot about this in my upcoming book on Vertov, but here's something 
that looks at the film and its reflexivity from a somewhat different angle: 
https://www.academia.edu/4090580/_Man_with_a_Movie_Camera_An_Introduction_

On Mon, Nov 24, 2014 at 11:19 AM, Francisco Torres  wrote:

''...the reflexive mode'' - that seems to apply to documentaries, and TMWAMC 
may not be a documentary but something else. Maybe something like an essay 


2014-11-23 20:48 GMT-04:00 Jonathan Walley :

I’m not sure anything’s ever been written about DV/MWMC that didn’t address 
his/its reflexivity. Any source you consult will have something to say about 
it. Some recommended sources include:
http://www.ucpress.edu/book.php?isbn=9780520056305http://ukcatalogue.oup.com/product/9780199388707.dohttp://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC
This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to work 
with.JW
Dr. Jonathan Walley
Associate Professor
Department of Cinema
Denison University
wall...@denison.edu


On Nov 23, 2014, at 4:08 PM, jaime cleeland  wrote:

Hello,  I am writing an academic essay about 'Man with the Movie Camera' .  Any 
pointers on the reflexive mode within the film would be helpful.
Jaime
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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-24 Thread Caryn Cline
I don't have the book in hand, and it has been awhile since I read it, but
I believe that there is also a useful discussion on Vertov and MWMC in
Robert Stam's Reflexivity in Film and Literature: From Don Quixote to
Jean-Luc Godard.

Best,

CC

On Mon, Nov 24, 2014 at 9:28 AM, John MacKay  wrote:

> Self-reflexivity in Vertov is a very complex topic, not least in relation
> to the questions of how and when he ended up taking recourse to
> self-reflexivity, and why he never thematizes it in his manifesta and other
> theoretical writings. I've got a lot about this in my upcoming book on
> Vertov, but here's something that looks at the film and its reflexivity
> from a somewhat different angle:
>
> https://www.academia.edu/4090580/_Man_with_a_Movie_Camera_An_Introduction_
>
> On Mon, Nov 24, 2014 at 11:19 AM, Francisco Torres 
> wrote:
>
>> ''...the reflexive mode'' - that seems to apply to documentaries, and
>> TMWAMC may not be a documentary but something else. Maybe something like an
>> essay
>>
>>
>> 2014-11-23 20:48 GMT-04:00 Jonathan Walley :
>>
>> I’m not sure anything’s ever been written about DV/MWMC that *didn’t*
>>> address his/its reflexivity. Any source you consult will have something to
>>> say about it. Some recommended sources include:
>>>
>>> http://www.ucpress.edu/book.php?isbn=9780520056305
>>> http://ukcatalogue.oup.com/product/9780199388707.do
>>> http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC
>>>
>>> This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots
>>> to work with.
>>> JW
>>>
>>> Dr. Jonathan Walley
>>> Associate Professor
>>> Department of Cinema
>>> Denison University
>>> wall...@denison.edu
>>>
>>>
>>> On Nov 23, 2014, at 4:08 PM, jaime cleeland 
>>> wrote:
>>>
>>> Hello,  I am writing an academic essay about 'Man with the Movie Camera'
>>> .  Any pointers on the reflexive mode within the film would be helpful.
>>>
>>> Jaime
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
Caryn Cline
Experimental Filmmaker & Teacher
vimeo.com/carynyc
Co-producer & cinematographer, *Acts of Witness*
www.actsofwitness.com
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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-24 Thread John MacKay
Self-reflexivity in Vertov is a very complex topic, not least in relation
to the questions of how and when he ended up taking recourse to
self-reflexivity, and why he never thematizes it in his manifesta and other
theoretical writings. I've got a lot about this in my upcoming book on
Vertov, but here's something that looks at the film and its reflexivity
from a somewhat different angle:

https://www.academia.edu/4090580/_Man_with_a_Movie_Camera_An_Introduction_

On Mon, Nov 24, 2014 at 11:19 AM, Francisco Torres 
wrote:

> ''...the reflexive mode'' - that seems to apply to documentaries, and
> TMWAMC may not be a documentary but something else. Maybe something like an
> essay
>
>
> 2014-11-23 20:48 GMT-04:00 Jonathan Walley :
>
> I’m not sure anything’s ever been written about DV/MWMC that *didn’t*
>> address his/its reflexivity. Any source you consult will have something to
>> say about it. Some recommended sources include:
>>
>> http://www.ucpress.edu/book.php?isbn=9780520056305
>> http://ukcatalogue.oup.com/product/9780199388707.do
>> http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC
>>
>> This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to
>> work with.
>> JW
>>
>> Dr. Jonathan Walley
>> Associate Professor
>> Department of Cinema
>> Denison University
>> wall...@denison.edu
>>
>>
>> On Nov 23, 2014, at 4:08 PM, jaime cleeland 
>> wrote:
>>
>> Hello,  I am writing an academic essay about 'Man with the Movie Camera'
>> .  Any pointers on the reflexive mode within the film would be helpful.
>>
>> Jaime
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-24 Thread Francisco Torres
''...the reflexive mode'' - that seems to apply to documentaries, and
TMWAMC may not be a documentary but something else. Maybe something like an
essay


2014-11-23 20:48 GMT-04:00 Jonathan Walley :

> I’m not sure anything’s ever been written about DV/MWMC that *didn’t*
> address his/its reflexivity. Any source you consult will have something to
> say about it. Some recommended sources include:
>
> http://www.ucpress.edu/book.php?isbn=9780520056305
> http://ukcatalogue.oup.com/product/9780199388707.do
> http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC
>
> This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to
> work with.
> JW
>
> Dr. Jonathan Walley
> Associate Professor
> Department of Cinema
> Denison University
> wall...@denison.edu
>
>
> On Nov 23, 2014, at 4:08 PM, jaime cleeland  wrote:
>
> Hello,  I am writing an academic essay about 'Man with the Movie Camera'
> .  Any pointers on the reflexive mode within the film would be helpful.
>
> Jaime
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-23 Thread Greg DeCuir
And though it seems to have been forgotten, Vlada Petric's monograph on the 
film is the ideal primary source. Cambridge even recently put out a second 
edition.
Constructivism in Film A Cinematic Analysis The Man with the Movie Camera | 
Media, mass communication

Greg de Cuir, JrSelector/Curator, Alternative Film/Video Belgrade
  From: Jonathan Walley 
 To: jaime cleeland ; Experimental Film Discussion List 
 
 Sent: Monday, November 24, 2014 1:48 AM
 Subject: Re: [Frameworks] reflexivity and Dziga Vertov
   
I’m not sure anything’s ever been written about DV/MWMC that didn’t address 
his/its reflexivity. Any source you consult will have something to say about 
it. Some recommended sources include:
http://www.ucpress.edu/book.php?isbn=9780520056305http://ukcatalogue.oup.com/product/9780199388707.dohttp://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC
This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to work 
with.JW
Dr. Jonathan Walley
Associate Professor
Department of Cinema
Denison University
wall...@denison.edu




On Nov 23, 2014, at 4:08 PM, jaime cleeland  wrote:

Hello,  I am writing an academic essay about 'Man with the Movie Camera' .  Any 
pointers on the reflexive mode within the film would be helpful.
Jaime
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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-23 Thread Jonathan Walley
I’m not sure anything’s ever been written about DV/MWMC that didn’t address 
his/its reflexivity. Any source you consult will have something to say about 
it. Some recommended sources include:

http://www.ucpress.edu/book.php?isbn=9780520056305
http://ukcatalogue.oup.com/product/9780199388707.do
http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC

This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to work 
with.
JW

Dr. Jonathan Walley
Associate Professor
Department of Cinema
Denison University
wall...@denison.edu


On Nov 23, 2014, at 4:08 PM, jaime cleeland  wrote:

> Hello,  I am writing an academic essay about 'Man with the Movie Camera' .  
> Any pointers on the reflexive mode within the film would be helpful.
> 
> Jaime
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] reflexivity and Dziga Vertov

2014-11-23 Thread Gene Youngblood
read Vlada Petric, “Constructivism in Film”

From: jaime cleeland 
Sent: Sunday, November 23, 2014 2:08 PM
To: frameworks@jonasmekasfilms.com 
Subject: [Frameworks] reflexivity and Dziga Vertov

Hello,  I am writing an academic essay about 'Man with the Movie Camera' .  Any 
pointers on the reflexive mode within the film would be helpful.

Jaime




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