Re: Re: [Gimp-user] Gimp and prepress functions

2004-03-24 Thread Sven Neumann
Hi,

Jean-Luc Coulon (f5ibh) [EMAIL PROTECTED] writes:

 GIMP 2.0 comes with a color proof display filter that uses ICC color
 profiles to simulate a proof on your monitor. Support for such filters
 is new in 2.0 and for the future it is planned to integrate display
 filter modules better into the workflow.
 
 
 I've used the colour proof display filter with profiles I built with an  
 eye one spectrophotometer from GretagMacbeth. This allows be at least  
 to have the right colours on the screen while the photos I get from my  
 digital slr camera. This is one step in the right direction. But only  
 the display is affected: the output is left unmodified.

There's also things going into that direction. There are two enhanced
TIFF plug-ins that work with color profiles and we will look to get
this functionality included in the GIMP distribution.

For the more long-term future, support for other colorspaces than RGB
and for more color-depth than 8bit/channel is planned and is actually
already being worked on.


Sven
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Re : Re : [Gimp-user] Gimp and prepress functions

2004-03-24 Thread Jean-Luc Coulon (f5ibh)
Le 24.03.2004 14:28, Sven Neumann a écrit :
Hi,

Jean-Luc Coulon (f5ibh) [EMAIL PROTECTED] writes:

GIMP 2.0 comes with a color proof display filter that uses ICC  
color
profiles to simulate a proof on your monitor. Support for such
filters
is new in 2.0 and for the future it is planned to integrate display
filter modules better into the workflow.

I've used the colour proof display filter with profiles I built with
an
eye one spectrophotometer from GretagMacbeth. This allows be at  
least

to have the right colours on the screen while the photos I get from
my
digital slr camera. This is one step in the right direction. But  
only

the display is affected: the output is left unmodified.
There's also things going into that direction. There are two enhanced
TIFF plug-ins that work with color profiles and we will look to get
this functionality included in the GIMP distribution.
For the more long-term future, support for other colorspaces than RGB
and for more color-depth than 8bit/channel is planned and is actually
already being worked on.
Sven

That is good news.
- As my camera support 12bits depth there will be more dynamic range to  
do the post-processing (together with dcraw from Dave Coffin).
- When I ask for prints to colormailer pro service they ask to have the  
colour space embedded in the file otherwise the pictures are  
interpreted by the lab and there is some colour shift.

--
Regards
- Jean-Luc

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[Gimp-user] Gimp and prepress functions

2004-03-23 Thread John Culleton
I recognize that Gimp is web-centric, and that enhanced 
prepress capabilities are somewhere in the future. However 
some of us do use Gimp for images ending up on the printed 
page. And critics of Gimp and Open Source software in 
general jump on prepress issues as a point of criticism. 

In addition to CMYK the issue of ICC color profiles has been 
raised.  Photoshop offers several profiles for e.g., coated 
paper, uncoated paper and so on. It is clumsy to develop in 
Gimp, and then transfer to Photoshop just for profiling. 
What are the prospects of doing something in this area? Is 
any of it on the agenda?
-- 
John Culleton
Able Typesetters and Indexers
http://wexfordpress.com
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Re: [Gimp-user] Gimp and prepress functions

2004-03-23 Thread Kelly Martin
John Culleton wrote:

I recognize that Gimp is web-centric, and that enhanced 
prepress capabilities are somewhere in the future. However 
some of us do use Gimp for images ending up on the printed 
page. And critics of Gimp and Open Source software in 
general jump on prepress issues as a point of criticism. 

In addition to CMYK the issue of ICC color profiles has been 
raised.  Photoshop offers several profiles for e.g., coated 
paper, uncoated paper and so on. It is clumsy to develop in 
Gimp, and then transfer to Photoshop just for profiling. 
What are the prospects of doing something in this area? Is 
any of it on the agenda?
Someone would have to develop the profiles.  The way Photoshop does it is by 
buying printers and doing test prints and gathering colorimetric data.  The GIMP 
developers are short on people who have access to colorimetry labs, not to 
mention lots of printers.

A lot of the processes that go into prepress are tied up in patent and trade 
secret law.  Getting those processes into the GIMP will be no easy task.

Kelly

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Re: [Gimp-user] Gimp and prepress functions

2004-03-23 Thread David Burren

Kelly Martin [EMAIL PROTECTED] wrote:

 Someone would have to develop the profiles.  The way Photoshop
 does it is by buying printers and doing test prints and gathering
 colorimetric data.  The GIMP developers are short on people who
 have access to colorimetry labs, not to mention lots of printers.
 
 A lot of the processes that go into prepress are tied up in patent
 and trade secret law.  Getting those processes into the GIMP will
 be no easy task.

This is a furphy.  Generating the profiles is quite different from
using them.  There are existing libraries (e.g. lcms) to convert
between colour spaces (defined by profiles) and there's even a Gimp
plug-in to do this.  There is even software for generating profiles
for printers/scanners/etc (not part of the Gimp, but it doesn't have
to be).

For accurate colour work you typically need to profile your own
devices, as each has a slightly different colour response (e.g. for
a printer it depends on the driver settings, the ink, and the paper
choices).  Monitors in particular constantly change their behaviour
and need to be reprofiled regularly.  Good print labs profile their
devices and provide the profiles to their clients.
It's not up to the Gimp to generate profiles, it's up to the Gimp
to use them.

Unfortunately Gimp has a way to go before it has a concept of your
monitor colour space (and dynamically converting displayed images
into that colour space) and a colour space for each image.  This
is something that Photoshop (and most of the other Adobe software)
does very well.  The Gimp has a plain model where there is only one
colour space: your monitor's.  Everything is dealt with as just RGB
(disregarding the HSV/etc composition/decomposition feature) and
sent to your monitor as-is.  I think a more-sophisticated model is
required to support a colour-managed workflow (and things like
16-bit support, CMYK, L*a*b, etc are just part of that).

Other projects like CinePaint (nee FilmGimp) are making progress
on this.  Hopefully the Gimp will catch up.  But I don't think
patent and trade secret law has much to do with it.
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Re: [Gimp-user] Gimp and prepress functions

2004-03-23 Thread Sven Neumann
Hi,

John Culleton [EMAIL PROTECTED] writes:

 In addition to CMYK the issue of ICC color profiles has been 
 raised.  Photoshop offers several profiles for e.g., coated 
 paper, uncoated paper and so on. It is clumsy to develop in 
 Gimp, and then transfer to Photoshop just for profiling. 
 What are the prospects of doing something in this area? Is 
 any of it on the agenda?

GIMP 2.0 comes with a color proof display filter that uses ICC color
profiles to simulate a proof on your monitor. Support for such filters
is new in 2.0 and for the future it is planned to integrate display
filter modules better into the workflow.


Sven
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Re: [Gimp-user] Gimp and prepress functions

2004-03-23 Thread Kelly Martin
David Burren wrote:

and need to be reprofiled regularly.  Good print labs profile their
devices and provide the profiles to their clients.
It's not up to the Gimp to generate profiles, it's up to the Gimp
to use them.
My gf used to work for a large prepress company.  They spent a lot of money 
generating and validating matching profiles, and they're not going to just give 
them to anyone.  If you want them, you pay for them.

That's where the trade secret law comes in.

Kelly

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Re: [Gimp-user] Gimp and prepress functions

2004-03-23 Thread Kevin Myers
In my recent experience, ICC (or ICM or both?) profiles are included with a
lot of newer hardware, and/or they can be downloaded from the manufacturer's
web sites.  That seems to be increasingly prevelant, at least as far as
devices with Windows support are concerned.  I don't know much about these
profiles, but it appears that these can be used across multiple
applications.  Under Windows, files with .icc and .icm extensions are
normally installed under the %windir%\system32\spool\drivers\color
directory.  Right now, there are about 50 of those files installed on one of
my machines, including a significant number that appear to be for hardware
that I don't even own.

My first conclusion is that a signifcant number of color profiles appear to
now be either included with hardware (such as monitors, scanners, and
printers), included with various applications (e.g Corel Draw), and/or
included with the Windows OS.  My second conclusion is that it seems
reasonable that the Gimp *might* be able to use these, since they don't
appear to be application-specific.  However, I don't know anything about the
format or content of those files, nor how to go about selecting and using
the profile that is appropriate for a particular device.  So, I don't know
whether these same files might be usable under Linux for example, nor how
difficult it might be to enable use of them from the gimp.  Mainly I just
wanted to offer these observations in case they might be applicable to the
availability issue.

s/KAM


- Original Message - 
From: Kelly Martin [EMAIL PROTECTED]
To: David Burren [EMAIL PROTECTED]
Cc: John Culleton [EMAIL PROTECTED]; GIMPUser
[EMAIL PROTECTED]
Sent: Tuesday, March 23, 2004 7:10 PM
Subject: Re: [Gimp-user] Gimp and prepress functions


 David Burren wrote:

  and need to be reprofiled regularly.  Good print labs profile their
  devices and provide the profiles to their clients.
  It's not up to the Gimp to generate profiles, it's up to the Gimp
  to use them.

 My gf used to work for a large prepress company.  They spent a lot of
money
 generating and validating matching profiles, and they're not going to just
give
 them to anyone.  If you want them, you pay for them.

 That's where the trade secret law comes in.

 Kelly

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Re: [Gimp-user] Gimp and prepress functions

2004-03-23 Thread David Burren

Kelly Martin [EMAIL PROTECTED] wrote:
 
 My gf used to work for a large prepress company.  They spent a
 lot of money generating and validating matching profiles, and
 they're not going to just give them to anyone.  If you want them,
 you pay for them.

This is silly.  The profiles would be for their specific machines,
and would be useless with anyone else's (even with the same make
hardware, as the knobs and dials would probably not be in standard
positions).  The choice of ink and paper stock are also factors.
I'm not saying the prepress company wouldn't do it, just that I
think it would be a completely silly reason for not supplying the
target profile.

Even if they did not want to provide the final profiles, if they
want any chance of supporting a digital colour-managed workflow
they would have to accept files tagged with other profiles (e.g.
AdobeRGB, sRGB, ProPhotoRGB, various CMYK colour spaces, etc) and
do the conversion in-house.

One of the labs I deal with has its own intermediate colour space
that it gets us to convert to, so internally they can manage the
choice of printer/paper/etc for each job and update the target
profiles whenever they calibrate the machines (without having to
send them out to all the clients).

Those intermediate colour spaces should be available to the Gimp
(although there _are_ copyright considerations with the profiles).
The format of these ICC profiles is defined in a standard, and the
lcms library already knows how to deal with them.

Cheers
__
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Re: [Gimp-user] Gimp and prepress functions

2004-03-23 Thread Kelly Martin
David Burren wrote:

This is silly.  The profiles would be for their specific machines,
and would be useless with anyone else's (even with the same make
hardware, as the knobs and dials would probably not be in standard
positions).  The choice of ink and paper stock are also factors.
I'm not saying the prepress company wouldn't do it, just that I
think it would be a completely silly reason for not supplying the
target profile.
Indeed.  Their clients (Fortune 500 companies, every last one of them) pay 
dearly for them to develop exact color matching profiles that match the specific 
printing presses, stock, and inks they use.

Kelly

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Re : [Gimp-user] Gimp and prepress functions

2004-03-23 Thread Jean-Luc Coulon (f5ibh)
Le 24.03.2004 01:59, Sven Neumann a écrit :
Hi,

John Culleton [EMAIL PROTECTED] writes:

In addition to CMYK the issue of ICC color profiles has been
raised.  Photoshop offers several profiles for e.g., coated
paper, uncoated paper and so on. It is clumsy to develop in
Gimp, and then transfer to Photoshop just for profiling.
What are the prospects of doing something in this area? Is
any of it on the agenda?
GIMP 2.0 comes with a color proof display filter that uses ICC color
profiles to simulate a proof on your monitor. Support for such filters
is new in 2.0 and for the future it is planned to integrate display
filter modules better into the workflow.
I've used the colour proof display filter with profiles I built with an  
eye one spectrophotometer from GretagMacbeth. This allows be at least  
to have the right colours on the screen while the photos I get from my  
digital slr camera. This is one step in the right direction. But only  
the display is affected: the output is left unmodified.

There is also the need (with digital photography in mind and this is a  
growing usage of tools like The Gimp) to work in a given colour space  
(i.e. sRGB or Adobe RBG 1998) and the used colour space should be  
included in the final picture ready to prints: most of the labs need  
this information so that you get the picture unmodified. Without the  
colour space information, most of the time, the colours are shifted and  
your work is ruined.

Sven


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[Gimp-user] gimp and prepress

2001-10-09 Thread John culleton

The books all admit that Gimp is too weak to compete in the world of color 
prepress work with the likes of Photoshop. Is there a currrent effort to 
strengthen Gimp in this area? Or is it just to far a stretch?

John Culleton
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Re: [Gimp-user] gimp and prepress

2001-10-09 Thread Rebecca J. Walter

On Tue, 2001-10-09 at 16:28, John culleton wrote:
 The books all admit that Gimp is too weak to compete in the world of color 
 prepress work with the likes of Photoshop. Is there a currrent effort to 
 strengthen Gimp in this area? Or is it just to far a stretch?

From what I understand, is that it is a lot of patent issues.  There
isn't the right stuff available to base GIMP stuff on.  Or something
like that.  A smart developer could explain it better.


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Re: [Gimp-user] gimp and prepress

2001-10-09 Thread Rebecca J. Walter

On Tue, 2001-10-09 at 16:28, John culleton wrote:
 The books all admit that Gimp is too weak to compete in the world of color 
 prepress work with the likes of Photoshop. Is there a currrent effort to 
 strengthen Gimp in this area? Or is it just to far a stretch?

From what I understand, is that it is a lot of patent issues.  There
isn't the right stuff available to base GIMP stuff on.  Or something
like that.  A smart developer could explain it better.


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Re: [Gimp-user] Gimp and prepress

2001-09-15 Thread John culleton

On Friday 14 September 2001 10:02, you wrote:
 On Thu, Sep 13, 2001 at 01:50:27PM -0400, John culleton wrote:
  I know that Gimp is considered relatively weak in the prepress area. So I
  pose the following questions:
 
  If an image is created in Gimp, converted at the end to CMYK, and saved
  as an EPS file, is the result acceptable for prepress use?

 Converted at the end to CMYK by what? GIMP can't make acceptable
 separations.

 Zach

Good point. However I have submitted to my customer and indirectly to a press 
a PS document with spot color described in CMYK terms and they could handle 
it. CMYK is one thing, color separations another.  

I am not running a print shop. I submit to print shops. If the print shop 
can't handle my PS file with gimp-produced CMYK eps files then I am in 
trouble. If they can make their own separations from my material then I am OK.

So in this context, what are your thoughts?

John Culleton
WexfordPress
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