Re: [h-cost] seeking help on constructing a mantua

2011-05-24 Thread appin1

I made a mantua a few years back, before the Reconstructing History pattern 
came out. I had 3 books that featured a mantua and had a layout of the dress, 
showing the fold lines. I used a regular dress pattern that fit me and overlaid 
the mantua layout on that. Since it's all draped, pinned, and sewn, rather than 
cut, I actually  had all 3 books laid out next to one another on my ironing 
board while I did the pinning and fitting. It turned out beautifully, but it 
was the hardest garment I've ever made.  

I recently bought the RC pattern and took out the pattern to made another 
mantua. Frankly, I couldn't figure the pattern out; the layout made no sense to 
me; and the instructions didn't help. 

So, I think what works best for me might not work for others, but I couldn't 
visualize how the pattern worked, but I COULD look at the diagrams in the books 
and figure out how those worked. And I work from patterns, and don't drape.

PS. Since I'm at work answering this, I don't have the books on hand, but if 
you want the information, I can look them up later today. I believe one was 
The Cut of Women's Clothes. 

Kathleen Norvell




-Original Message-
From: Deb Salisbury, the Mantua-Maker d...@mantua-maker.com
To: h-costume h-costume@mail.indra.com
Sent: Mon, May 23, 2011 11:35 pm
Subject: [h-cost] seeking help on constructing a mantua


I'm passing this request on for Kerry.  If you can help her, please contact 
er at wkmda...@hdo.net
-
 am desperately seeking help on constructing a mantua (1680's).  Have you 
ny experience or know of anyone who has made this type of garment? I have 
ried Reconstructing History's pattern but it hasn't been very user 
riendly (to me) and I am getting very discouraged.
Yes, we have talked to the pattern makers at Reconstructing History but 
hey, too, have realized some discrepancies in pattern 
irections/instructions.  I just thought I'd see if I could find someone 
lse who might have created this kind of garment so as to get a different 
erspective or learn from their experience.
I would appreciate your offer of furthering my email onto your costume list 
o see what we might be able to find out.
ny assistance you can give me would be greatly appreciated.
Kerry 
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Re: [h-cost] loose gown

2011-05-23 Thread appin1
I believe they are dancing a tourdion. It looks like  a galliard, but moving 
like a processional. 


Kathleen Norvell


-Original Message-
From: albertcat albert...@aol.com
To: h-costume h-cost...@indra.com
Sent: Mon, May 23, 2011 3:23 pm
Subject: Re: [h-cost] loose gown




h, I see lots of nice, and some rather incorrect outfits in this movie clip. 




ndeed.

nd the aristocacy is so delightfully cruel, isn't it? :-) Then they dance a 
ort of La Volta (too early for that too, I think) instead of a Galliard.

ut from the late 1960's to the early 80's was the heyday of period accuracy 
n costume design. Even though nothing is museum accurate (nor should they be 
or a film), there is great respect for whatever period the project is set..

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Re: [h-cost] some questions about renaissance,

2011-05-13 Thread appin1

Welcome back Bjarne!

What time period will these outfits be? The renaissance covers a lot of 
centuries. That might help identify what a wide dress or a narrow dress is. For 
example, I might classify a 15th century Italian dress as narrow, (or 
perpendicular) but a 15th century Italian dress as wide. The description 
might depend on the silhouette of the dress. 

For ruffs and cuffs, I'd recommend a silk organza or a stiff linen (it can 
always be starched).

Kathleen Norvell



-Original Message-
From: Leif og Bjarne Drews drews...@post12.tele.dk
To: h-costume h-costume@mail.indra.com
Sent: Fri, May 13, 2011 10:25 am
Subject: [h-cost] some questions about renaissance,


Hello the list, its long time since last.
 have ben asked to make some renaissance costumes for a shool projekt at a 
anish castle. the teachers are going to be dressed up in renaissance costumes, 
 man and a woman. They work at a danish castle wich is a museum.
 am going to start this projekt in july.
n some danish inventory lists, wich all are written in german ( it was the 
anguage used then in Denmark) it is often mentioned with wide dresses and 
arrow dresses.
y question is, could a narrow dress be the same as the english word “a kirtle”
ts hopeless with danish study of danish renaissance costumes, because nobody 
nows the danish terms for different costumes (costume parts) No danish words 
or anything except the major things like ruffs, cuffs and the like.
nother question i have for you is: wich fabric would you recomend to use when i 
ake ruffs and cuffs? They should be able to wash them often, and i thoaght 
bout maybe using a synthetic fabric wich will hold the shape, and dont need to 
e ironed, or perhaps to use silk organza, as this also is stiff and keeps the 
hape.
ny suggestions and any help would be greatfull apreciated.  
Bjarne
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Re: [h-cost] Costume-Con 29

2011-04-18 Thread appin1

I am!

Kathleen Norvell






-Original Message-
From: CC2010Milw cc2010m...@cs.com
To: h-costume h-cost...@indra.com
Sent: Sat, Apr 9, 2011 5:54 pm
Subject: [h-cost] Costume-Con 29


Ok, hands up! Who is going to Costume-Con this year? 
Henry W. Osier
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Re: [h-cost] Travelling to the US in March 2011

2010-12-09 Thread appin1
Colonial Williamsburg's Heritage Dancers will be hosting the George Washington 
Ball the first Saturday in March. I don't have details yet.


Kathleen Norvell


-Original Message-
From: Aylwen Gardiner-Garden aylwe...@gmail.com
To: Historical Costume h-cost...@indra.com
Sent: Wed, Dec 8, 2010 6:45 am
Subject: Re: [h-cost] Travelling to the US in March 2011


Thanks! We're trying to get to meet you - will see how the plans fall
nto place.
ye for now,
Aylwen



On Wed, Dec 8, 2010 at 10:41 PM, Katy Bishop katybisho...@gmail.com wrote:
 I am expecting it to be July 16

 Katy

 On Wed, Dec 8, 2010 at 6:08 AM, Aylwen Gardiner-Garden
 aylwe...@gmail.com wrote:
 Dear Katy
 Do you know when the NAHANT VICTORIAN DAY BALL
 An 1860’s SUMMER BALL
 to Benefit the Nahant Historical Society
 will be on in 2011? John and I are discussing our trip and trying to
 see if it fits in. According to the 2010 date it might be possible.
 Bye for now,

 Aylwen







 On Tue, Nov 23, 2010 at 4:48 AM, Katy Bishop katybisho...@gmail.com wrote:
 Dear Aylwen,

 We have 2 dance events in March up here in the Boston, MA area,

 Returning Heroes Ball (American Civil War)
 March 5
 Holliston Town Hall, Holliston, Massachusetts
 Sponsored by: The Commonwealth Vintage Dancers

 Mostly Victorian Tea Dance
 March 20
 Cambridge, Massachusetts
 Sponsored by: Eclectic Enterprises and The Commonwealth Vintage Dancers


 We'd love to meet you some day!
 Katy

 On Sun, Nov 21, 2010 at 8:44 PM, Aylwen Gardiner-Garden
 aylwe...@gmail.com wrote:
 I am travelling to the US in March to attend Costume Accessories: Head to
 Toe at Colonel Williamsburg. Does anyone know if there are any other
 historical costuming or dance events on in March that I can add to my
 itinerary?
 Bye for now,

 Aylwen Garden

 ---
 Costume Director, Earthly Delights Historic Dance Academy
 Director, Jane Austen Festival Australia
 President, Monaro Folk Society
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 --
 Katy Bishop, Vintage Victorian
 katybisho...@gmail.comwww.VintageVictorian.com
  Custom reproduction gowns of the Victorian Era.
   Publisher of the Vintage Dress Series books.

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 --
 Katy Bishop, Vintage Victorian
 katybisho...@gmail.comwww.VintageVictorian.com
  Custom reproduction gowns of the Victorian Era.
   Publisher of the Vintage Dress Series books.

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Re: [h-cost] Renaissance Dress in Italy

2010-10-08 Thread appin1

I saw this listed on ABEBOOKS last year for about $1,300. Luckily, I already 
have a copy.

Kathleen






-Original Message-
From: Charlene Charette charlene...@gmail.com
To: Historical Costume h-cost...@indra.com
Sent: Thu, Oct 7, 2010 11:28 pm
Subject: [h-cost] Renaissance Dress in Italy


Good grief. This is the highest price I've seen so far. And for
x-library, at that. But they'll generously donate £0.25 to charity.
ah!
http://www.abebooks.com/servlet/BookDetailsPL?bi=3510504977cm_ven=nlcm_cat=trgcm_pla=wantcm_ite=viewbook
--Charlene

- 
ver notice that when you try to knock on wood, you become acutely
ware that the world is largely comprised of synthetics?  -- Aaron
aro's Ruminations.com
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Re: [h-cost] Mullets: Out of Style, and Now Illegal

2010-07-13 Thread appin1

I'll bet it was the party in back part the mullahs didn't like. 

Kathy Norvell





-Original Message-
From: Cin cinbar...@gmail.com
To: h-cost h-cost...@indra.com
Sent: Fri, Jul 9, 2010 2:25 pm
Subject: [h-cost] Mullets: Out of Style, and Now Illegal


Mullets: Out of Style, and Now Illegal in Iran  and thank goodness
or that!  This story just out in Time magazine this week.
Here's the teaser for the article. It's a tough time to have a mullet
n this world. First, you get ridiculed for looking silly, and if you
ive in Iran, the government could fine you for your 'do. Iran has
ust released guidelines for men's hairstyles in an attempt to rid the
ountry of decadent Western cuts. You're in the clear if you have a
hort, conservative haircut - and you can use hair gel, just not a
ot. The government is even cool with side parts and Elvis-style
oufs. But if your hair is long, spiky, or be-mulleted, beware. And
on't you dare think of plucking your unibrow. The punishment for
irst-time offenders is a short, unflattering cut, and after that Iran
mposes fines. Click on [pictures] to see Western styles that would
et Iranians in trouble. 
 
http://newsfeed.time.com/2010/07/07/mullets-out-of-style-and-now-illegal-in-iran/#ixzz0tD7g5qO0
-cin
ynthia Barnes
inbar...@gmail.com
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Re: [h-cost] New to me - Historic Clothing Reconstruction

2010-05-28 Thread appin1
I saw this exhibit at the embassy in DC. Most of the reconstructions are very 
good, but one had me wondering -- the gown was actually below the bosom so all 
you saw on top was the chemise over the mannequin's boobs! The neckline of the 
gown was at ribcage level. 



Kathleen Novell





-Original Message-
From: A. Thurman athur...@gmail.com
To: h-costume h-cost...@indra.com
Sent: Fri, May 28, 2010 2:47 pm
Subject: Re: [h-cost] New to me - Historic Clothing Reconstruction


I think this is the same exhibit that was at the Italian Embassy in DC
or a couple of weeks in 2008. It too wasn't well publicized - I only
ound out about it by luck and had to make an appointment to see it.
Very, very good, because I could get very close to everything and even
ack views of some of the reconstructions. I have photos; if there's
nterest I can put them on Flickr or the like.
Allison T.
On Fri, May 28, 2010 at 2:00 PM,  h-costume-requ...@indra.com wrote:
 Date: Thu, 27 May 2010 15:27:42 -0700
 From: Wicked Frau wickedf...@gmail.com
 To: Historical Costume h-cost...@indra.com,
therenaissancetai...@yahoogroups.com
 Subject: [h-cost] New to me - Historic Clothing Reconstruction
 Message-ID:
aanlktim4gctdb8asnvi5dcjd-_drgtix42ah5c_uv...@mail.gmail.com
 Content-Type: text/plain; charset=ISO-8859-1

 http://www.kingstudio.it/

 I must have been asleep in 2004.  How did I miss this exhibit in NY???

 Very cool.

 Sg

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Re: [h-cost] CUTTING KNITS (SWEATERS)

2010-04-26 Thread appin1
I just took a class on reconfiguring sweaters and the instructor suggested 
iron-on interfacing used the same way you suggest for grosgrain ribbon. 
Kathleen Norvell




-Original Message-
From: AVCHASE achasedes...@peoplepc.com
To: h-costume posts h-costume@mail.indra.com
Sent: Thu, Apr 22, 2010 10:32 am
Subject: [h-cost] CUTTING KNITS (SWEATERS)


Grandmother taught me that to change knits machine sew a grossgrain ribbon of 
he desired length on the line to be cut. Cut below the line. Sew on the outside 
f a rounded finish is desired, turn and hand hem on the ribs. Sew on the inside 
or a more casual look. Use for sleeves, armholes, neck, hems, and button 
losures making sure to use a ribbon for both button holes and button 
ttachments.
opefully this is useful. Audy 
in the high boonies of Central Texas

eoplePC Online
 better way to Internet
ttp://www.peoplepc.com
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Re: [h-cost] Rings

2010-01-12 Thread appin1
These also make wonderful lacing rings since they're solid and don't slip 
through the thread.



Kathleen Norvell





-Original Message-
From: Helen Pinto helen.pi...@comcast.net
To: Historical Costume h-cost...@indra.com
Sent: Mon, Jan 11, 2010 5:56 pm
Subject: [h-cost] Rings


If you used jewelry findings, make sure you use jumprings which are soldered 
losed like the ones here: 
ttp://www.firemountaingems.com/search.asp?skw=jumprings+soldered+closed+brass+18+gauge
 

Helen/Aidan 
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Re: [h-cost] Shirone gown

2009-08-13 Thread appin1

When I first saw photos of the gown, I was puzzled since it didn't look like 
anything that came before or after it. Once I saw it in the museum, I was 
convinced that it's exhibited on a (really bad, lumpy) form that's too big for 
it. I made a small mockup of it based on the photo, closed it up CF, and it 
looked just like a regular 16/17th century gown. Those zany Victorians!



Kathy Norvell


-Original Message-
From: Judy Mitchell judymi...@theoldforest.net
To: Historical Costume h-cost...@indra.com
Sent: Wed, Aug 12, 2009 4:20 pm
Subject: Re: [h-cost] Shirone gown




Cin wrote:
 Thanks for all your comments on the Shinrone gown, everyone.
  It's certainly more than I knew before  disappointing that there's not
 much else to go on.  If there's a paper or even a mention in CSA or Dress,
 I'd like to have a heads up about it.  Other than that, sounds like
 everyone's sharing the same 2-3 bits of info. *sigh*
 Still, it's all appreciated,
 --cin


well, mostly - except for the one comment that it's being displayed on
a mannekin that's too large, and I've heard from others also kinda lumpy
and distorted (but not 'pregnant' large or lumpy), has no one else
that's seen it noticed this? I should think an improper display would
change it's appearance and lead to all sorts of ideas.

-Judy Mitchell
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Re: [h-cost] Shirone gown

2009-08-11 Thread appin1

I too have actually seen the Shinrone gown up close, but did not have the 
opportunity to handle it (I didn't know at the time that I could have just 
asked to do so, and the museum people probably would have said yes), but that 
said, I have some dispute with Kass' interpretation.



Part of the problem is that the gown is displayed on a form that's too big for 
it, so it can't be laced up in front. 



If the gown is indeed dated c. 1600, then there is no reason I know of that it 
would be cut to not lace in front -- all the?contemporary drawings of Irish 
gowns I've seen (both before and after 1600) show the gowns laced closed in 
front. Also, why would a gown not lace? It can get pretty cold and damp in 
Ireland -- what would a woman wear under the gown to keep her warm? 



According to descriptions of the gown, a lot of restoration was done to it in 
the 1800s. so we realy don't know how much of the weird stitching, seams, etc 
are Victorian and how much is contemporary. For example, the bodice was 
reinforced back in the 1800s to hold the skirt, which is very heavy.



Look at some of the color illustrations of late 16th century Irish gowns?in 
Dunleavy's Dress in Ireland for comparison. I've made several of those gowns 
and if you unlace them, guess what? They look just like the Shinrone gown.



By the way, has anyone mentioned the little stand-up collar on the center back 
(but not elsewhere) of the bodice? Any ideas what it's for? I'm thinking maybe 
to support a small ruff?



Kathleen Norvell


-Original Message-
From: Kimiko Small sstormwa...@yahoo.com
To: Historical Costume h-cost...@indra.com
Sent: Mon, Aug 10, 2009 4:32 pm
Subject: Re: [h-cost] Shirone gown




Hi Cynthia,

Kass' info on the Shinrone gown is probably the most thorough I know of, as she 
handled the gown herself, and most of the rest I've seen is usually based on 
written descriptions of the garment and two photos in one book (Dress in 
Ireland). I know from having made my own many years ago, before her info came 
out, that the written info is incomplete, and there are unseen  unwritten 
details that Kass describes pretty well.

And as Kass mentions, it is not supposed to lace closed in front. It really is 
cut that way, tho why I am still not sure.

Kimiko




From: Cin cinbar...@gmail.com


Ladies (and a few gents),
Have any of you got informative comments to share on the Shirone gown?
I'm looking at the front and wondering whether that placket is
* cut on the straight grain like a Henrican kirtle  distorted with
age, wear and/or burial
* cut on the straight CF but folded back in a slight V for a wider CF
lacing area
* really cut in a curve like that?!
I've read Recontructing History's notes and would like confirming or
contrasting facts, if you have any to share.
Thanks all!
--cin
Cynthia Barnes
cinbar...@gmail.com


  
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Re: [h-cost] early 17th century stays and bodice

2009-08-11 Thread appin1

I made a jacket very similar to the one shown. It's wool, lined with drill 
(heavy twill-weave cotton -- you could use canvas). I wear no stays under it 
and it looks just like the illustration shown. If you look closely, you can see 
the rounded bottom of the bosom under the jacket. You don't get that look with 
stays. 



Years ago, when I asked Janet Arnold about 17th century corsetry for the middle 
class, she replied that we just don't know because there are no extant 
middle class 17th century stays.



Kathleen Norvell?


-Original Message-
From: Zuzana Kraemerova zkraemer...@yahoo.com
To: h-costume h-costume@mail.indra.com
Sent: Sun, Aug 9, 2009 10:38 am
Subject: [h-cost] early 17th century stays and bodice





Hi, I am going to do an early 17th century woman's middle class dress, 
location: 
Bohemia (today's Czech Republic, east of Germany if someone doesn't know), 
time: 
1618-1648. I want it to look like this:

http://link.library.utoronto.ca/hollar/digobject.cfm?Idno=Hollar_k_1716query=Hollar_k_1716size=largetype=browse

I have some questions regarding the bodice and stays. First of all, I assume I 
should use stays (I prefer stays to boned bodices). Then, if I use stays, shall 
I do some light boning to the bodice as well? It'll be light wool lined with 
linen. 

I don't really know how shall the stays look like. I have only found this: 
http://www.manchestergalleries.org/the-collections/search-the-collection/image.php?EMUSESSID=bf812423145fbba6ba4d441b7ec2ec13imageirn=400682r=51445954
 
from this era, but I'm not sure about the style...I thought I should do some 
traditional type of stays with lacing at the back...do you have any pictures of 
other surviving garments (corsets) from the 1st half of 17th century?

The bodice should be pointed, cut at the waist, probably with tabs, and with 
something like princess seams. I think I should keep to this pattern:

http://www.flickr.com/photos/hkoslov/1354051356/in/set-72157601949667448/

For the stays and bodice, but again, it's a bit too late. 

What do you think? Thanks,

Zuzana








  
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Re: [h-cost] 1960s hippie fashions

2009-07-06 Thread appin1
As someone who was there, I remember tie-dyed clothing (especially if you were 
a Deadhead); hiphugger bellbottoms; gogo boots (white vinyl, of course!); 
colored, textured?tights (I wore colored tights with fishnets over them); 
dashikis; headbands; miniskirts; frilly, Victorian-like blouses; sandals; big, 
floppy hats; peasant blouses and skirts; ethnic or gypsy clothing (check 
Giorgio de SantAngelo a favorite fashion designer); headscarves worn 
pirate-like sideways; Mondrian-print dresses and tunics; Pucci-print dresses (I 
had a minidress with a hood in a pucci print); dresses and blouses with hugem 
flowing sleeves; square-toes, chunky-heeled shoes with straps or buckles.

I wore a tie-dyed tee shirt, shorts, and sandals to Woodstock. So did a lot of 
other people.

I hope that helps.

Kathy


-Original Message-
From: Sylvia Rognstad syl...@ntw.net
To: Historical Costume h-cost...@indra.com
Sent: Sat, Jul 4, 2009 3:06 am
Subject: [h-cost] 1960s hippie fashions


Here's a question for those (like me) old-timers out there. I may be going to a 
1960s hippies style event and if so, need to wear a costume. My recollection 
isn't so good. Remember what they said: If you can remember it, you weren't 
really there? Anyhow, I'm trying to remember when long skirts and dresses came 
in. I can only recall wearing them in the 1970s, but my legs, not being what 
they used to be, definitely do not want to be seen in a mini skirt, which is 
all I can remember wearing in the late 60s. Along with bell bottom pants, of 
course, which is an option, but I prefer a dress.?
?
What do you early boomers recall??
?
Sylvia R?
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Re: [h-cost] CC27 historical judge talks about workmanship and historical interpretation

2009-05-07 Thread appin1
As a two-time judge of historical clothing at CostumeCon and a viewer of this 
year's entrants, let me weigh in for a minute.

All judges have historical biases, but we're adult enough to put them aside. 
Besides, there are 3 people judging, so if one person hates 1950s styles, the 
other 2 might not. I didn't like the hat from the 1959 Dior pattern?-- frankly, 
I thought it looked like a wastebasket -- but the rest of the outfit was 
fabulous. If I thought for a minute I could have fit in that suit ... well, you 
get the point. On the other hand, there are other time periods I love, but 
that's not going to influence me either. A good job is a good job.

At the first CostumeCon I attended, one of the pattern companies (Simplicity, I 
think) offered a prize for the most creative use of its patterns. The winning 
outfit was Adrien Butterfield's Nazi uniform. I KNOW the judges hated that, but 
it was the best. 

Kathleen Norvell


-Original Message-
From: Andrew T Trembley attre...@bovil.com
To: Historical Costume h-cost...@indra.com
Sent: Thu, 7 May 2009 6:43 pm
Subject: Re: [h-cost] CC27 historical judge talks about workmanship and 
historical interpretation


On May 7, 2009, at 2:03 PM, Heather Rose Jones wrote:?
 It's probably bad manners to say this on the list rather than  privately, 
 but I'm a bit concerned for what the lurkers might think  if this isn't 
 responded to.?
?
No, it's really not bad manners.?
?
 If that had been something I entered, I would be extremely hurt and  
 horrified to see a judge talking about it in this fashion. A hat is  
 stupid simply because you had a bad experience with '50s fashion?  An 
 entire historical fashion era makes you gag? I would find it  very difficult 
 to trust a judge to be impartial who expresses  opinions like this. You say 
 it shouldn't matter, but I'd look for  a bit more evidence that the judges 
 control their rendered judgement  better than their expressed opinions.?
?
There are no judges who don't have any stylistic biases. We need to admit that 
up front, rather than embrace a myth. A good masquerade director will consider 
the biases of potential judges and build a panel that provides balance.?
?
That said, some of the comments about entries are borderline at best. Like 
Vegas, what happens in the judging space should stay in the judging space, 
privy to only the judges, the clerk and the director, unless the entrant (and 
only the entrant) asks for critique from the judges. The goal is to encourage 
people to enter by rewarding excellent research and execution, not to scare 
them away by offering unsolicited criticism.?
?
andy?
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Re: [h-cost] Peacock Wedding Dress

2009-04-13 Thread appin1
The skirt is awesome, but I really hate the print bodice. They couldn't find 
something that actually matched the feathers?

Kathleen Norvell







-Original Message-
From: annbw...@aol.com
To: h-cost...@indra.com
Sent: Mon, 13 Apr 2009 3:50 pm
Subject: [h-cost] Peacock Wedding Dress



My husband sent me this story and suggested I share it.

http://www.dailymail.co.uk/news/worldnews/article-1169646/Strut-aisle-1-5m-wedding-dress-2009-peacock-feathers.html

Ann Wass
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Re: [h-cost] V-neck regency gown?

2008-04-14 Thread appin1
I have used this pattern for several Regency gowns. My advice is to have 
someone fit you carefully. The overlap is tricky and?I've had to take both 
bodices apart to refit them.

Kathleen Norvell?


-Original Message-
From: Aylwen Garden [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Mon, 14 Apr 2008 5:53 am
Subject: [h-cost] V-neck regency gown?



A dancer in my group is making a v-neck regency gown and is using the
La Mode Bagetelle pattern. Has anyone here seen this version made up?
She has told me there is a huge overlap. Without being able to see it,
I can't see if this is designed to come out like the half robe in
Janet Arnold or not.
Thanks, Aylwen
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Re: [h-cost] Those wrap around pants?

2008-03-27 Thread appin1
I think you mean sarouelles. The Sarouelles Pattern #119 is available from 
Folkwear. Several styles are included.

Kathleen Norvell


-Original Message-
From: Saragrace Knauf [EMAIL PROTECTED]
To: [EMAIL PROTECTED] [EMAIL PROTECTED]
Sent: Wed, 26 Mar 2008 7:54 pm
Subject: [h-cost] Those wrap around pants?



Can anyone direct me to the name or a pattern of those baggy wrap around and 
tie 
at the waist pants you see at ren fairs?
 
Thanks,Sg
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Re: [h-cost] National Geographic: History of the Bra

2007-09-29 Thread Appin1
Now, if only they could make the underwires STAY in the bra and not poke  
through
 
Kathleen Norvell



** See what's new at http://www.aol.com
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Re: [h-cost] Order of the Sealed Knot

2007-04-20 Thread appin1
Cindy, 
What exactly are you looking for? I've been an English Cvil War reenactor for 
some 20 years and have lsts of resources. I'm also on this side of the pond.
 
Kathleen Norvell
 
 
-Original Message-
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Fri, 20 Apr 2007 12:03 PM
Subject: [h-cost] Order of the Sealed Knot


 
Just for fun, I'm planning to dress four 16 vinyl dolls(Wilde
Imaginations Ellowyne Wilde doll)in historical or at least historical
cut/modern fabrics in RenFaire-inspired dress. Just one, I'm planning to
dress, probably for a less flamboyant era, so I'm considering doing UK
Civil War/Commonwealth.

Since I'm on the west side of the pond, I don't see at RenFaires,
plays, TV, movies, much in the way of costumes during the English Civil
War and Commonwealth.  I do have a few books on mid 17th century
costuming, most noteably, Riberio's Fashion and Fiction and
Hunnisett's Period Costume for Stage and Screen 1500-1800. I did find
the Order of the Sealed Knot's website, which I gather is probably as
big in the UK for reinactors as both the Revolutionary War and our
Civil War is here in the U.S. 

Fabric is not a problem, but sources are.  Right now, I'm thinking of
doing something along the lines of using Hunnisett's pattern for the
Commonwealth bodice for starters and adapting Hollar's illustration
for Winter 

Any other suggestions?

Thank you

Cindy Abel

 
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Re: [h-cost] Regency Weekend at Riversdale House Museum

2007-02-15 Thread Appin1
Ann,
Do you know what workshop requires the kit fee?

Kathy Norvell
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Re: [h-cost] Casanova on PBS........ I was wonder too about the clothes......

2006-10-09 Thread appin1
Yikes,
I caught bits and pieces of Casanova while I was taping. It's atrocious! 
Casanova was wearing a red shirt that buttoned down the front (not in 1740!), 
as well as a black neckcloth. I've seen black stocks, but not black jabots. 
Ladies had aqua lace engagentes (sleeve lace). I've seen many an 18th century 
gown and I've never seen colored lace on sleeves like that. And don't get me 
started on the women's hair!
 
Awful.
 
Kathleen Norvell
 
   
-Original Message-
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Mon, 9 Oct 2006 4:01 AM
Subject: Re: [h-cost] Casanova on PBS I was wonder too about the 
clothes..


I was wondering about the ladies clothes, it was supposed to be 1740 ,Venice  
Italy and all the gowns look like French court dresses.is any of the dress 
or hairstyles correct?...anyone?
  

Lauren Walker [EMAIL PROTECTED] wrote:
  I'm just watching the Casanova with Peter O'Toole on Masterpiece 
Theatre, and I must ask -- any chance that the women's hairstyle of 
curls or curled-up tiny braids interspersed with many little ribbons 
is an authentic 18th C one? (Henriette wears it, at least throughout 
Part I, which is all I've seen so far.) It's so much more fun than 
the French court towers of powdered hair...
Lauren
Lauren M. Walker
[EMAIL PROTECTED]



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Re: [h-cost] amusing fashion plates

2006-07-30 Thread Appin1
The pictures are from a book, The Elegant Beast by Leonard Lubin, 1981, 
Viking Press. The ISBN is 0-670-29097-1. I own a copy and I have delighted in 
the 
illustrations for years.

Kathleen Norvell
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Re: [h-cost] The Libertine

2006-04-30 Thread Appin1
I saw it the weekend it came out. It was supposed to have been released last 
September, then January. I don't know what the problem was, except the content 
of the film. It's rude, crude, lewd, and socially unacceptable -- or rather 
Lord Rochester was. It's well performed and generally well done. The costumes 
are good, but the film emphasizes the seamy side of Restoration-era England, so 
they aren't very fancy. Lots of mud and dirt -- even under the fingernails of 
the aristocracy. Since Rochester died of syphillis, which is portrayed pretty 
graphically, you can imagine that the film is not pretty.

It was originally a play, and John Malkovich played Rochester (he playes 
Charles II here in a really bad fake nose), so it's kind of choppy. Malkovich 
held 
the rights to the play (to film it), but it took him so long to get the 
financing that he was too old to play Rochester. Johnny Depp was a great job, 
but 
he's not a very likeable character.

I recommend it with reservations. It can gross you out. As a costume flick, 
it's OK, but you won't see much in the way of court dress -- theatrical 
costumes (when the actors wear clothes) and servant's clothes are more likely.

Kathleen Norvell
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[h-cost] Looking for a magazine

2006-02-20 Thread Appin1
I'm trying to track down a European sewing magazine for a friend. Does anyone 
know where I can get a copy of the November 2001 Burda Magazine (prefereable 
in English)?

Thanks.

Kathleen Norvell
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Re: [h-cost] Current day fashion magazines

2005-09-24 Thread Appin1
I like InStyle, which may not qualify as a fashion magazine, but I think it's 
got great fashion sense.

Kathleen Norvell
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