On Aug 16, 2009, at 6:35 AM, William.S.Gross wrote:
Well it looks like our recent migration has not solved the problem
of software incombatability.
Mainly because the migration hasn't happened yet
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
take note of the new information, and add the new email address
to your whitelist if you maintain one in your email client so that
we're not flooded with bounces :-)
Cheers,
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d
on techniques are described in both.
CORdially,
Randall E. Faust, D.M.A.
Professor of Music-Western Illinois University
Hornist--The Camerata Woodwind Quintet and LaMoine Brass Quintet
Host, 41st International Horn Symposium. June 2-7, 2009.
www.wiu.edu/horn
Dan Phillips
Pelletier recorded it
recently (http://tinyurl.com/faust-horn-call), so it must be adaptable
to modern electronics. It's a very effective piece.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d...@music.memphis.edu
good Oberon stories in 5 :-)
Dan
Dan Phillips
Website Manager
International Horn Society
mana...@hornsociety.org
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On Jun 29, 2009, at 4:22 PM, Joel Lazar wrote:
No doubt more to come!
Timpani solo to begin the Burleske for piano and orchestra of
Richard Strauss.
Dan
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On Jun 28, 2009, at 7:05 PM, Carol Steve Hosmer wrote:
What are soprano-horn duets other than Auf Dem Strom?
My favorite is Arnold Cooke's Nocturnes. Five beautiful songs with
excellent horn writing.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School
://www.hornsociety.org/component/option,com_fireboard/Itemid,79/func,view/id,255/catid,3/
or
http://tinyurl.com/lead-mouthpieces
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d...@music.memphis.edu
be there for the duration. Who's bringing the dots for the badges
this year??? ;-)
Dan
Dan Phillips
Website Manager
International Horn Society
mana...@hornsociety.org
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http
.
http://www.hornsociety.org/content/view/97/90/
Dan
--
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
The University of Memphis
901-678-3781
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that it likely will be split between
two line.
Cheers,
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d...@music.memphis.edu
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Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d...@music.memphis.edu
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a webmail program that incorrectly formats the outgoing mail.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d...@music.memphis.edu
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On Apr 16, 2009, at 6:58 PM, David A. Jewell wrote:
I would caution that the stopping valve is NOT a 1/2 step valve,
rather a 3/4 step valve, designed to compensate for the fact that
when stopping in Bb the effect is more than 1/2 step. Thus that is
why it is on the Bb side of the horn.
On Apr 16, 2009, at 7:32 PM, David A. Jewell wrote:
Most good stopping valve slides are in two pieces, so that the
player can choose between stopping and A horn.
Is that where they have a manual rotary valve to add or subract the
extra length?
No. The slide is in two pieces. One serves
On Apr 14, 2009, at 7:22 AM, epst...@jcu.edu wrote:
Who is the New England Horn Society? I live in the Midwest, is
there a Horn Society there?
http://www.hornnewengland.org/
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d
My apologies for the two day outage of the horn list. A hardware issue caused
the server to fail Tuesday morning US CST, and I was in Brazil at the time,
which made diagnosis and repair difficult ;-) Why do things like that always
happen at the worst possible times?
Dan
--
Dan Phillips
I'm a little surprised (and a little disappointed) that no one has
mentioned Phil Myers' take on building endurance in a recent Ask the
Experts post at IHS Online:
http://tinyurl.com/58eyf4
Dan
===
Dan Phillips
Associate Professor of Music
University of Memphis
d
nicely in C for a baritone. IIRC, Hans has mentioned doing it
in C with Hermann Prey.
Dan
--
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
The University of Memphis
901-678-3781
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unsubscribe or set
open for the Dorothy Frizelle Mock Orchestral Audition
competition. From the main menu, choose About the IHS--Scholarships
for more information and forms.
Dan
Dan Phillips
Website Manager
International Horn Society
[EMAIL PROTECTED
The Ask the Pros forum at IHS Online is taking questions for Philip Myers in
November and December. If there's something you've always wanted to ask New
York Phil, send it to [EMAIL PROTECTED]
http://tinyurl.com/5mlfpj
Dan
--
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
on
Friday and it and 2 replies to it are in the archives.
I don't know how your ISP handles email, but some will not deliver an
message to yo that has the same message-ID as one you sent. Gmail does
this- posters do not get their own messages.
Dan
Dan Phillips
Associate
.
There are at least two band transcriptions. Two of them are available
from Thompson Edition:
http://www.thompsonedition.com/browse_by_instrument.php?id=130sr=10
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED
as podcasts on the IHS web site. So far they include an
interview of Anton Horner by James Chambers and the first three parts
of a John Barrows masterclass. MUCH more to come. The complete Horner
interview is available to logged in IHS members as an mp3 download.
Dan
===
Dan
to update and correct that page.
There is information omitted between two sections above. The founding
took place at the SECOND workshop in 1970.
Dan
===
Dan Phillips
Associate Professor of Music
University of Memphis
[EMAIL PROTECTED
the last 32 years. I agree
with Travis about the sound of the high range being something Stravinsky would
deliberately exploit, and with Bob about the whole tone scales at the end of
part I being an octave above the tubas. It's a great part that's a lot of fun to
play!
Dan
--
Dan Phillips
Associate
.
The horn parts are a lot of fun. Not particularly difficult or tiring,
but lots of nice licks. IIRC, the original scoring includes three
horns, though, so if you're playing a reduction with only one part, it
might be more taxing than I remember it being.
Dan
Dan
Jeremy Cucco wrote:
synthesizers are in fact a very useful tool for
composers and arrangers.
...until a composer listens to you try play a non-existent note, or bend a pitch
with the right hand while muted, and says But it sounded fine on the computer!
Dan
--
Dan Phillips
Associate
welcome corrections,
clarifications, etc.
Dan
--
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
The University of Memphis
901-678-3781
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The IHS Website at http://www.hornsociety.org/ now has a podcast. The first post
is just a teaser of things to come, but check it out and/or subscribe by
following the link to Multimedia--Podcasts in the main menu.
Dan
___
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The server that runs the horn list will be down for software and hardware
migration and upgrades some time Thursday morning, US Central Time. I hope the
outage will be no longer than a couple of hours at the most, but any of you
who've experienced such things understand that there can be
On Jun 10, 2008, at 2:32 PM, [EMAIL PROTECTED] wrote:
4
Quoting [EMAIL PROTECTED] [EMAIL PROTECTED]:
Can anyone please tell me how many horns Peter the Wolf is scored
for?
I've never seen a version with anything other than 3...
Dan
___
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:
http://tinyurl.com/77j6h
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
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be started once again if there is
sufficient interest and commitment on the part of potential
contributors. Anyone who is interested in participating in a revival
of Hornzone should contact Heather Pettit-Johnson: [EMAIL PROTECTED]
Dan
Dan Phillips
Website Manager
set the account
jonathanyoder45-at-hotmail to moderated until it can be tracked down
and killed.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
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post: horn
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
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unsubscribe or set options at
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through
messages like that, but rest assured that only the list owner (Gary
Greene) or the server administrator (myself) can actually remove
someone from a list without their permission.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University
On Mar 25, 2008, at 8:52 PM, David Laraway wrote:
Haven't seen messages for several days. Is it just me?
Not several days, but it has been pretty slow lately...
Dan
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On Mar 14, 2008, at 6:38 PM, [EMAIL PROTECTED] wrote:
___
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These empty messages are being caused by filtering by the list server.
Hans is sending messages that include only HTML, without the plain
text alternative
Just in case anyone had any doubts ;-) please allow me to remind
everyone of the REAL IHS 40th symposium web site:
http://www.ihs40.com/
Hosts Susan McCullough and Jesse Mccormick are planning quite an
extravaganza and I hope to see a lot of listers there :-)
Dan
On Feb 11, 2008, at 4:26 PM, Graham Jarvis wrote:
I just listened for the first time to Keneth Fuchs' horn concerto -
Canticle to the Sun (Timothy Jones and the LSO). Does anyone know
whether there is an arrangement for horn and piano that is
available? I'd love to do some work on this
On Feb 10, 2008, at 7:44 PM, Steve Freides wrote:
The French Horn part switches to baritone clef at this point
Did you REALLY think baritone clef is what was intended? ;-) It's a
misprint. It should be bass clef, and the parts are in octaves.
Dan
Dan Phillips
From the IHS Forum: http://tinyurl.com/2crqdt
Has anyone come across an arrangement of Silver Bells for horn
quartet, as played by the Pacific Coast Horns group? Googling turns
up two groups calling themselves that, but neither is a horn quartet.
Dan
On Dec 11, 2007, at 11:30 AM, Steve Freides wrote:
Is this part written in by band music composers?
It's quite common, especially in orchestral transcriptions, but also
in a lot of original band music. In a lot of school groups, if there
is a bass player s/he is given a tuba part if no
On Dec 11, 2007, at 11:46 AM, hans wrote:
But that is French !!!
\
At least in American English, the term we use for, e.g.,
architecture is
Romanesque
No one ever said English is consistent or logical...
DP
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On Nov 25, 2007, at 12:07 PM, Leonard Peggy Brown wrote:
I think Mr. Hatch has a web site also.
http://www.weshatchhorns.com/
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED
, sell and trade instruments and equipment.
http://www.hornsociety.org/component/option,com_marketplace/Itemid,60/
Dan
Dan Phillips
Website Manager
International Horn Society
[EMAIL PROTECTED]
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5.220
4 0.209 5.309
3 0.213 5.410
2 0.221 5.613
1 0.228 5.791
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
___
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text before mailing. Please send a link.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
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http://music2
saw in the same menu
as the 2006 directory and the online member directory are members
only. BTW, the 2007 member directory is due out soon, and will be
available there first :-)
Cheers,
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University
SCHARTZ MUSIC THE BORDOGNI
VOCALISES V.1 - 24 VOCALISES / [W/CD (ORIG PIANO ACCOMP) F HN]
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
___
post: horn
On Oct 24, 2007, at 7:14 PM, Richard V. West wrote:
Pizka also wrote about the Huebler in 2004 on this list. I imagine
his comments are archived.
Absolutely :-)
http://music2.memphis.edu/mailman/private/horn/2004-January/013892.html
Dan
Dan Phillips
Associate
/barrows.html
Dan
Dan Phillips
Website Manager
International Horn Society
[EMAIL PROTECTED]
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. That's why the initial post went
through, but Quechup will not and cannot become a subscriber, or
unsubscribe anyone from the horn list. If you click any of the
quechup links, you are just opening yourself up to receiving spam
directly from quechup.
Dan
Dan Phillips
On Sep 1, 2007, at 8:52 AM, Dennis Herrick wrote:
I've got all his solo albums, but what are some of the ones that
best show his
orchestral playing?
An obvious choice is:
http://www.sotone.com/103-Dbrain.htm
Steve Ovitsky's compilation on his Sotone label.
Dan
Dan
On Jul 16, 2007, at 12:27 PM, [EMAIL PROTECTED] wrote:
July 16, 2007
Does anyone know yet where next summers's IHS International
Symposium will be held?
July 22-27, 2008 at the Lamont School of Music of the University of
Denver. See http://www.ihs40.com
Dan
Dan
I just got word from a friend of Walter's that he died at 9:30 AM on
Wednesday, June 13th. Funeral services will be held at Bast Funeral
Home, Boonsboro, MD on June 27 at 11 AM.
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FYI:
DENNIS BRAIN MEMORIAL CONCERT
Tuesday 6th November 2007, 7.30pm
Queen Elizabeth Hall, London
Barry Tuckwell conductor
Philharmonia Horn Section
Dennis Brain was the Philharmonia’s Principal Horn from 1954 until
his tragic death in 1957. This concert is a celebration of the French
in pitch can be
adjusted with alternate fingerings or hand positions, but those
situations are relatively few.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
___
post
This is a message forwarded from a non-member. Reply to him directly
if desired; his email is at the end.
Hello:
My name is David Bragunier and I am the retired (2004) tuba
player of the National Symphony and a fifty year friend of Walter
Lawson. I am writing this in the hope that
are using
one of the translated interfaces, and encounter something that you
feel could be expressed more clearly, email me and I'll put you in
direct contact with the translator.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
On May 1, 2007, at 6:34 PM, [EMAIL PROTECTED] wrote:
compositions written since 1900 for the natural horn.
What else is there?
Robert Patterson's Quartet for violin, viola, cello, natural horn
http://www.greatrivermusic.com/mix.html
Dan Phillips
Associate Professor
quirks
in the system. Now, if everyone would simply stop using Windows...
ducking for coverDan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
___
post: horn
of 12 concerti for oboe and strings.
Presumably, Slokar and Fluck transcribed the third in the set for
horn and piano ;-)
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED
An interesting article on the effects of music on the brain:
http://tinyurl.com/yxch4z
===
Dan Phillips
Associate Professor of Music
University of Memphis
[EMAIL PROTECTED]
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On Sep 23, 2006, at 8:51 PM, Christine Ranson wrote:
I need to know the orchestral scoring for Strauss 1
from www.lucksmusic.com:
/2200, timp, str
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED
, laptop, camera, battery charger and all related
assorted transformers and cables didn't merit a second glance from
the screeners. I didn't see anyone who wasn't already aware of the
new restrictions, and the screening line was actually shorter than
normal.
Dan
Dan
. If you suspect you're missing something, check
the archives (linked from the listinfo address below) to confirm.
Stay cool,
Dan (already missing the winter weather in Cape Town) Phillips
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University
, 2007.
Dan
===
Dan Phillips
Associate Professor of Music
University of Memphis
[EMAIL PROTECTED]
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Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
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. It has to be
painful, and frankly, as Rachel has stated, I wouldn't think it would
really be that much of a help except for finding difficult entrance
pitches or intervals.
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL
On Apr 28, 2006, at 5:59 PM, [EMAIL PROTECTED] wrote:
Ethel Smyth (copyright 1928) Trio for Violin, Horn and Piano?
snip
pls reply via private mail;no need to post to hornlist.
No, please do reply to the list :-) I'm interested in knowing more
about this piece as well - and tired of
At 11:52 AM 4/17/2006, you wrote:
from: Dan Phillips [EMAIL PROTECTED]
I must say that as far as sound , focus , and resistance, the diference was
imence ! I wonder - did'nt anybody think of the Idea of interchangable
throats ? imagine what a difference it would make in the performance
also choose a bell made in the difficult historical fashion,
out of one piece and hammered by hand
Dan
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
[EMAIL PROTECTED]
___
post: horn
On Feb 25, 2006, at 4:58 PM, WIlliam Botte wrote:
Why continue this nonesence?
Republish every thing horn in F or C. In one clef.
It's a simple matter to republish everything, not quite so simple
getting anyone to buy it. Why should an orchestra buy a new set of
parts for Beethoven 5
On Feb 19, 2006, at 12:24 AM, Hans.Pizka wrote:
Question: What´s the difference between a bull an
orchestra ?
Another oldie but goodie! I first heard that in the middle of a
rehearsal during a time when we were trying very hard to get
management not to renew the conductor's contract. It
Breton for
soprano, horn and piano by Berlioz. It's a beautiful piece and also
can be a nice introduction to natural horn playing.
Dan
Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator: music.memphis.edu
Dan Phillips
Professor of Horn, University of Memphis
webmaster: http://music.memphis.edu
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rewarding
to play, IMO.
Dan
Dan Phillips
Professor of Horn, University of Memphis
webmaster: http://music.memphis.edu
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May I please make a request, especially on behalf of digest
subscribers, that posters please edit their replies to the list to
quote only relevant text (without taking anything out of context) and
remove all extraneous headers and footers?
I just received a post with 6 footers and 5
On Oct 13, 2005, at 3:08 AM, Richard V. West wrote:
I found the site and searched for the section you mentioned. but
was unable to find it. Any clues as to how to reach this part of
the website?
http://www.kb.dk/elib/noder/index-en.htm
Dan
Dan Phillips
On Oct 11, 2005, at 7:25 AM, Michiel van der Linden wrote:
I'm always fighting this myth on Tubenet, so I'll continue my
crusade here. ;)
Tuba parts are NOT always concert pitch. Here in N.W. Europe
*transposing* bass clef tuba parts are the norm, at least in band
music and most amateur
On Oct 10, 2005, at 6:25 PM, Steve Freides wrote:
So why is this student trombone part written at concert pitch and
not in
B-flat?
Trumpet and horn parts were transposed so that the player was always
looking at the same written pitches as being open partials, that is,
written c1 is
A clarification: Cindy Lewis did NOT post her complaint to either
this or the yahoo list; as far as I can tell, she made it privately
to the parties involved. She is not a subscriber to this list, so she
will not see any replies directed to her on this list. The article in
question was
From: Keith Johnson [EMAIL PROTECTED]
Date: August 31, 2005 10:08:29 PM CDT
Dear Horn Listers:
I am on a leave this semester from the U of Arizona, working on a
project involving Wendell Hoss. Mr. Hoss was my teacher in the 1960’s.
He had a long and very distinguished career as a player and
On Aug 25, 2005, at 5:07 PM, Hunt,Thomas wrote:
No googling I did seemed to reveal a presence of Mary Kislinger on the
internet
It's easier if it's spelled right ;-)
http://www.hornplayer.net/teachers/t3008.html
Dan
Dan Phillips
Associate Professor
medium.
Dan
Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator: music.memphis.edu
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On Aug 7, 2005, at 3:47 PM, [EMAIL PROTECTED] wrote:
By the way, the horn part is definitely in C :P
The separate part, or in the score? My copy dates from the mid 70s
and the separate part is very definitely in F :-)
Dan
___
post:
used to the new one?
We're all still here, more or less. It's just a very slow time of the
year for the list. Traffic was very slow prior to the change also;
that's why I made the change when I did. Things will pick up in a few
weeks :-)
Dan
Dan
are also useful, include several things not in the
Thompson collection, and coming in several volumes can be purchased
one at a time as needed or can be afforded.
Dan
Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator
On Jul 25, 2005, at 2:54 PM, Max Bygrave wrote:
Any South african hornists out there want to chime in ?
There are at least three subscribed to the list, based on their email
addresses. What's the weather like in Cape Town in mid-winter (July)?
Dan
- the horn list was down from Friday afternoon until last evening
due to my bad typing in a configuration file. My apologies!
Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator: music.memphis.edu
Remember there are 10 kinds of people
, at least for a day or so, but nothing
you do there will have any effect on your subscription.
The posting address for the list will not change -
horn@music.memphis.edu
I'll send another message out as a test when it's back up and running.
Dan
Dan Phillips
Jill Wilson, University of Mississippi/Memphis Symphony
?? Did I miss something? :-)
Just want to make sure it was an inadvertent omission, since I've
already got plane ticket, hotel and car.
Thanks,
Dan
Dan Phillips
Associate Professor of Horn
be defined as such a topic. Again, though, it's easier
simply to set up a filter on whatever application the subscriber uses
to read email.
Dan
Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator: music.memphis.edu
On Jul 12, 2005, at 11:29 AM, [EMAIL PROTECTED] wrote:
what does DEFANGED mean?
For anyone interested:
That's from the music.memphis.edu mail server's filtering process.
The message in question was created by Micro$oft Outlook, which can
do some pretty stupid things with email, and
offended and leaving the list. IIRC,
one of the contributors to this thread did exactly that awhile back
and only recently rejoined the list.
Dan
Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator: music.memphis.edu
AFAIK, Boosey
Hawkes. IMHO, it's not particularly effective with piano, and I
can't imagine organ being much better.
Dan
Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator: music.memphis.edu
On Apr 26, 2005, at 9:02 PM, Steve Freides wrote:
cryogenically frozen by Osmun - could anyone
explain this process to me, please?
The Osmun web site has a thorough explanation:
http://www.osmun.com/services/re.htm
Dan
Dan Phillips
Associate Professor of Horn
On Apr 1, 2005, at 5:36 PM, [EMAIL PROTECTED] wrote:
But I don't know who or what Sidd Finch is.
http://www.museumofhoaxes.com/siddfinch.html
Dan
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