2009/8/15 Prof.Hans Pizka h...@pizka.de:
Jonathan, there is an easy way to handle such problems (parts):
LEARN HOW TO TRANSPOSE
That is he ONLY way.
Oh, I agree entirely. But Valerie's question was about the fact that,
although she *can* transpose, she is used to the idea that the
played the correct note anyway. :)
Milton
--- On Mon, 8/17/09, Jonathan West jw...@mvps.org wrote:
From: Jonathan West jw...@mvps.org
Subject: Re: [Hornlist] Confusing transposition (double post)
To: The Horn List horn@music.memphis.edu
Date: Monday, August 17, 2009, 7:02 AM
2009/8/15
message: 4
date: Sat, 15 Aug 2009 10:25:56 +0200
from: Prof.Hans Pizka h...@pizka.de
subject: AW: [Hornlist] Confusing transposition (double post)
Hello all, I need help too. I was in a city last spring, arriving by air,
but I do not remember, where it was. Nor do I have any idea, what a
Aug 2009 13:28:26
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Confusing transposition (double post)
message: 4
date: Sat, 15 Aug 2009 10:25:56 +0200
from: Prof.Hans Pizka h...@pizka.de
subject: AW: [Hornlist] Confusing transposition (double post)
Hello all, I need help too. I
be in the right
place. :)
Milton
Milton Kicklighter
Buffalo Phil retired
--- On Mon, 8/17/09, lewho...@yahoo.com lewho...@yahoo.com wrote:
From: lewho...@yahoo.com lewho...@yahoo.com
Subject: Re: [Hornlist] Confusing transposition (double post)
To: The Horn List horn@music.memphis.edu
Date
lewho...@yahoo.com asked:
?Does the female voice say recalculating after one clams a transposed
note?
My inner guidance system generally suggests turn left (or right,
alternatively), and scowl at the assistant (or second).
___
post:
: [Hornlist] Confusing transposition (double post)
lewho...@yahoo.com asked:
?Does the female voice say recalculating after one clams a transposed
note?
My inner guidance system generally suggests turn left (or right,
alternatively), and scowl at the assistant (or second
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Well it looks like our recent migration has not solved the problem of
software incombatability.
On Aug 16, 2009, at 2:56 AM, hans.pi...@t-online.de hans.pi...@t-online.de
wrote:
___
post: horn@music.memphis.edu
unsubscribe or set options at
On Aug 16, 2009, at 6:35 AM, William.S.Gross wrote:
Well it looks like our recent migration has not solved the problem
of software incombatability.
Mainly because the migration hasn't happened yet
Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
That's the best reason I can think of.
On Aug 16, 2009, at 8:40 AM, Dan Phillips d...@music.memphis.edu wrote:
On Aug 16, 2009, at 6:35 AM, William.S.Gross wrote:
Well it looks like our recent migration has not solved the problem
of software incombatability.
Mainly because the
2009/8/14 wells123...@juno.com wells123...@juno.com:
Am I making any sense here? Have any of you had a similar experience? Is
there a strategy I can employ to avoid that sort of disaster again?
Hi Valerie
This isn't an uncommon situation - the 2 pairs of horns quite often
get crooked in
The most extreme example that I know of where this happens is the
Berlioz Symphony Fantastique, where if I recall correctly at one point
all four horns are playing at the same time and each is crooked in a
different key.
Regards
Jonathan West
There's a quartet by Gallay like this too!
I'd
This business of scoring horns in multiple keys is not limited to two
pairs of horns, or four individual horns. Even Mozart wrote for two
horns in different keys -- the well-known example is the outer movements
of the 40th Symphony, one hown each in Bb alto and G. The 25th is in
the same keys,
Hi Val,
I guess I am also confused. So: What key was the 1st and 2nd in, and what key
were you in???
I am not quite sure what you are asking.
Milton
--- On Fri, 8/14/09, wells123...@juno.com wells123...@juno.com wrote:
From: wells123...@juno.com wells123...@juno.com
Subject: [Hornlist]
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