Thank you for taking the time to respond, but I'm afraid it didn't work.
I'm using 2.19.65. I asked this because assigning dynamics to every
voice—even in a separate midi block—is really tedious.
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> Probably:
>
> \new Score {
> \new Staff {
> \numericTimeSignature \time 2/4 % barline, so E must be tied
> <<
> \new Voice = "xy" \relative c' {
> \set tieWaitForNote = ##t
> 2~
> }
> \context Voice = "xy" \relative c' {
> s4 \voiceTwo f4 ~ 2
The method for long glissandi described in the http://lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-as-lines#glissando;>documentation
(adjusting the pitch of the hidden noteheads to align them with the gliss
line) has a few disadvantages.
(1) Since each stem can only have one
On Thu, Oct 5, 2017 at 3:56 AM, James Harkins wrote:
> I need a tie from the e in 2 (voice 1) to the e in 2 (voice 2).
>
> How to restructure this to make it possible?
This reminds me of last year's Google Summer of Code project.
2017-10-05 10:56 GMT+02:00 James Harkins :
> Hi, been away for awhile.
>
> I'm now writing for khaen, a Thai mouth organ. Fascinating instrument.
> Notation is usually single-staff and heavily multi-voiced.
>
> One nut I never cracked in LilyPond: how to tie a note from one
On 10/5/2017 12:03 PM, Robert Murdoch wrote:
Hi,
I was wondering how to assign a Dynamics context to a PianoStaff...
Hello,
I usually end up creating a separate score for MIDI as well as a
'normal' layout.
I find that is the most efficient way to handle it, especially with
piano in the
On 10/5/2017 11:28 AM, Pierre-Luc Gauthier wrote:
Hi there,
How can we set the distance of a given staff over another.
For instance, in an ossia situation, where the ossia adds lots of
unwanted vertical space.
Hello,
Does this code work for what you need? I just played with the padding
Am 05.10.2017 um 16:51 schrieb Pierre-Luc Gauthier:
How can I scale a music expression to the size of another music expression?
e.g. (pseudocode based on \scaleDurations)
\scaleDurations (fraction-of resulting-scale over music-to-be-scaled)
music-to-be-scaled
Have a look at
Am 05.10.2017 um 10:56 schrieb James Harkins:
One nut I never cracked in LilyPond: how to tie a note from one Voice to
another, e.g.
Does LSR snippet 8 (http://lsr.di.unimi.it/LSR/Item?id=8) help?
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Am 05.10.2017 um 13:29 schrieb Menu Jacques:
Hello folks,
I’ve found that:
\once \override TimeSignature.style = #'single-digit
has no effect in the example below.
Is there a way to suppress the denominators in measure 2?
[…]
\once \override TimeSignature.style =
Hi, been away for awhile.
I'm now writing for khaen, a Thai mouth organ. Fascinating instrument. Notation
is usually single-staff and heavily multi-voiced.
One nut I never cracked in LilyPond: how to tie a note from one Voice to
another, e.g.
\new Score {
\new Staff <<
Hi,
I was wondering how to assign a Dynamics context to a PianoStaff so it
plays piano-centred dynamics in the piano part correctly in the MIDI
file, without having to manually insert dynamics on notes in every voice.
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lilypond-user mailing
Hi there,
I have a few questions here.
How can I scale a music expression to the size of another music expression?
e.g. (pseudocode based on \scaleDurations)
\scaleDurations (fraction-of resulting-scale over music-to-be-scaled)
music-to-be-scaled
Also, in my example, why does
Hello folks,
I’ve found that:
\once \override TimeSignature.style = #'single-digit
has no effect in the example below.
Is there a way to suppress the denominators in measure 2?
Thanks!
--
\version "2.19.65"
\relative {
c'1 |
\compoundMeter #'((1 4) (3 8))
\repeat unfold 5
On 10/4/2017 7:54 PM, Trevor Bača wrote:
Hi,
I’m interested in making the right endpoints of ottava brackets and
trill spanners coincide.||
Any solutions?
(Definitely not looking for a numeric hack to |shorten-pair|.)
Trevor.
Hi Trevor,
Just curious - but why are you not
Thank you David for the details.
G.
On 5 October 2017 at 10:44, David Kastrup wrote:
> Thomas Morley writes:
>
> > 2017-10-05 9:32 GMT+02:00 Gianmaria Lari :
> >> On 5 October 2017 at 09:28, Thomas Morley
Thomas Morley writes:
> 2017-10-05 9:32 GMT+02:00 Gianmaria Lari :
>> On 5 October 2017 at 09:28, Thomas Morley wrote:
>>>
>>> 2017-10-05 6:56 GMT+02:00 Gianmaria Lari :
>>>
>>> > By the way
Hi,
I’m interested in making the right endpoints of ottava brackets and trill
spanners coincide.
QUESTION: in ottava-1.png (attached) I like where the trill spanner ends;
is there a way to tell the ottava bracket to end at the same point?
Here’s the code that produces ottava-1.png:
\version
On 5 October 2017 at 10:09, David Kastrup wrote:
> Gianmaria Lari writes:
>
> > On 5 October 2017 at 01:05, Thomas Morley
> wrote:
> [...]
> > By the way why \justify-string use the scheme syntax and it is not a
> first
> > class
On 5 October 2017 at 09:49, Thomas Morley wrote:
> 2017-10-05 9:32 GMT+02:00 Gianmaria Lari :
> > On 5 October 2017 at 09:28, Thomas Morley
> wrote:
> >>
> >> 2017-10-05 6:56 GMT+02:00 Gianmaria Lari
Gianmaria Lari writes:
> On 5 October 2017 at 01:05, Thomas Morley wrote:
>
>> Well, you could do:
>>
>> \markup {
>> \column {
>> \line \bold \smallCaps { Note }
>> \justify-string
>> #"L'articolazione d'elezione per lo staccato
I misread the mail, this is nonsense.Sorry for the noise.Am 05.10.2017 9:50 vorm. schrieb Marc Hohl :Am 05.10.2017 9:32 vorm. schrieb Gianmaria Lari :On 5 October 2017 at 09:28, Thomas Morley wrote:2017-10-05 6:56 GMT+02:00
Am 05.10.2017 9:32 vorm. schrieb Gianmaria Lari :On 5 October 2017 at 09:28, Thomas Morley wrote:2017-10-05 6:56 GMT+02:00 Gianmaria Lari :
> On 5 October 2017 at 01:05, Thomas Morley wrote:
>>
2017-10-05 9:32 GMT+02:00 Gianmaria Lari :
> On 5 October 2017 at 09:28, Thomas Morley wrote:
>>
>> 2017-10-05 6:56 GMT+02:00 Gianmaria Lari :
>>
>> > By the way why \justify-string use the scheme syntax and it is not a
On 5 October 2017 at 09:28, Thomas Morley wrote:
> 2017-10-05 6:56 GMT+02:00 Gianmaria Lari :
> > On 5 October 2017 at 01:05, Thomas Morley
> wrote:
> >>
> >> 2017-10-04 17:53 GMT+02:00 Gianmaria Lari
2017-10-05 6:56 GMT+02:00 Gianmaria Lari :
> On 5 October 2017 at 01:05, Thomas Morley wrote:
>>
>> 2017-10-04 17:53 GMT+02:00 Gianmaria Lari :
>> > On 4 October 2017 at 17:15, Malte Meyn wrote:
>>
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