particularly dreadful.
But I often wonder why tablature even needs it - surely it is
obvious that
what follows is tab, and it does not indicate relative pitch.
Well, I am not a guitarist.
Andrew
On 28/11/2020 1:27 pm, David Rogers wrote:
If those letters were human, they’d each be wearing
particularly dreadful.
But I often wonder why tablature even needs it - surely it is
obvious that
what follows is tab, and it does not indicate relative pitch.
Well, I am not a guitarist.
Andrew
On 28/11/2020 1:27 pm, David Rogers wrote:
If those letters were human, they’d each be wearing
st letters. :)
--
David Rogers
hen nobody can say you didn’t do your job. But making it look
great certainly has its benefits.
--
David Rogers
eople have come to expect. If
I had my own choice to make it look better, I’d pick a very boring
bold sans-serif like bold Helvetica or whatever, but that’s not
what people are used to.
--
David Rogers
of a score that involve extra Scheme code or tweaks, it will build
from papier-mâché. Consider it an alternative definition of
“object-oriented”. :)
--
David Rogers
of Lilypond,
and to me it makes more sense for them to intentionally neglect a
secondary function than to hold back or limit a primary one.
--
David Rogers
that
time and effort had been spent on other Lilypond issues instead.
And if working on MIDI would turn into a distraction, or would
“open a can of worms”, then IMO it wouldn’t be worth it. There
certainly is software out there for creating
artistically-orchestrated MIDI.
--
David Rogers
Tom Sgouros writes:
Hello all:
I've recently started using Lilypond and so far it's great. I
don't
think I'm saying anything surprising by observing what seems to
be a
close family resemblance to TeX. Did it start out as TeX macros
and
diverge?
I wonder if there is a document out there
Hello all
I certainly remember having this same question or confusion. The
fact that there is a specific \cresc led me to believe that there
ought to be a specific \rit as well. May I suggest that a new
Subsection 1.3.4 "Other expressive marks" be added to the Notation
manual, simply
I should point out my own mistake: Breitkopf & Härtel did a great
deal of very good work, and (from a pianist's point of view
anyway) they don't belong in the same paragraph as PWM or Kalmus.
--
David Rogers
n for claiming that Lilypond's sloppy and
inconsistent handling of piano pedalling is acceptable. (There's
also no social/political justification for claiming that that fact
obliges any particular person or group to fix it at any particular
time.)
--
David Rogers
u!)
There's an old joke: When free software is defective, the users
are entitled to a full refund. :)
--
David Rogers
eaner ways of declaring to
Lilypond that the cadenza is unmetered, and/or clarifying the
structure of what's before and after it, in the hope of preventing
the problem in the first place.
--
David Rogers
David Kastrup d...@gnu.org writes:
As I said, replies from a digest rarely make sense because of breaking
the message threading.
This is true, or at least I'm willing to take it as true - but if a
digest exists, then it would be very strange and frustrating to try to
disallow replying to it.
Henning Hraban Ramm lilypon...@fiee.net writes:
Am 2013-09-06 um 23:12 schrieb David Rogers davidandrewrog...@gmail.com:
Hello
There have been several methods in the history of LilyPond for
integrating LilyPond scores with ConTeXt documents (ConTeXt is a newer
more-flexible system somewhat
Carl Peterson carlopeter...@gmail.com writes:
On Fri, Sep 6, 2013 at 4:53 AM, Phil Holmes m...@philholmes.net
wrote:
I have to my right hand Hymns and Modern, New Standard and
behind me Songs of Praise, New Standard. Both of these use
separate voices for Sop
Hello
There have been several methods in the history of LilyPond for
integrating LilyPond scores with ConTeXt documents (ConTeXt is a newer
more-flexible system somewhat analogous to LaTeX).
Right now, which is the best choice for putting ConTeXt and LilyPond
together? (Your answer might be
Werner LEMBERG w...@gnu.org writes:
[wearing the FreeType maintainer hat]
Howver, my opinion is that we don't *need* Multiple Masters in
general. What we really need is an option to select a stylistic
variant which contains a set of finely tuned glyphs representing a
certain style, and
Carl Peterson carlopeter...@gmail.com writes:
On Thu, Sep 5, 2013 at 9:44 PM, David Kastrup d...@gnu.org wrote:
Why would you use the part combiner? I know SATB as basically
\new ChoirStaff
\new Staff { \clef treble { \soprano } \\ { \alto } }
\new Staff { \clef
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
This thread reminded me that I wanted to let you all see the first few pages
of a recent commission, which ended up requiring polymetrics across line
breaks, etc.
I love the way it turned out, and I can't imagine how difficult it would
Derek Klinge schilke...@gmail.com writes:
For the life of me I cannot figure this out.
I would like the following example to explicitly include the 7. Is
there a way to change the way it handles half diminished 7ths?
EXAMPLE
\chords {
c4:7.9- c:7.9-/g
\set slashChordSeparator =
Robert Schmaus robert.schm...@web.de writes:
Or do you mean bends? Glissandi? Key change, even? Could you maybe
send (or point to) an example?
It seems unclear what you mean with crescente/calante in harmonics
(as opposed to dynamics) ...
I believe that the intended meaning is Here are the
Robert Schmaus robert.schm...@web.de writes:
That brings me to my question: I've worked through Phillippe's
recipe faithfully (I think). Now, when I try to launch frescobaldi
on the Terminal, I get an error message
ImportError: No module named sip
Does anyone know what's the problem there?
Martin Tarenskeen m.tarensk...@zonnet.nl writes:
... writing LilyPond code directly is in fact easier and much faster
than ... fixing errors.
Especially this. Most of the export and import processes end up with
some errors, and being forced to find and solve machine-made errors
(maybe obscure
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
Andrew,
Thank you for your reply. I know that I could manually beam and that
would suitably work for a few measures. The piece, Chopin Black Key
Etude, has 83 measures like this. Some “set it and forget it” global
command would be most
Richard Shann richard.sh...@virgin.net writes:
You could have played the entire piece in by the time you have set
about looking for mistakes in the automatic entry systems.
Richard: I think playing the piece in is what Johan is asking for, and
is exactly what you're saying is a bad idea. I
k...@kalegood.com writes:
I see that lilypond supports a cool-looking No. glyph, which is great.
Unless I'm mistaken, it's not Lilypond giving that cool-looking glyph,
it's the font they were using.
The Unicode designation for that glyph is U+2116 Numero Sign
Some fonts have it, others don't.
Klaus Föhl klaus.fo...@uni-giessen.de writes:
Hello,
When changing font in text processing, you switch to a different font,
and most time that's it. Relative placement is taken care of
by the provided font metrics.
In music notation there is a font, but at least within Lilipond objects
Andrew Bernard andrew.bern...@gmail.com writes:
Emmentaler is, in effect, proprietary, although free.
I disagree. I think so poorly documented that in practice almost no one
can understand how it works still can't qualify as in effect
proprietary.
It just qualifies as needing a huge amount of
David Kastrup d...@gnu.org writes:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi Urs (et al.),
I'm probably biased but I find the appearance of the 'old' score
infinitely superior.
Immediately, one notices [in the newer version] what a poor choice it
is to have the triplet
Urs Liska u...@openlilylib.org writes:
Am 06.08.2013 19:46, schrieb David Rogers:
Some very significant reasons IMO that the old Henle score looks
Henle:
- the notehead shapes
- the stem thickness (to my eyes, thinner relative to noteheads than LP)
- the notehead size relative to staff
It seems to me that when scores are set with lots of white space, the
rules are followed meticulously (and that this is why computer-generated
scores began by being set much too loosely on the page - it's easier to
follow spacing rules when you have lots of room to do so). As scores are
set
James Harkins jamshar...@gmail.com writes:
On Aug 5, 2013 2:59 PM, James Harkins jamshar...@gmail.com wrote:
I appreciate the thought, but I'm not quite interested in that
particular flavor of Kool-aid. I'll go with my eye on this. I don't
like how it looks, and I get something that is easier
David Kastrup d...@gnu.org writes:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hello all,
I have found some images of Henle's Moonlight Sonata.
Old edition: http://www.ackermanmusic.co.uk/img/P/412339_1.jpg
And the new one (from 2013):
Carl Peterson carlopeter...@gmail.com writes:
I'm curious...did you happen to notice any examples where the engraver
chose to split the measure that might be indicative of an approach? If
I were to have done something like this for a hymnal/songbook, I would
have split the measure and would
James Harkins jamshar...@gmail.com writes:
I ran into the attached spacing problem while typesetting a lead
sheet. I can't make a minimal example right this second; will try in
the next couple of days.
When a tied note has a lyric syllable, LP (2.16.1) left aligns the
syllable to the note,
Robert Honoré robert.hon...@gmail.com writes:
It usually does once I change the version string. I had sent the one
that worked with my previous installation of lilypond (2.12.3).
Usually, when I do an upgrade, I would change the version string once I
get the error message when I attempt to
Marc Hohl m...@hohlart.de writes:
Hello list,
for my current project I have some scores located in
individual files:
A.ly
B.ly
C.ly
which can be compiled independently, and a latex file
containing calls like this
\lilypondfile{A.ly}
[... some text ...]
\lilypondfile{B.ly}
[...
Givaldo de Cidra givaldodeci...@gmail.com writes:
Could you help me with a code in lilypond?
I have a musical example it was necessary to change the key signature.
I made the change with the code below:
\ set Staff.keySignature '= # (((1. 0.), SHARP) ((1. 3.), natural))
Placing a hash in
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hello all,
I'm hoping to break out a series of stylesheets (or stylesheet sets):
instrument (e.g., violin) solo
piano solo
piano + vocal
piano + solo instrument
organ solo
instrumental ensemble (e.g., piano
I've found a piano score that seems, to my eyes, both more friendly
and more beautiful than Henle's Beethoven sonatas: the Chopin Nocturnes
from Wiener Urtext, catalogue UT 50065 from 1980. If this turns out to
have been computer-generated, then I'll just have to hang my head in
shame. :)
--
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hello all,
I'm going full-bore on getting some of my scores re-engraved in the
next month or so. (They tend to be cram-engraved under pressure for
the premiere, and then never returned to due to the next commission on
the docket…)
As
John Kliewe kli...@yahoo.com writes:
Many thanks to the lilypond-user group for their advice on measure #47
of the Chopin Nocturne #3 (Op 9 No 3). Urs' article on voices was
particularly helpful.
My next challenge appeared in measure #69. This is working for me :
\version 2.16.0
\relative
Jacques Menu jacques.m...@tvtmail.ch writes:
Hello,
Don't know Fraise, but if that may help : you menu entry should run:
/Applications/LilyPond.app/Contents/Resources/bin/lilypond
be that textually placed there or in shell script of yours.
I neglected this point in my hasty
Philippe de Rochambeau phi...@free.fr writes:
Hello,
could someone please explain how to run Lilypond from Fraise?
I haven't used Fraise. I did use Smultron a little bit a long time ago.
There may be an elegant way, eliminating the use of the terminal
emulator and making steps 2 through 4 of
Hi again Philippe...
If (when) Frescobaldi becomes easy to install on a Mac, definitely use
it instead of Fraise - because Frescobaldi is made for Lilypond, it
provides a lot of nice functions that Fraise will never have.
--
David R
___
lilypond-user
Urs Liska u...@openlilylib.org writes:
... for some reason XeLaTeX/fontspec isn't
willing to use the bold version of my chosen tt font (Inconsolata) -
so the listings were without syntax highlighting.
I have already done a workaround (by using the default tt font).
Inconsolata originally
David Kastrup d...@gnu.org writes:
Peter Wannemacher pe...@scriptureoftheweek.com writes:
==
You wrote on page 4:
Editor independent
There isn’t a inseparable unit between editing and processing a docu-
It is common to write:
There isn't an inseparable unit
And not
Peter Toye lilyp...@ptoye.com writes:
Thank you all very much for your help. It's not the most intuitive
user interface (or should that be language?), and I've only been
trying it out for a few hours, so I'm coming up with all sorts of
silly issues.
One problem I'm having is that it's not
David Kastrup d...@gnu.org writes:
When using Emacs, C-h i is just two keystrokes away. No need to reserve
additional space for the info manual.
You're right - I didn't think of that, because I didn't have Emacs when
I started using Lilypond. I still haven't made the switch, though I
would
David Kastrup d...@gnu.org writes:
It would likely be worth it to have an Emacs window open just for
reading the documentation...
(... Good point; I'll reserve a space for it on my desktop...) :)
--
David R
___
lilypond-user mailing list
Carl Peterson carlopeter...@gmail.com writes:
As I mentioned in another thread, I'm working on a hymnal/psalter project
and ideally would like to justify both the left and right edges of each
line of lyrics. I'm willing to settle for the left edge, if the right edge
is too cumbersome to do. I
Davide Liessi dal...@gmail.com writes:
direct
I can't understand this glossary entry, since there isn't enough context.
I don't think it is specifically a musical term, and I couldn't find
occurrences of direct in NR with a different meaning from the usual,
literal, common one.
Why is
Ralph Palmer palmer.r.vio...@gmail.com writes:
Greetings -
I'm running LilyPond 2.16.2 under Windows 7, SP1.
I've copied the *.el files from lilypond\..\site-lisp to
\emacs\emacs-24.3\site-lisp
and I've set the PATH and HOME variables so that I think emacs is finding
lilypond-mode.el, but
Urs Liska li...@ursliska.de writes:
And is your intention to keep the lilypond source inside the LaTeX
document? If that's not explicitely wanted you may have a look at my
musicexamples' package.
Overview: http://www.openlilylib.org/?/musicexamples/
The links to the project page and download
Thomas Morley thomasmorle...@googlemail.com writes:
Best I can say: It works.
Though, in german I'd call this Fischertechnik (don't know if it's
understandable outside Germany, otoh, there's an english
wikipedia-article about it ...)
North American writers use Tinkertoy to mean the same
Sarah k Alawami marri...@gmail.com writes:
Is there a way to memorize or through pattern recognition how many '
and , symbols it takes to jump octaves? besides writing down a few
notes and going to the tuneful site to listen to see if I messed up?
as that's what I've been doing and it yeps
Parham Fazelzadeh par...@hil.t.u-tokyo.ac.jp writes:
Yeah, it doesn't make sense to tie rests, you are right about that. But the
behaviour was still unexpected, and unwanted, I would say.
In general, with LilyPond, unexpected input creates unexpected
output.
Often, if you input something that
David Kastrup d...@gnu.org writes:
Eric Pancer epan...@gmail.com writes:
On Mon, Dec 17, 2012 at 7:09 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Is C6 considered 0?
Well, here I'm the one who is confused. I never heard C6 and the
others you mention below.
Apologies. C5 is
always the best how-to that you
can get.
--
David Rogers
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Noeck noeck.marb...@gmx.de writes:
... I added an *English version*, which should make it readable for a
wider community. Most of the text consists of Lilypond commands,
though. There are some places where I am not sure if I found the
correct translation.
soundsfromsound soundsfromso...@gmail.com writes:
On a side note, is there any one way that everyone agrees is the best way
to import MusicXML into Lilypond with the cleanest, most accurate conversion
results?
Yes, absolutely there is.
1. Print the score (not the file, print the musical
Stefan Thomas kontrapunktste...@gmail.com writes:
Are You sure that is an Urtext and not a kind of later arrangement of
this piece?
2012/10/17 Mark Stephen Mrotek carsonm...@ca.rr.com
The Harvard Concise is not in my possession. I do have a copy of Haydn's
Keyboard Concerto No. 11 in D.
Appoggiatura is a term in composition for a particular kind of note
that doesn't belong to the harmony.
Acciaccatura (crushed) is a playing technique that composers can request.
Neither one is really the name of this little note.
The little note isn't stroked OUT, because stroked out would mean
On Tue, Oct 16, 2012 at 10:12 AM, Owain Sutton ow...@owainsutton.co.uk wrote:
I've always taken 'acciaccatura' and 'grace note' to be synonyms.
I think that's probably correct. Which means that grace note would
not be the best name for this notation either.
I jokingly propose Lnwl.
(Little
I don't have any of the engraving manuals - what is this note called
in those books? It would probably be better to go along with the
industry standard name, even if that name turns out not to be
perfect.
--
David
___
lilypond-user mailing list
ole m...@oleschmidt.info writes:
thanks, but than my example look like this (see attached .jpg)
That jpg is interesting. I would never have chosen to print it the way
they did, and I think it can and should be done differently. (But still
interesting to try for that result if you want.)
--
keith Luke kkll...@gmail.com writes:
Does anyone know why the flats appear our of order when the key
signature is F-flat?
I'm really only summarizing what's been said: that it's probably already
correct, that it's probably a bad idea to use it, and that the score is
truly unreadable with the
Urs Liska li...@ursliska.de writes:
But F flat _is_ different from E, especially in its relationship to
other, 'normal' keys. F flat has a quite simple relation to G flat
that might happen in real music. So I'm happy that LilyPond offers to
explicitely write it down instead of refusing to do
fabio gabbianelli fabiogabbiane...@hotmail.it writes:
anyone knows if lilypond 2.16 or 2.17 works with osx 10.7? it could work
through jEdit ?
I don't see any news about a version of LilyPondTool for 2.16 or
later. But maybe I just wasn't paying attention. (LilyPondTool is the
best way to
flup2 phili...@philmassart.net writes:
Hello,
No problem with 2.16 or 2.17 on a Mac with Lion or Mountain Lion, either
with its own interface, or through command line, JEdit, Frescobaldi etc.
(knowing that JEdit simply calls the command line of LilyPond).
The previous problem of LilyPond
james james.lilyp...@googlemail.com writes:
I have been looking at this documentation for so long, that I just
don't understand it anymore. Is it possible to get a line on the
text pedal notation? There are so many contexts and engravers for
the piano pedals, that I just don't see how to add
On Fri, 31 Aug 2012 10:55:09 +0200
Marc Hohl m...@hohlart.de wrote:
Hello all,
I am just about rewriting the bar line user interface and stumbled
across a serious problem: with my new approach, the valta brackets
are displaced.
For developing a fix, I need to know how this is properly
On Tue, 28 Aug 2012 17:50:12 -0700
Daniel E. Moctezuma democtez...@gmail.com wrote:
Also, after an attaca indication should the bar numbers reset or
continue counting?
I take attacca to mean Go straight on, even though it's a new piece.
Having the bar numbers continue would mean to me This
On Thu, 23 Aug 2012 20:56:03 -0400
John Link johnl...@nyc.rr.com wrote:
Well, male water sheep is not Italian.
Don't mind me. I had a rough rehearsal today and I'm in a weird mood,
trying to make a joke with the Italian translation (via google
translate) of the British meaning of spanner.
On Fri, 24 Aug 2012 13:03:24 +0100
Trevor Daniels t.dani...@treda.co.uk wrote:
A spanner implies bridging between two equivalent end points.
An extender would imply something already exists and is just made
longer. A direction is often implied - the road was extended from A
to B.
Therefore,
On Fri, 24 Aug 2012 09:19:28 -0300
Felipe Castro fef...@gmail.com wrote:
2012/8/24, Phil Holmes m...@philholmes.net:
Han-Wen, instead of spanner, in English, would you use
extender? I'm not asking to change, just wondering if both words
are equivalent in this case.
Replying as a
On Wed, 22 Aug 2012 20:50:29 +1200
wjm mooney...@aim.com wrote:
You wrote:-
+
Hi, I am trying to make a decrescendo end in a subito dynamic for the
next note. . +++
Given that sfz is equal to subito-forzando
(see
Hi all
I'm using the following recommended code, which works properly with any
font I've tried:
\version 2.14.2
\paper {
myStaffSize = #20
#(define fonts
(make-pango-font-tree fontname-1
fontname-2
On Tue, 14 Aug 2012 22:58:57 +0200
james james.lilyp...@googlemail.com wrote:
Honestly, what's most important to me is where the sharps/flats in
the key signature are placed.
Looking at the PDF example, I can't understand which line is supposed
to be the good one. They both look wrong to me.
On Tue, 14 Aug 2012 23:47:52 +0200
Reinhold Kainhofer reinh...@fam.tuwien.ac.at wrote:
Some old handwritings have e.g. the f sharp in the keysignature not
at the top line, but between the lowest and second-lowest line. If
you want to create an authentic reprint of the autograph, you might
On Sun, 12 Aug 2012 17:58:41 +0100
Peter Gentry peter.gen...@sunscales.co.uk wrote:
I have a score with many repeated beamed quavers and semi-quavers on
ledger lines. The default layout is difficult to read as ledger lines
and the staff produce an almost hypnotic effect which confuses the
On Sun, 12 Aug 2012 17:58:41 +0100
Peter Gentry peter.gen...@sunscales.co.uk wrote:
... all my attempts to make changes (apart
from set-global-staff-size) have failed even when the syntax is
accepted
I missed this part of your post the first time.
Lilypond's silence does not always indicate
On Mon, 13 Aug 2012 15:05:41 +1000
Vaughan McAlley vaug...@mcalley.net.au wrote:
This is a slight variation on:
http://lilypond.org/doc/v2.14/Documentation/snippets/vocal-music#single-staff-template-with-notes-and-lyrics
I’m trying to apply the idea from Skips in lyric mode[1], so that the
On Sat, 11 Aug 2012 15:28:30 +1000
Joe Neeman joenee...@gmail.com wrote:
On Fri, Aug 10, 2012 at 7:28 PM, Federico Bruni fedel...@gmail.com
wrote:
NR 4.1.6, \paper variable for page breaking
http://lilypond.org/doc/v2.15/**Documentation/notation/other-_**
On Sun, 05 Aug 2012 00:59:32 +0200
David Kastrup d...@gnu.org wrote:
That's because parentheses aren't brackets.
() parentheses
[] brackets
{} curly brackets, occasionally braces
angle brackets
Absolutely true, from a specialist point of view - but in common usage
(imprecise, yes,
On Thu, 02 Aug 2012 13:30:19 +0200
Gilles gilles.thiba...@free.fr wrote:
The request is for six commands (NOT markups, but actual music
commands that affect the MIDI output and so on):
\segno
\fine
\tocoda
\coda
\dacapo
\dalsegno
Using the functions described here :
Hi all
I don't have any money to contribute, nor any coding capability, so
this is not a serious request in anything but tone of voice. :(
It's extremely likely that this request is an obvious one, and that it's
been requested in exactly this way many times, and has never been done
because of
Tim McNamara tim...@bitstream.net writes:
Some weeks back there was some discussion of the Lilypond
syntax, I made some suggestions and was asked to write up a
sample .ly file with the ideas I had in mind. Basically my
notion was to separate content (notes and chords) from form
(number of
Janek Warchoł janek.lilyp...@gmail.com writes:
PS concerning the girl, she's pretty indeed, but some of the
/priests/ using Lily might have a problem with that :)
I'm not a priest. However, I still don't like the picture. I don't
mean that I disapprove, I mean that I don't think it looks
On Mon, 9 Jul 2012 16:15:02 +0200
Stefan Thomas kontrapunktste...@gmail.com wrote:
Dear community,
the very nice code, I've copied in the attached file anweisungen.ly
does some things I don't like but I don't know how to change it:
the page-numbers are at the bottom, not at the head off the
Tim McNamara tim...@bitstream.net writes:
Why is it like this? Because the focus of Lilypond has been, to
a great degree, to create something that enables users to
produce beautiful sheet music. That is the raison d'être of
Lilypond. The main focus has not been on user friendliness and
David Kastrup d...@gnu.org writes:
People use more Scheme than they probably realize, and getting
Scheme help by devs tends to work mostly unspectacularly.
[unspectacular often means not very good. I think you must be
using unspectacular to mean it just happens, without too much
trouble.]
Sami sami.ami...@gmail.com writes:
... however the \bar at the beginning of the music seems to be a
problematic issue also.
Normally, \bar |: at the very beginning is redundant and should
be left out. Music with no \bar |: anywhere is always understood
to go back to the beginning.
[but
GRAEME F ST CLAIR graeme_st_cl...@atlanticbb.net writes:
What directives, commands, instructions etc should I be looking
at to put a little more air into its appearance?
This may sound mean, but read the manual - it's all in there. When
you get to know the manual you know not only the
Francisco Vila paconet@gmail.com writes:
2011/10/25 ole m...@oleschmidt.info:
Option+a did the trick (I'am on Mac OS X using Jedit with
LilypondTool), very easy...
If you newly discovered that, how could you have written it in
your email in the first place?
(If the mail client is set
Ole Schmidt m...@oleschmidt.info writes:
Hi,
Can anyone point me in the right direction, I need a little
circle above the letter (norwegian...) like this: å (see also
attached screenshot if it is not displayed correctly) Whats do I
have to enter, I can not found the utf-code that fits
Mats Bengtsson mats.bengts...@ee.kth.se writes:
Christ van Willegen cvwillegen at gmail.com writes:
On Thu, Oct 20, 2011 at 03:26, David Rogers davidandrewrogers
at gmail.com
wrote:
This will alert the singer, at the time they need to know,
this is only half of the word. In your
David Kastrup d...@gnu.org writes:
GRAEME F ST CLAIR graeme_st_cl...@atlanticbb.net writes:
Well, I plowtered (Scottish word) around with jEdit, but didn't
get much where, so I recovered a Windows Emacs from backup,
that I'd never got round to trying, installed it and got
exactly nowhere
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