s name will not notice the difference. And there is not any
lilypond API, so calling it by its name is the only way of calling it.
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2011/11/10 Francisco Vila :
> musicOne = \relative f { c d e f g a b c d e f g a b c }
> musicTwo = \relative f { e f g a b c d e f g a b c d e }
>
> \score {
> \relative f {
> <<
> \musicOne
> \musicTwo
> >>
> }
>
> }
>
>
tive f { c d e f g a b c d e f g a b c }
musicTwo = \relative f { e f g a b c d e f g a b c d e }
\score {
\relative f {
<<
\musicOne
\musicTwo
>>
}
}
%%%
This way you do not mix relative mode and polyphony.
2011/10/25 ole :
> Option+a did the trick (I'am on Mac OS X using Jedit with LilypondTool), very
> easy...
If you newly discovered that, how could you have written it in your
email in the first place?
Just curiosity.
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El 22/10/2011 14:57, "MING TSANG" escribió:
>
> Hi, lily users:
>
> A general question. Can lilypond and jedit be installed in an USB thumb
drive? What would happen about the PATH?
>
Which operative system are we talking about?
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2011/10/20 Martin Tarenskeen :
> On Thu, 20 Oct 2011, Francisco Vila wrote:
>> 2011/10/19 :
>>> I were wondering if there is someway to fill the code and at same time
>>> generating the score for me to see what I am writting?
>> When I am typing music with Frescob
' of the PDF preview. If my music does not always end
in a measure edge, something is wrong. The problem would be in the
line before the current one, or the one before that.
Sure, that puts the CPU in heavy load, but only for the period I am
transcribing intensively.
--
Franc
udio, and MIDI files do not
pop at the beginning unless your MIDI player or audio card have a
problem. Try playing other MIDI files not generated by LilyPond, so
to compare.
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___
ith a notation reference or two in your library, how would
> you handle this?
> \new Voice \relative c'' {
> \voiceThree
> a2. a4~ a2
I changed this to
a2. a4~ \shiftOff a2
and the collision is avoided although you obtain a chord and a warn
Mutopia and then it goes
out form it? This is a question for the Mutopia list, I guess.
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2011/10/10 Francisco Vila :
> 2011/10/10 Frits Verhaeghe :
>> Hello,
>>
>>
>>
>> As a new user of Lilypond, I received from another user some .bin-files. How
>> can I open this .bin-files?
>
> Those .bin files were produced by lilypond? That's ve
xt and human readable. I
am willing to receive sucha bin file by private email and I'll try to
analyze it a bit.
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ne (maybe related),
http://www.downforeveryoneorjustme.com/www.lilypond.org
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Hello all, I think this is remarkable: Keith OHara has put Dvořák's
9th symphony in Mutopia. Kudos!
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=1793
--
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lilypond
treble
% maybe
\override Script #'avoid-slur = #'outside
> g'8-|( g4.) d'4
> }
> }
From
http://lilypond.org/doc/v2.14/Documentation/notation/expressive-marks-attached-to-notes
http://lilypond.org/doc/v2.14/Documentation/nota
les in
the preferences/fonts+colors dialog are not intialized to the current
colors, not even after having selected an actual color from the
palette. All appear white in my system.
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works perfectly. Thanks!
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ost used harps nowadays are the modern harp (chromatic -- 7
pedals) and the Celtic harp (diatonic -- no pedals, per-string
levers).
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2011/7/5 Mario Moles :
> Hi lilyponders!
>
> This is a bug?
I think not. On whole-measure rests you should use
{
R1 -\fermataMarkup
}
Using plain rests also works.
{
r1 \fermata
}
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Francisco Vila. Badajoz (Spain)
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- search and replace multiple blank spaces to one single blank space
all through your source file.
- keep a simple, clear Score structure. Put manual \new StaffGroup
and \new Staff commands when needed.
- more...
Has the file been converted by a script or robot from another format?
--
Francisco
ould include that dynamic in a LaTeX
> document.
This would be absolutely great.
> I hope that have a preliminary version running during summer holidays (and
> I'll need some adventurous testers ;) )
I am willing, I like to test new packages on LaTeX. Please keep us informed
--
someone responded to this on the regular user list. Just in case
> :
> The first rest in the Vln 3 staff should be "r2", rather than "R2". R2 means
> a 2 measure rest;
Not exactly. R2 is a whole measure rest for a half note, e.g. in a
2/4. A 2 measure re
2011/6/7 Nick Payne :
> On 07/06/11 17:05, Francisco Vila wrote:
>>
>> 2011/6/7 Nick Payne:
>>>
>>> I have created a searchable indexed PDF portfolio from the 2.14 English
>>> PDF
>>> docs (Extending, Internals, Learning, Notation, Sn
d be readable with free
software.
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/3 { a8[ aes8 ges8] }
>
> What is the Lilypond expression of the entire duration that I must write after
> the lyric?
This works here:
<<
\new Staff{
c'1~ c'8~ \times 2/3 { c'8[ d' e'] }
}
\new Lyrics \lyricmode {
c1~ ""8~ \times 2/3 {
2011/6/3 Peter O'Doherty :
> On 06/03/2011 12:45 AM, Francisco Vila wrote:
>>
>> 2011/6/2 Peter O'Doherty:
>>>
>>> Thank you all for your help. David's solution was just the one I needed.
>>> Best wishes,
>>> Peter
>>
>&g
aches other recipients's mailboxes after several hours.
:-(
Anyway, I am sincerely glad that you received one or more helpful
answers, be mine or from others.
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e
the clarinet definition to include a key change,
clarinet = { \key c \major
c'4 d' e' f' |
}
so that the key signature becomes transposed as well.
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good quality anyway, so it does not matter if it was scalable in some
stage of the process. Unless you want a very enlarged detail of a tiny
part of a score.
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ddlyrics { \cigüeña }
%End
This would deserve to be documented, IMO
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ture either.
I don't know what breakbefore is.
I have used book and bookparts many times wth success. May I be of any help?
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tax
is not by far all you need to have for a feature to work.
I'd be delighted to sponsor the feature. ¿A price?
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https://li
icmode { "Hi" }
\new Lyrics \lyricsto "verse" \lyricmode { "Hi" }
\new Lyrics \lyricsto "verse" \lyricmode { "Hi" }
>>
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~~~
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
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From 3db417dab28465a
nue learning about Lilypond. What a gift this this
> is...
I wrote the section about \articulate, that's why I am asking you for
a better wording, as I am not a native English speaker.
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Francisco Vila. Badajoz (Spain)
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__
far
> nobody's sent a patch for the documentation which adds this.
> Maybe you'll be the first?
I volunteer for this. Also, I will change 'abbreviatures' which is
easily a non-existing english word, to whatever you suggest.
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Francisco Vila. Badajoz (Spain)
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u
tell us the times in seconds for 32, 64, 128, 256, 512 and 1024
scales?. If your system memory is big enough, you'll hopefully be
able to complete the 1024 stage.
Now, if you have gnuplot you can do a simple graph with these data; if
not, I'll do it for you. With a logarithmic scale
s are useless for me for a triple reason: I need a costly
software to see them, even if a viewer is available at zero cost I
still can not hack the score, and even if I could, I am not free
because that viewer is prorietary software).
--
Francisco V
dent = 0
paper-width = 85\mm % largeur de la page
paper-height = 54\mm % hauteur de la page (taille du papier)
top-margin = 10\mm % distance entre le haut de la page et le premier itre
ragged-right = ##f
% line-width = 7\cm
left-margin = 2\cm
right-margin = 2\cm
}
{ c' }
%%
o know why
bunzip self extracting fails there. Provided that the file is not
only apparently identical, but it is the same file downloaded from
puppy and then copied to the other system.
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ch exact way am I right in? both bunzip versions differ. Good. Now,
what? Please take the same file and try to extract on both systems.
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lilypond-us
Again, please, remember to "reply to all" so that the community can
help/beneficiate
(Unless it poses a problem for you)
2011/3/31 Friedrich Fischer :
> On 03/31/2011 07:41 PM, Francisco Vila wrote:
>> Again, please reply to all so that everyone is aware.
>>&
Again, please reply to all so that everyone is aware.
2011/3/31 Friedrich Fischer :
>
>
> 2011/3/31 Francisco Vila
>>
>> Replying to the list to keep the thread there.
>>
>> 2011/3/31 Friedrich Fischer :
>> > Am 31.03.2011 10:56, schrieb Francisco V
Replying to the list to keep the thread there.
2011/3/31 Friedrich Fischer :
> Am 31.03.2011 10:56, schrieb Francisco Vila:
>
> 2011/3/31 Friedrich Fischer :
>
> Because of the faster lilypond compilation I prefer puppy-linux.
> But since the version 2.13.42 I cannot instal
ninstall
older installed versions first.
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it's available from
> http://nicta.com.au/people/chubbp/articulate
Thank you, I will set up a new patch.
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internals manual as an object,
context or porperty.
I am sorry for not being of more help.
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is for context properties and override is for element
descriptions, according to
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/set-versus-override.html
as for #(set-whatever , they are predefined one-word commands for
convenience, which give values to internal variables that are not
context p
2011/3/25 Francisco Vila :
> 2011/3/24 Ben Rudiak-Gould :
>> Hello lilypond-users.
>>
>> I'd like to engrave rounds with LilyPond 2.13 in a part-parallel
>> format similar to this:
>>
>> http://www.archive.org/stream/nationalsongbook00stan#page/n2
legant solution?
I think canons are more usually typeset completely sequential in a
single staff with numbers indicating the time which voices appear at.
This way you'll never experience problems with ties. Just from my
little experience. See example attached which coincidentally I
2011/3/23 Francisco Vila :
> 2011/3/23 胡海鹏 - Hu Haipeng :
>> Hello Francisco,
>> Does this work? I can't know it from my pdf reder's txt conversion. Or
>> must I x-offset the instr name of grand staff to -1 or -2?
>
> In your score you need \paper{ left-marg
2011/3/24 Christian Bos :
> I am working on a piece
I can not compile your example. Please send a minimal piece of code
that shows your problem.
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2011/3/23 胡海鹏 - Hu Haipeng :
> Thanks. Will the 1.5 cm margin causes binding difficulty?
>
> Regards
> Haipeng
Yes; in my example an absolute minimum is 2.3\cm and shortnames
already touch paper's edge (in PDF). I guess that could be fine tuned
afterwards.
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Francisco Vil
r/lilypond/Graphic#index-inlining-an-Encapsulated-PostScript-image
Also, the code for this snippet shows an example of using
lilypond-book to make documents with images and music.
http://lsr.dsi.unimi.it/LSR/Item?id=231
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Francisco Vila. Badajoz (Spain)
www.paconet.org ,
2011/3/23 Francisco Vila :
> Maybe what you need is a
> generous left margin together with a big padding for the brace, enoguh
> for staff names to fit at its right side, all bracketed by the brace,
Here is a possibility of this. Note that it is #'X-offset , with Capital X
--
music) I'd put the brace with its name at the left end, then names of
sub concepts at the right side of the brace. Maybe what you need is a
generous left margin together with a big padding for the brace, enoguh
for staff names to fit at its right side, all bracketed by the brace,
hope I'm e
have the same problem I think) will collide with
> the name of the midst stave.
But I can not imagine a way in which those don't collide, except
moving it manually for worse. Everything is centered on its own
extent as expected. Otherwise those names will look misplaced.
--
r of staves and the
brace name goes between "three" and "four". If I remove "four" then
there is an [understandable] collision.
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note yet another behavior if you switch
to it.
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ith:
> str = re.sub ('(?=#\\( *(override|revert)-auto-beam-setting)', '%{
> convert-ly: you must change this manually %} ', str)
Good idea!
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2011/3/19 Federico Bruni :
> Il giorno ven, 18/03/2011 alle 16.54 +0100, Francisco Vila ha scritto:
>> The attached patch includes and documents the Articulate script.
>
> there's a typo in line 76 of the patch:
>
> +etc., and take rallentendo and accelerando into
2011/3/20 Peter Chubb :
> On 20/03/2011, at 7:55 PM, Francisco Vila wrote:
>> I've not checked, but is the license compatible with that of lilypond?
>> A simple line stating "this file has the same license as the lilypond
>> package" would serve.
>
>
2011/3/18 Francisco Vila :
> 2011/3/18 Graham Percival :
>> On Fri, Mar 18, 2011 at 09:17:47AM +0100, Marc Hohl wrote:
>>> Just adding articulate.ly in ly/ and giving one example in the docs
>>> is probably not what you expect ...
>>
>> Why not? That's
2011/3/18 Graham Percival :
> On Fri, Mar 18, 2011 at 04:54:12PM +0100, Francisco Vila wrote:
>> The attached patch includes and documents the Articulate script.
>
> Looks pretty good, but I'd like to have a rietveld issue for
> easier commenting.
I will try to do that, I&#
I
> haven't looked at it, so I might notice some problem with that
> approach when I see a patch. Or other people might notice some
> problem with the approach. But that's definitely how to begin.
The attached patch includes and documents the Articulate script.
-
-archive.com/lilypond-user@gnu.org/msg60293.html ,
an user talks about it. HTH
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2011/3/14 Michael Ellis :
> On Mon, Mar 14, 2011 at 11:06 AM, Francisco Vila
> wrote:
>>
>> 2011/3/14 David Kastrup :
>> > Francisco Vila writes:
>> >> Frets in a guitar are absolutely chromatic. I did not mention
>> >> fretless instruments.
2011/3/14 David Kastrup :
> Francisco Vila writes:
>> Frets in a guitar are absolutely chromatic. I did not mention
>> fretless instruments.
>
> So please explain how you are would sort frets into a diatonic scale
> arrangement corresponding to white keys on
2011/3/14 David Kastrup :
> Francisco Vila writes:
>
>> 2011/3/14 David Kastrup :
>>> The _only_ non-fringe (and you
>>> might debate that) instrument I know that has controls _deliberately_
>>> designed around a chromatic scale (note that string instrume
atic to me. Here, all scales have to be fingered on purpose and
equally no matter the pitch. Granted, open strings tend to be natural
pitches. Forget open strings.
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ure follow with 120 " "
> for the notes, then lyrics for the last 4 measures.
>
> Question: Is it possible to code verse 2 simpler than 120 " "s? It seems
> that \skip 8 only does for a note which means 120 \skip 8.
Use repeats, if I understood well this should work
2011/3/4 tobias bora :
> Thanks for your answer.
>
> And how could I use a hight resolution ? Indeed, I've used in lilypond
> "paper-size= A4", but maybe it's not enough.
lilypond --png -dresolution=600 yourfile.ly
300 is already fairly good but this depends o
d to use killCues for
a sheet with no cues. Thanks!
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2011/3/3 Keith OHara :
> Francisco Vila gmail.com> writes:
>> In this example, partB should include m.2 of partA in measure
>> two.
> [...]
>> instrA = {
>> \tag #'partA \cueDuring #"instrB" #UP { s1^"(from B)" }
>> \tag #
2011/3/3 Francisco Vila :
> Thank you Reinhold, that works, however, still some kind of problem
> remains. In this example, partB should include m.2 of partA in measure
> two. Maybe I mistyped something... sorry if this looks complicated,
> actually it _is_ a minimal example of wh
2011/3/3 Bernhard Ott :
> On 03.03.2011 16:25, Francisco Vila wrote:
>>
>> 2011/3/3 Bernhard Ott:
>>>
>>> On 03.03.2011 12:28, Francisco Vila wrote:
>>>>
>>>> Hello. I don't know if this is supported, at least it doesn't work for
2011/3/3 Bernhard Ott :
> On 03.03.2011 12:28, Francisco Vila wrote:
>>
>> Hello. I don't know if this is supported, at least it doesn't work for
>> me. I want to cue a voice during silences in other, and resp. cue the
>> other during silences in this.
>
}
}
\addQuote "instrB" { \instrB }
\new Staff \instrA
\new Staff \instrB
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2011/3/2 Tim Sheasby
> On 02 Mar 2011, at 11:57 AM, Francisco Vila wrote:
>
> Printed material is commonly made with very high-resolution renderers.
> I don't know exactly: ten thousand dots per inch? Maybe not that
> much, but high enough so you can not see the 'stai
the image, the better. b) never use
monochrome gif images (no antialias, no gray dots), use grayscale with
a good bit depth.
Printed material is commonly made with very high-resolution renderers.
I don't know exactly: ten thousand dots per inch? Maybe not that
much, but high enough so you
f the lines. Then ask again if
this is not enough.
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?
In the mf/ directory of the lilypond source code, if I'm not wrong.
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2011/2/25 Francisco Vila :
> 2011/2/24 Adam Good :
>> Hi All,
>> I'm wanting to use this great counter markup code:
>>
>> "Implementing a counter in markup text"
>> http://lsr.dsi.unimi.it/LSR/Snippet?id=543
>>
>> though I would like
"mycounter"}
>
> But it gives results I don't expect and I'm having difficulty
> understanding why. Can anyone help me?
Calr Sorensen answered this a few months ago:
http://lists.gnu.org/archive/html/bug-lilypond/2010-10/msg00144.html
It includes a modified solu
2011/2/24 Michel Camiré :
> Hello ,
>
> i try to download the manuals from the web site but to no avail . How is one
> supposed to proceed in order to download the literature?
Try this link:
http://lilypond.org/all
It is available from http://lilypond.org/manuals
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\override Staff.Clef #'stencil = #(lambda (grob)
(grob-interpret-markup grob GClef))
c'1
}
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hive.com/lilypond-devel@gnu.org/msg21147.html for
the cheese names in lilypond's fonts
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Francisco Vila. Badajoz (Spain)
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xplicit' is better, more rare and not mandatory IMO.
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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t is based
on lilypond: http://github.com/janneke/schikkers-list
Graham Percival made a targeted exercises program for students:
http://percival-music.ca/research.html ,
http://percival-music.ca/tempo/
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
k) are reading each staff and those ledger lines help keeping the
notes in the same staff and therefore makes them to be more easily
read. Overmore, this example makes a very typical piano music
fragment as it is typeset.
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
nted, that is: set a folder name for
the binaries, then set executable names for commands in that folder.
In Linux we name commands and they work because they are in the path
if they are properly installed.
I'd like to summarize the whole set of configs for lilypondtool
commands, for Linux. Forwar
mage format conversion command from
imagemagick, not a part of lilypond. It's not 'convert.ly' but
convert-ly.py, note the hyphen for ly and the dot-py for python
filename extension.
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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2011/2/8 Bernardo Barros :
> 2011/2/8 Francisco Vila :
>> Frescobaldi is for Linux in a KDE environment.
>
> No, for Linux with *some* KDE libs installed. For instance I use it
> with OpenBox.
Thanks. I've never used it, hence my related question on -user
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Francis
rs. Thanks!
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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jre by sun-java6-jre seems to solve the problem.
>
> I always thought: LilyPondTool is for Windows users, and Linux people use
> Frescobaldi if they need something similar. Apparently I was wrong ?
LPT runs on jEdit which runs on jre which runs on Windows and Linux.
Frescobaldi is for
It's not just you!
http://www.downforeveryoneorjustme.com/http://download.linuxaudio.org
2011/2/6 胡海鹏 - Hu Haipeng :
> Hello,
> When I tried to download 2.13.48, I found the linuxaudio server is down.
> Haipeng
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.
his is an active area of research; look for "music OCR" or "score
> OCR" on google scholar. Most papers that I've seen export data in
> musicxml format, but if you particularly want it in lilypond, you can
> convert is with musicxml2ly.
Let me contribute with http://ww
2011/2/1 M Watts :
> On 01/31/2011 07:27 PM, Francisco Vila wrote:
>>
>> I vaguely recall this case known as 'false relation'. The listener
>> could be fooled into hearing e' a' but the a' is sung by another
>> voice. This would be the '
>
> Should I enter this code into my HTML file or into my LilyPond file?
In the HTML file; there is no LilyPond file. You insert the music just
like the example shows.
If you are not familiar with the command line, my advice is to
generate png images from lilypond files and insert th
ct and I need a word for it. Not something made up but an
> established phrase I can use in documentation and programs menu-labels.
Maybe it's "Part overlap rule", no.10 in
http://www.musiccog.ohio-state.edu/Huron/Publications/huron.voice.leading.html
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Francisco Vila. Bad
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