Re: frescobaldi print

On 18 September 2017 at 14:59, Knute Snortum wrote: > There is also a printer icon on the toolbar that does the same thing as > File > Print Music. (Ctrl-P worked for me on Windows 10.) > The printer icon does absolutely nothing when clicked. On my frescobaldi installation

Re: instrumentName circle

Thank you Thomas! On 18 September 2017 at 10:45, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2017-09-18 10:38 GMT+02:00 Gianmaria Lari <gianmarial...@gmail.com>: > > Great, thank you Thomas!! > > > > But why I should prefer "with" versio

Re: instrumentName circle

version "2.19.65" \score { \new Staff { \set Staff.midiInstrument = #"glockenspiel" \set Staff.instrumentName = \markup \box \circle "1. " a b c' d' } } Thank you, g. On 18 September 2017 at 10:24, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2017

instrumentName circle

How can I draw a box or a circle around the exercise number "1." \version "2.19.65" \score{ \new Staff { \set Staff.instrumentName=#"1." c' d' e' f' } } Thank you, g. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: frescobaldi print

I forgot to mention I'm using Windows 10. No, Ctrl-P or file/print music does not work and I don't get any error. g. On 14 September 2017 at 17:42, Malte Meyn <lilyp...@maltemeyn.de> wrote: > > > Am 14.09.2017 um 12:49 schrieb Gianmaria Lari: > >> Sorry to ask this

finger placement brackets for hap

Harp scores sometimes specify a bracket below or above the notes to indicate how to place your hand. In the attachment you can see an example. I have found online this code that works pretty well: [https://music.stackexchange.com/questions/48731/lilypond- finger-placement-brackets] \version

frescobaldi print

Sorry to ask this that probably is a very trivial question, but I have not able to find a solution online. Is there any way to print the pdf file generated by lilypond directly from Frescobaldi? Thank you, g. ___ lilypond-user mailing list

Re: \mark and slur

David Kastrup wrote: > People tend to ignore warnings > anyway. I personally ignore warnings only when I don't see them. And I normally don't see them when they are in a long list of other information (maybe written in small character etc. etc :)) Ciao, g.

Re: \mark and slur

Thank you Malte and Phil! It works well and your suggestion make sense. I normally didn't pay much attention to this thing, now I will. Gianmaria On 14 September 2017 at 11:27, Malte Meyn <lilyp...@maltemeyn.de> wrote: > > > Am 14.09.2017 um 11:14 schrieb Gianmaria Lari: &

\mark and slur

This compiles well \version "2.19.65" \fixed c' { c4 c c d (c4) c c c } but when I add a \mark like this \version "2.19.65" \fixed c' { c4 c c d \mark "X" (c4) c c c } it doesn't. I know the problem is related to the slur and I can move the mark before d but why I should not be able

Re: manual beaming and variables

On 3 September 2017 at 22:34, David Kastrup wrote: > [] > > > Well, you can cheat by going inside of chords like > > > > \version "2.19.60" > > > > nc = c_3 > > nd = d_2 > > ne = e_3 > > nf = f_4 > > > > { > > \fixed c' {<\nc>8 [ <\nd> <\ne> <\nf>]} > > \fixed c' {<\nc>16

Re: notes regex expression

Salut Jacques! I don’t have any experience with C# programming, but maybe the Flex and > Bison specifications that are part of the LilyPond source code could be > integrated within a C# application? > This would provide a full and usable scanner and parser. > This would open interesting

Re: notes regex expression

On 31 August 2017 at 11:06, Gregrs wrote: > Hi Gianmaria, > > On Wed, Aug 30, 2017 at 09:58:52PM +0100, Gregrs wrote: > > The below expression (minus the quotation marks) seems to work for notes >> and chords without any articulation etc. attached. I've used Vim regex >>

notes regex expression

Does anybody knows where I can find any regex expression to match lilypond notes and chords? g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: manual beaming and variables

On 27 August 2017 at 08:57, David Kastrup <d...@gnu.org> wrote: > Gianmaria Lari <gianmarial...@gmail.com> writes: > [...] if I explicitly set the beaming like this > > > > \version "2.19.60" > > > > note = {a8} > > > > { > >

manual beaming and variables

Need some help. This works: \version "2.19.60" note = {a8} { {\note b b b} } but if I explicitly set the beaming like this \version "2.19.60" note = {a8} { {\note [b b b]} } it doesn't compile. Why and how I can fix it? Thank you, g. ___

Re: : Re: transpose range

Dear Peter, I only spent one hour on it and I have not been able to make it working as I need. It is not clear to me the value I have to set to set the instrument range from c, to b,. But I think that when I will have more time I should be able to modify your code for that. * * * By the way

Re: : Re: transpose range

Thank you Peter and David for your help. I'll make some tests in the followings hours. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

transpose range

The result of a transpose operation sometimes generate notes that are too high (or too low) for my needs. In this case I would like to have these notes one octave lower (or higher). Is there any way to indicate a range where the notes should stay when applying a transpose function? Here it is an

Re: coloring notes according harmonic function

897 > > 2017-06-18 23:23 GMT+02:00 Gianmaria Lari <gianmarial...@gmail.com>: > >> On 18 June 2017 at 19:47, Christopher R. Maden <cr...@maden.org> wrote: >> >>> On 06/18/2017 12:26 PM, Gianmaria Lari wrote: >>> >>>> Is there any au

Re: coloring notes according harmonic function

On 18 June 2017 at 19:47, Christopher R. Maden <cr...@maden.org> wrote: > On 06/18/2017 12:26 PM, Gianmaria Lari wrote: > >> Is there any automatic way to color the notes of a simple piece in a >> specified tonality according to their harmonic function? >> [] &

coloring notes according harmonic function

Is there any automatic way to color the notes of a simple piece in a specified tonality according to their harmonic function? For example: the tonic in red colour, the dominant in green colour etc. etc ? This is just a curiosity. I was thinking that this could be useful for didactical reason. g.

generating midi and simplify code

I already asked some question about \markup and \midi and get some usefull answer. Here I attached the real code I'm working on. I would like to generate the midi and I would appreciate some suggestion. Kieren suggest to separate the layout and midi. Pro: clear and easy to do; Cons: a bit

Re: markup and midi

On 15 June 2017 at 12:05, David Kastrup wrote: [...] > The German condition is "working perfectly, never mind how scary the > outcome". > [...] eheh :) ___ lilypond-user mailing list lilypond-user@gnu.org

Re: markup and midi

with "The German condition" :) On 15 June 2017 at 10:11, David Kastrup <d...@gnu.org> wrote: > Gianmaria Lari <gianmarial...@gmail.com> writes: > > > Ciao Thomas, > > > > thank you for your code, I made some test and it works perfectly! But it

Re: markup and midi

Ciao Thomas, thank you for your code, I made some test and it works perfectly! But it also scares me :) g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: markup and midi

I wanted to try to avoid to split the midi in a different "block" but I will go in this way. Thank you Kieren and Guy! g. On 14 June 2017 at 19:02, Kieren MacMillan wrote: > Hi Gianmaria, > > > Ok, something more real: > > > > \version "2.19.60" > > \markup

Re: fill-line

> > How about using \justify-line? > fantastic! This work perfectly! Thank you! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

fill-line

I'm playing with the \fill-line command: Please have a look to the following example: \version "2.19.60" \markup \fill-line {Word Super_super_super_long_word Another_super_super_super_long_word} As you can see there are three words in the markup: (1)Word (2)Super_super_super_long_word

Re: markup and midi

<jimmyg...@gmail.com> wrote: > > On Wed, Jun 14, 2017 at 10:47 AM, Gianmaria Lari <gianmarial...@gmail.com> > wrote: > >> \version "2.19.60" >> \markup { >> \score { >> {c' d'} >> \midi{} >> \layout{} >

markup and midi

Why this code does not generate any midi file? \version "2.19.60" \markup { \score { {c' d'} \midi{} \layout{} } } ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: accordion notation - counter bass note

Thank you David and Simon! (and Brian!) On 13 June 2017 at 23:18, David Kastrup <d...@gnu.org> wrote: > Simon Albrecht <simon.albre...@mail.de> writes: > > > On 13.06.2017 18:51, Gianmaria Lari wrote: > >> What's \etc? Any link to this command? > > > >

Re: accordion notation - counter bass note

It works perfectly thank you David. What's \etc? Any link to this command? Thank you!!! g. On 13 June 2017 at 18:43, David Kastrup <d...@gnu.org> wrote: > Gianmaria Lari <gianmarial...@gmail.com> writes: > > > Perfect!!! Thank you David! > > > > Now, bec

Re: accordion notation - counter bass note

Perfect!!! Thank you David! Now, because they are a bit verbose, I would like to create a function with parameter. This is without parameter: \version "2.19.60" newFinger = \markup \underline \finger 3 {\clef bass e,_\newFinger } How can I write somethingl ike: \newFinger #3 ?

accordion notation - counter bass note

On the accordion to indicate that a note is to be played in the counter bass we put a small dash *under* the number of the finger (see attached file capture.png). How can I do it? * * * Another convention for counter bass (that my teacher uses) is to put an x in front of the number of the

Re: Multiple exercises on a single line

Thanks David and Malte they both work perfectly for me! I'm sure they will be useful also to other. g. On 7 June 2017 at 09:15, David Kastrup <d...@gnu.org> wrote: > Gianmaria Lari <gianmarial...@gmail.com> writes: > > > I would like to write short exercises of o

Multiple exercises on a single line

I would like to write short exercises of one measure consecutively on the same line. Something similar to what I attached. How I can do it? Thank you, g. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: repeat percent footnote

I can live without it :) It was more a curiosity than a necessity. Thank you anyway! g. On 24 May 2017 at 10:57, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2017-05-24 9:01 GMT+02:00 Gianmaria Lari <gianmarial...@gmail.com>: > > Need again some help about footnote an

Re: repeat percent footnote

Need again some help about footnote and repeat. Have a look to this example: \version "2.19.60" { \repeat percent 2 {c'8 d' e' f' \footnote #'(1 . 5) "This is a note on percent" RepeatSlash } \repeat percent 2 {c'4 d' e' f' \footnote #'(1 . 5) "This also" PercentRepeat} } It works only for

Re: repeat percent footnote

Thank you Thomas (and Simon!), it works great. Best regards, g. On 21 May 2017 at 22:38, Thomas Morley <thomasmorle...@gmail.com> wrote: > > > 2017-05-18 12:34 GMT+02:00 Simon Albrecht <simon.albre...@mail.de>: > >> Am 18.05.2017 um 09:58 schrieb Gianmaria Lari:

Re: multi language score

oh!!! Thank you! It looks a nice starting point. Thanks, g. On 18 May 2017 at 19:58, Jean-Charles Malahieude <lily...@orange.fr> wrote: > Le 18/05/2017 à 10:20, Gianmaria Lari a écrit : > >> I want to write a score with some didactical annotation in different >> lang

Re: multi language score

I know the part of the manual "different editions-from-one-source" but that's pretty low level and I wonder how experienced users (that already written score for different country) use that functionalities. The link you Federico point out is what I was asking. I will wait :) Thank you, g.

multi language score

I want to write a score with some didactical annotation in different language (french and italian). In case I decide to generate two separate score, one in italian and one in french, what's the best way to manage the source? Thank you, g. ___

repeat percent footnote

Is there any way to put a footnote on a repeat percent-like symbols? Thank you, g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: ellipsis point music

I'm writing some technical exercises like that one mentioned by Francesco so your example is perfect. [...] > In didactical examples it is appropriate to give some instructions before > the > music pattern. However it’s not uncommon to see staff lines continuing a > bit > past the last bar,

ellipsis point music

Is there any musical equivalent symbol for the ellipsis points used to indicates "and so forth"? For example, suppose you have an exercise where there is a pattern to play in different tonality. You write the first two or three measures and then I would like to indicate "and so forth". What I

Re: compile time linux/windows

Try a more recent lilypond version. There have been some lilypond version that had some problem with the fonts (others knows better the details of the issue). Version 2.19.59 works perfectly on windows and it's definitely fast :) Ciao, g. On 4 May 2017 at 14:08, Orm Finnendahl <

Re: ANN: Frescobaldi 2.20.0, Frescobaldi 3.0.0, python-ly 0.9.5

Cannot help Marc and Klaus but but I can say that on my windows pc I just installed Frescobaldi 3.0 without problem and looks working normally as the previous version. g. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Is there any way to use dynamics as prefixes?

> > > This also applies to slurs - `(c'4 d' e' f')` is a lot clearer to me > > than `c'4( d' e' f)`. Well, but slurs can start at the same note where another slur ends, and > `c'4( d')( e')' is a lot clearer to me than `(c'4 (d') d')' > Just a curiosity David, have you ever considered this other

Re: repeat ottava

On 28 February 2017 at 18:31, David Kastrup <d...@gnu.org> wrote: > > Gianmaria Lari <gianmarial...@gmail.com> writes: > > >>> I have a fragment that needs to be repeated twice with alternate ending > > and > >>> the second time one octave higher.

Re: repeat ottava

>> I have a fragment that needs to be repeated twice with alternate ending and >> the second time one octave higher. The following is an example that would >> be ok... [] > Let's just cheat. > > \version "2.19.52" > > \score { > { > \mark "2nd time 8va" > \repeat volta 2 {c' d' e'

repeat ottava

I have a fragment that needs to be repeated twice with alternate ending and the second time one octave higher. The following is an example that would be ok... \version "2.19.52" \score { { \mark "2nd time 8va" \repeat volta 2 {c' d' e' f'} \alternative {{a a a a}{b b b b}} }

Re: change staff

Absolutely agree :) Consider my last code a scheme exercise... On 28 January 2017 at 09:33, Helge Kruse <helge.kr...@gmx.net> wrote: > Am 26.01.2017 um 10:51 schrieb Gianmaria Lari: > > ... and this is one more way to do the change staff using a scheme > function > > tha

Re: change staff

... and this is one more way to do the change staff using a scheme function that toggle between the two staff. \version "2.19.54" #(define staffToggle #f) cs= #(define-music-function (parser location) ;cs = Change Staff () (begin (set! staffToggle (not

Re: change staff

Thank you, Malte and Noeck, it works perfectly. I post here another solution, that is interesting because it doesn't use scheme and more easy to understand. \version "2.19.54" csl = { \change Staff = "left" } csr = { \change Staff = "right" } right = \fixed c' { \clef treble \time 2/4

change staff

- Is there a simpler way to write this source code avoiding all these change staff? - Is it correct writing the left hand using s2 etc. etc.? Thank you, g. \version "2.19.54" right = \fixed c' { \clef treble \time 2/4 g8-4 \change Staff = "left" g_4 \change Staff = "right" e-3 \change

Re: \removing the time signature

Oh! Sorry my mistake! I read "tempo" and not "time"! On 25 January 2017 at 01:15, SoundsFromSound <soundsfromso...@gmail.com> wrote: > Gianmaria Lari wrote > > On 25 January 2017 at 00:31, Sam Frybyte > > > frybyte@ > > > wrote: > >

Re: \removing the time signature

On 25 January 2017 at 00:31, Sam Frybyte wrote: > I know it's possible but I need someone to direct me to the snippet or > place in the manuals so I can invisiblize it for a cadenza piece, just the > link. >

Re: Back in the Pond

Trevor wrote: > I'll definitely turn on my financial contribution again. > what's the better way to give a financial contribution? g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: addFingering

David Wright wrote: > But your response here addresses a second point, the > interpretation of \repeat unfold. Looking at my attached > example, it seems to me that you want "\repeat unfold 2 { foo }" > to behave like "foo foo" (B and C). Yes, that's exact! > But, if that's what you want, >

Re: addFingering

I'm sorry, clearly there is a misunderstanding and it is probably from my side, my apologies. Let's me try to explain what I mean. Try to have a look to this code and the related output (it is attached). \version "2.19.54" \include "addFingering.ly" fragment = {c' d' e' f'} \markup "Plain"

Re: addFingering

> \repeat { } > > generates a repeat expression. Whether that is "unfold" or not. > And relativity works "linearly" across the expression even when > alternatives are involved where having to write \relative each time > would be a royal pita. > -- > David Kastrup Yes that's clear. But

Re: beams in treble and bass staff

Thanks to all for the very quick and fantastic help. g. On 14 January 2017 at 11:36, Noeck wrote: > Hi Andrew, > > Am 14.01.2017 um 11:26 schrieb Andrew Bernard: > > 'Change staff' is perfectly fine in English. > > Thanks, Andrew. Reading the German translation for the two

Re: addFingering

> \repeat unfold is not evaluated at all. It stays a repeat expression > until it gets interpreted. One reason it is implemented that way is in > order to keep the repeats in > > \relative c' { \repeat unfold 4 { c e g } } > > in the same octave rather than get > > \relative c' { c e g c e g c e

beams in treble and bass staff

Novice question. Attached it's a small music fragment from an harpe score. How can I write it using lilypond? Thank you, g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: addFingering

Thank you David Kastrup and Nalesnik and Gilles for you answer your help and your explication! I don't like the idea to use a custom repeat instead of the standard. But I will make some test and see. Thank you again! ___ lilypond-user mailing list

Re: addFingering

I probably figured out the reason of this behavior. The function "addFingering" is evaluated before evaluating the repeat. So lilypond evaluate this \addFingering {\repeat unfold 2 {a b}} #"12" as \repeat unfold 2 {a-1 b-2} instead of \addFingering {a b a b} #"12" But why? Is it

addFingering

I have a problem with (the fantastic) addFingering snippet. Here it is my simple code. \version "2.19.54" \include "addFingering.ly" { \addFingering {a b a b} #"12" } { \addFingering {\repeat unfold 2 {a b}} #"12" } I expected that the two generated score would be exactly the same that

Re: Is there a short way of forcing a particular octave?

On 23 December 2016 at 10:39, ptoye wrote: > [...] I really didn't mean to start a theological discussion about how one > should > type in music, but obviously some people feel much stronger about it than I > do. There are three ways of telling LilyPond what the pitch of a

Re: Is there a short way of forcing a particular octave?

On 23 December 2016 at 09:59, Shevek wrote: > I compose in \relative mode, and my practice is to use \resetRelativeOctave > at the beginning of every new phrase. It is a lot of characters to type, > but > I've found that creating unnecessary aliases makes code harder

Re: Is there a short way of forcing a particular octave?

On 21 December 2016 at 23:22, Nathan Ho wrote: > [...] > I also stopped using \relative a few years ago (I think it was in response to one of your posts here). No regrets here. > > It's alright for simple monophonic melodies, but it gets in the way when engraving anything

Re: Is there a short way of forcing a particular octave?

On 21 December 2016 at 20:47, David Wright wrote: > > I don't understand "annoying"/"unannoying" mistakes, I'm not an expert user. I have used relative and absolute entry and with relative I makes mistakes more frequently and spend much time fixing it. I personally

\fixed absolute octave entry without brackets

Few months ago I switched from relative to absolute octave entry. In the rare cases I need to write very high or very low octave notes and consequently I need to write too much single quote ( ' ) or comma ( , ) I use the "\fixed" function that I just discovered (before I was using "\transpose")

Re: Is there a short way of forcing a particular octave?

Ciao Peter, I know this is a totally different story but I suggest also to give a try to avoid the "\relative" and to use absolute octave entry. It takes some weeks to get used but in my opinion it is more easy to manage code in this way. IMHO "\relative" is too much prone to annoying mistakes

Re: 8va - ottava bracket help

Yes, it does. Thank you! On 16 December 2016 at 00:48, David Nalesnik <david.nales...@gmail.com> wrote: > On Thu, Dec 15, 2016 at 5:24 PM, Gianmaria Lari <gianmarial...@gmail.com> > wrote: > > I'm editing a score where I would like to specify "8va". > >

8va - ottava bracket help

I'm editing a score where I would like to specify "8va". If I write \version "2.19.52" { \ottava #1 a b } lilypond creates a score with the text 8va but it also shifts the notes one lower octave. So to avoid the shift I also had to specify a \transpose. I have seen that the manual says

Re: fingering context

Thank you David, it works perfectly! I started to read the "Defining new contexts" and it looks clear (even if not trivial). Ciao, g. P.S. Any reason why you use attachment instead to directly copy and paste your code? I was thinking that for snippet was better the latter because the user can

fingering context

Is there any way to specify the fingering in a specific context? I tried this without success: \version "2.19.49" \score { << \new Staff {c' d' e' f'} \new Dynamics {s4-1 s4-2 s4-3 s4-4} >> \layout { } } Thank you, g. ___ lilypond-user

trill starting note midi articulate

If I write \version "2.19.49" \include "articulate.ly" \score { \displayLilyMusic \articulate {c'4\trill} \layout {} \midi{} } the trill generated starts with d. Is there any way to make "articulate" generating the trill from c? Thank you, g.

Re: \displayLilyMusic frescobaldi

> If you do this you can write to a file in the filesystem: > > { > \displayLilyMusic #(open-output-file "display.txt") { c'4\f } > } > Oh! Very useful, thank you Andrew!! g. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: \displayLilyMusic frescobaldi

achh! I didn't notice it! Thank you, g. On 21 November 2016 at 23:36, Noeck <noeck.marb...@gmx.de> wrote: > Hi, > > Am 21.11.2016 um 23:28 schrieb Gianmaria Lari: > > Is there any way to see the \displayLilyMusic output inside Frescobaldi? > > It is printed in t

\displayLilyMusic frescobaldi

Is there any way to see the \displayLilyMusic output inside Frescobaldi? Thank you, g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: grace notes ties

That's very clear, I will not forget. Thank you David! g. On 18 November 2016 at 03:08, David Wright <lily...@lionunicorn.co.uk> wrote: > On Fri 18 Nov 2016 at 01:17:25 (+0100), Gianmaria Lari wrote: > > ahem I'm sorry I wrote tie but I meant slur... I always mix up these &

Re: grace notes ties

but really, why my code is not acceptable? Thank you, g. On 17 November 2016 at 16:01, David Kastrup <d...@gnu.org> wrote: > Gianmaria Lari <gianmarial...@gmail.com> writes: > > >> On 17 November 2016 at 15:07, David Kastrup <d...@gnu.org> wrote: > >> >

Re: grace notes ties

I'm far from be sure but it is just what I found:) Anyway check the attached image (taken from Mary Cohen, Technique takes off, "14 Romance"). And thank you for your code, it works perfectly. Ciao, g. On 17 November 2016 at 15:07, David Kastrup <d...@gnu.org> wrote:

grace notes ties

I need to tie the first 'a' with the second 'a' that is inside some grace notes. Here it is a fragment of the code: \version "2.19.49" { b \afterGrace a {g16 b a} g4 g } Any suggestion? Thank you, g. ___ lilypond-user mailing list

Re: rehearsal A'

> > > it seems that the default RehearsalMarks use bold characters while the > custom-made ones don't. > [] > I get the same look if I override the property that's responsible for that: > \override Score.RehearsalMark.font-series = #'bold > \mark "A" > Great thank you! g.

rehearsal A'

I need to write a rehearsal mark followed by an apostrophe, so something like: A'. If I try to do \mark "A'" the resulting character looks different compared to the other default rehearsal mark. Should I use some markup? Thank you, g. ___

accordion notation facility

David Kaustrup wrote: > Well, standard bass is severely underrepresented in what I am > occasionally working with: I don't need it for accordion orchestra, and > I am not a particularly skilled arranger so I tend to just use the free > bass when playing stuff written for other instruments. > >

Re: highlight music / fingering

Wow! That's great! We have to use carefully but with kids can be very interesting!!! Thank you! g. On 15 November 2016 at 17:49, Klaus Blum wrote: > Hi Gianmaria, > > I use highlighting a lot, and I prefer coloring things. > If you search the LSR for the term "colored",

Re: highlight music / fingering

> > My own inclination would be to use it as an educational tool, and try > to mark the score in a way that a musician might, eg a hand-drawn > circle. > > (Personally I prefer my *own* markings to convey some more useful > information, rather than just putting circles everywhere. I have > my own

Re: highlight music / fingering

> > > c4 \chordmode {f, f,} > > e \chordmode {e, e,} > > \partial 2 b \chordmode {e,} > > [graphics] > > If that input corresponds to the printed output you gave, I want to see > the code producing the output. > > No, it doesn't correspond. Have a look to this code and to attached images:

Re: highlight music / fingering

> > > c4 \chordmode {f, f,} > > e \chordmode {e, e,} > > \partial 2 b \chordmode {e,} > [...] > At any rate, in current versions you can write > > \chordmode { > 4 f f >e:7 e:7 >e:7 e:7 > } > > Doesn't mix with \relative though. Not a problem for accordion I guess. > I don't use

Re: highlight music / fingering

gt; wrote: > Am 15.11.2016 um 09:24 schrieb Gianmaria Lari: > > Hello, > > > > I need an advice. Suppose you have two very similar fragments of musica, > > maybe very few notes change or maybe just the fingering changes. > > > > How do you highlight the differences

highlight music / fingering

Hello, I need an advice. Suppose you have two very similar fragments of musica, maybe very few notes change or maybe just the fingering changes. How do you highlight the differences to avoid the player makes mistakes playing it? Does exist a standard way to do it? Thank you, g.

Re: repeat with different dynamic - midi output

On 14 November 2016 at 12:03, Bernhard Kleine <bernhard.kle...@gmx.net> wrote: > Am 14.11.2016 um 11:16 schrieb Gianmaria Lari: > > I have something like this: > > frag = { \repeat volta 2 {c'^\markup {p (2nd time: f)} d' e' f'}} > > \score {\frag \layout{}} > > \

repeat with different dynamic - midi output

I have something like this: frag = { \repeat volta 2 {c'^\markup {p (2nd time: f)} d' e' f'}} \score {\frag \layout{}} \score {\unfoldRepeats \frag \midi{}} As you can see I mentioned in the markup that the first time the score should be played piano and the second forte. Is there any way to

Re: format source code

> > the ly file you provide had not been created by midi2ly.py (lilypond's > MIDI to > ly converter) > However Karl's Perl script is working specifically with files created by > midi2ly.py, not with ly files in general. > ahhh My apologies, you're totally right, I completely forgot it!

Re: format source code

Here it is the midi and the violin part I extracted. I would like to better format the violin part (that I already extracted) and also to extract the piano part. Let me know what you're able to do :) and thank you anyway for your help and interest. Ciao, Gianmaria On 10 November 2016 at

format source code

I have some lilypond code imported by a midi file that is not well formatted. Is there any way using Frescobaldi or any other tool to format the code so that each musical measure stays on a different line? ___ lilypond-user mailing list

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