rhythmic-grob-interface
multi-measure-rest-interface
lyric-interface
stanza-number-interface
percent-repeat-interface) }
Once there’s something interesting, put \showMMRs to force the staff to show no
matter what.
Hope that helps!
Kieren.
__
Hi Simon,
> Keep searching: I know there’s a "compressSkip" (or something like that)
> function in there somewhere.
It’s "mergeSkips":
<http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01085.html>
Hope that helps!
Kieren.
________
other thread that might have something concrete?
<http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01012.html>
Keep searching: I know there’s a "compressSkip" (or something like that)
function in there somewhere.
Cheers,
Kieren.
________
Kieren M
.html>
Can’t remember the outcome (there might be some custom code in there?)…
Hope it helps!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lilypond-us
’t solve it that way, and couldn’t spend
more time working on it.
Hope this helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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rite
\addQuote c c, \someNotes
or
\addQuote #-12 \someNotes
Cheers,
Kieren.
________
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‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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lily
Hi Robert,
> I have a question: can I declare the alternating time signature on the
> beginning of piece once so I don't have to declare it for every measure?
http://lsr.di.unimi.it/LSR/Item?id=782
Hope that helps!
Kieren.
________
Kieren MacMillan, compose
x. 2
Ex. 3
Of course, I didn’t need symbols as fancy as yours… but I definitely think this
is your best and most flexible path forward.
Seems like this would make a great OLL module, no? If I can help, let me know.
Best,
Kieren.
________
Kieren MacMil
why this is happening?
Maybe you need to explicitly set #'Y-offset for all of the various grobs?
Hope that helps!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
__
similar to a
> separate dynamics staff, except not containing dynamics?
Yes. Search the list and LSR for terms like "MarkLine" and "ScoreMarks" and
you’ll find lots of examples.
Hope that helps!
Kieren.
Kieren MacMillan,
Hello,
> Here's some pics:
> https://www.flickr.com/photos/148245202@N06/albums/72157706397021461
How inspiring!
Thank you for the photographic evidence. =)
Best,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
uot;).
This just looks like a combination of those two concepts. Yes?
If you want — and you haven’t solved it by then — I’ll sketch up some code
later this weekend.
Cheers,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i.
s,
Kieren.
____
Kieren MacMillan, composer
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‣ email: i...@kierenmacmillan.info
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https://lists.gnu.org/mailman/listinfo/lilypond-user
ists.gnu.org/archive/html/lilypond-user/2018-12/msg00111.html> or
<http://lists.gnu.org/archive/html/lilypond-user/2018-12/msg00221.html> or
similar threads?
Hope that helps!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ ema
m over rests.
That’s encouraging! Thanks for the information.
Cheers,
Kieren.
________
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‣ email: i...@kierenmacmillan.info
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lilypond-
es (as a result of
the current settings) is the "beat" I was talking about.
Cheers,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lilypond-user m
7;8 c'8 c'8
? If yes, then yes; if no, then no.
> Do beaming exceptions count for rests?
I would think so… but I’ll have to look more closely at exactly how beam
exceptions work.
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website:
hink.
Cheers,
Kieren.
________
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p.s.
Before you ask: Yes, it would be great to include the option/parameter to
extend across *all* rests that fall within the "beat" as defined for the beam,
even if they fall outside the compass of the two "boundary notes" for the auto
beam.
Kieren.
____
Hi David,
> So if you have a bar containing only rests, the autobeamer places beams over
> them?
LOL
Sure, we can play this game…
An automatic beam must start from a note and end at a second note.
Cheers,
Kieren.
Kieren MacMillan, composer
‣ w
ren.
____
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Hey there,
> But in my case, it is a typical engraving rule and I was wondering if I
> wasn't missing a little option like
> \set BeamOverRest = ##t
I would love that option. Maybe submit it as a formal request?
Cheers,
Kieren.
____
Kieren MacMi
ess, so that wouldn’t really be worth it…
Cheers,
Kieren.
________
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Hi David,
OH!
>> (Ironically, most of the things I used to use \relative for I now handle
>> with the edition-engraver!)
That was a typo/brainfart: I meant most of the things I used to use \tag for…
Sorry!
Kieren.
________
Kieren MacMillan, compos
g between two different notation
options without resorting to ossias; etc.
Hope that clears it up!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lilypond
Hi Aaron,
> I adopted \relative simply because pitches on the treble staff would
> otherwise require at least one apostrophe.
> […] I desire more to avoid excessive redundancy.
Look at \fixed. =)
Hope that helps!
Kieren.
____
Kieren MacMillan, composer
ags and \relative battled it out was the second major reason I
left \relative behind for good.
(Ironically, most of the things I used to use \relative for I now handle with
the edition-engraver!)
Cheers,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kie
aracters?!) is *exactly* the reason I abandoned the \relative ship a decade
ago.
But I guess YMMV…
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
om a), and the b
descends again (because b is a fourth down from e); at this point, Lilypond is
looking for the a closest to the most recent note (the b) and so it descends.
Kieren.
Kieren MacMillan, composer
‣ website: www.
lision engine for a given grob, and then manually nudge it into place with
the edition-engraver. Could something like that work for what you want? i.e.,
turn off the collision avoidance for the grobs you want, and let them print on
top of each other?
Cheers,
Kieren.
_______
Hi there,
> I wonder if there is an option to set a staff-padding value for hairpins?
You mean separate from the whole DynamicLineSpanner?
Also, please post examples that compile without errors. =)
Thanks,
Kieren.
____
Kieren MacMillan, composer
‣ webs
vinced otherwise.
Best,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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ill hold. =)
Hope that helps!
Kieren.
> On Mar 18, 2019, at 9:03 AM, Kieren MacMillan
> wrote:
>
> Hi Martin,
>
>> Following up my own question. I finally found a workaround that
>> 1. prevents the collisions
>> 2. doesn't require me to drastically change m
t with presentation (especially if you inject
this via the edition-engraver!), I think it’s more flexible and precise (since
adjustments to the exact spacing require only a numerical adjustment, rather
than a modification of the skip duration which adjusts the spacing by a
far-less-controllable a
Hi Andrew,
> I am now using edition-engraver and page-layout
Welcome! =)
Anyone working with Lilypond at the level you are will find the EE invaluable.
> I am overwhelmed by the sheer brilliance of this code.
Right?
Cheers,
Kieren.
Kieren MacMillan, co
Hi David (et al.),
> one = \relative c' {
> \alterBroken color #(list red blue black) StaffGroup.SystemStartBracket
This literally made my jaw drop. Astonishing.
Thanks for making my day!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmac
here, most
of which do nothing >95% of the time. If "running GUB for official builds" is a
relatively one-click process [assuming the setup is already done, of course!],
then I’m happy to volunteer cycles.
Best,
Kieren.
________
Kieren Ma
e project —
what’s keeping someone with a Mac from compiling Lilypond on their Mac?
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lilypond
ricSheetLyrics \keepWithTag #'lyricsheet \lyricsto "melody" \theWords
>>
\layout {
line-width = 6\in
indent = 2\in
short-indent = 2\in
\context {
\Score
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment
linked to earlier.
Hope that helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
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lilypond-user@gnu.org
https://lists.gnu.or
111.html> or
<http://lists.gnu.org/archive/html/lilypond-user/2018-12/msg00221.html> or
similar threads?
Best,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
>>
\new Staff { c''8( c'' c'' c'' c'' c'' c'' c'') c''8( c'' c'' c'' c'' c'') }
\addlyrics { bla __ bla __ bla __ bla __ }
>>
}
Hope
you must return to the initial
page and search from there.
Hope that helps!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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lilyp
Hope that hint helps!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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eers,
Kieren.
________
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‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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}
}
\score {
{ \keepWithTag #'short \partA \partB }
}
%%% SNIPPET ENDS %%%
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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Hi Valentin,
> I can think of two ways:
>
> \new ChordNames \with {
> \consists Staff_symbol_engraver
> } \chordmode {
> c1
> }
Ooh, that’s clever. =)
K.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...
c''4 \tweak Y-offset 4 \breathe
c'' c'' c''
}
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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es that Lilypond users would engrave.
Is there a more conventional solution with the same solution coverage?
Better yet, is there any solution that will work 100% of the time?
Thanks,
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i..
graver has been removed.
Yes, that’s one of the reasons I used the quotes around "must"… =)
Thanks,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
{
\violinTwo
}
>>
\layout {
\context {
\Staff
\RemoveEmptyStaves
}
}
}
%%% SNIPPET ENDS %%%
Kieren MacMillan, composer
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e the "bar-line-interface" solution I posted in another response to this
thread. I believe that will suffice in essentially every likely scenario.
Cheers,
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
\break
\repeat unfold 8 { c'4 }
\break
\repeat unfold 8 { c'4 }
}
\score {
<<
\new Staff {
\violinOne
}
\new Staff {
\violinTwo
}
>>
\layout {
\context {
\Staff
\RemoveEmptyStaves
}
}
}
%%% SNIPPET ENDS %%%
__
-Charles).
Please go back and read that post, apply the solution to your own situation,
and then if it doesn’t solve some problem you have, return to the list with a
MWE.
Cheers,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacm
If you want *me* to help, you’ll need to scale back on the "Lilypond is
ridiculous" tone that pervades every post I’ve seen you submit to the list.
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kiere
Hi David,
> Pretty much.
Okay. Thanks for the detailed and helpful answer. Consider this "brainstorming
a possible feature request" thread closed from my perspective.
Best,
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.in
/ leveraged /
referenced / whatever by any grob [type] that wanted to be centred in a measure?
Thanks,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lilypond-user
ar as
desired all the time.
> Lilypond is so bizarre sometimes with things.
A totally useless and inflammatory comment.
> Why is it not easy to select staves to hide and they hide?
It is easy. You just don’t know how to do it.
Regards,
Kieren.
________
Kieren
ed?
Thanks,
Kieren.
________
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‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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plementation, I suppose there’d be a #'centre-together property
(analogous to #'keep-alive-together); etc.
I could probably think of a dozen others… but I don’t see it being worth the
exercise if there’s no benefit to adding the interface.
Cheers,
Kieren.
_______
a a a a a a a a a a a a a a a a a a a }
\wordwrap-lines { b b b b b b b b b b b b b b b b b b b b }
\wordwrap-lines { c c c c c c c c c c c c c c c c c c }
}
Hope that helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.i
s a label?
Thanks,
Kieren.
____
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hat property would then engage whatever
programming was in place to centre the grob.
How far off the mark am I?
Thanks,
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.i
s, etc.) is already present in another
interface (or combination of interfaces), so creating a whole new interface is
unnecessary. That’s what I’m trying to get information about.
Thanks,
Kieren.
Kieren MacMillan, composer
‣ website: www.ki
interested to hear what others think about the possibilities.
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
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lilypond-
), and other grobs.
I clearly know very little of what I’m talking about… but wanted to get an idea
of the technical possibilities.
Thanks,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
) 1 \bar "|."
}
Hope that helps!
Kieren.
________
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‣ email: i...@kierenmacmillan.info
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y suggestion with explicit system positioning (?
Did it not work as you needed?
Cheers,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lilypond-user mailing l
little
trial-and-error-y, but it does what you want.
Hope that helps,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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lilypon
vely, you need to use negative numbers there:
{
c'4 \tweak extra-spacing-width #'(-8 . 4) 4 4 4
}
Hope that helps!
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
__
Hi David,
> How can one force additional space between 2 successive musical moments
> in a score, without affecting the spacing algorithm to the left and right?
{
c'4 \tweak extra-spacing-width #'(0 . 4) 4 4 4
}
??
Hope that helps!
Kieren.
________
ce"
}
\bookpart {
\score {
{ c''1 \pageBreak c''1 }
}
}
\bookpart {
\paper {
top-system-spacing.padding = #48
}
\score {
{ c''1 \pageBreak c''1 }
}
}
%%% SNIPPET ENDS
Kieren MacMillan, compose
acing).
Cheers,
Kieren.
________
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argin and your title) and compensate by increasing markup-system-spacing (so
that the first system stays where it currently is).
Still no need to involve custom titles. =)
Hope that helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣
arkup \raise #15 "My Higher Title"
}
\score {
c''1
}
}%
%% SNIPPET ENDS
> Why is this not possible without custom headers
It is! =)
> it's too complicated
Really? ;)
Hope this helps,
Kieren.
Kieren MacMillan, composer
‣ webs
all three tweaks given — otherwise
no hyphen appears, which makes the output rather confusing for the
reader/singer.
Cheers,
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmi
Hi David,
> How do I adjust the space between two syllables/words that are tied?
> LyricSpace.minimum-distance works for words that are not tied.
\override Lyrics.LyricHyphen.minimum-distance = #2
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ w
somechords
>>
%%% SNIPPET ENDS
Hope that helps!
Kieren.
p.s. I received 5 copies of your post, sent at slightly different times. If you
post to the list, and don’t see your post right away, please wait some time
before posting again.
____
Kieren MacMillan, comp
. 1.375)
\center-column {
\parenthesize \musicglyph #"scripts.sforzato"
\fontsize #1.1 \musicglyph #"scripts.tenuto"
}
-\tenuto
{
c'' d''-\tenu e''
}
%%% SNIPPET ENDS
Adjust parameters, spacing, etc., as you see fit.
Hop
y I understand it.
K.
________
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Hi Mark,
On Jan 14, 2019, at 11:58 PM, Mark Probert wrote:
> it comes out just the way I am after!
Yay! Onward and upward. =)
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.i
Hi David,
> That's a lowercase math gamma.
LOL
Yes, I’m so used to using that in my number theory papers, I wasn’t thinking
about the OP’s likely use. Thanks for clarifying!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣
a Greek Upper
> Gamma (Γ doesn't work). Is there a simple way of doing this?
Make sure your file is being saved with Unicode (UTF-8) encoding, and simply
put the gamma (𝜸) in there directly.
Hope that helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: w
ents they want —
including bookpart labels, like the "I" and "II" in my fictional opera example
— I would consider Lilypond’s job done.
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenma
legantly and with minimal user coding (such as additional functions
like yours and mine).
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lilypond-user
Hi David,
> Well, I tried that, but adding
> \paper { first-page-number = #1 }
> inside or just before a \bookpart doesn't work.
Are you using bookpart-page-number in your header/footer/markup?
Cheers,
Kieren.
____
Kieren MacMillan, comp
Lilypond score (with its own page numbering) as a PDF at the correct spot.
> Is there any way of achieving the result I want whilst keeping the
> whole book in one actual \book block and hence one output file?
Use multiple bookpart sections? =)
Cheers,
Kieren.
__
quot;
> }
>}
>\new Staff = "myStaff" {
> \figuremode { <5>1 <8> }
> \context Staff = "myStaff" {
>\relative c' {
> \key d \major
> d1
> d1
>}
> }
>}
&
hOn
d4^\markup { \woodwind-diagram #'tin-whistle #'((lh . ()) (rh . ()) (cc .
(one))) }
}
Hope that helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
here’s why that’s the stupidest
idea we’ve ever heard".
Thanks,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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arenas take precedence?
K.
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Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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g00300.html
Related: finding that parameter reminded me how great Lilypond is. =)
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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Hi Harm,
> \markup { \combine \draw-circle #1.5 #.1 ##f \vcenter \halign #CENTER "2" }
Nicely done!
K.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
mbine \draw-circle #1.5 #.1 ##f \general-align #X #0
\general-align #Y #0 "3" }
}
?
Hope that helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
__
Hi Jérôme,
> % Amusingly, the naturals are *not* colored here:
That’s because they’re a different grob… ;)
\override Score.KeyCancellation.color = #'(.5 .2 0)
Cheers,
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣
gnature.
Same would apply.
Hope this helps!
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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s (I’m
guessing a quarter rest and a half rest).
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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That’s only because you haven’t written the code to make Lilypond do it for you
[and anyone else who wants such a feature]. Patches are always welcome!
Cheers,
Kieren.
________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email:
imilar to
other engraving applications.
Cheers,
Kieren.
____
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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htt
ongest duration, and auto-fill any
[Voice?] contexts that are shorter.
Maybe Reggie can whip up a bit of code to contribute to the ongoing improvement
of Lilypond. =)
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ em
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