Re: Spacing of chords on a chord lead sheet

On 11/05/24 01:59, Kieren MacMillan wrote: Hi Raphael, However, the chord names are mono-spaced; they are not spaced according to their durations. So that if, for instance, I  have {ef2 ef4:maj7 ef4:7} then each symbol occupies the same amount of space on the line. The first chord does not

Re: Spacing of chords on a chord lead sheet

Hi Raphael, > However, the chord names are mono-spaced; they are not spaced according to > their durations. So that if, for instance, I have {ef2 ef4:maj7 ef4:7} then > each symbol occupies the same amount of space on the line. The first chord > does not occupy double the space of the other

Spacing of chords on a chord lead sheet

I have generated a chord lead sheet for a bass player with just the chords on it (\chordMode, no notes). After some fiddling I got the bar lines and repeats printed. However, the chord names are mono-spaced; they are not spaced according to their durations. So that if, for instance, I have

Re: Lead sheets: Maj. 7 chords

And that was it! Thank you so much. On Tue, Apr 9, 2024 at 3:50 PM Aaron Hill wrote: > > You need to adjust the majorSevenSymbol [1]. > > [1]: > https://lilypond.org/doc/v2.25/Documentation/notation/customizing-chord-names#chord-name-major7 >

Re: Lead sheets: Maj. 7 chords

On 2024-04-09 1:43 pm, Ivan Kuznetsov wrote: have been creating some lead sheets in the style of the "Real Book", using the \chords{} syntax. However, I do not like the way the default notates "major 7 chords", that is, a major triad with a major seventh. The default i

Lead sheets: Maj. 7 chords

have been creating some lead sheets in the style of the "Real Book", using the \chords{} syntax. However, I do not like the way the default notates "major 7 chords", that is, a major triad with a major seventh. The default is to use a "triangle" to notate such a ch

Re: repeating chords with just the duration

On Sun, Mar 17, 2024 at 1:43 PM Carl Sorensen wrote: > Use q to repeat chords. > Of course. Thanks. -- Knute Snortum

Re: repeating chords with just the duration

Use q to repeat chords. Carl On Sun, Mar 17, 2024, 2:10 PM Knute Snortum wrote: > I don't use chordmode much, but this snippet doesn't do what I thought it > would: > > \version "2.25.13" > > { > \new ChordNames \chordmode { a1:7 4 } > } > > It pr

repeating chords with just the duration

I don't use chordmode much, but this snippet doesn't do what I thought it would: \version "2.25.13" { \new ChordNames \chordmode { a1:7 4 } } It produces an "A7sus4 3" instead of two A7's. Is this a bug, or is that syntax just not supported? -- Knute Snortum

Re: chords

I'd use Single Staff Polyphony : << { 2} \\ { c4,, s1 } >> | [image: image.png] On Thu, Jan 18, 2024 at 7:33 AM wrote: > Send lilypond-user mailing list submissions to >

Re: Slurs within chords, and dotted notes

On 1/7/2024 4:11 PM, Xavier Scheuer wrote: \once \override Dots.avoid-slur = #'ignore (Dots instead of Slur) Thank you!  That’s what I was misunderstanding. —Joel

Re: Slurs within chords, and dotted notes

On Sun, 7 Jan 2024 at 21:35, Joel C. Salomon wrote: > > Reposting for clarity as to what I’m asking. > > In the second case below, instead of the slur attaching to the specific note, it moves vertically—I assume, to avoid collision with the duration dot. (Though it’s interesting that a tie does

Re: Slurs within chords, and dotted notes

Hello Joel You can shape the Slur manually, like so: \version "2.25.11" \fixed c' {   % undotted note: slur attaches correctly   2   |   % dotted note: slur is moved vertically   \shape #'((1 . 0.5) (0.5 . 0.3) (0.5 . 0.3) (0 . 0)) Slur %adjusting the numbers control the four control points

Re: Slurs within chords, and dotted notes

Reposting for clarity as to what I’m asking. In the second case below, instead of the slur attaching to the specific note, it moves vertically—I assume, to avoid collision with the duration dot.  (Though it’s interesting that a tie does not mind overlapping the dot, as in the fourth case.)

Re: Slurs within chords, and dotted notes

chords, and dotted notes Somewhat surprising result, tested on 2.24 & 2.25.11: |```| |\version "2.24"| |\fixed c' {| |  2| |  || |  2.| |  4 || |  2 q || |  2. q4 || |}| |```| In the second instance, the tie attaches to the bottom of the initial chord, presumably to a

RE: Slurs within chords, and dotted notes

Joel: Is this better? \fixed c' { 2 | 2. 4 | 2 q | 2. q4 | } Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org On Behalf Of Joel C. Salomon Sent: Thursday, January 4, 2024 6:11 PM To: LilyPond Users Subject: Slurs within chords

Slurs within chords, and dotted notes

Somewhat surprising result, tested on 2.24 & 2.25.11: |``` \version "2.24" \fixed c' {   2   |   2.   4 |   2 q |   2. q4 | } ```| In the second instance, the tie attaches to the bottom of the initial chord, presumably to avoid colliding with the dot. (Interestingly, as in examples 3 &

RE: Cascade Chords

Got it. Werner’s answer -- using \set tieWaitForNote = ##t -- is what I was looking for. Thanks. It might be helpful to include that snippet in the chords section. Joe From: Michael Gerdau Sent: Saturday, December 30, 2023 1:20 PM To: drtechda...@gmail.com Cc: lilypond-user

Re: Cascade Chords

should get you a long way towards your goal.Kind regards,Michael  From: Michael Gerdau Sent: Saturday, December 30, 2023 12:57 AMTo: drtechda...@gmail.comCc: lilypond-user@gnu.orgSubject: Re: Cascade Chords When you say „cascade chord“ do you mean an arpeggio? If so then yes, Lilypond has a special

Re: Cascade Chords

ial notation for cascade chords (chords played by adding > successive notes )? I could do it by adding a new voice for each note, but > that seems unwieldly and cluttered.

Re: Cascade Chords

> Is there a special notation for cascade chords (chords played by > adding successive notes )? I could do it by adding a new voice for > each note, but that seems unwieldly and cluttered. https://lsr.di.unimi.it/LSR/Item?id=408 Werner

Cascade Chords

Is there a special notation for cascade chords (chords played by adding successive notes )? I could do it by adding a new voice for each note, but that seems unwieldly and cluttered.

Re: Hide chords

Hi Kieren, Indeed, ‘omit' and ‘undo omit' do the trick for temporarily hiding chords you’ve written. It was actually the rest spacer that I was missing in my Lilypond vocabulary (I’m learning). Thanks ! Jan > On 5 Dec 2023, at 23:28, Kieren MacMillan wrote: > > Hi Jan, > &g

Re: Hide chords

ser Mailinglist > <mailto:lilypond-user@gnu.org>> >> Cc: >> Bcc: >> Date: Tue, 5 Dec 2023 22:51:44 +0100 >> Subject: Hide chords >> What is the recommended method to “hide” chord names for a couple of >> measures? For example, in the snipped b

Re: Hide chords

names for a couple of >> measures? For example, in the snipped below I’d like to hide the chords for >> measures 5 to 8. > > Depending on exactly how you're generating the chord names in the first > place, it may be easy to use spacer rests, as in: > > \new

Re: Hide chords

> -- Forwarded message -- > From: Jan > To: lilypond-user Mailinglist > Cc: > Bcc: > Date: Tue, 5 Dec 2023 22:51:44 +0100 > Subject: Hide chords > What is the recommended method to “hide” chord names for a couple of > measures? For example, in the sni

Re: Hide chords

Hi Jan, [p.s. Always cc the list when responding!] > Thanks ! I’ve looked at that section of the documentation but couldn’t find a > solution. Does \temporary \omit Score.ChordName not work? Cheers, Kieren. __ My work day may look different

Re: Hide chords

On Tue, 5 Dec 2023, Jan wrote: > What is the recommended method to “hide” chord names for a couple of > measures? For example, in the snipped below I’d like to hide the chords for > measures 5 to 8. Depending on exactly how you're generating the chord names in the first place, it ma

Re: Hide chords

Hi Jan, > What is the recommended method to “hide” chord names for a couple of measures? Depends on exactly what you mean by “hide”… :) Read: for more information. Hope that helps! Kieren.

Hide chords

What is the recommended method to “hide” chord names for a couple of measures? For example, in the snipped below I’d like to hide the chords for measures 5 to 8. Any help would be greatly appreciated. Jan

Re: Parentheses : optional anacrouse and chords at the end of a score

Thanks Guy for the tip, and for digging out the code. it works perfectly well (under Lilypond 2.24). I tried using the function to parenthesize chords as well, and it works just as fine. You made my day. Warm thanks. On Sun, Oct 22, 2023 at 1:00 PM Guy Stalnaker wrote: > This should get

Re: Parentheses : optional anacrouse and chords at the end of a score

be useful writing a jazz score to include an optional anacrouse in the last measure. I would also be interested in doing the same thing with the chords written above the staff. Any ideas, anyone? Thanks -- -- “Happiness is the meaning and the purpose of life, the whole aim and end

Re: Parentheses : optional anacrouse and chords at the end of a score

Have a look at https://lsr.di.unimi.it/LSR/Item?id=902  signature.asc Description: This is a digitally signed message part

Parentheses : optional anacrouse and chords at the end of a score

in the last measure. I would also be interested in doing the same thing with the chords written above the staff. Any ideas, anyone? Thanks

How to get rid of indentation of chords on first row?

Hi list, in the attached example the first row of chords is indented although indent=0 is set and \RemoveAllEmptyStaves is set as well. When I remove the \guitarPart from the score, all is as expected. Is there a special incantation required (which?) or is this a bug? Kind regards, Michael

Re: chord.ly to extract notes from chords breaks with new Guile

Better make that: > ``` > \version "2.24.1" > > #(define ((Keep_only_engraver i) context) > ``` > ``` #(define ((Keep_only_performer i) context) ``` > > ``` > (let ((j 0)) > (make-performer > (listeners >((note-event performer event) > (unless (eqv? i j)

Re: chord.ly to extract notes from chords breaks with new Guile

Le mardi 30 mai 2023 à 20:39 -0400, msk...@ansuz.sooke.bc.ca a écrit : > I need, at each point in time, to have at most one note per track, exactly one > track per note, and silence in any leftover tracks, regardless of the > voice/chord structure of the music. That sounds like you want a

Re: chord.ly to extract notes from chords breaks with new Guile

ses (illustrating the problem with minimal examples). In particular: * change b2 to 2 and the b2 comes out in two tracks. Maybe it would never occur to me to write a one-note chord, but a similar issue can happen between two- and three-note chords, or anywhere the number of notes per chord in a vo

Re: chord.ly to extract notes from chords breaks with new Guile

in the hope of separating MIDI notes that don't have identical timing. That is, if my input is << { a1 } \\ { b2 2 } >> it would be nice to be able to separate it out into three separate outputs for separate MIDI channels, like: { a1 } { b2 c2 } { r2 d2 } Not hardly tested but

Re: chord.ly to extract notes from chords breaks with new Guile

On Mon, 29 May 2023, Gilles Thibault wrote: > chord.ly has been renamed to chordsAndVoices.ly (it deals also now with > Voices) > You can donwload it here : Thanks a lot! As far as I know, the new version works fine. The problem in the old version was just because of the non-breaking spaces in

Re: chord.ly to extract notes from chords breaks with new Guile

Le 2023-05-27 22:31, msk...@ansuz.sooke.bc.ca a écrit : Back in 2015 people on the list helped me with extracting notes from chords, in this thread: https://lists.gnu.org/archive/html/lilypond-user/2015-09/msg00394.html chord.ly has been renamed to chordsAndVoices.ly (it deals also now

Re: chord.ly to extract notes from chords breaks with new Guile

Le samedi 27 mai 2023 à 17:38 -0400, msk...@ansuz.sooke.bc.ca a écrit : > On Sat, 27 May 2023, Jean Abou Samra wrote: > > > Are you sure that this is the correct example? That the file chord.ly it > > uses is the same as the one you sent? That LilyPond is the one you believe > > and unpatched,

Re: chord.ly to extract notes from chords breaks with new Guile

On Sat, 27 May 2023, David Kastrup wrote: > which contains a delirious number of unbreakable spaces, code \xa0 > instead of \x20 as for a normal, breakable space. Thanks! Correcting these seems to have fixed the problem, at least for the moment. I don't know why the old version needed *some*

Re: chord.ly to extract notes from chords breaks with new Guile

On Sat, 27 May 2023, Jean Abou Samra wrote: > Are you sure that this is the correct example? That the file chord.ly it > uses is the same as the one you sent? That LilyPond is the one you believe > and unpatched, etc. ? Yes, using the chord.ly file I attached to my message, extracted from the

Re: chord.ly to extract notes from chords breaks with new Guile

msk...@ansuz.sooke.bc.ca writes: > Here's a small example showing the problem: > > \include "chord.ly" > music = { 1 } > { \extractNote #3 \music } > > In version 2.21.0 that produces a whole-note rest. In version 2.24.1 with > Guile 2.2 it gives this error output: > > GNU LilyPond 2.24.1

Re: chord.ly to extract notes from chords breaks with new Guile

Le samedi 27 mai 2023 à 16:31 -0400, msk...@ansuz.sooke.bc.ca a écrit : > Here's a small example showing the problem: > > \include "chord.ly" > music = { 1 } > { \extractNote #3 \music } > > In version 2.21.0 that produces a whole-note rest.  In version 2.24.1 with > Guile 2.2 it gives this

chord.ly to extract notes from chords breaks with new Guile

Back in 2015 people on the list helped me with extracting notes from chords, in this thread: https://lists.gnu.org/archive/html/lilypond-user/2015-09/msg00394.html The solution from 2015 has broken now, in the transition between versions 2.21.0 and 2.24.1. I think it's because of changes

Re: How can I print only some parts of a score (staves, but no chords)?

Hi Werner, >> \include “chorded.ily” > Just to avoid potential problems: This must be > \include "chorded.ily" > i.e., straight doublequotes. Thanks for that. I recently switched over to a "new" [2014] Mac Mini (because my 2011 iMac finally died), and the auto-smart-quotes feature was still

Re: How can I print only some parts of a score (staves, but no chords)?

> Sure! Just > > \include “chorded.ily” Just to avoid potential problems: This must be \include "chorded.ily" i.e., straight doublequotes. Werner

Re: How can I print only some parts of a score (staves, but no chords)?

r) so that the output is exactly what I want/need. > I would like to control whether to print chords or not > depending on a option (even better a CLI argument, > but I don’t think it's possible). I’m quite sure a CLI argument could be passed, and then the appropriate Scheme code in

Re: How can I print only some parts of a score (staves, but no chords)?

Follow up: indeed, a thing like \version "2.24.1" \layout{ \context{ \ChordNames \remove Chord_name_engraver } } \include "Del-Tuo-Spirito-Signore.ly" \include "Ô-Toi-l-au-delà-de-tout.ly" seems to WORK! Yay! But is this ok? Are there more idiomatic

Re: How can I print only some parts of a score (staves, but no chords)?

ately (so that I can quickly inspect what I am doing, and in case print out a single sheet per time), and then maybe have a file (LaTeX or Lilypond) that includes different songs. There, I would like to control whether to print chords or not depending on a option (even better a CLI argument, bu

Re: How can I print only some parts of a score (staves, but no chords)?

st \include “chorded.ily” or not, depending on whether you want chords — then be sure to \remove the relevant engravers in your main file, and \consist them in chorded.ily and voila! :) Cheers, Kieren. __ My work day may look different than your work da

Re: How can I print only some parts of a score (staves, but no chords)?

>> P.S. I am happy there are other solution other than lilypond-book, >> because to me it seems a very fragile solution (copying the doc and then >> composing manually), especially if you are embedding music in a complex >> LaTeX document. There is lyluatex with LuaLaTeX but I don't know if the

Re: How can I print only some parts of a score (staves, but no chords)?

Hi Alessandro, >> blocks will already do the trick. You can even have multiple parts (using >> \bookpart { ... } or even multiple separate books from the same source file >> using \book { ... }). > > Do you mean that different pdfs will be produced? Yes: each \book block will result in a

Re: How can I print only some parts of a score (staves, but no chords)?

l be produced? > Now, there are many ways of having selective content. Using tags certainly is > one of them. This is nice if you put the content of your \score into a > variable, for then you can simply do > > \score { \removeWithTag #'chords \myMusic } Yes, in the end I found a

Re: How can I print only some parts of a score (staves, but no chords)?

\score { \removeWithTag #'chords \myMusic } like this: % \version "2.24.1" \language "italiano" \paper { % annotate-spacing = ##t system-system-spacing.basic-distance = #20 } \header { title = "Ô toi l'au-delà de tout&quo

Re: How can I print only some parts of a score (staves, but no chords)?

Il giorno dom 30 apr 2023 alle 13:19:42 +0200, Alessandro Bertulli ha scritto: However, the singers do not need the chords, so I would like to omit them and simply print a version of the document with only the staves. Is it possible to do this using the SAME lilypond source file? I have

Re: How can I print only some parts of a score (staves, but no chords)?

Hi Alessandro, > I want to place multiple scores in a single document I do this with bookparts: \bookpart { \header { stuff for this bookpart } \score { score with chords } } \bookpart { \header { stuff for this bookpart } \score { score without chords } } etc. >

How can I print only some parts of a score (staves, but no chords)?

Hi all, I'm playing around a bit with Lilypond and I have copied some sheets I have purchased in order to build a custom songbook. Since I play rhythmic guitar, I have decorated the staves with chords at the top: Now I want to place multiple scores in a single document, and I thought about

Re: How to control ties direction between chords

Thank you Brian and Willian for your working solution! [image: image.png] Thank you, Vlad On Fri, Apr 21, 2023 at 5:12 PM William Rehwinkel < will...@williamrehwinkel.net> wrote: > Dear Vlad, > > Inserting ^~ and _~ to the individual notes in the chord should work > nicely, Like so. > > Thanks,

Re: How to control ties direction between chords

Dear Vlad, Inserting ^~ and _~ to the individual notes in the chord should work nicely, Like so. Thanks, -William \version "2.25.2" \relative { \clef treble \key c \major \time 4/4 << \new Voice = voiceOne \relative { \voiceOne 4 8 } \new Voice = voiceTwo

How to control ties direction between chords

Hi, How can I force the lower tie to be placed downward in the below code snippet? I've tried \once \tieDown but with no luck. \version "2.25.3" \relative { \clef treble \key c \major \time 4/4 << \new Voice = voiceOne \relative { \voiceOne 4~ 8 } \new Voice =

Re: Excessive spacing due to chords

(marked in green in ttached image) due to chords? Use \override ChordName.extra-spacing-width = #'(+inf.0 . -inf.0) See the documentation page here [1]. * How to avoid the collision between the number 3 of the triplet and the slur (marked in green in ttached image)? You could tweak the padding

Re: Excessive spacing due to chords

Le jeudi 23 février 2023 à 15:13 +0100, mi...@orbelanet.com a écrit : > Good morning, > > I have 2 question related to spacing in lilypond: > > 1. How to avoid the excessive gap that forms between the sixteenth notes > (marked in green in ttached image) due to chords?

Re: move chords closer to notes

Le mardi 21 février 2023 à 14:01 +0100, mi...@orbelanet.com a écrit : > Oh, I'm so sorry! > > My problem is not relationed with lilypond directly. > > Is just a neovim mapping problem with .ly files, that convert cc to cis > (to easyly write sharps and flats). Instead of that, you probably

Re: move chords closer to notes

Oh, I'm so sorry! My problem is not relationed with lilypond directly. Is just a neovim mapping problem with .ly files, that convert cc to cis (to easyly write sharps and flats). Then when a compile next line: \accepts ChordNames is modified in: \acisepts ChordNames and compilation break

Re: move chords closer to notes

Le mardi 21 février 2023 à 13:35 +0100, mi...@orbelanet.com a écrit : > Yes, sorry, I see the typo just now. > > My lilypond version is 2.24.0. Did you really compile the snippet unmodified, or did you insert it in the context of a larger score? signature.asc Description: This is a digitally

Re: move chords closer to notes

Yes, sorry, I see the typo just now. My lilypond version is 2.24.0. El 2023-02-21 13:13, Jean Abou Samra escribió: Le mardi 21 février 2023 à 13:03 +0100, Jean Abou Samra a écrit : Le mardi 21 février 2023 à 12:41 +0100, mi...@orbelanet.com a écrit : Thanks a lot for your response! It

Re: move chords closer to notes

Le mardi 21 février 2023 à 13:03 +0100, Jean Abou Samra a écrit : > Le mardi 21 février 2023 à 12:41 +0100, mi...@orbelanet.com a écrit : > > > Thanks a lot for your response! > > It looks good in the image you sent, but for some reason it doesn't work > > for me.The next line does not allow me

Re: move chords closer to notes

Le mardi 21 février 2023 à 03:55 +0100, mi...@orbelanet.com a écrit : > Hi everyone, > when I write the chords together with one or several melodies, the > chords form a horizontal line, in such a way that if the range of the > melody is very wide, some chords end up being v

move chords closer to notes

Hi everyone, when I write the chords together with one or several melodies, the chords form a horizontal line, in such a way that if the range of the melody is very wide, some chords end up being very far from the notes. I attach a sample of the .ly file along with its pdf, where you can see

Re: Beat markers in the chords section

Knute: No, I haven't run Lilypond from the command line (I have enough trouble using it with Frescobaldi 3.2) Machine: Windows 10 Pro 64-bit, 16GB memory LP version 2.24 Mike Dean On Thu, Jan 19, 2023 at 12:15 PM Knute Snortum wrote: > On Thu, Jan 19, 2023 at 9:01 AM Mike Dean wrote: > > > >

Re: Beat markers in the chords section

On Thu, Jan 19, 2023 at 9:01 AM Mike Dean wrote: > > Kieren: it worked great, thanks mauch > I am having problems when I print to PDF in 2.24/Frescobaldi 3.2: the program > hangs (I'm not sure if it's on the Lilypond side or the Frescobaldi side --- > Frescobaldi says that it's not responding):

Re: Beat markers in the chords section

Hi Mike, > I'm wondering if there is a way to put beat markers in the chords section as > in the following: Well, you could definitely use the Slash_repeat_engraver, if you know what you’re doing… I don’t really, but I took a whack at it — see snippet below. Hope that helps! Kieren

Beat markers in the chords section

Hi group: I'm wondering if there is a way to put beat markers in the chords section as in the following: [image: image.png] The snippet follows: harmonies = \chordmode { d4:m | d2.:m | d:m | c2. | c | c | c | d:m | d2:m c4 | d2.:m | d:m | d:m | d:m d:m | d:m | c | c | c

Re: 2.24 weirdness with slurred chords

>> Here's an MWE showing this. > > Indeed, this looks like a bug. This is now https://gitlab.com/lilypond/lilypond/-/issues/6495 Werner

Re: 2.24 weirdness with slurred chords

> Hey all. Ran into a bit of weirdness when trying to do slurred > chords. I'm wanting a slur between each of the matching notes > within the chord. Why slurs and not ties? > Here's an MWE showing this. > > \version "2.24.0" > \language "english" >

Re: Mimicking `\chords` mode within `\markup`

Le 21/12/2022 à 17:56, Joel C. Salomon a écrit : \version "2.24.0" \markup { Compare \sans\concat{F\char ##x266F °/C} to \sans\concat{F\sharp °/C} to \score{\chords{\chordmode{ fis:dim/c }}} } Looks like `\chords` is aligning the sharp symbol differently (and probably using SM

Mimicking `\chords` mode within `\markup`

\version "2.24.0" \markup { Compare \sans\concat{F\char ##x266F °/C} to \sans\concat{F\sharp °/C} to \score{\chords{\chordmode{ fis:dim/c }}} } Looks like `\chords` is aligning the sharp symbol differently (and probably using SMUFL U+E870 rather than U+B0 (°), but that matters l

Re: (Semi)German chords (B <-> H) with normal slash chords?

of slash chords: B7 -> H7   <-- this is what I want E/G# -> E/gis  <-- this is weird Maybe some developer thought, that E/gis is how it's done in Germany. I think it's rather uncommon and pretty ugly ;-) But personal tastes aside, is there a way to get the B<->H thing without

(Semi)German chords (B <-> H) with normal slash chords?

Dear list, I'm working on a songbook for german kids. Although I personally don't like them, I want to use German chord names (B and H exchanged). I could use \germanChords or \semiGermanChords to achieve that, but that also changes the behavior of slash chords: B7 ->

Re: German chords with uppercase bass

Am 09.04.22 um 12:02 schrieb Thomas Morley: Am Fr., 8. Apr. 2022 um 20:57 Uhr schrieb Henning Hraban Ramm I really would like to get German chords (i.e. H instead of B) with uppercase bass notes – as I know it from all my (German) songbooks. \germanChords uses `chord-name->german-mar

Re: German chords with uppercase bass

or semi-German notation”, > > \germanChords changes bass notes of chords like a:m/c to lowercase. > > > > I really would > > like to get German chords (i.e. H instead of B) with uppercase bass > > notes – as I know it from all my (German) songbooks. > > > > I’m sure there’

Re: German chords with uppercase bass

Am 07.04.22 um 17:02 schrieb Henning Hraban Ramm: As is shown e.g. in https://lilypond.org/doc/v2.22/Documentation/snippets-big-page.de.html “Changing the chord names to German or semi-German notation”, \germanChords changes bass notes of chords like a:m/c to lowercase. I really would like

Re: German chords with uppercase bass

Am 07.04.22 um 17:05 schrieb David Kastrup: Henning Hraban Ramm writes: As is shown e.g. in https://lilypond.org/doc/v2.22/Documentation/snippets-big-page.de.html “Changing the chord names to German or semi-German notation”, \germanChords changes bass notes of chords like a:m/c to lowercase

Re: German chords with uppercase bass

Henning Hraban Ramm writes: > As is shown e.g. in > https://lilypond.org/doc/v2.22/Documentation/snippets-big-page.de.html > “Changing the chord names to German or semi-German notation”, > \germanChords changes bass notes of chords like a:m/c to lowercase. > > Whi

German chords with uppercase bass

As is shown e.g. in https://lilypond.org/doc/v2.22/Documentation/snippets-big-page.de.html “Changing the chord names to German or semi-German notation”, \germanChords changes bass notes of chords like a:m/c to lowercase. While I don’t believe that this is common in Germany, I really would

Re: Chords from Fretboard Diagrams

On Sun, Mar 27, 2022 at 4:09 PM Kieren MacMillan < kie...@kierenmacmillan.info> wrote: > Hi Valentin, > > > this is unrelated to ChordNames. Rather it just remaps chords > > from \chordmode depending on Fretboards. > > I don't know how they interact exactly

Re: Chords from Fretboard Diagrams

Hi Valentin, > this is unrelated to ChordNames. Rather it just remaps chords > from \chordmode depending on Fretboards. I don't know how they interact exactly… Carl: Any comment on whether or not there's any intersection between Valentin's work and the GSoC work you did/mentored?

Re: Chords from Fretboard Diagrams

Hi Kieren, I do not know what GSoC you are refering to (I’m not a Lilypond veteran like yourself), but this is unrelated to ChordNames. Rather it just remaps chords from \chordmode depending on Fretboards. Cheers, Valentin Am Sonntag, 27. März 2022, 22:14:35 CEST schrieb Kieren MacMillan

Re: Chords from Fretboard Diagrams

Hi Valentin, > Recently I’ve created a small function to invert chords to match Fretboard > Diagrams, which I’d like to share with you all. That's really cool! Question: Does it take into account (or even need to?) the ChordNames GSoC work that was done a few years ago?

Chords from Fretboard Diagrams

Hello Ponders! Recently I’ve created a small function to invert chords to match Fretboard Diagrams, which I’d like to share with you all. Cheers, Valentin#(define (normalize pitch) (if (>= (ly:pitch-alteration pitch) 1) (normalize (ly:pitch-transpose pitch (ly:make-pitch 0 1

Re: How to catch post-events inside chords in an event listener?

Le 07/02/2022 à 20:17, Lukas-Fabian Moser a écrit : Wow. Thanks. (And luckily Paris and Salzburg share a time zone.) So here's what made me stumble: In scm/scheme-engravers.scm, we find (define-public (event-has-articulation? event-type stream-event)   "Is @var{event-type} in the

Re: How to catch post-events inside chords in an event listener?

Hello Lukas, I suppose the reason why Harm makes the detour over the music-cause is because the articulations-property might be deleted. Thus to make sure we get the original full articulations-property he uses the original music instead. Using (memq x l) sounds very reasonable. Afterall memq

Re: How to catch post-events inside chords in an event listener?

Hi Jean, (CC'ing Harm because I'm using your code to demonstrate my ignorance.) I'm just still confused as to the terminology of event "classes" vs. event "types" etc. But that's something for next week... Allow me to take advance on next week by an hour, then (in Paris time, that is). The

Re: How to catch post-events inside chords in an event listener?

Hi Lukas, Yes, memq is totally safe here and theoretically faster. But the performance difference is not really noticeable in usual situations. And in my opinion the whole eq? eqv? and equal? thing is just too confusing for beginners of scheme, so I opt so sacrifice this small theoretical gain

Re: How to catch post-events inside chords in an event listener?

> Le 6 févr. 2022 à 22:52, Lukas-Fabian Moser > I'm just still confused as to the terminology of event "classes" vs. event > "types" etc. But that's something for next week... Allow me to take advance on next week by an hour, then (in Paris time, that is). The terms "music class" and

Re: How to catch post-events inside chords in an event listener?

Hi Valentin, Am 06.02.22 um 20:57 schrieb Valentin Petzel: one could try something like this. Yes, thanks, that's what did after David's explanations as well. In my situation (where I'm using a custom event type not covered by any standard engravers), I can then dispose of the dedicated

Re: How to catch post-events inside chords in an event listener?

s not seen by the engraver >a~ >a > } > > What do I have to do to make my custom engraver also see post-events > (here, a tie, but in my context it's a custom event type) used inside > chords? > > Lukas \version "2.22" #(define (test_engraver ctx)

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