get
perfect positioning of each element of fingering even inside a chord.
Here's the result of my experiment on the chord in Tom's sample code:
\version 2.11.56
\relative c' { r4
\voiceOne
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(down down up
Jonathan, you wrote Sunday, August 31, 2008 11:30 PM
Ok, now I'm getting somewhere. I couldn't make the \tweak command work
with extra-offset from looking at the manual
Can you give me a clue what the difficulty was? Did
you use a recent manual? Was the difficulty with the
\tweak
It was with the extra offset part. I was putting the #' in the wrong
place (inside the parentheses instead of out). If I had dug deeper I
probably could have figured it out but I just googled a solution
instead. I don't think it's a problem with \tweak part of the docs.
You can't possibly
On Aug 28, 2008, at 8:50 AM, Steven Padalino wrote:
Hi,
Using Lilipond 2.10.33 with jEdit 4.3pre15 on Windows XP SP2.
The \set fingeringOrientations = #'(left) is not working. Finger
numbers continue to appear at the top or bottom of note stems.
I could easily be wrong but try #'(LEFT)
worked was if the note in question AND the
fingering indication appeared inside a chord construct, even if it's
only a single note.
Try putting something like e-28 in there for an 8th-note E played by
the second finger--the rhythm has to go outside the for it to work.
I'm copying my
fingering was handled elsewhere in the documentation.
Jonathan
p.s. Steven, if you look at the documentation for 2.11 under Specialist
Notation then Fretted Strings, you'll see an excerpt I engraved where
I make use of \set fingeringOrientations and the extra-offset technique
I mentioned
because fingering was handled elsewhere in the documentation.
Such an example or the statement itself would be good. A link to Within
staff objects
in the Learning Manual would also help. There is a long section there on
fingering, with several examples, including one showing single note
) (make-smaller-markup (make-bold-markup 2)))
(else (make-simple-markup bla))
)))
In this line:
(sp (ly:grob-property grob 'staff-position))
The staff position of the note is assigned to the variable sp. How
could I get the fingering digit of the note? For example:
c
I'm trying the fingerings for the first time, and I'm getting it, but
I don't know if there's a way to get a little slur over an
articulation. I see how to use the \finger in a markup, but I'm
wondering specifically about the little slur. Is there an easy way to
get that?
inline:
, and using single-note chords to sometimes place fingering
left instead of \once \overriding the direction.
--
Jonathan Kulp
http://www.jonathankulp.com
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Thanks, however before asking this list I had read this page and the notation
guide and searched the internal reference, and did not find what I want. All
the tweaks I thought of would be awkward; for example moving all the fingering
positions by a fixed offset could work (1) if I disabling add
. StringNumber to avoid stems by going above
them (which is not done by default). For Fingering it does not seem to
work (they avoid stems by default, and setting add-stem-support to ##f
does not change that).
What I would like is not disable collision checks, but ensure the
fingering goes above the head
Hi, Folks
I have a chord, where the note at the top can use one of two fingers.
In the original music, it has a 2^1 notation (^ is a slur).
I tried something similar to
g e^\markup { \finger 2 - 1 }
(although this can be understood a a finger change)
But lilypond recuses to process it:
If you want this notation just on the top note of a chord you can place the
fingering outside the chord brackets:
g-3 e^\markup { \finger 2 - 1}
But of course this doesn't work for fingering on inside notes of more
complex chords.
HTH
Trevor
- Original Message -
From: Alberto
It will do the trick. THanks :)
Trevor Daniels wrote:
If you want this notation just on the top note of a chord you can place
the fingering outside the chord brackets:
g-3 e^\markup { \finger 2 - 1}
But of course this doesn't work for fingering on inside notes of more
complex chords.
HTH
Francisco
There is also quite a large section on fingering in the
Learning Manual in Section 4.4.2 Within-staff objects which
may help you. See
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-le
arning/Within_002dstaff-objects#Within_002dstaff-objects
Trevor D
-Original Message
Hello all,
Is it possible to place fingerings inside the staff (or outside, but
just next to the notehead), and at a maximum distance of the notehead
of, say, two staff spaces?
I would like to set this voice-wide, not for a single fingering.
Thank you,
--
Francisco Vila. Badajoz (Spain)
http
Please read the section on fingering again, especially
the part on fingeringOrientations. Note that these only
work when the notes are part of a chord. If you want it
to happen on a single note, you therefore have to make
it a single note chord, such as c-48
/Mats
Francisco Vila wrote
Thanks Tim, it works well,
however, if I try to put those signs as markup, the plus doesn't work.
Bug or I'm doing something wrong?
\version 2.11.38
\include english.ly
\score
{\relative c'
{
g^\markup{\musicglyph #scripts.flageolet}
g^\markup{\musicglyph #scripts.plus}
}
}
scripts.plus
Ah, of course, is just plus, not scripts.plus, thanks for pointing this!
ciao
libero
On Feb 10, 2008 10:15 PM, Gilles THIBAULT [EMAIL PROTECTED] wrote:
Thanks Tim, it works well,
however, if I try to put those signs as markup, the plus doesn't work.
Bug or I'm doing something wrong?
Thanks Tim, it works well,
however, if I try to put those signs as markup, the plus doesn't work.
Bug or I'm doing something wrong?
Libero
Example follows:
\version 2.11.38
\include english.ly
\score
{\relative c'
{
g^\markup{\musicglyph #scripts.flageolet}
g^\markup{\musicglyph #scripts.plus}
Hi Tim and list,
actually I just discovered that there are already articulation signs
for closed and open.
Here is an example with half positions in between.
However, the articulations are closer to the staff than the markups.
Is there a way to make them at the same distance from the staff?
I
may want to post several
snippets more simple, e.g. How to obtain slashed fingering numbers,
How to write a Recorder fingering chart, etc. It's preferable to
make it simple and short, so that each snippet deals with *one* single
specific issue.
Cheers,
Valentin
--
Libero Mureddu
Vanha
libero wrote:
2) I don't know how to notate + and o signs commonly used for
french horn notation for open and bouché sounds (this would
correspond on the recorder notation to open and close window hole),
is there a way commonly used by lilyponders?
ciao
libero
Would this work for you?
is fine; perhaps you may want to post several
snippets more simple, e.g. How to obtain slashed fingering numbers,
How to write a Recorder fingering chart, etc. It's preferable to
make it simple and short, so that each snippet deals with *one* single
specific issue.
Cheers,
Valentin
Thanks Mats,
so strange, I tried so many times to use slashed-digit, and I was
always getting some errors... now it works...
I post here the complete example of the chart I'm working on; I want
to post it to lsr, but I'd prefer to get some suggestion from the list
first.
And I have also a
Hi Libero,
I should use the slashed numbers too in order to indicate half-hole
positions.
Is it possible to use slashed numbers in fingering (without using
\markup)?
Don't know.
can someone show me how to use the slashed-digit inside a markup?
The attached hack might give you the right
.
Is it possible to use slashed numbers in fingering (without using
\markup)?
Don't know.
can someone show me how to use the slashed-digit inside a markup?
The attached hack might give you the right hint.
[For the record, there's likely a much better way...]
Hope this helps!
Kieren
Hi Libero,
thanks a lot, maybe there are better ways, but this one is quite
effective :-)
Glad to hear it!
I slightly modified your example as follows:
Nice... for future use, you might want to define some variables, e.g.
slashZero = \markup { \combine \finger 0 \translate #'(0.17 .
Why not use the builtin markup command \slashed-digit, which is used
for figured bass:
\markup{\slashed-digit #3 }
/Mats
Quoting Kieren MacMillan [EMAIL PROTECTED]:
Hi Libero,
thanks a lot, maybe there are better ways, but this one is quite
effective :-)
Glad to hear it!
I slightly
Hi Mats,
Why not use the builtin markup command \slashed-digit, which is
used for figured bass:
\markup{\slashed-digit #3 }
Um... 'cuz I'm an idiot? ;-)
Didn't know it was there -- nice to learn something new (again).
Thanks,
Kieren.
___
Hi,
I'm writing a chart for recorder fingering, and I'm using the standard
lilypond fingering instructions. However, I should use the slashed
numbers too in order to indicate half-hole positions.
Is it possible to use slashed numbers in fingering (without using \markup)?
or
can someone show me how
I have tried to use
note-digit
e'16-a
that won't work log gives me unexpected notename pitch.
Tried from the manual
e'16-\rightHandFinger #4
and that did nothing no 'a'
version
2.10.25
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
___
2008/1/9, Jay Hamilton [EMAIL PROTECTED]:
I have tried to use
note-digit
e'16-a
that won't work log gives me unexpected notename pitch.
Tried from the manual
e'16-\rightHandFinger #4
enclose the note in :
e'-\rightHandFinger #a16
and that did nothing no 'a'
version
2.10.25
Yours-
Is there any way to indicate in fingering that a finger is supposed to
slide from one string to the next? In playing harp, often one plays a
string with the thumb (indicated by the number 1) and then slides the
thumb down to the next lower note and then plays that. So both notes
in the but for me to find this out.
I'm a guitarrist, so I adapted the code for the four fingers, as the
thumb is not used in the Left Hand.
In the code bellow, you find code for fingering for the left end (Ln -
none, Li - index, LM - long, La - ring, Lm - little), and underlines
(Lui), double underline (Luui
Hi
I could write in french, but this might be usefull for someone else, it was
a pain in the but for me to find this out.
I'm a guitarrist, so I adapted the code for the four fingers, as the thumb
is not used in the Left Hand.
In the code bellow, you find code for fingering for the left end (Ln
Hello!
For left hand keyboard of accordion, fingering instructions are annoted
with figures as 2,3,4,5 for the middle button row; with simple
underlined figures (_2_, _3_, _4_, _5_), the following row , and
double-underlined figures for the last bass button row (I caanot give
example
Hi
I managed to output underlined fingering with the following code:
Ln = \markup{\override #'(font-size . -5) \override #'(font-encoding .
fetaNumber) 0 \postscript #0.08 setlinewidth -1.46 -0.2 moveto 0.88 0
rlineto stroke}
Li = \markup{\override #'(font-size . -5) \override #'(font-encoding
Hello!
For left hand keyboard of accordion, fingering instructions are annoted
with figures as 2,3,4,5 for the middle button row; with simple
underlined figures (_2_, _3_, _4_, _5_), the following row , and
double-underlined figures for the last bass button row (I caanot give
example
Hi List,
I'm currently trying to typeset some old copies of Anton Stingls
guitar book 30 Lehrstücke in den leichten Tonarten. And I'm having
some troubles getting both the articulation and the righthand
fingering i on the same note in the order that I want it. No matter
what I try
\version 2.10.20 % on Windows XP
% right-oriented fingering instructions overwrite the dot of a dotted note
\layout { ragged-right = ##t }
{
\set fingeringOrientations = #'( right )
f'-3 4.
\set strokeFingerOrientations = #'( right )
f'-\rightHandFinger #1 4.
}
Thanks
Luc
If this is a bug report, please send it to bug-lilypond@gnu.org instead.
/Mats
Luc wrote:
\version 2.10.20 % on Windows XP
% right-oriented fingering instructions overwrite the dot of a dotted note
\layout { ragged-right = ##t }
{
\set fingeringOrientations = #'( right )
f'-3 4
\version 2.8.8 on Suse Linux 10
I have been making beautiful copies of classical guitar music for
my 8 string guitar. Everything works fine as long as I can copy
a template such as
\set Score.skipTypesetting = ##t
s4*8
And this works for string number spacing if I enter
\once \override StringNumberOrientations #' Stringnumber = down
g\64-1 fis e d\7
For fingerings and such I always put them between brackets:
g\6-14 fis e d\7 %...
If the fingering is outside the brackets, the fingering orientations
may not work properly.
How do I set
fingeringOrientation (up,down
will find a generic
answer.
/Mats
Stef Epardaud wrote:
Hello,
It's been a long time since I've tried lilypond and I must say the array
of feature it has now is really impressive. Amazing work !
I'm wondering how to hide fingering instructions from a Staff
\riffCA
\riffCA
}
}
\score {
\context StaffGroup = staffA
\context Staff
% Hide fingering number
\override Staff.Fingering #'transparent = ##t
\set Staff.instrumentName = Guitar 1
\set Staff.shortInstrumentName = Gtr1
\set Staff.midiInstrument = distorted guitar
Hello,
It's been a long time since I've tried lilypond and I must say the array
of feature it has now is really impressive. Amazing work !
I'm wondering how to hide fingering instructions from a Staff associated
with a TabStaff ?
Thanks a lot for any help
is there a way to make the circles closer in the macro definition?
i overrode the baseline-skip property, and now the circles are closer together.
fingerD = \markup{\override #'(baseline-skip . 2) \column{◍ ● ● }}
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at the lever. But if you have an excerpt at hand,
it would be very helpful.
Regards,
Helge
- Original Message -
From: Walter Hofmeister [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Sent: Sunday, November 19, 2006 10:52 PM
Subject: Re: Harp fingering and lever
Hi Helge,
I have done
Chris Capoccia chriscapoccia at spamcop.net writes:
the tin whistle fingering tips might be helpful:
http://comments.gmane.org/gmane.comp.gnu.lilypond.general/3651
using the idea from the tin whistle fingering discussion, i was able to come up
with something that i think will work well
If you want to save some typing, you can define macros for these
patterns, like
fingerD = \markup{\column{◍ ● ● }}
and then use them like d16^\fingerD
/Mats
Quoting Chris Capoccia [EMAIL PROTECTED]:
Chris Capoccia chriscapoccia at spamcop.net writes:
the tin whistle fingering tips
Subject: Re: Harp fingering and lever
Hi Helge,
I have done this for my wife who plays lever harp. See section 8.5.6
Analysis brackets in the manual, this can be made to work for the placing
of
the fingers.
Walter Hofmeister
Here is a short example that I did. When I went back
Mats Bengtsson mats.bengtsson at ee.kth.se writes:
If you want to save some typing, you can define macros for these
patterns, like
fingerD = \markup{\column{◍ ● ● }}
and then use them like d16^\fingerD
/Mats
i like the idea of using a macro, but there is more space in the
Hello,
I need for some lever harp notes fingering instructions. The result should look
similar to this http://dj1na.gmxhome.de/lever_and_fingering.JPG
While finger numbers can be added with lilypond I need also some more or less
diagonal brackets above or below the notes. These brackets show
On 11/19/06 9:17 AM, Helge Kruse [EMAIL PROTECTED] wrote:
Hello,
I need for some lever harp notes fingering instructions. The result should
look similar to this http://dj1na.gmxhome.de/lever_and_fingering.JPG
While finger numbers can be added with lilypond I need also some more or less
is it possible to place fingering diagrams in the score like this:
http://www.interopp.org/flute/htm/fu_fingerings.htm
the solid holes are closed finger holes. the open holes are not covered by the
finger. the cracked closed hole is the one used to make vibrato.
i don't need to reproduce
Can I add fingering information for ChordNames when chords are entered
using chordmode? Fingering when using staffs might be interesting as
well. Since this is for an accordion, a single finger is often
sufficient, and I don't need 1 number per note.
\version 2.9.19
\include english.ly
#(set
of Fingering?
What do the numerals in the circles represent? Is this common notation
for guitar? Do they represent the string rather than the finger on the
string? Or do they emphsises the finger to be used?
As far as the over all look of your music, its great in my opinion.
-Original
the rest of the fingers/strings naturally.
--
View this message in context:
http://www.nabble.com/Fw%3A-Clarity-of-Fingering--tf2063042.html#a5690931
Sent from the Gnu - Lilypond - User forum at Nabble.com.
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lilypond-user
Greetings,
I was wondering what other people thought about
this. I'm fingering some music for the guitar, and I'm starting to wonder about
how readable the fingerings are (i.e. the 3 on the 3rd beat of bar 2 in the
attached png). Am I being over-critical and too much of a
perfectionist
It seems from your earlier emails that you already know how to move
the text indication. To move a fingering, use the same \override
command but replace TextScript by Fingering.
/Mats
Quoting Gilles QUESNE [EMAIL PROTECTED]:
Hi everybody!
I'm using lilypond version 2.8.5
I would like
Hi everybody!I'm using lilypond version
2.8.5
I would like to know How effect two moves separate affixed on the same
note, fingering and number of the cello string:
_ a share, that of a fingering, _ another share, that
of the indication of the cord of the violoncello 'III. \super a'.
Thank
Subject: Re: Fingering Type Size
Hi, Carrick:
Well, that worked just great. Thanks a lot.
My pleasure!
I never would have guessed how the size increment divisions worked
without your help, as it seems a bit counter-intuitive to me.
It is counter-intuitive if you think of them literally
Everything can be moved around, see the section on Common Tweaks.
/Mats
Quoting Stewart Holmes [EMAIL PROTECTED]:
Hi,
From what the documentation says, these features are fairly limited;
string numbers can't seem to be moved, and fingering numbers can
only be moved to be to the left
Hi,
From what the documentation says, these features
are fairly limited; string numbers can't seem to be moved, and fingering numbers
can only be moved to be to the left/right/top/bottom of a note.
Please tell me there are ways of tweaking these so
I don't have to resort to doing the whole
Hi, Carrick:
Well, that worked just great. Thanks a lot.
My pleasure!
I never would have guessed how the size increment divisions worked
without your help, as it seems a bit counter-intuitive to me.
It is counter-intuitive if you think of them literally as divisions
-- in that case, it
Title: Fingering Type Size
Using version 2.8 on the Macintosh, I have been trying to make the fingering numbers (for cello) a bit bigger to suit my aging eyes.
I put in:
\override Fingering #'font-size = #2
This made the fingering numbers about four times bigger. So I tried reducing
Title: Re: Fingering Type Size
Hi, Carrick:
Using version 2.8 on the Macintosh, I have been trying to make
the fingering numbers (for cello) a bit bigger to suit my aging eyes.
I put in:
\override Fingering #'font-size = #2
This made the fingering numbers about four times bigger
Hello,
In the following
code, I need the fingering instructions to be on the left of every note, so I
use " \set fingeringOrientations = #'(left)". This works fine with the
first couple of notes, but afterwards, the finger numbers begin reappearing
above the note which is t
Kamal wrote:
Hello,
In the following code, I need the fingering instructions to be on the
left of every note, so I use \set fingeringOrientations = #'(left).
This works fine with the first couple of notes, but afterwards, the
finger numbers begin reappearing above the note which
,
In the following code, I need the fingering instructions to be on the
left of every note, so I use \set fingeringOrientations = #'(left).
This works fine with the first couple of notes, but afterwards, the
finger numbers begin reappearing above the note which is the default
behaviour ( Note e'-28
Mats Bengtsson wrote:
There shouldn't be any reason to move the engraver, just use
\set Staff.fingeringOrientations ... or
\set Score.fingeringOrientations ... to make the setting apply to all
voices in the Stave or score, respectively.
/Mats
Hmm, you're right. That was my first
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
NotDashEscaped: You need GnuPG to verify this message
Hello there,
After finishing the last piece with help from here, I was confident
enough to try another piece. Now this one is a bit more difficult.
The big problem I am having now is fingering
I mainly use lilypond for writing/arranging educational music for my
keyboard and piano students.
In the books we use it is common practice to put a small brack (┌┐)
above a fingering instruction when the hand has to change position on
the keyboard.
How can I achieve this with lilypond
practice to put a small brack (┌┐)
above a fingering instruction when the hand has to change position on
the keyboard.
How can I achieve this with lilypond and if it can't be done could
this become a sponsered feature :-)
Regards,
Rob
of
slur placing in bars with articulation marks, but there doesn't seem any
improvement at all at notes with fingering numbers.
Here's a simple example in which two of three fingering marks get covered
with a slur:
\clef treble
\time 4/4
\key d\minor
c''8-3([b'!] a'16-1 [fis'-1 g'8
Does anyone know the best way of underlining fingering instructions for 2.6
under XP?
I used to do it with inline LaTeX code, like
c4^$\underline{3}$
but that doesn't work any more.
Suggestions would be gratefully received.
TIA
Tim Hucker
Hi all!
I want to write a finger number under/over a note and include a horizontal
line, after the number, that spans to the next 3 notes. How can I do this?
What is the correct way of printing the tempo indication over the time
signature? I've tried \markup{ \hspace #-4.0 Adagio } on the
Miguel Barbosa Gonalves wrote:
Hi all!
I want to write a finger number under/over a note and include a horizontal
line, after the number, that spans to the next 3 notes. How can I do this?
See the section on Text Spanners in the manual.
The default is to get a dashed line, but I think the
3
3 2
2 1
That would yield [chord], but I want [chord].
1 1
1
Why does the fingering engraver not obey the explicit list of
positions
note of a fingered cord. Rather, it has some ad-hoc
procedure to divide the fingerings evenly above and below the stave if
you specify both up and down in the list, just as you have noticed.
However, as Graham pointed out, you can specify the orientation of each
fingering directly at the note using
Hello list,
I want to set fingerings above and below a massive chord to indicate
that the pianist should `borrow' the left thumb to play the lowest
note of the middle chord. (Yes, I do want the numbers to piled on top
of each other. No, I don't care about wasting vertical space.) So I
write
On 14-Mar-05, at 5:54 AM, Kilian A. Foth wrote:
fis-1 a-1 cis-2 e-3 gis-4
What about doing
fis_1 a_1 cis^2 e^3 gis^4
?
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of guitar fingering notation.
...
Richard Long,
editor of the Soundboard, told me the Letters to the
Editor column is defunct because of the potentially
large lag between a letter and the article it responded
to. He suggested I put my thoughts on the web, and I
appended them to my page
prompted me to get some more thoughts down on the
subject of guitar fingering notation.
...
Richard Long,
editor of the Soundboard, told me the Letters to the
Editor column is defunct because of the potentially
large lag between a letter and the article it responded
to. He
The examples in the documentation portray the placing of finger
numbers after notes as respectable. If you look at this file, which
has left hand fingering well done, you will see that it is not. I
don't think you can find a single instance of a finger number directly
after a note
On Wednesday 19 January 2005 23.18, David Raleigh Arnold wrote:
The examples in the documentation portray the placing of finger
numbers after notes as respectable. If you look at this file, which
has left hand fingering well done, you will see that it is not. I
don't think you can find
On 17-Jan-05, at 4:39 PM, Sebastiano Vigna wrote:
sn32 sn sn
\set DrumVoice.stemRightBeamCount = #1
sn
\set DrumVoice.stemLeftBeamCount = #1
sn sn sn sn
An example of this kind would be an excellent addition to the manual.
Already exists, at least in 2.5.8.
Note that the manual uses a \property
the first and the second
group of four notes, as usual. However, using the automatic beam
subdivision does not work, because it subdivides also tuplets (e.g., 6-
tuplets).
Moreover, beam subdivision in drum scores does not typeset the one-line
beam in the example above.
2) Is fingering in tablatures
On Monday 17 January 2005 22.25, Sebastiano Vigna wrote:
Two questions (I posed one in lilypond-devel, not realising it was the
wrong place):
1) Is there any way of forcing a beam subdivision at a certain point? I
am typesetting drum scores, and whem I have things like
sn32[ sn sn sn sn sn
On Mon, 2005-01-17 at 23:56 +0100, Erik Sandberg wrote:
You can always use stemLeftBeamCount etc.
Now I got it: to get that kind of effect, you must use BOTH
stemLeftBeamCount AND stemRightBeamCount on the last note of the group,
as in
sn32 sn sn
\set DrumVoice.stemRightBeamCount = #1
sn
. See:
http://www.openguitar.com/files/chords.pdf
Imagine what a mess it would be with some of the fingering after.
Actually, LilyPond did a close to perfect job there. The only
fault is that for some reason there is extra space
between the finger number and the accidental when the note
On Wednesday 12 January 2005 10:34 pm, Albert Einstein wrote:
Do you know something about marking barre ?
I know that a vertical bracket is very popular in Germany
for marking a barre, but I have never been tempted to
adopt it. Extra verticals are a problem when the hspacing
is tight.
As you
I just wanted to show what it took to get decent fingering on an
introductory grade simple little exercise in two parts. There is
a problem getting the first 1-- close to the notehead. The output
is at http://www.openguitar.com/html/files/cma0.pdf .
Finger numbers should be close
have chord you use a'-2 b'-34_\thumb.
Albert
Dnia 11-01-2005 o godz. 0:24 David Raleigh Arnold napisa(a):
I just wanted to show what it took to get decent fingering on an
introductory grade simple little exercise in two parts. There is
a problem getting the first 1-- close to the notehead
c}
S = \transpose d des {\hideNotes \relative {d'^1 e^1 f^1 g^1 a^1 b^1 c^1
d^1}} \new Staff
\A
\new Voice \S
This works, and it might take less time to do.
It's ingenious, but now the numbers are too far from the
note head, even with the fingering attached to lower
invisible notes
\override Fingering #'direction = #down worked a treat, thank you.
c4^"$\underline{3}$" however invokes a different font. I've tried several variations unsuccesfully to revert to the finger font - anyone know how?
Regards thanks to all
Tim HuckerMats Bengtsson [EMAIL PROTECTED] wr
e best way of underlining fingering instructions?That's not supported for the moment. In LilyPond up to version 2.2.6,you could do it with inline LaTeX code, something likec4^"$\underline{3}$" 2 What is the best way to make my fingering appear always under the note. I have tried \set fingeringOr
of underlining fingering
instructions?
That's not supported for the moment. In LilyPond up to version 2.2.6,
you could do it with inline LaTeX code, something like
c4^$\underline{3}$
2 What is the best way to make my fingering appear always under the
note. I have tried
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