Re: Setting the number for \mark \default

Johan Vromans writes: > On Mon, 14 Nov 2016 16:57:08 +0100 > Mojca Miklavec wrote: > >> I would find it useful if the following example: >> >> \relative c'' { >> c1 \mark \default >> c1 \mark \default >> c1 \mark #8 >> c1 \mark

highlight music / fingering

Hello, I need an advice. Suppose you have two very similar fragments of musica, maybe very few notes change or maybe just the fingering changes. How do you highlight the differences to avoid the player makes mistakes playing it? Does exist a standard way to do it? Thank you, g.

Re: highlight music / fingering

In the score there are both versions. The score "audience" are children; I would like that they pay attention to the fact the music is similar but not identical. Have a look to the attached files (fragments from Greensleves for accordion) and the source code. In the first fragment the bass music

Re: Curious thing about ties

On 2016-11-15 09:21, David Kastrup wrote: Andrew Bernard writes: Hi Robert, I for one don't think lilypond should be making decisions for you about tie direction based on an idea of sequenced phrases. I know lilypond strives to do as much good layout as it can

Re: highlight music / fingering

Gianmaria Lari writes: > In the score there are both versions. The score "audience" are children; I > would like that they pay attention to the fact the music is similar but not > identical. > > Have a look to the attached files (fragments from Greensleves for >

Re: Font cache issues on Windows 10

On 2016-11-07 21:27, Gianmaria Lari wrote: [Lilypond 2.19.49 slow compilation time and font cache] But the solution seems to be to simply delete the cache, prompting a rebuild, so it's not a big deal for most of us. Just updated to 2.19.50 and now the cache directory has to be

Re: Curious thing about ties

Andrew Bernard writes: > Hi Robert, > > I for one don't think lilypond should be making decisions for you about tie > direction based on an idea of sequenced phrases. I know lilypond strives to > do as much good layout as it can without requiring tweaks, but this seems

Re: highlight music / fingering

Am 15.11.2016 um 09:24 schrieb Gianmaria Lari: > Hello, > > I need an advice. Suppose you have two very similar fragments of musica, > maybe very few notes change or maybe just the fingering changes. > > How do you highlight the differences to avoid the player makes mistakes > playing it? Does

Weird behaviour with TupletNumber.avoid-slur (beam disappears)

Hi, I tried to keep the tuplet number from colliding with a slur by using TupletNumber.avoid-slur = #'outside. It has worked before ~2.12.XX but with 2.19.49 something weid happened. The tuplet beam disappeared (actually was shortened and moved to the left of the staff, see the red circle). Even

Re: highlight music / fingering

Hi Gianmaria, I use highlighting a lot, and I prefer coloring things. If you search the LSR for the term "colored", you'll find lots of useful things for that purpose: http://lsr.di.unimi.it/LSR/Search?q=colored=0=10 Cheers, Klaus -- View this message in context:

Re: highlight music / fingering

Am 15.11.2016 um 17:49 schrieb Klaus Blum: > Hi Gianmaria, > > I use highlighting a lot, and I prefer coloring things. > If you search the LSR for the term "colored", you'll find lots of useful > things for that purpose: > http://lsr.di.unimi.it/LSR/Search?q=colored=0=10 > > Cheers, > Klaus

Re: highlight music / fingering

On Tue 15 Nov 2016 at 10:13:24 (+0100), Gianmaria Lari wrote: > Ciao Urs, > > sorry not beeing able to be more clear! yes, second time it's different. > Anyway, attached you can find the complete pdf. > > I was hoping there was a standard procedure :) Boxing looks a bit too > "intrusive", bold

Re: Setting the number for \mark \default

Am 16.11.2016 um 08:08 schrieb Johan Vromans: Still as someone familiar with ASCII control codes, I would expect #20 to yield T, not U. But that's because the 'I' is missing in the sequence. This is because LilyPond uses #format-mark-letters as default (“letters”: A to Z but without I,

Re: Weird behaviour with TupletNumber.avoid-slur (beam disappears)

David's example shows the same issue, I'm having. @Mark: I'm writing choir music with soprano & alto on one staff and tenor & bass on another. So, basically I need to force slurs & ties on the "outer side" of each staff. I also need to force stems up / down. I just deleted everything unnecessary

Re: Setting the number for \mark \default

On Tue, 15 Nov 2016 11:40:50 +0100 Noeck wrote: > Am 15.11.2016 um 10:00 schrieb Johan Vromans: > > and was suprised to find marks A B H J U V W instead of A B H J K T > > U . > > that's because the \set is at the same point in time as the \mark > \default on the

Re: coding chord-names in language "italiano"

Hi Ming, where is the problem? If you use "italiano" as language, you can use do re mi ... If you use "english" as language, you can use c d e ... Both work as expected for notes and for chord names. You cannot write \language "italiano" and use english note names (c d e …) obviously. HTH,

coding chord-names in language "italiano"

Hi, lilyponders: I try "italiano" to transcribe a music score because the original is in numeric "do re mi". It works fine until I try to code chord names.  I got unrecongized string error.   But I change the language to "english", there is no error. Question: what is the coding chordnames in

RE: Weird behaviour with TupletNumber.avoid-slur (beam disappears)

Risto, Looking at the .png, do you want a slur or a tie? I have tried two alterations (in 2.18.2): 1. Changing pitches to “g^ (a) b” and the number is positioned correctly. 2. Changing from a slur to a tie, “g^~ g g ” and the number is positioned correctly. Mark From:

Re: Weird behaviour with TupletNumber.avoid-slur (beam disappears)

Hi Mark, I need a slur. It was quicker to write a bunch of same notes. I tested it again with different pitches and it gets even weirder. Please check the first and the third tuple. They are different for some reason. The beam is horizontal so I'd expect the slur ends be on the same level, too.

RE: Weird behaviour with TupletNumber.avoid-slur (beam disappears)

Risto, Not knowing the requirements/necessity of your putting the slur above the beam, I would put the slur down – closer to the note heads. This would/does avoid conflict with the number. Mark From: Risto Vääräniemi [mailto:risva...@gmail.com] Sent: Tuesday, November 15, 2016

RE: Solution to 7 over sqr(71) time against integer polyrhythms

Nice try, but so obvious I already tried it long ago -- remove the timing translator and default barline engraver from the Score portion of the layout and insert it in the Staff portion. Nope. Doesn't work with my score. By all means, keep spending all your time and energy attacking people who

Re: highlight music / fingering

> > > c4 \chordmode {f, f,} > > e \chordmode {e, e,} > > \partial 2 b \chordmode {e,} > [...] > At any rate, in current versions you can write > > \chordmode { > 4 f f >e:7 e:7 >e:7 e:7 > } > > Doesn't mix with \relative though. Not a problem for accordion I guess. > I don't use

Re: Solution to 7 over sqr(71) time against integer polyrhythms

> Nice try, but so obvious I already tried it long ago -- remove the > timing translator and default barline engraver from the Score > portion of the layout and insert it in the Staff portion. Nope. > Doesn't work with my score. As usual, please show us a minimum working example that exhibits

Re: Weird behaviour with TupletNumber.avoid-slur (beam disappears)

On Tue 15 Nov 2016 at 13:23:56 (-0800), Mark Stephen Mrotek wrote: > Not knowing the requirements/necessity of your putting the slur above the > beam, I would put the slur down – closer to the note heads. This would/does > avoid conflict with the number. Yes, that's what I thought, until I

Re: Rotating Score on one page

Am 15.11.2016 um 14:04 schrieb David Kastrup: > Urs Liska writes: > >> Am 15.11.2016 um 13:34 schrieb Phil Holmes: >>> - Original Message - From: "Ilja Panzer" >>> To: >>> Sent: Tuesday, November 15, 2016 12:08 PM >>>

Re: Ties break the ability to add lyrics

David Wright writes: > On Mon 14 Nov 2016 at 14:30:44 (+0100), Mojca Miklavec wrote: >> On 14 November 2016 at 13:31, Mojca Miklavec wrote: >> > Hi, >> > >> > While trying to add slightly more complex fingerings (button label + >> > finger number) on top of some

Re: Setting the number for \mark \default

On Tue, 15 Nov 2016 09:19:17 +0100 David Kastrup wrote: > Johan Vromans writes: > > > At least I would be surprised by the result... > > Is that an argument for or against documenting it? It's just that I tried the (extended) example: \relative c'' {

Re: highlight music / fingering

Am 15. November 2016 09:57:29 MEZ, schrieb Gianmaria Lari : >In the score there are both versions. The score "audience" are >children; I >would like that they pay attention to the fact the music is similar but >not >identical. Still not completely sure what you mean.

Re: Rotating Score on one page

- Original Message - From: "Ilja Panzer" To: Sent: Tuesday, November 15, 2016 12:08 PM Subject: Rotating Score on one page Dear community, I would like the score (portrait) on one page to be rotated by 90 degrees. So that headers and

Re: Rotating Score on one page

Am 15.11.2016 um 13:34 schrieb Phil Holmes: > - Original Message - From: "Ilja Panzer" > To: > Sent: Tuesday, November 15, 2016 12:08 PM > Subject: Rotating Score on one page > > >> Dear community, >> >> I would like the score (portrait) on

Re: segno/coda in lyrics

On 2016-11-15 12:28, Henning Hraban Ramm wrote: Ahoi! I’ve some variations in a song, so that one verse uses a different ending melody. I’d like to mark that with segno/coda signs, like this: textIII = \lyricmode { \repeat unfold 7 { " " } blah blah blah % \override

Re: Rotating Score on one page

Urs Liska writes: > Am 15.11.2016 um 13:34 schrieb Phil Holmes: >> - Original Message - From: "Ilja Panzer" >> To: >> Sent: Tuesday, November 15, 2016 12:08 PM >> Subject: Rotating Score on one page >> >> >>> Dear

Re: Solution to 7 over sqr(71) time against integer polyrhythms

Dear “mclaren”, On Nov 15, 2016, at 7:50 PM, mclaren wrote: > The barline is the one symbol you CANNOT insert anywhere you want, > even though it's just a vertical line. You can even insert Unicode > characters wherever you wish...but NOT a barline. Inexplicable. I

Re: Rotating Score on one page

Alternatively, you could just print that page as a PNG and put that score page PNG into Photoshop or some other image editing software, rotate the entire page 90 degrees, then select the individual instructions that you want to remain unrotated and rotate them back -90 degrees, then save that

Re: Rotating Score on one page

Um… > sneering "read the manual" at people who ask questions is a rude > and pointless response. It adds nothing. If someone feels the urge to jeer > "read the manual," just don't post at all. That's equivalent to a slap in the > face. "Hi, pot? This is the kettle calling…”

Solution to 7 over sqr(71) time against integer polyrhythms

The solution (thanks to a hint by Trevor Baca) turns out to involve setting a bunch of overrides at the start of the Lilypond code, setting proportional spacing and a standard make-moment setting (usually 1/20 or 2/20 works well), specifying the score size so that the notes don't get scrunched up

Seperation of generations

Hi, Found this in my Twitter feed: https://twitter.com/Tinus105/status/798239545560969216 Mum, why is there a hash tag there? Christ van Willegen ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Seperation of generations

Am 15.11.2016 um 11:54 schrieb Christ van Willegen: > > Hi, > > Found this in my Twitter feed: > > https://twitter.com/Tinus105/status/798239545560969216 > > Mum, why is there a hash tag there? > This seems to be a variation of a meme I just saw: "These young people that make fun of their

segno/coda in lyrics

Ahoi! I’ve some variations in a song, so that one verse uses a different ending melody. I’d like to mark that with segno/coda signs, like this: textIII = \lyricmode { \repeat unfold 7 { " " } blah blah blah % \override Score.RehearsalMark.font-size = #3 % \override

Re: segno/coda in lyrics

try \override TextScript... instead of Score.RehearsalMark -- View this message in context: http://lilypond.1069038.n5.nabble.com/segno-coda-in-lyrics-tp196650p196653.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user

Re: Font cache issues on Windows 10

Hello, On 07/11/16 20:27, Gianmaria Lari wrote: > [Lilypond 2.19.49 slow compilation time and font cache] > > But the solution seems >> to be to simply delete the cache, prompting a rebuild, so it's not >> a big deal for most of us. > > It's not a big deal if you know it! > > Because it's a very

Rotating Score on one page

Dear community, I would like the score (portrait) on one page to be rotated by 90 degrees. So that headers and footers, etc. stay the same but the score itself is in landscape format. Unfortunately I couldn’t find any information bits on the list or the web. Best regards Ilja Panzer

Re: Setting the number for \mark \default

Am 15.11.2016 um 10:00 schrieb Johan Vromans: > and was suprised to find marks A B H J U V W instead of A B H J K T U . Hi Johan, that's because the \set is at the same point in time as the \mark \default on the preceeding line. So it also affects this (third last) mark. Some additional music

RE: Solution to 7 over sqr(71) time against integer polyrhythms

Kieren, In support of your observation, "It is a poor carpenter who blames his tools." Mark -Original Message- From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Kieren MacMillan Sent: Tuesday, November 15, 2016 7:12 PM To: mclaren

Solution to getting page breaks for broken tuplets embedded with multiple hypermeasures

Another example I posted a while back and no one was able or knowledgeable enough to help me with, so once again I figured it out mostly on my own, with a hint from Trevor Baca. This example is a simple set of hypermeasures formed by broken tuplets. The hypermeasures on the top two and middle two

Re: Solution to 7 over sqr(71) time against integer polyrhythms

mclaren, > Inserting \bar "|" in one staff draws lines through all the other staffs. > There is no way to prevent this. It's a classic example of bad program > design, and we all just have to live with it. I have used Lilypond to engrave many of my scores where various staves have

Re: Solution to getting page breaks for broken tuplets embedded with multiple hypermeasures

And of course the attachment feature doesn't work. So here's the first page of the score as a gif. -- View this message in context:

Re: Solution to getting page breaks for broken tuplets embedded with multiple hypermeasures

mclaren, On Nov 15, 2016, at 8:55 PM, mclaren wrote: > % Lilypond bug #3 — […] The Lilypond > % page break command does not work. This is a severe bug and > % needs to get fixed pronto. That’s not a bug — rather, it’s a feature you wish this open-source [!!] music

Re: Solution to 7 over sqr(71) time against integer polyrhythms

My statement that Lilypond does not allow barlines to be inserted wherever you want on individual staves without drawing barlines through all the other staves is factually accurate. Inserting \bar "|" in one staff draws lines through all the other staffs. There is no way to prevent this. It's a

Re: Solution to 7 over sqr(71) time against integer polyrhythms

mclaren, On Nov 15, 2016, at 9:04 PM, mclaren wrote: > My statement that Lilypond does not allow barlines to be inserted wherever > you want on individual staves without drawing barlines through all the other > staves is factually accurate. Hmmm… I guess you and I have