How to search for closed, starred lilypond issues?

Apologies if this should be on the developer list; please forward if so. How can I search for non-open issues that I have starred? The search dropdown permits me to search only for open, starred issues. http://code.google.com/p/lilypond/issues/list Thanks, Jim

Re: How to search for closed, starred lilypond issues?

Sorry for the noise on this one. It seems I misunderstood how the tracker defines "Open." I can view all the issues I've starred. Jim On Fri, Oct 31, 2014 at 09:29:54PM -0700, Jim Long wrote: > Apologies if this should be on the developer list; please forward > if so. > > How can I search for

Re: A pause in 3/4 measure

The best solution, imho, is to remember that R1 is a 4-beat, full measure rest: R1 As such, you need to multiply that rest by your time signature. R1*3/4 R1*4/4 R1*7/8 R1*5/4 If your time sig. is a "unity" time sig. like 4/4, 8/8, 2/2, etc. then obviously, scaling the time sig by 8/8 or 4/4 is

AW: A pause in 3/4 measure

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Yes it does. I prefer the d1*3/4\rest since it is the least letters to write. I may substitute it in the final version. Thank you all! Bernhard Von: David Nalesnik [mailto:david.nales...@gmail.com] Gesendet: Freitag, 31. Oktober 2014 19:58 An: Dr. Be

notes colliding with key signature

I'm currently at a loss to find or Google a reference to a bug tracker issue I'm aware of where note columns might collide with key signatures under certain conditions. No wait, it's at: http://code.google.com/p/lilypond/issues/detail?id=2802 I have a piece in the key of C where some systems beg

Two sets of measure numbers for repeats

Hi- I'm working on some editions of Bach's Jesu Meine Freude and can't figure out from the manuals how to do two sets of measure numbers for repeated sections. In my published score, the numbers in the repeated section would look like 1(7), etc. The example can be seen in the score here: http:

Multiple score scenario

Hi - I think I have a unique scenario and am trying to figure out the best way to move forward. I am working on an edition of Bach's Jesu Meine Freude, and will be doing at least three different editions: 1) choral scores of individual mvts 2) book of choral scores 3) book of string parts whic

Re: Lilyglyphs

Dear Urs, thank you for helping me in this. I have a TexLive distro installed on a Lubuntu os. Thanks, Andrea -- View this message in context: http://lilypond.1069038.n5.nabble.com/Lilyglyphs-tp168113p168187.html Sent from the User mailing list archive at Nabble.com. _

How to force NoteNames to be printed before key change

I have a program which is roughly as below: \score { \new staff { \key c \major << \new voice { musicA } \context NoteNames { \override NoteName.stencil = #myNoteNames

Re: thanks again for the editionEngraver

Urs Liska wrote > Did you read my email quoted below? I have the impression it wasn't > delivered through the list (was it down yesterday?) Ah, I hadn't seen your message or Kieren's that you were replying to. Thanks, and sorry I missed it before. I now see where you're coming from on this. Ch

Re: AW: A pause in 3/4 measure

Dr. Bernhard Kleine wrote > The following shows my problem: I want to move the rest symbols: > \version "2.19.15" > \language "deutsch" > global = { > \key c \major > \time 3/4 > } > soprano = \relative c'' { > \global > \dynamicUp > % Die Noten folgen hier. >R2. | d2.\rest | d1\rest

Re: A pause in 3/4 measure

On Fri, Oct 31, 2014 at 4:25 PM, Dr. Bernhard Kleine < bernhard.kle...@gmx.net> wrote: > > > > The following shows my problem: I want to move the rest symbols: > > [...] > And still have the glyph for full rest. > > Bernhard > I gave you a link for this earlier in the thread. Did the snippet

Re: Beaming until barline

David Nalesnik-2 wrote > The attached file is what I come up with. Absolutely fantastic, David! Thanks really a lot, this function is looking really great! Take care, Gilberto -- View this message in context: http://lilypond.1069038.n5.nabble.com/Beaming-until-barline-tp167937p168182.html Se

Re: Beaming until barline

Hi, On Fri, Oct 31, 2014 at 2:39 PM, David Nalesnik wrote: > > You could scale the stencil. > This will break down if you have sub-beams because the entire beam is stretched. Thankfully, the coordinates of the various beam segments are cached, and resetting these does get a response from ly:be

RE: inputting with explicit voices

Abraham, Thank you! Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of tisimst Sent: Friday, October 31, 2014 12:24 PM To: lilypond-user@gnu.org Subject: Re: inputting with explicit voices Mark,

Re: Melismata and slur with a new syllable at the end

Hello Abraham, Thanks a lot for these two solutions and the explanations! It’s often difficult for me as an amateur musician to distinguish between slurs and phrasing slurs when I read music. And looking backwards, I’ve never used phrasing slurs in LP actually… So I’ll use the first snippet to

AW: A pause in 3/4 measure

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 - -Ursprüngliche Nachricht- Von: lilypond-user-bounces+bernhard.kleine=gmx@gnu.org [mailto:lilypond-user-bounces+bernhard.kleine=gmx@gnu.org] Im Auftrag von Marc Hohl Gesendet: Freitag, 31. Oktober 2014 21:02 An: lilypond-user@gnu.o

Re: inputting with explicit voices

Mark: > When inputting code for polyphony, e.g. a fugue, using explicit voices (<< > \new voice { voiceOne . } \new voice { voiceTwo } >> ), the first note of > voiceTwo is placed, octave wise, in relation to the last note set in > voiceOne. As the last note entered in voiceOne changes octave, all

Re: A pause in 3/4 measure

Am 31.10.2014 um 11:42 schrieb Dr. Bernhard Kleine: I am very astonished that a full pause in a 3/4 measure is four quarters long. How to note then a full pause? No, it isn't, but the glyph is the same for a full rest in 4/4 as well as 3/4 if you write R1 and R2. respectively. A 4/4 rest do

Re: Beaming until barline

On Fri, Oct 31, 2014 at 2:39 PM, David Nalesnik wrote: > Of course this will only produce good results with flat beams! > > No, that should be OK. I was just thinking that the horizontal scaling might cause the beam to pull away from the stems, but in the examples I've tried, the distortion is

Re: inputting with explicit voices

Mark, If I understand you correctly, this is because of a single \relative a the beginning of the polyphony. Yes? Like, \relative c' { << \new Voice { \voiceOne ... } \new Voice { \voiceTwo ... } >> } Then, yes, whatever pitch is used last in the \voiceOne section will determine t

Re: Development and Stable version on Mac

Figured out the answer to my own question: 1) Download the binary for the latest development release 2) Unpack the tarball 3) Rename the application file to "LilyPond-dev" 4) Copy into Applications 5) Create command line alias scripts which point to the development version --

Re: In 3/4 measures how to code pauses which last one measure

Bernhard, Full measure rests are controlled via the "MultiMeasureRest" context. Here's how you would do what you want (don't forget the "R" syntax): %<-- START SNIP - \version "2.19.15" \language "deutsch" global = { \key c \major \time 3/4 } soprano =

Re: A pause in 3/4 measure

On Fri, Oct 31, 2014 at 1:45 PM, Dr. Bernhard Kleine < bernhard.kle...@gmx.net> wrote: > -BEGIN PGP SIGNED MESSAGE- > Hash: SHA1 > > > > Von: David Nalesnik [mailto:david.nales...@gmail.com] > Gesendet: Freitag, 31. Oktober 2014 19:35 > An: Dr. Bernhard Kleine > Cc: lilypond-user > Betreff

Re: Beaming until barline

Hi, On Fri, Oct 31, 2014 at 11:44 AM, Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com> wrote: > > > but, as you can see, it's limited to one beam... :( > Any help from schemers ? > You could scale the stencil. That way you wouldn't need to reconstruct the beam from what you find in 'b

In 3/4 measures how to code pauses which last one measure

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 The following piece shows IMHO errors. \version "2.19.15" \language "deutsch" global = { \key c \major \time 3/4 } soprano = \relative c'' { \global \dynamicUp % Die Noten folgen hier. d2.\rest | d1\rest | d1\rest | d1\rest | } \score { << \soprano >

Re: Melismata and slur with a new syllable at the end

Jacques, The problem is that the melisma you are copying continues through the last note where you want to put the "o". If it MUST be that way, there are actually a couple of ways to do it. Here's one (use a phrasingSlur): %< SNIP \version "2.18.2" Alt

Re: A pause in 3/4 measure

Bernhard, Are you referring to the centered whole rest? If so, this is the correct notation for indicating a full measure pause, regardless of the duration of the measure. You just use the "R" rest syntax instead of "r" and if the duration of that rest is a full measure, then a centered whole

Re: A pause in 3/4 measure

R1*3/4 ? HTH Stan > On Oct 31, 2014, at 5:42 AM, Dr. Bernhard Kleine > wrote: > > I am very astonished that a full pause in a 3/4 measure is four quarters > long. How to note then a full pause? > > Bernhard > ___ > lilypond-user mailing list > li

Re: A pause in 3/4 measure

Bernhard, On Fri, Oct 31, 2014 at 5:42 AM, Dr. Bernhard Kleine < bernhard.kle...@gmx.net> wrote: > I am very astonished that a full pause in a 3/4 measure is four quarters > long. How to note then a full pause? > If I'm understanding correctly: you're wondering why a full bar rest in 3/4 is out

Re: A pause in 3/4 measure

Original-Nachricht I am very astonished that a full pause in a 3/4 measure is four quarters long. How to note then a full pause? Bernhard Hallo Bernhard, "a full pause in a 3/4 measure" is three quarters long! :-) Code: R2. or R4*3 Thomas ___

Re: A pause in 3/4 measure

Tim Roberts wrote: > "Dr. Bernhard Kleine" wrote: >> >> I am very astonished that a full pause in a 3/4 measure is four >> quarters long. How to note then a full pause? >> > > You can't think of it as a "full pause". You have to think of r1 as 4 > beats. > > You have two choices. You can write

Re: A pause in 3/4 measure

"Dr. Bernhard Kleine" wrote: > > I am very astonished that a full pause in a 3/4 measure is four > quarters long. How to note then a full pause? > You can't think of it as a "full pause". You have to think of r1 as 4 beats. You have two choices. You can write "r2.", but the best way to write

Re: A pause in 3/4 measure

Hij Bernard, > I am very astonished that a full pause in a 3/4 measure is four quarters long. How to note then a full pause? I like to write: R1*3/4 Greetings, Ed ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listi

Melismata and slur with a new syllable at the end

Hello folks, I’ve been strugging to obtain the following, but couldn’t find any way to achieve it in the docs. Attached is a failed attempt. Thanks for your help! JM MelismataProblem.ly Description: Binary data smime.p7s Description: S/MIME cryptographic signature __

Re: Accidental Notes in different colour

Jay, Thanks. That works very well. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Accidental-Notes-in-different-colour-tp168088p168120.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list

AW: A rest in 3/4 measure

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Von: David Nalesnik [mailto:david.nales...@gmail.com] Gesendet: Freitag, 31. Oktober 2014 19:35 An: Dr. Bernhard Kleine Cc: lilypond-user Betreff: Re: A pause in 3/4 measure Bernhard, On Fri, Oct 31, 2014 at 5:42 AM, Dr. Bernhard Kleine wrote: I

Re: Accidental Notes in different colour

>I am not top-posting Paul, Thanks. I was able to use the snippets you pointed out to get it almost working. Check out this snippet: > > Using ly:grob-object to access grobs with \tweak > http://lsr.di.unimi.it/LSR/Item?id=621 > This is the program I wrote. It does colour the note heads for

Re: Beaming until barline

Hi Pierre, On 31/10/14 17:44, Pierre Perol-Schneider wrote: but, as you can see, it's limited to one beam... :( This new function great! For my particular composition the limitation won't be a problem as I only use a single beam, but if anyone could make this function more flexible, then it

Development and Stable version on Mac

What's the simplest way to get both the development and stable version of lilypond running on a Mac from a user perspective? I already have the stable version installed from the downloadable binaries and don't want to mess with this but also want to test some changes that have taken place in t

Re: A pause in 3/4 measure

On Fri, Oct 31, 2014 at 11:42:19AM +0100, Dr. Bernhard Kleine wrote: > I am very astonished that a full pause in a 3/4 measure is four quarters > long. How to note then a full pause? You don't give us much to go but I think you might mean: R2. for a full measure rest in 3/4 (or 6/8) R1 is a full

RE: inputting with explicit voices

James, Thank you for your reply and the resolution. I appreciate your helping me to learn Lilypond. Mark From: James Worlton [mailto:jworl...@gmail.com] Sent: Friday, October 31, 2014 11:38 AM To: Mark Stephen Mrotek Cc: lilypond-user Subject: Re: inputting with explicit voices On

RE: A pause in 3/4 measure

Bernhard, Use "R2." for a centered full measure rest. Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Dr. Bernhard Kleine Sent: Friday, October 31, 2014 3:42 AM To: lilypond-user@gnu.org Subject: A p

Greg-Lily-Book

Dear Lilyponders, I am using OS X to typeset a file with lilypond and gregorio files (Four modern-notation hymns and a chant Alleluia). Any attempt to typeset them with greg-lily-book fails, but it seems to be the Lilypond-book part that is failing. I am using TeXworks, but an attempt to use

Re: inputting with explicit voices

On Thu, Oct 30, 2014 at 10:41 AM, Mark Stephen Mrotek wrote: > Hello! > > > > When inputting code for polyphony, e.g. a fugue, using explicit voices > (<< \new voice { voiceOne … } \new voice { voiceTwo } >> ), the first note > of voiceTwo is placed, octave wise, in relation to the last note set

Re: Unicode Font Issues

Greetings from Paris! I had the same problem with the Tamil script (which also has complex Glyph rendering) while making transcriptions of Tēvāram songs, as in "https://univ-paris-diderot.academia.edu/JeanLucChevillard/Musical-Transcription"; and finally concluded that it was hopeless for the tim

Re: Beaming until barline

Hi Gilberto, Well, I've found this : \version "2.19.15" beamLength = #(define-music-function (parser location myLength) (number?) (define (myBeamLength grob) (let* ((beam (ly:beam::print grob)) (beam-extent-x (ly:stencil-extent beam X)) (beam-length-x (interval-leng

Re: thanks again for the editionEngraver

Am 31.10.2014 14:49, schrieb Paul Morris: Urs Liska wrote That sounds reasonable. However, original breaks *are* part of the content so that's not a mixture. Hi Urs, Well, I see where you're coming from, but I think we are understanding "content" differently here.[1] The original breaks are

Re: Lilyglyphs

Very shortly for now: you don't draw such combined glyphs yourself. Instead you create pdf "glyphs" with Lilypond and incorporate these. I'll help you with that and we'll include the stuff in the package. How did you get lilyglyphs (git, package download, latex distro (which?))? Urs Am 31. Okt

Re: Unicode Font Issues

[about lilypond lyrics in Kannada script] > I tried to use unicode fonts for the lyrics. While the fonts show > perfectly well in the input file, the output is not correct. Is > there a workaround? This depends on (a) whether the used Pango library version has support for Kannada, and

Re: thanks again for the editionEngraver

Hi Urs, > original breaks *are* part of the content so that's not a mixture. I disagree: original breaks are, in my opinion, part of the original presentation (engraving) of the content. There are, of course, grey areas in the “content versus presentation” discussion — e.g., are clefs content o

Re: Beaming until barline

Hi Gilberto, 2014-10-26 20:35 GMT+01:00 Gilberto Agostinho : > If anyone still has any other ideas/suggestions, they are highly > appreciated. > Just a rough idea : \version "2.19.15" beamLength = #(define-music-function (parser location myLength myPosition) (number? number?) #{ \once\o

Re: midi2ly

> On 30 Oct 2014, at 01:07, ole wrote: > > Am 29.10.2014 um 23:10 schrieb Hans Aberg : > >> On 29 Oct 2014, at 21:53, ole wrote: >>> Sorry for the noise! >>> Just discovered that a .ly file has been made despite of the error warning.. >> >> Strictly speaking, it is a warning as it passes the

inputting with explicit voices

Hello! When inputting code for polyphony, e.g. a fugue, using explicit voices (<< \new voice { voiceOne . } \new voice { voiceTwo } >> ), the first note of voiceTwo is placed, octave wise, in relation to the last note set in voiceOne. As the last note entered in voiceOne changes octave, all of

A pause in 3/4 measure

I am very astonished that a full pause in a 3/4 measure is four quarters long. How to note then a full pause? Bernhard ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Tags in Lyrics

Hi Harm, Am 26.10.2014 um 13:38 schrieb Joram: > Thanks for all your responses. I will try the \ext functions as soon as > I have a recent version of LP available. Perfect, thanks! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.

command-line option question

Hi, Processing the given program test.ly (Windows 7, 64-bit) \version "2.19.15" { \override Stem.count-from = 1 c } on the command line like so >lilypond -dcheck-internal-types=#t test.ly I expect to see a programming error like "Grob `Stem' has no interface for property `count-from'" ye

Re: Beaming until barline

Hi Pierre, On 31/10/14 08:50, Pierre Perol-Schneider wrote: Actually no. I did reply "to all". Strange that you've got it as a private message. That's indeed strange, have a look on this thread at nabble: http://lilypond.1069038.n5.nabble.com/Beaming-until-barline-td167937.html#a167952 If you

make-text-markup to use flat symbol instead of lowercase "b"

I found the following in LSR: % fix accidentals with some Scheme (using the current font's symbols) #(define (my-chord-name->pop-markup pitch lowercase?) (let* ((alt (ly:pitch-alteration pitch))) (make-line-markup (list (make-simple-markup (conditional-string-downcase (vector-ref #("C" "D"

RE:Slur and acciaccatura in chords

Hi Abraham thanks for your help Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: thanks again for the editionEngraver

Hi Kieren, interesting: I think you are 100% right, yet I have to express objections - as it's a matter of perspective. But now I think I should have said "depending on the perspective original breaks *can be* part of the content". Am 30.10.2014 13:21, schrieb Kieren MacMillan: Hi Urs, or

Re: Accidental Notes in different colour

Paul Thanks. I modified your snippet and was able to get it to work for the note heads. For some reason the stems and accidentals do not work. I even tried a separate function to set Stem.color - also did not work. The stem does not seem to see accidentals. When I tried the color-acci in my p

Fortran library for generating LilyPond code

Hello LilyPonders, I am really not sure this will be of any use for anyone else besides myself, but here we go: today I finally finished cleaning the code of my Fortran library that I use to generate LilyPond code algorithmically, and I uploaded it to gitHub together with some few examples. I plan

Re: Beaming until barline

Hi Gilberto, 2014-10-31 3:37 GMT+01:00 Gilberto Agostinho >: > Hi Pierre, > > Thank you so much for your answer. Oddly enough, it did not appear as a > reply in our forum at Nabble, did you mean to send it privately to me? > Actually no. I did reply "to all". Strange that you've got it as a pri

Re: Clef change at the beginning of a staff

Added to the LSR : http://lsr.di.unimi.it/LSR/Item?id=956 - ~Pierre -- View this message in context: http://lilypond.1069038.n5.nabble.com/Clef-change-at-the-beginning-of-a-staff-tp168090p168114.html Sent from the User mailing list archive

Re: thanks again for the editionEngraver

Kieren MacMillan wrote > That’s exactly what I do. =) > > If the \editionEngraver had anchors and direct context addressing, I > believe I would be able to finally eliminate all presentation-layer coding > (e.g., \tags, \tweaks, etc.) from my content code. Hi Kieren, Glad we're on the same page

Lilyglyphs

I am using Urs Liska's LilyGlyphs on a LateX document, and so far it worked wonderfully. Finally now I need to insert something more complex than the predefined commands, and I don't know where to start. Anyone could tell me how to make a minim with mensural head? I need to understand how to dra

Re: thanks again for the editionEngraver

Paul Morris wrote > If you have a chance I'm curious what you mean by "direct context > addressing" and what the problem is there. Actually, scratch that, I read about it in your post earlier in this thread. Sounds like a good feature. -Paul -- View this message in context: http://lilypond.1

Re: Clef change at the beginning of a staff

That's also good. I thought the grace note causes problems if it is different in different staves but this also works: \version "2.18.2" << \relative c'' { c c c c c1 } \new Staff \relative c' { %% Start with a bass clef : \clef bass %% Use a hidden grace note (avoid any wrong calculation

Re: Slur and acciaccatura in chords

Oh, dear! Disregard the last one. It was a long day. They should be "LilyJAZZText" and "LilyJAZZChord". -Abraham On Wed, Oct 29, 2014 at 5:02 PM, Abraham Lee wrote: Oops, I meant #:roman "lilyjazztext" #:sans "lilyjazzchord" Sorry for the confusion! -Abraham Sent from my iPhone On Oct 2

Re: thanks again for the editionEngraver

Urs Liska wrote > That sounds reasonable. > However, original breaks *are* part of the content so that's not a > mixture. Hi Urs, Well, I see where you're coming from, but I think we are understanding "content" differently here.[1] The original breaks are an important means to render the orig

Unicode Font Issues

I tried to use unicode fonts for the lyrics. While the fonts show perfectly well in the input file, the output is not correct. Is there a workaround? %% \version "2.18.2" \score { \new Staff \relative c' { << {c2 d4e f2 g a b c} \new Lyrics \lyri

Re: Accidental Notes in different colour

Paul, Thanks. I modified the snippet and was able to get it half-way working. I say half-way because I was not able to get the Stem and the Accidental to change colour, just the NoteHead. Well, not quite. I tried this function on a long music and it changed the colour of the stem here and there -

Re: Beaming until barline

Currently I am using this function written by Pierre Perol-Schneider: \version "2.19.15" beamLength = #(define-music-function (parser location myLength myPosition) (number? number?) #{ \once\override Beam.stencil = #(lambda (grob) (grob-interpret-markup grob #{ \mark

Re: Accidental Notes in different colour

Hi Jay, Looks like you got very close! And you are right about the problem: Jay Vara wrote > Perhaps we are catching the stem after it has already been "printed"? To fix this, we can use \override NoteHead.before-line-breaking, which lets us set the grob properties sooner. The following uses