/Documentation/user/out-www/lilypond/Metronome-marks.html#Metronome%20marks
This piece of documentation shows how to get a mark like quarter note =
105.
Hope this helps.
Carl Sorensen
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listed above, you'll get the fancy chord names. And then you can put
whatever music you'd like to show up on the staff in the Voice context.
I think that will give you what you're looking for.
HTH,
Carl Sorensen
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it as very hard to get it into the Windows mainline. However, things are
_much_ better on the Windows front in 2.2.x than they were in 1.8.x.
Just my two cents,
Carl Sorensen
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On Tue, 2004-08-10 at 04:32, Mats Bengtsson wrote:
The only problems related to TeX setup I have seen during the last years
are:
- That setup.exe doesn't always get the dependencies right, so the
tetex-* packages are not installed. = Cygwin problem!
I had this problem, but worked my way
Grammostola Rosea rosea.grammostola at gmail.com writes:
Hi,
I was wondering if there's an easy way to insert Fret Diagrams for
guitar in Lilypond. Most of the time I use templates from Frescobaldi,
but I don't see an Fret Diagram option there.
I like to display the fret diagram and
Hajo Dezelski dl1sdz at googlemail.com writes:
Hello,
Are there recommondations for an integrated editorial environment
using lilypond-book on a windows machine which is easy to use ? I know
I have to learn some coding but I dont want to dig the next year into
the internals of TEX to
Alberto Simões albie at alfarrabio.di.uminho.pt writes:
Hello.
I am having a strange behavior with Change Staff. It is not easy to
explain as it is quite strange. Basically, I am having a voice defined
to be drawn on the lower staff, and it is appearing in the upper staff.
As it is not
Simon Bailey binabik at gmail.com writes:
- how do you find out which contexts and engravers are involved?
You use the Internals Reference. You find the object you want engraved
under 3.1 All layout objects: 3.1.111 TextSpanner.
The IR tells you that TextSpanners are created by
Carl Sorensen c_sorensen at byu.edu writes:
Please ignore this explanation. It is wrong.
Carl
I believe the reason LilyPond can't do this automagically is because
[snip,,,]
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On 7/10/09 11:17 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Hello pond comrades,
some time ago I asked about displaying minor chord names as lowercase
letters without the m modifier, as it is common (at least) in German
folk songbooks.
I.e.
\context ChordNames {
On 7/10/09 4:17 PM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Am 2009-07-10 um 22:06 schrieb Carl Sorensen:
Is this possible nowadays, and how?
As far as I know, it is not yet possible. It is on a feature
request list
for Thomas's rewrite of the chord naming functions.
Thank you
--moved to user from bug --
On 7/15/09 5:40 AM, Graham Norton graha...@iprimus.com.au wrote:
Hello. I tried installing lilypond tonight on my iMac, OS v. 10.5.7. I am an
experienced TexShop user.
I created the lilypond.engine file for bash in TeXShop (you should say this
text
file needs a
On 7/15/09 8:18 PM, Peter Buhr pab...@sympatico.ca wrote:
You can rotate objects and markups. I've done a little experiment here that
doesn't look very good yet but may put you on the right track. Search the
Notation Reference manual for rotation, formatting text, positioning
On 7/16/09 6:14 PM, hhpmu...@163.com hhpmu...@163.com wrote:
Hello,
I published this score (not this file, since I merge my settings into it
now)) to WIMA as its first Chinese music. But the editor gave me some points
on collision:
- avoiding slurs overwriting note shapes or
On 7/16/09 8:37 PM, Kalen Mercer merce...@gmail.com wrote:
I am working on typesetting Pavane pour une infante Defunte by Ravel but am
having trouble with the score layout. It is as follows:
\score {
\new StaffGroup
\new Staff { \global \flutes }
\new Staff { \global \hautbois }
On 7/19/09 12:07 PM, Werner mey@web.de wrote:
Hello.
I want to create a score (pdf) containing chord-names above the notes and a
midi-file, which containes all the notes but NOT the chords (harmonies).
Is this somehow EASY to achieve?
Yes. You just need to have two different
Dear LilyPond users,
Marc Hohl has done a good job of improving tablature notation. We're just
ready to add it to LilyPond 2.13.4.
In the process of adding it, a question come up about the name for some
notation.
In rock (and maybe jazz) guitar, there is a note described as a dead note
that is
On 7/21/09 3:00 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
Given the wide variation in the use of the
x-shaped note head I think the only possible
name to use is one that reflects the shape of
the note head - crossNote, crossNoteHead or
similar - rather than trying to find a
On 7/22/09 8:11 AM, Hugo Leonardo Ribeiro hugole...@gmail.com wrote:
Hi everyone,
I am trying to adjust the line width in a lilypond-book example, but
whatever I try, it always look like a ragged right style. What I want is
to stretch the line, in order to the chords places more distant
On 7/22/09 8:29 AM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi all,
Just adding my 2¢...
I might disagree. I'm big on semantics, and I would rather have a
lot of commands that create the same look but mean different
things, than have one command that creates a look which
On 7/23/09 12:28 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi Mark,
is there a clear advantage to having a smaller namespace?
No need to maintain crossrefs and aliases in the documentation.
[Might not be a huge thing, but it's a clear advantage.]
I don't think it's
On 7/24/09 3:06 AM, Hans Aberg hab...@math.su.se wrote:
On 24 Jul 2009, at 07:58, Marc Hohl wrote:
I think it would be the easiest way to define a neutral name first.
Personally, I like the idea of \xHead, \xHeadOn and \xHeadOff.
I think so, too. In computer lingo terms, you want
On 7/24/09 6:16 AM, Trevor Daniels t.dani...@treda.co.uk wrote:
The structure of the Notation Reference is designed
to accommodate documenting this. The specialist
sections in NR 2 would contain an indexed description
of all the uses of crossed note heads. For example,
under Common
On 7/25/09 3:01 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi Valentin,
I'm trying (Mac OS X), but I'm apparently missing some programs:
bison, texi2html, libguile: was able to install using 'port
install PROG'
guile-config 1.8.0 (installed: 1.6.8), makeinfo 4.11
On 8/4/09 5:35 AM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
-BEGIN PGP SIGNED MESSAGE-
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Am Dienstag, 4. August 2009 01:29:56 schrieb Trevor Daniels:
Jonathan
Stupid of me! I gave the correct analysis of
your problem but the wrong solution!
You should use
On 8/8/09 11:59 AM, Marc Hohl m...@hohlart.de wrote:
Mark Polesky schrieb:
Marc Hohl wrote:
Sorry if this is a stupid question, but here im totally stuck:
Not a stupid question. This involves parser variables which are
giving us developers troubles, too! If you're curious, you
On 8/8/09 2:20 PM, Marc Hohl m...@hohlart.de wrote:
Carl Sorensen schrieb:
[...]
For the music-function you can do this:
% you can also do:
% mybool = ##f
#(define mybool #f)
Why not just change this to
#(define-public mybool #f)
then use mybool everywhere else?
I
On 8/9/09 5:21 AM, Marc Hohl m...@hohlart.de wrote:
Trevor Daniels schrieb:
[...]
From what I see on the console output, the calls of \myMusicFunc
are evaluated first, so myBool is #t and the callbacks come in action
afterwards (the first slur claims #t, every other slur reads #f),
On 8/9/09 9:12 AM, Marc Hohl m...@hohlart.de wrote:
Carl Sorensen schrieb:
So that is why the first value in the callback was #t -- it was left over
from the last call of \myMusicFunc. Then the remaining values were #f,
because all of the calls to \myMusicFunc had already been evaluated
On 8/10/09 1:54 AM, Marc Hohl m...@hohlart.de wrote:
Carl Sorensen schrieb:
[...]
The *specific* behavior you have requested can be achieved by the following:
#(define myBool #f)
myMusicFunc =
#(define-music-function (parser location) ()
#{
\once \override Slur
On 8/10/09 2:25 PM, Patrick Schmidt p.l.schm...@gmx.de wrote:
Where did I go wrong?
You forgot that tabStaff needs tabVoice, and both of your constructs used
Voice contexts, instead of tabVoice contexts.
The first, ... \\ ... , implicitly creates Voice contexts.
The second explicitly
On 8/11/09 1:49 PM, MonAmiPierrot pierofaust...@hotmail.com wrote:
then I entered the \clef bass and used only the note a, to produce a
perfectly middle-positioned rhythmical examples, then I tried to put the
output in the LaTeX environment of my dissertation.
Is there a reason why you
to the developers. In my opinion, the
drastic changes in Jazz chords and lead sheets is due to people who wanted
to improve things getting involved in making them happen:
1) Improved FretBoards context: Carl Sorensen wanted it and went after it,
including transposable fret diagrams and N.C. symbol
2
On 8/13/09 1:13 AM, Bertalan Fodor (LilyPondTool)
lilypondt...@organum.hu wrote:
Hi,
I want to use quint-chords, that is, containing only root and fifth,
like c g'
I want to define a chord name for this, to let me use
c:5 or c:five
c:5 won't work; c:5 gives a C major triad.
I don't
Would you consider turning it into a snippet for the LSR, and labeling it
with the docs tag?
Thanks,
Carl
On 8/13/09 7:43 AM, Bertalan Fodor (LilyPondTool)
lilypondt...@organum.hu wrote:
Thank you much, I could not find in the doc about this possibility.
Carl Sorensen wrote:
On 8
not find in the doc about this possibility.
Carl Sorensen wrote:
On 8/13/09 1:13 AM, Bertalan Fodor (LilyPondTool)
lilypondt...@organum.hu mailto:lilypondt...@organum.hu wrote:
Hi,
I want to use quint-chords, that is, containing only root and fifth,
like c g'
I want
On 8/13/09 10:12 AM, Patrick Schmidt p.l.schm...@gmx.de wrote:
Dear Carl,
thank you for your reply!
You're welcome.
I think you've found a good enhancement request -- make \\ apply to
tabVoice if it's in a tabStaff context.
What do I have to do to make an enhancement request?
On 8/13/09 10:37 AM, Mark Polesky markpole...@yahoo.com wrote:
Carl Sorensen wrote:
Hope this helps. It was instructional to me to write it.
Wow, thanks - that was a lot of info. I'm still trying to wrap my
brain around it. But in the meantime, I've noticed something else
confusing
On 8/14/09 9:54 AM, James E. Bailey derhindem...@googlemail.com wrote:
Though I reorganized them for 2.13. Hopefully you'll find this
version easier to read:
http://kainhofer.com/~lilypond/Documentation/notation/index_54.html
- Mark
Thank you, incidentally, after some trial and
On 8/14/09 12:27 PM, James E. Bailey derhindem...@googlemail.com wrote:
On 14.08.2009, at 19:11, Carl Sorensen wrote:
On 8/14/09 9:54 AM, James E. Bailey derhindem...@googlemail.com wrote:
Though I reorganized them for 2.13. Hopefully you'll find this
version easier
On 8/14/09 4:12 PM, James E. Bailey derhindem...@googlemail.com wrote:
On 14.08.2009, at 23:59, Mark Polesky wrote:
Umm, that's probably not the best way of asking for help... We
usually prefer can someone point me in the right direction or
something like that...
Usually I do,
On 8/14/09 4:46 PM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
Attached is my current code for general complex time signatures (arbitrary #
of fractions, arbitrary # of numerators). I have not yet tried to get it into
master, because the auto-beaming does not yet follow the
On 8/14/09 5:57 PM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
-BEGIN PGP SIGNED MESSAGE-
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Am Samstag, 15. August 2009 01:06:40 schrieb Carl Sorensen:
On 8/14/09 4:46 PM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
Attached is my current code for general
On 8/19/09 9:46 AM, Marc Hohl m...@hohlart.de wrote:
Carl Sorensen schrieb:
[...]
Make a simple snippet that shows the problem (you don't need to include the
Staff, just the TabStaff) and send it to bug-lilyp...@gnu.org with a subject
like
Enhancement request: automatic polyphony
On 8/20/09 12:58 AM, Marc Hohl m...@hohlart.de wrote:
Neil Puttock schrieb:
Neil, thanks for your hint!
I searched and found the following definition in scm/music-functions.scm:
(define (voicify-list lst number)
Make a list of Musics.
voicify-list :: [ [Music ] ] - number -
On 9/3/09 6:15 AM, Frédéric Bron frederic.b...@m4x.org wrote:
Hi,
I would like the default behaviour of 2/4 time, i.e. beams end at the
end of each beat.
However, if there are only 8th notes in the measure, I would like the
beam not to stop half measure as shown below.
Is it possible
On 9/3/09 9:21 AM, Christian Henning chhenn...@gmail.com wrote:
Hi there, I'm at work and don't really have much time.I just wanna
state that I presented my problem with a reduced sheet. The problem
was regarding the chord durations and not with the melody. I'm a
software engineer and this
On 9/3/09 1:53 PM, Patrick Schmidt p.l.schm...@gmx.de wrote:
Unfortunately the cross-style notehead does not appear in tablature. Is it
possible to mix notehead styles in tablature chords?
Yes, thanks to the excellent work of Marc Hohl.
Improved tablature has been implemented in
On 9/4/09 3:36 AM, Joseph Wakeling joseph.wakel...@webdrake.net wrote:
Graham Percival wrote:
Those actual contemporary scores must be placed in the public
domain, licensed under Creative Commons, or licensed under the GNU
FDL. If you're thinking about an exerpt of Shostakovich or Glass,
On 9/4/09 10:27 AM, Trevor Daniels t.dani...@treda.co.uk wrote:
Carl Sorensen wrote c_soren...@byu.edu Friday, September 04, 2009
3:06 PM
Also, as you plan sections, remember that anything using \set or
\override
belongs in a snippet, not in the main text body.
This certainly
On 9/4/09 10:37 AM, Joseph Wakeling joseph.wakel...@webdrake.net wrote:
Trevor Daniels wrote:
In order to have a
meaningful manual, this may require the addition of some new LilyPond
commands, which is *not* a problem.
And is to be recommended if it results in an
easier user interface.
On 9/5/09 9:37 AM, Dan Florio dflo...@yahoo.com wrote:
Here are the first few measures of a guitar part in a tune I'm working on:
(Each line represents a measure)
\version 2.12.2
\header
{
title = Percussion Song
composer = Dan Florio
}
Guitar = \relative c'
{
On 9/7/09 3:37 PM, Graham Percival gra...@percival-music.ca wrote:
On Mon, Sep 07, 2009 at 11:30:14PM +0200, Joseph Wakeling wrote:
Graham Percival wrote:
On Mon, Sep 07, 2009 at 04:25:28PM +0200, Joseph Wakeling wrote:
GPL page: should the page mention that Lilypond is released under
On 9/7/09 10:24 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Andrew Tucker wrote:
m7.7+ does provide the desired results, though I believe it's because
lilypond uses only the last alteration of a particular note (ie. 7.9+.9-
will end up 7/b9 and lose the sharp nine). This behavior might
On 9/8/09 3:21 PM, Torsten Anders torsten.and...@plymouth.ac.uk wrote:
Hello Lilyponders,
I am still looking for a way to avoid collisions of accidentals
consisting of multiple signs. I searched various sources including the
Internals Reference and finally came across the accidental
On 9/19/09 1:39 PM, Nick Didkovsky didk...@mail.rockefeller.edu wrote:
Hello James
Thanks for your prompt reply. No, I assume the contents of staff 2 does
not need to be altered depending on the contents of staff 1.
Staff 2 simply contains:
\time 4/4
\clef treble
R4*4
How are
On 9/21/09 5:09 PM, Joseph Wakeling joseph.wakel...@webdrake.net wrote:
As I mentioned a little while back, I'm working on a specialist notation
section on contemporary music for the Notation Reference. And, as I
also mentioned, I'm going to be trying to implement and/or motivate some
On 9/24/09 7:40 AM, Alexander Kobel n...@a-kobel.de wrote:
Hi all,
I think I have to bother you a bit more about fill-line; I don't
understand docs and/or code of it.
First of all, nested fill-lines don't seem to be a good thing, which may
or may not be a Bad Thing (tm). In
On 9/24/09 1:29 PM, Valentin Villenave v.villen...@gmail.com wrote:
On Tue, Sep 22, 2009 at 3:00 PM, Carl Sorensen c_soren...@byu.edu wrote:
If you get the chromatic transposition working properly, I'll commit to
helping you get it embedded in LilyPond.
Carl, please consider yourself my
On 9/25/09 6:31 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Hi again,
my editor tells me, in vocal music eights (everything smaller than a
quarter) have to be normally unbarred and I should use barred eights
instead of slurs.
Is there a global setting for that?
To change the
On 9/25/09 8:39 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
If I switched off slurs using
\override Slur #'stencil = ##f
how do I enable it again without warnings?
\override Slur #'stencil = ##t
does work, but issues an error (#t is no stencil)
If you read the Internals Reference,
On 9/25/09 9:44 AM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
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Am Freitag, 25. September 2009 17:41:00 schrieb Carl Sorensen:
On 9/25/09 8:39 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
If I switched off slurs using
\override Slur
On 9/25/09 10:15 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
The reason why I didn't just use [] instead of () is that I didn't
want to check and change the lyrics of all the songs that were already
typeset. I guess I'll use that approach for the rest of the songbook.
But the
On 9/25/09 2:17 PM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Just, pretty please: Could someone tell me how to get chord names with
-is and -es (saying fis and not f#)?
Or of course point me to the appropriate chapter of the docs.
Here's a set of scheme routines that will allow you to
On 9/25/09 5:36 PM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Am 2009-09-25 um 22:54 schrieb James E. Bailey:
Just, pretty please: Could someone tell me how to get chord names
with -is and -es (saying fis and not f#)?
Or of course point me to the appropriate chapter of the docs.
On 9/26/09 6:45 AM, Frédéric Bron frederic.b...@m4x.org wrote:
I would like the default behaviour of 2/4 time, i.e. beams end at the
end of each beat.
However, if there are only 8th notes in the measure, I would like the
beam not to stop half measure as shown below.
Is it possible to
On 9/26/09 10:59 PM, Nick Payne njpa...@internode.on.net wrote:
I'm looking at the 2.13.3 documentation on this in the NR (starts on
p.47 of the PDF manual), and the comments against the the second example
don't seem to match the output. The comment says No auto-beaming is
defined for
On 9/27/09 6:08 AM, Nick Payne nick.pa...@internode.on.net wrote:
Nick Payne wrote:
I'm looking at the 2.13.3 documentation on this in the NR (starts on
p.47 of the PDF manual), and the comments against the the second
example don't seem to match the output. The comment says No
On 9/27/09 10:23 AM, luis jure l...@internet.com.uy wrote:
on 2009-09-27 at 08:02 Carl Sorensen wrote:
The autobeaming behavior (and the documentation) have been fixed in
2.13.4.
i find a regression in 2.13.4 with respect to 2.13.3.
i recently updated to 2.13.3 and i was very
On 9/28/09 1:32 PM, Nicolas Sceaux nicolas.sce...@free.fr wrote:
Le 28 sept. 09 à 10:34, Nick Payne a écrit :
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 32) . (4 4 4
4 4 4)))
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 8) . (2 2 2)))
These are
On 9/29/09 9:09 AM, Neil Puttock n.putt...@gmail.com wrote:
2009/9/29 Carl Sorensen c_soren...@byu.edu:
But even better, you point out a problem in autobeaming, and the default
rules get fixed.
This isn't a autobeaming problem though; if you recall, we discussed
the behaviour
On 9/29/09 7:25 PM, luis jure l...@internet.com.uy wrote:
thank you carl for your answer. i still think that 2.13.4 has some
beaming issues.
We've had a serious discussion about whether eighth note beams should
end on every beat or only on beats 2 and 4.
We came down on the side
On 9/30/09 5:29 PM, hhpmu...@163.com hhpmu...@163.com wrote:
Hello,
The attached picture is a Chinese character san, having many meanings,
e.g., distribute/discard, disseminate, come loose, dispel,
dispersal, scattered, etc. The top grass head (a horizontal line
interrupted with two
On 10/5/09 8:40 PM, Frederick Dennis frederickden...@googlemail.com
wrote:
Dear All,
I was very interested in the correspondence about a title-page.
I noticed that Kieren's solution seemed to ignore the original header
information and insert another markup for it while Valentin's
solution
On 10/6/09 12:22 PM, Marc Hohl m...@hohlart.de wrote:
Laura Conrad schrieb:
Marc == Marc Hohl m...@hohlart.de writes:
Marc I am not at all familiar with these old tablatures, but they
Marc look just amazing, so simply for typographic and aesthetical
Marc
On 10/6/09 3:30 PM, Nick Payne nick.pa...@internode.on.net wrote:
If I accidentally omit the spaces in the scheme pair for the tweak
offset, no error is indicated in the console output but the tweak
doesn't take effect.
If either (or both) of the spaces surrounding the . in the pair are
On 10/20/09 1:27 PM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Hello again, still fiddling with chord names...
(1)
I use this nice Scheme function by Carl Sorensen to get fis and
des names instead of f# and db.
I don't understand enough Scheme to avoid ees - do you?
I assume you want
On 10/22/09 7:30 AM, Henning Hraban Ramm fiee.visue...@gmx.net wrote:
2009/10/21 Carl Sorensen c_soren...@byu.edu:
(2) Different, probably easier problem:
I must display some alterations as follows:
f:dim = f-
f:aug = f5+
f:maj7 = f7+
Probably the easiest way to do these is to use
On 10/22/09 7:50 AM, Henning Hraban Ramm fiee.visue...@gmx.net wrote:
2009/10/22 Carl Sorensen c_soren...@byu.edu:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-chord
s
#Customizing-chord-names
Of course I found this in the docs, but it looks like the exceptions
On 10/27/09 12:53 PM, Patrick Horgan phorg...@yahoo.com wrote:
Soon to do my first guitar tab piece in lily and was wondering if
there's any way to automagically print out the TAB key, i.e. the thing
that explains to the reader/player what all the TAB symbols mean?
Nope.
But you could
bradford powell bradford.powell at gmail.com writes:
My first thought was to write an engraver (since that is what guitar
tablature seems to do).
Writing an engraver is not as difficult as it seems, as long as you have good
models to follow. But it *is* an involved process, and isn't the
On 10/28/09 12:33 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi all,
Can the snippet
http://lsr.dsi.unimi.it/LSR/Snippet?id=554
be made into an automatic callback, instead of requiring the creation
of a markup each time? i.e., I would love to be able to say
On 11/9/09 2:38 PM, Patrick Schmidt p.l.schm...@gmx.de wrote:
Hi Carl,
I found a mistake in a predefined fret diagram (Fmaj7) and fixed it. Here is
the patch.
Thanks for your review. I appreciate your looking at it.
Why do you consider the Fmaj7 chord in the file to be a mistake?
The
On 11/9/09 5:58 PM, Hudson Flávio Meneses Lacerda
hfmlace...@yahoo.com.br wrote:
Carl Sorensen wrote:
While this may be syntactically valid LilyPond code, it seems to me to be
improper (i.e. to not match the intent of the input construction}.
Hi Carl,
Thanks for the correction. I have
Frederic,
Thanks for the info.
On 11/10/09 11:55 AM, Frédéric Bron frederic.b...@m4x.org wrote:
BTW, I have found a strange behaviour of modern accidentals rule:
LilyPond considers volta alternatives as previous measure. Is this
correct? (Note the natural sign at the 2nd and 3rd
Dear Frogs (or anybody else interested),
Could someone volunteer to create a patch to the documentation by adding
this to the Known issues and warnings section of Unmetered music in
rhythms.itely?
Thanks,
Carl
On 11/10/09 7:46 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
It seems
On 11/11/09 4:51 AM, VáclavŠmilauer eudo...@arcig.cz wrote:
Hi,
I use \chordSymbols hack (http://lsr.dsi.unimi.it/LSR/Item?id=608) in my jazz
charts and although, it works quite well in normal cases, it has some
limitations: you can't write C phryg or combination of 6,7,9,11,13 not in
On 11/11/09 12:12 PM, Graham Percival gra...@percival-music.ca wrote:
On Wed, Nov 11, 2009 at 06:11:26PM +0100, David Kastrup wrote:
But if there is roadmap, design and vision, I have not yet been able to
find it in the obvious places I have been looking for.
The information for
David,
Thanks for your willingness to articulate some concerns. I think that your
careful thinking can be of real help to the LilyPond community, expecially
if you can help us make things better.
On 11/11/09 7:21 AM, David Kastrup d...@gnu.org wrote:
Kieren MacMillan
David,
I appreciate your persistence in this. I think that you are having part of
the difficulty in this conversation because it's on -user, not on -devel.
The modifications to anything except input files (which use lilypond code
and embedded scheme) really involve knowledge that's primarily
On 11/11/09 4:23 PM, Jonathan Wilkes jancs...@yahoo.com wrote:
spannerText =
#(define-music-function (parser location span-text)
(string?)
#{
\override TextSpanner #'(bound-details
left text) = #$span-text
#)
which would allow above example to be coded much more
easily
will have this problem.
Thanks,
Carl Sorensen
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Dear KKLL00B,
Thanks for your question. This is a question that is best asked on the
lilypond-user list, which is where questions by new *users* are handled.
The frogs list is for new *developers*, that is, for people who are trying
to eliminate bugs from LilyPond.
Anyway, to answer your
On 11/19/09 5:59 AM, Jesús Guillermo Andrade gandr...@usermail.com
wrote:
David:
El 18/11/2009, a las 02:51 a.m., David Kastrup escribió:
Sounds like Lilypond is running out of strings for the given chords.
Just a wild guess.
Yes.. it is kind of shocking right?. But fact is that the
On 11/20/09 9:51 PM, Jesús Guillermo Andrade gandr...@usermail.com
wrote:
Dear fellows: I've read in several places that it is impossible to
transpose frets with string information. How can one create a fret
without it? I'd like to make lilypond able to transpose the basic
frets I am
On 11/20/09 12:15 AM, Marc Hohl m...@hohlart.de wrote:
Valentin Villenave schrieb:
On Tue, Nov 10, 2009 at 8:18 PM, Carl Sorensen c_soren...@byu.edu wrote:
Could someone volunteer to create a patch to the documentation by adding
this to the Known issues and warnings section of Unmetered
On 11/20/09 8:58 PM, Jesús Guillermo Andrade gandr...@usermail.com
wrote:
Got the prick little b... It was as Carl initially suggested. I made a minimal
example and found that there was a problem with the model for the string
tuning function.
Thanks a lot...
There was also a bug in the code
On 11/24/09 2:57 AM, Nick Payne nick.pa...@internode.on.net wrote:
James Worlton wrote:
Hi!
In 2.13.6 I did a project and used:
\set Score.markFormatter = #format-mark-box-alphabet
and I got the boxes and the letter I (all in one command!)
Thanks for that. That particular value for
On 11/24/09 4:56 AM, David Kastrup d...@gnu.org wrote:
Nick Payne nick.pa...@internode.on.net writes:
Carl Sorensen wrote:
On 11/24/09 2:57 AM, Nick Payne nick.pa...@internode.on.net wrote:
James Worlton wrote:
Hi!
In 2.13.6 I did a project and used:
\set
On 12/2/09 2:47 AM, Valentin Villenave v.villen...@gmail.com wrote:
On Wed, Dec 2, 2009 at 9:04 AM, Mats Bengtsson mats.bengts...@ee.kth.se
wrote:
Running the command grep format-mark- scm/translation-functions.scm in
Linux gives the following list of functions:
(define-public
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