, but no (visible) note in the first voice,
and the phrasing slur needs to end in the first voice. So I hid a note in voice
1 to start the phrasing slur. The 8.-16 rhythm follows immediately after and
looked rather strange with no beams :)
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop
.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio
4th
word is an acronym or abbreviation).
I haven't though this through completely as of course I don't use q, I
just create a variable at the beginning of my accordion peices and use
\repeat unfold x { variable } - my accordion music is quite
simplistically rhythmic.
James
Hello,
On 23 September 2012 12:34, Marc Hohl m...@hohlart.de wrote:
Am 23.09.2012 13:01, schrieb James:
Hello,
On 23 September 2012 09:34, Janek Warchoł janek.lilyp...@gmail.com
wrote:
On Fri, Sep 21, 2012 at 3:37 PM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp
On Sep 20, 2012, at 8:16 PM, Marc Hohl wrote:
Am 20.09.2012 20:01, schrieb Graham Percival:
On Thu, Sep 20, 2012 at 07:45:41PM +0200, Nicolas Sceaux wrote:
Le 20 sept. 2012 à 19:21, Graham Percival a écrit :
A single note name is not that much longer to type than q. If it is
really
I still haven't figured this out, so I'm putting out another request. Is
possible to get piano pedals that have the word Ped. and broken-line spanner,
and the asterisk at the end?
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}
}
}
\score {
\new Staff \relative c' {
\new Voice { \voiceOne b e f1 }
\new Voice {
\voiceTwo
\once \override NoteColumn #'force-hshift = #2
c16 c r c ~ c8 c16 c c c c r c c r c
}
}
}
hjh
--
James Harkins /// dewdrop world
jamshar
I have been looking at this documentation for so long, that I just don't
understand it anymore. Is it possible to get a line on the text pedal
notation? There are so many contexts and engravers for the piano pedals, that I
just don't see how to add a line to it.
On Sep 10, 2012, at 11:42 PM, David Rogers wrote:
james james.lilyp...@googlemail.com writes:
I have been looking at this documentation for so long, that I just
don't understand it anymore. Is it possible to get a line on the
text pedal notation? There are so many contexts and engravers
On Sep 10, 2012, at 11:52 PM, luis jure wrote:
this looks like a bug to me, but i'd like to hear comments from people with
a better understanding of lilypond than me.
when writing two consecutive \repeat volta, the thin bar lines are
omitted, which i think is wrong. in any case, it's
\relative c'' { a2.^ok ( b4 c1 ) }
\new Staff \relative c'' { a2^ugly as sin ~ ( a4 ~ a16 b8. c1 ) }
\new Staff \relative c'' { \slurDown a2^better ~ ( a4 ~ a16 b8. c1 ) }
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me
On Sep 7, 2012, at 1:48 AM, David Nalesnik wrote:
Hi James,
On Thu, Sep 6, 2012 at 5:00 PM, james james.lilyp...@googlemail.com wrote:
I don't really understand it, but I can modify the examples of how to create
custom dynamics to get what I want.
I have a document with several examples
On Sep 9, 2012, at 9:49 AM, David Kastrup wrote:
Note that you can write this as
rinforzamf =
#(make-dynamic-script
#{ \markup \line { \left-align \normal-text \whiteout
\italic rinforza
\hspace #0
\whiteout
On Sep 9, 2012, at 12:24 PM, David Kastrup wrote:
james james.lilyp...@googlemail.com writes:
Ok, here is the deal: this is an override, which is something
happening at a single timestep to _everything_ in the current
context. If you want to combine them, you rather want a tweak
Perhaps I don't understand the purpose of the dynamics context. I've been using
them to align all dynamic marks on a single line, however, I don't see how to
control whether the dynamics are place above or below the staff. For example:
\version 2.17.2
\score {
\new Staff = tset
On Sep 9, 2012, at 5:20 PM, Phil Holmes wrote:
- Original Message - From: james james.lilyp...@googlemail.com
To: lilypond-user Mailinglist lilypond-user@gnu.org
Sent: Sunday, September 09, 2012 3:57 PM
Subject: dynamics contexts
Perhaps I don't understand the purpose
to get both of these in one command?
TIA,
James
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On Sep 3, 2012, at 7:10 AM, Keith OHara wrote:
james james.lilypond at googlemail.com writes:
If you define an unusual key signature with G-flat and A-flat
\new Staff { \clef bass
\override Staff.KeySignature #'flat-positions = #'(5)
\set Staff.keySignature = #`(( 4 . ,FLAT) ( 5 . ,FLAT
the digest myself, I then get to scroll through pages content
that I had already scrolled through when I read the quoted digest the first
time.
Sure, occasionally everybody forgets (so do I) but there's no harm in a
reminder.
Thanks,
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop
I'm looking at the new options for custom key signatures, and before I begin
playing around with this, I don't understand this text at all.
Accidentals in the key signature may be printed in octaves other than their
traditional positions, or in multiple octaves, by using the flat-positionsand
On Sep 2, 2012, at 11:46 PM, Keith OHara wrote:
james james.lilypond at googlemail.com writes:
I'm looking at the new options for custom key signatures,
Accidentals in the key signature may be printed in octaves other than
their traditional positions, or in multiple octaves, by using
On Sep 2, 2012, at 11:51 PM, james wrote:
On Sep 2, 2012, at 11:46 PM, Keith OHara wrote:
james james.lilypond at googlemail.com writes:
I'm looking at the new options for custom key signatures,
Accidentals in the key signature may be printed in octaves other than
their traditional
On Sep 1, 2012, at 1:48 PM, Andreas Pavlogiannis wrote:
Hi,
I 'm a new lilypond user, pretty excited so far. I 'm having the following
difficulties, on the following code.
[1] In order to align scores on a line, I use the \markup environment, which
seems to suppress the midi output.
As Phil pointed out already, inserting a \p or \mf or any other dynamic
sign
should do the trick:
c\mf c\ c c c\!
That takes care of the starting dynamic, but if we assume that a
decrescendo in MIDI should be a linear decrease in velocity values, it's
impossible to calculate without
Section 1.1.4 of the Learning Manual has version 2.14.2 instead of 2.16.0. It's
not a big problem, and it's probably not difficult to fix, but it's there.
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-moment 1 16)
}
}
}
hjh
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James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net
On Aug 20, 2012, at 5:34 AM, Daniel E. Moctezuma wrote:
Hello,
I was wondering if it's possible to put slurs between different \score
sections (inside a \book).
I have 2 movements of a work that are played one after another (attaca) with
a slur between them.
Thanks.
Given the
timestamp is a
few minutes earlier than the PDF.
I suppose I should just log this @ github, then.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog
On Aug 19, 2012, at 11:38 AM, cgodefro free wrote:
Hello,
I'm experimenting some issues with the change staff command. It seems that
both staff are linked together.
the \stemUp is not taking into account and the \change Staff = up affect as
well the down staff.
Does anyone can help
minutes to render, the annoyance factor would increase.
This doesn't change my opinion of Frescobaldi as an [expletive deleted]
brilliant editor! Seriously, a real joy to use.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio: http
Is there an issue logged for this?
\version 2.15.36
\relative c'' {
b8^Very loopy slur ( a ) r4 r2
\override Slur #'height-limit = #0.5
b8_Cleaner look ( a ) r4 r2
}
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse
From: eluze
James Harkins-2 wrote
Is there an issue logged for this?
what's the issue?
The default slur extends too low.
if the notes are not that tight (e.g. using ragged-right = ##f in your
example) your cleaner look doesn't look so clean anymore (that's my
personal opinion)
My
On Aug 15, 2012, at 12:18 PM, james wrote:
On Aug 15, 2012, at 9:54 AM, David Kastrup wrote:
Keith OHara k-ohara5...@oco.net writes:
David Kastrup dak at gnu.org writes:
That image does not make sense to me at all. Notes appear in key
signature (though in a different octave
the lower beams
closer to the note heads?
Thanks in advance for any and all help,
Champion James
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On Aug 14, 2012, at 5:00 PM, David Kastrup wrote:
james james.lilyp...@googlemail.com writes:
So I fail to make _any_ sense of your example. If I had to guess, I'd
say the octave specifications are there for overriding the default
octaves chosen by the key signature engraver, but without
On Aug 12, 2012, at 6:58 PM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
I have a score with many repeated beamed quavers and semi-quavers on ledger
lines. The default layout is difficult to read as ledger lines and the staff
produce an almost hypnotic effect which confuses the
In the following:
\version 2.14.2
\score {
\relative c' {
\time 2/4
\set Staff.keySignature = #`(((0 . 4) . ,SHARP) ((0 . 3) . ,SHARP))
\clef treble
c8 a c d
%%% Commenting out the following line solves the problem %%%
\clef bass
e fis d c
}
\layout {}
on an lp score in a place without internet
access.
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http
On Aug 6, 2012, at 12:20 PM, David G wrote:
I would like to put a dot after the barline to show (something like) a
crotchet tied to a quaver - or according to
http://ranumspanat.com/jacquet_dots.htm subtly different(!)
It's more clear in this Beethoven string quartet:
On Aug 3, 2012, at 4:40 PM, flup2 wrote:
Hello,
Sorry for not replying on the French list (I'm just back from holidays).
Version 2.14.2 doesn't work (didn't under previous OS X version either), but
last 2.15.42 works without problem on a iMac Core i3 with Mountain Lion.
But you have
On Jul 15, 2012, at 7:58 PM, macula wrote:
Dear collective wisdom,
For the life of me, I have been trying to make the LilyPond man pages
accessible on MacOS. I am a reasonably experienced user of the Mac terminal
(Bash shell) but this seemingly simple challenge has defeated me. I have
file, and I also tried rendering the exact code from the
snippet (which includes an example). In both, the octaves were missing.
How should the code be updated for a newer lilypond?
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said
At Tue, 17 Jul 2012 22:30:35 +0200,
Thomas Morley wrote:
See,
http://lists.gnu.org/archive/html/lilypond-user/2012-03/msg00114.html
code by David Kastrup
(typo corrected)
Perfect, thanks. (I'm a bit googled out, after a less-than-smooth upgrade to
Ubuntu Precise...)
hjh
--
James Harkins
a beautiful woman. It could have been a beautiful sunset and why am I
even writing this?
Continuing to beat the dead horse: A handsome man would have made more of an
impact on me. :-p
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse
-available-fonts x | cat
/home/dlm/Documents/ly/show-available-fonts.txt
Is there a reason why I can't use the usual UNIXy tricks to capture stdout here?
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has
On 6/20/12, Ramana Kumar ramana.ku...@gmail.com wrote:
probably lilypond isn't writing to stdout. maybe stderr?
OK, let me refine the question. If it isn't using stdout, is there a
good reason why is it using something else? Or is it just a bug?
hjh
--
James Harkins /// dewdrop world
jamshar
to send the list to stderr (and it might actually be
better that way), then the documentation should advise the unsuspecting user of
this. There is no mention of it here:
http://lilypond.org/doc/v2.14/Documentation/notation/fonts#single-entry-fonts
hjh
--
James Harkins /// dewdrop world
*2
}
\relative c' {
\repeat volta 2 { \repeat unfold 5 { c2 } }
\alternative {
{ d2 | d2 }
{ d2 }
}
e2 | e2
}
}
Have I misunderstood something? How can I avoid this?
Thanks,
James
On Jun 15, 2012, at 11:43 PM, Janek Warchoł wrote:
On Fri, Jun 15, 2012 at 9:57 PM, james james.lilyp...@googlemail.com wrote:
The measures before the 1st repeat affect where the mark after the repeat is
placed:
\version 2.14.2
\score {
\new Staff
{
\time 2/4
On 12 Jun 2012, at 20:46, Philip Thomas philip.tho...@bluewin.ch wrote:
--
--
I remember finding some gaps in the Cheat Sheet as a new user. Might it be
worth reviewing to see whether it could be expanded and improved without
over-burdening it with detail?
If for No Reason Other Than
Building Character. I may yet do that for LP and/or Emacs, but it's
intimidating -- and if it's intimidating for me, I expect it's more so for
other LP users.
But yes, scheme has a lot going for it here.
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
On Jun 5, 2012, at 9:48 PM, Sami Amiris wrote:
I am sorry for any inconvenience to the group. I am a relative newbie, and I
need help.
When I type this:
\version 2.14.2
\score
{
\new PianoStaff
\new Staff = up{
\clef treble
).
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio: http
the messages from nabble, but that does not un-send the many
emails that were already sent.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http
On Tue, May 29, 2012 at 2:46 AM, lilypond-user-requ...@gnu.org wrote:
James Harkins jamshar...@gmail.com writes:
I'm attaching a couple of samples of today's typesetting work. The
first is pretty well marked up. The second is mostly just the notes
for now (needs articulation, dynamics
Not sure if this was already discussed (I've been following the thread
somewhat loosely), but it seems to me that git makes it a whole lot
easier to handle a build token by virtue of the repositories being
decentralized.
I admit, I'm not an svn expert and it's quite likely there are some
svn
with a script to do this:
git stash save
git pull --rebase
git stash pop
hjh
[1] https://github.com/jamshark70/hadron
[2] https://github.com/jamshark70/workshop2012
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James Harkins /// dewdrop world
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http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet
and warnings.
James
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Hello again..
On 17 May 2012 18:57, James pkx1...@gmail.com wrote:
Hello,
On 17 May 2012 11:50, Christopher Webster
christop...@claytonwebster.net wrote:
The intention of the input below was to produce a PDF with normal repeat
notation plus a MIDI file in which the repeat was expanded
age[1]).
James
[1] http://en.wikipedia.org/wiki/Frankie_Howerd
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a second voice, have a triplet in both voices and merge notes?
I'm just thinking off the top of my head, I haven't tried it.
James
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/page-layout
I hope this helps.
James
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://lsr.dsi.unimi.it/LSR/Item?id=609
instead?
looks quite straightforward
james
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the parameters that penalize this or that depends on a lot of
background information on the beaming algorithms... I guess.
Would appreciate some pointers to make sense of those properties -- thanks in
advance,
James
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James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http
At Thu, 03 May 2012 23:15:26 +0800,
James Harkins wrote:
I had a look at the internals reference, but couldn't make heads or tails of
it. Tweaking the parameters that penalize this or that depends on a lot of
background information on the beaming algorithms... I guess.
Would appreciate
different in this regard.
To be perfectly honest I like the space, and when you cram the notes
in the space does seem to be even - try repeat unfold 32 for
instance. I cannot see any difference - if that matters.
james
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comment on that, Mike Solomon made the patch for this, maybe he can.
James
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Hello,
On 1 May 2012 08:31, Nick Payne nick.pa...@internode.on.net wrote:
On 01/05/12 17:06, James wrote:
Hello,
On 1 May 2012 06:12, Nick Paynenick.pa...@internode.on.net wrote:
On 01/05/12 14:32, Werner LEMBERG wrote:
In the following, even though I've turned off the tuplet bracket
in the base code?
James
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Hello,
On 1 May 2012 08:52, James pkx1...@gmail.com wrote:
Hello,
On 1 May 2012 08:31, Nick Payne nick.pa...@internode.on.net wrote:
On 01/05/12 17:06, James wrote:
Hello,
On 1 May 2012 06:12, Nick Paynenick.pa...@internode.on.net wrote:
On 01/05/12 14:32, Werner LEMBERG wrote
Bug or feature?
\relative c' { e8.:32 e16 }
I'd expect the beam to be flat horizontal here. Instead, the tremolo pushes the
left endpoint upward.
2.15.36 here.
(I know I can tweak the beam, just think I shouldn't have to.)
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
Hello
On 2 May 2012 01:25, James Harkins jamshar...@gmail.com wrote:
Bug or feature?
No idea.
\relative c' { e8.:32 e16 }
I'd expect the beam to be flat horizontal here. Instead, the tremolo pushes
the left endpoint upward.
2.15.36 here.
Same in 2.14.2.
Not a regression whatever
Hello,
On 30 April 2012 10:16, Francisco Vila paconet@gmail.com wrote:
2012/4/30 James pkx1...@gmail.com:
Martin,
On 29 April 2012 17:28, Martin Tarenskeen m.tarensk...@zonnet.nl wrote:
Hi,
Any chance Lilypond 2.16 will be accepted in Fedora 17 ?
You need to talk to the/a Fedora
c c c |
c4 c c c |
c4 c c c |
c4 c c c |
c4 c c c |
c4 c c c |
c4 c c c |
}
Attached is its output. How can I avoid that the \tempo string sticks
out to the right?
I think this is
http://code.google.com/p/lilypond/issues/detail?id=1133
James
.
I'm not that technically savvy on this topic, but I seem to recall
that because of LP's use of Guile 1.8 and not Guile 2.0 that it caused
some headaches (they are not (very/at all) backward compatible) for
another distribution package maintainer.
James
: cannot end slur
warning: unterminated slur
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `test.ps'...
Converting to `./test.pdf'...
success: Compilation successfully completed
--snip--
James
/index.html
James
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/tullguitarpage/songs/serenadetoacucko.JPG
)..or something to put a horizontal line between each new line.
Did somebody play with this kind of staff..
Thank you guys..stef.
I *think* you want this thread
http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00100.html
James
PS I would
James
On 22 April 2012 04:50, James Harkins jamshar...@gmail.com wrote:
At Sat, 21 Apr 2012 11:24:50 +0100,
James wrote:
If you can come up with a simple example, we (or you even) could add
it to the LilyPond snippet repository
Like this, perhaps? I can add it if this looks OK.
I guess - I
I have a question, but every time I try to post it,
gmane complains that I'm top-posting.
How do I not top-post?
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Is is possible to have simultaneous multiple tags?
I'm trying:
\version 2.14.2
control = {
s1*2
\tag #'threes { \time 3/4 s2. }
\tag #'twos { \time 2/4 s2 } }
tset = \relative c' {
c4 d e f
\tag #'up {g4 a b c }
\tag #'down { g4 f e d }
\tag
At Fri, 20 Apr 2012 06:31:20 -0500,
David Nalesnik wrote:
Hi James,
On Fri, Apr 20, 2012 at 3:32 AM, James Harkins jamshar...@gmail.com wrote:
Maybe a simple question: Is there a way to flatten the curve of a tie
that is as easy as
overriding ratio for slurs?
You can override
James,
On 21 April 2012 07:51, James Harkins jamshar...@gmail.com wrote:
At Fri, 20 Apr 2012 06:31:20 -0500,
David Nalesnik wrote:
Hi James,
On Fri, Apr 20, 2012 at 3:32 AM, James Harkins jamshar...@gmail.com wrote:
Maybe a simple question: Is there a way to flatten the curve of a tie
At Sat, 21 Apr 2012 11:24:50 +0100,
James wrote:
If you can come up with a simple example, we (or you even) could add
it to the LilyPond snippet repository
Like this, perhaps? I can add it if this looks OK.
\version 2.15.36
\include english.ly
\relative c'' {
% normal tie
d4 ~
% Longer
a
confirmation that this is a documentation error or an
unexpected/inconsistent behaviour in the code.
I haven't seen a case for either yet.
james
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from
being able to attempt something like that on my own.
Thanks in advance --
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http
document in earlier versions of 2.15. We did re-write much of
the examples and obviously missed this.
Before I create a tracker, I'll wait for a confirmation from
David/Mike that this is technically correct.
James
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Hello,
On 16 April 2012 09:13, Gagi Petrovic gagig...@gmail.com wrote:
That's a clever idea James, thank you.
Although I have to say for such a simple thing I find it a waste of the
extra time I will have in creating the notes for the one percussion player.
For example: if I want him to make
' entry midway down. I think this
would be what you wanted.
james
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Hello,
On 15 April 2012 07:13, Federico Bruni fedel...@gmail.com wrote:
Il 14/04/2012 21:09, James ha scritto:
Hello,
On 14 April 2012 15:47, Marc Hohlm...@hohlart.de wrote:
Am 14.04.2012 11:57, schrieb Federico Bruni:
Hi,
I started using version 2.13.56 and I realized that this bug
in a 'staff group'.
Does that make sense?
James
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it's labeled as patch-abandoned:
http://code.google.com/p/lilypond/issues/detail?id=155
There are also a variety of snippets if you need a solution
http://lsr.dsi.unimi.it/LSR/Search?q=parentheses
James
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. Also I see have already updated the Tracker.
James
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\global settings the problem goes away? For instance if were to remove
the \key d \major line or the \time 4/4 line the problem 'goes away'?
Is it that you cannot produce or cannot be bothered to try?
James
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positioning is really massively improved in
2.15.36. In the newer version, it's doing it just the way I thought it should,
without any extra fussing.
Okay then! Stable version, bye-bye :)
Thanks for the tip.
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop
building a latest version at
the moment of 2.15.x
However reading the tracker again just now, are the comments from this
morning a 'new' issue or an 'enhancement' if so, we need a new
tracker.
Could Federico or Marc clarify please?
James
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#selecting-font-and-font-size
For more examples on how to change the font size in a \markup.
James
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,
\mark \default
?
As Keiren suggested
Stick this in your \score.
\override Score.RehearsalMark #'font-size = #5
(or whatever)
James
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. This happens probably because of the accidentals on the new
line--if you take the \key out, removing the accidentals, the ties
stay close to the notes:
\version 2.15.36
\score {
\new Staff {
\relative a' {
\key des \major
a d f1~ \break
q1
}
}
}
James Worlton
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