Adjusting beam slope with cross-staff notes

I have first beamed note in the bass, and 3 more in the treble staff.  I wish to adjust the beam slope using \override Beam #'positions, as the automatically-calculated beam slope is overinfluenced by the lone cross-staff note. However, the adjustment values are anchored relative to the

Re: Adjusting beam slope with cross-staff notes

From: David Nalesnik Hi Javier, On Tue, Jan 29, 2013 at 11:45 PM, Javier Ruiz-Alma jav...@ruiz-alma.com wrote: I have first beamed note in the bass, and 3 more in the treble staff.  I wish to adjust the beam slope using \override Beam #'positions, as the automatically-calculated beam slope

Lilypond compile with no midi output

I have a main .ly file for a book and individual .ily files for each lesson. Each .ily file has \layout{} and \midi{} statements. I can batch-compile the .ily's, such that each midi is saved with the filename of the .ily file, suppressing the pdf output: lilypond -dno-print-pages lesson*.ily

Re: Lilypond compile with no midi output

Il 02/02/2013 09:25, Javier Ruiz-Alma ha scritto: I have a main .ly file for a book and individual .ily files for each lesson. Each .ily file has \layout{} and \midi{} statements. I can batch-compile the .ily's, such that each midi is saved with the filename of the .ily file, suppressing the pdf

RE: Space between Piano Staves

I want the space between one Piano staff and the next Piano staff to be the same for all variations even if a white space appears at the bottom the page. Add a \paper block.  Use the ragged paper variables to disable Lilyponds vertically spreading staves.  Adjust the values of basic-distance

Markup centered on barline between staves

I need to place markup between the staves, best centered at the barline. How is this accomplished? %%% BEGIN LILY CODE SNIPPET \version 2.16.1     \new staff {         c''1         \mark \markup{             \override #'(baseline-skip . 1.5)             \abs-fontsize #10             

Re: Markup centered on barline between staves

Javier Ruiz-Alma address@hidden writes: I need to place markup between the staves, best centered at the barline. How is this accomplished? %%% BEGIN LILY CODE SNIPPET \version 2.16.1 \new staff { c''1 \mark \markup{ \override #'(baseline-skip . 1.5) \abs-fontsize #10 \column{ \halign

Ornament support on articulate.ly

Just curious, any plans to continue expanding the \articulatescript to cover more ornaments? (i.e. reverse turn, prall-prall, sharp or flat turn, prallmordent). ___ lilypond-user mailing list lilypond-user@gnu.org

Headers pushed to PDF doc properties

Some (but not all) entries from the \header block are pushed as PDF properties, and either appear in the Description, or in the Custom fields tab of the PDF document Properties dialog box: * title * composer (shown in the Author field, as well as in a custom Composer field).

Re: Resetting bar count and showing alternate fingering

Thank You for the pointers Kieren and Robin, Concatenating fingering commands to show alternate fingerings worked like a charm (i.e. c8-2-3 ).  Thank You! On the passages that had incomplete last bars, I tried \cadenzaOn and \partial.  These worked to override the automatic bar generator but

Trill notation with fingering

Any ideas as to how best to approximate the trill plus fingering notiation as shown in this image? The closest I can get is: a2.\trill^markup{\finger 3 2} However, this doesn't show the cap over the digits, plus lilypond seems to always try to display the tr symbol at the very top, no matter

Re: Trill notation with fingering

On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote: Any ideas as to how best to approximate the trill plus fingering notiation as shown in this image? The closest I can get is: a2.\trill^markup{\finger 3 2} However, this doesn't show the cap over the digits, plus lilypond seems to always try

Re: Trill notation with fingering

On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote: Any ideas as to how best to approximate the trill plus fingering notiation as shown in this image? The closest I can get is: a2.\trill^markup{\finger 3 2} However, this doesn't show the cap over the digits, plus lilypond seems to always

Re: Trill notation with fingering

From: m...@apollinemike.com m...@apollinemike.com To: Javier Ruiz-Alma jav...@ruiz-alma.com Sent: Mon, April 4, 2011 2:25:58 PM Subject: Re: Trill notation with fingering On Apr 4, 2011, at 5:23 PM, Javier Ruiz-Alma wrote: On Apr 3, 2011, at 7:31 PM, Javier

Re: Trill notation with fingering

On Apr 4, 2011, at 5:23 PM, Javier Ruiz-Alma wrote: On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote: Any ideas as to how best to approximate the trill plus fingering notiation as shown in this image? The closest I can get is: a2.\trill^markup{\finger 3 2} However, this doesn't show

Re: Help with Section Sequence

for this snippet. Javier - Original Message - From: Javier Ruiz-Alma To: LilyPond User Group Sent: Friday, April 15, 2011 9:50 AM Subject: Help with Section Sequence Hi All, Please check the attached sample PDF and reply if I need to change way these sections should be performed

MIDI skips note if another voice struck it previously

\version 2.13.59 MyNotes= \relative c''{     %Playing these ditones in one voice no issues here  {d b b g c a r}      {d b c r|}\\ %MIDI doesn't strike b note of first voice  {b g a r|}       {d s c r|}\\ %Omitted the note to prove MIDI sounds same as above  {b g a r|}      {d b c

Re: 2nd-voice \stemDown ignored with cross-staff stems

Indeed! hi I haven't been able to join the lilypond bug list, so I'm forced to use the web interface (not capable of attachments). Attached is what I'm getting when I compile on lilypond 2.13.60. As you see, the stems on the bass are directed upwards when I force beaming (left staves). 

Double fermata on barline error

I found a sample snippet using GrandStaff for the purpose of placing two fermatas on top/bottom of a bar line.   But my score with PianoStaff, I can't manage to get the fermatas to align similarly.   Attach is pdf of the engraving, and below is the lilypond.   Thank You, Javier  

Setting arbitrary filename for .midi

I'm working with a multi-score lilypond file. I'd like to be able to set arbitrary filenames for each midi, instead of having lilypond derive the midi filenames from the .ly filename. Am I not searching in the right places, or maybe I should log this as a feature request?   Thx, Javier

Re: Setting arbitrary filename for .midi

: Marek Klein ma...@gregoriana.sk To: Javier Ruiz-Alma jav...@ruiz-alma.com Cc: LilyPond User Group lilypond-user@gnu.org Sent: Monday, August 15, 2011 12:45 AM Subject: Re: Setting arbitrary filename for .midi Hello 2011/8/15 Javier Ruiz-Alma jav...@ruiz-alma.com I'm working with a multi-score

Positioning fingering under 1st voice slur

\version 2.14.2 %looking for a way to place fingering at top but under the slur \score{   \new Staff   {a''2.^( b''4^)}   \\ {s2 b'8^\markup{\finger 3}( g') s4}   \layout {} } attachment: Finger_Under_Tie.gif___ lilypond-user mailing list

Re: Positioning fingering under 1st voice slur

Am Saturday, 3. September 2011, 23:34:11 schrieb Javier Ruiz-Alma: \version 2.14.2 %looking for a way to place fingering at top but under the slur \score{   \new Staff   {a''2.^( b''4^)}   \\ {s2 b'8^\markup{\finger 3}( g') s4}   \layout {} }   From: Reinhold Kainhofer Sent: Saturday

Re: Positioning fingering under 1st voice slur

Am Saturday, 3. September 2011, 23:34:11 schrieb Javier Ruiz-Alma: \version 2.14.2 %looking for a way to place fingering at top but under the slur \score{   \new Staff   {a''2.^( b''4^)}   \\ {s2 b'8^\markup{\finger 3}( g') s4}   \layout {} }   From: Reinhold Kainhofer Sent: Saturday

12/8 upper and 4/4 lower staves with equal bar duration

I'm trying to typeset a piece marked with 12/8 upper and 4/4 lower staves.  By default, Lilypond forces both staves to 4/4.  I tried the code below, which allowed independent staff timing, but the bars are now decoupled. Any ideas on how to mod this to get bars on both staves synched up to same

Show Ledger Lines for Hidden Notes

I wish to show a staff with a few ledger lines above/below an empty staff. I don't want any notes to show.  However LilyPond will not generate Ledger lines for invisible notes, so transparency overrides or \hideNotes commands I've tried take out the note heads as well as the accompanying ledger

Re: Show Ledger Lines for Hidden Notes

Am 27.09.2011 08:17, schrieb Javier Ruiz-Alma: I wish to show a staff with a few ledger lines above/below an empty staff. I don't want any notes to show.  However LilyPond will not generate Ledger lines for invisible notes, so transparency overrides or \hideNotes commands I've tried take out

MIDI playback lacks polyphony

Hello Dear Gurus, Lilypond is correctly engraving this score in .pdf, which has some sections of single-staff polyphony.  However, the MIDI playback on my PC plays one voice only.  I'm ignorant to where the problem is.   Is my lilypond syntax incorrect?  Is my PC (Win7/WMP10) not able to play

Re: MIDI playback lacks polyphony

2010/10/21 Javier Ruiz-Alma   Hello Dear Gurus,   Lilypond is correctly engraving this score in .pdf, which has some sections of single-staff polyphony.  However, the MIDI playback on my PC plays one voice only.  I'm ignorant to where the problem is.  Is my lilypond syntax incorrect?  Is my PC

Pedal Notation Syntax and Commands

Hi All, Mr Rookie here...   I'd like to annotate using bracket pedal style as shown here: http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Piano#Piano-pedals In the section showing the command: \set Staff.pedalSustainStyle = #'bracket Please help me a bit with this sample .ly.  I

Re: Pedal Notation Syntax and Commands

On Wed, Oct 27, 2010 at 1:29 AM, Javier Ruiz-Alma jav...@ruiz-alma.com wrote: Hi All, Mr Rookie here... We've all been there :) I'd like to annotate using bracket pedal style as shown here: http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Piano#Piano-pedals First off: \sustainOn Co

Preventing automatic measure break

I'd like the engraving to stick to three measures per line. One line is automatically breaking with only two measures.  Best I can tell, it's because of lyrics text. Is there a way to: a) force these three measures to stay together, or b) globally force all lyric text to a (smaller) font size?

Showing 4/4 instead of C

Is there a command to force lilypond to display 4/4 timing staff notation instead of the default replacement with C? Links to documentation are welcome, I was not successful at finding this using search function. Thank You___ lilypond-user mailing list

Fixed (absolute) line spacing in markup column

-size 40) \markup{   \column{      \abs-fontsize #15      %need a command to set absolute line spacing to a fixed number of points or \mm between lines      {line1 line2}   } }   Javier Ruiz-Alma ___ lilypond-user mailing list lilypond-user@gnu.org https

Set LilyPond to begin page numbering several pages into a book

I wish to have the initial pages of a score book not show page numbers, with page numbers beginning on the first page of content.  As so: ___ [no page #] COVER ___ [no page #] INNER COVER ___ [no page #] TABLE OF CONTENTS ___ [no page #] TABLE OF CONTENTS (cont...) ___

Layout-level between-staves spacing

Is there an equivalent command to either: \version 2.16.1 \paper{ system-system-spacing #'padding = #6 } or \paper{ system-system-spacing #'basic-distance = #12 } That could be applied in the \layout block to adjust vertical spacing between staves within a single score? I have a multi score

Re: Space between beams?

Referring to this 10-yr-old inquiry, I'm working on the exact same bar Alex typeset: http://lists.gnu.org/archive/html/lilypond-user/2004-02/msg00086.html NR led me to overriding the beam font-size to cause the 16th beam to engrave thinner and with smaller gap between them (as graces do). 

Re: Space between beams?

Thanks Thomas, Beam.length-fraction was what I was looking for! IR documents this as Used for determining ledger lines and stem lengths. Maybe can add including distance/space between beams?

Written-out arpeggio with tuplet, cross-staff, ties

I'm stuck trying to typeset this ending measure.  I'm using the \tieWaitForNote function but I have a staff change part way into a beamed tuplet, which I don't how to tie to a cross-staff chord.  Snippet trial below and image of the source attached.  Help is appreciated!  (Ref: Chopin 28.1)

Re: Written-out arpeggio with tuplet, cross-staff, ties

Solved overlaying a 2nd voice with cross-staff stems \version 2.18.0 upperOne = \relative c {    r8    \change Staff = lower    \stemUp    \set tieWaitForNote = ##t    \tuplet 3/2 {         e16~  g~ \change Staff = upper c    }    \change Staff = lower    \stemUp   

Re: Written-out arpeggio with tuplet, cross-staff, ties

Hi Eluze, I tried to add this to LSR, but the facility supports syntax only up to 2.14. This being a demo of waitForTie with tuplet rhythm and crossStaff (not available in 2.14), just couldn't get a snippet this facility would accept. Once issue 2270 is progressed, this workaround shouldn't be

\shape not impacting ties slurs on next line

The tie continued on a next line is not influenced by positioning override. Instead, it's placed per default positioning. How can one move these continued ties or slur? \version 2.18.2 pushTieDown = \shape #'((0 . -1.0) (0 . -1.2) (0 . -1.2) (0 . -1.0)) Tie { \stemDown \repeat unfold 16 { s4

Segmented beam to avoid collision

I've failed to find documentation to generate a custom segmented beam as shown in this engraving. Help appreciated. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

The case of the repelling staccatto dot

v2.18.2...¿?___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Adjusting distance between staves in a system

: Javier Ruiz-Alma To: LilyPond User Group Sent: Friday, May 16, 2014 8:38 AM Subject: Adjusting distance between staves in a system Any other alternatives to arbitrarily increase the vertical space of a single system? In a situation like this, I have used hidden notes in another voice

Re: Segmented beam to avoid collision

Thank You!  I used a filled-box and played around with the layers to partially cover the beam, but not other grobs. I'm stuck figuring out how to avoid the box covering staff lines. Here's the layer assignments I have:   \override Beam.layer = #0   \override Stem.layer = #3   \override

Re: Adjusting distance between staves in a system

: - Original Message - From: Javier Ruiz-Alma To: Phil Holmes ; LilyPond User Group Sent: Sunday, May 18, 2014 4:51 AM Subject: Re: Adjusting distance between staves in a system Phil, I used your advice and made it to work. I added an extra voice, a hidden note to push the staves

RE: Whiteout attached to NoteHead

I'm trying to get the whiteout that is attached to the NoteHead to not cover the ledger line. Also, it would be ideal if I could extend the width of the whiteout to the width of the ledger lines. Does this work? (replace the \with-color value to color #white) aBox = \markup {

RE: Adjusting distance between staves in a system

Richard Shann: can you give an example of it not working? https://gist.github.com/dominicus/3d158abd456d4b9c3bf0 There's quite a bit going on in this score. The pinch point is in measure 9, where beamed quarter-notes switch staves. I have both approaches tagged, and the same music is typeset

Grace notes placed at the end of the prior bar

This typeset places grace notes in the prior bar (see attached). How could this be accomplished? LilyPond NR/site is down today :( Thanks! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Grace notes placed at the end of the prior bar

Solved! Thanks to a user that emailed me the pertinent section of LR. \afterGrace d1 { c16[ d] } On Sunday, May 25, 2014 8:10 PM, Javier Ruiz-Alma jav...@ruiz-alma.com wrote: This typeset places grace notes in the prior bar (see attached). How could this be accomplished? LilyPond NR/site

Shifted notehead won't merge with same pitch from other voice

I'm typesetting the attached music using four voices.  However, a shifted quarter note refuses to merge with the half-note from other voice. I suspect it has to do with both having same stem direction, but how does one tell LP to merge anyway? Force-shifting notecolumn didn't seem to do the

Re: Shifted notehead won't merge with same pitch from other voice

)...no wonder I got no visible change. The Learning Manual example yields the correct midi duration and shows the extra voice in code...so, elegance it is. On Thursday, May 29, 2014 1:24 AM, Pierre Perol-Schneider pierre.schneider.pa...@gmail.com wrote: 2014-05-29 9:15 GMT+02:00 Javier Ruiz

Impossible or ambiguous (de)crescendo in MIDI

Parsing... Interpreting music...[8] Preprocessing graphical objects... Interpreting music... programming error: Impossible or ambiguous (de)crescendo in MIDI. continuing, cross fingers... A line or bar number would be most helpful ___ lilypond-user

RE: Separate pedal staff shifts notes in music staves

02.06.2014 04:27, schrieb Javier Ruiz-Alma: I have Pedal markings on a separate 'dynamics staff within a PianoStaff I need to place a sustainOff between 5th and 6th beats (on 6/4 time). If I place the sustainOff on the 5th beat, the 6 quarter notes in the bass are kept at equal distances, however, if I

Typesetting b bes! chord

Need help with notation for a b! bes! chord. Original typeset places the accidentals to the left of each notehead, while LP is bundling accidentals to one side and noteheads in other. See attached. Thank You ___ lilypond-user mailing list

RE: Typesetting b bes! chord

I dare not question Chopin. Attached is the same passage from a different edition of same piece. Same concept with yet more acrobatics, using a branched stem (!). Javier From: Mark Stephen Mrotek [mailto:carsonm...@ca.rr.com] Sent: Wednesday, June 11, 2014 8:35 PM To: 'Javier Ruiz-Alma

Re: Typesetting b bes! chord

more acrobatics, using a branched stem (!). Javier   From: Mark Stephen Mrotek [mailto:carsonm...@ca.rr.com] Sent: Wednesday, June 11, 2014 8:35 PM To: 'Javier Ruiz-Alma'; 'LilyPond User Group' Subject: RE: Typesetting b bes! chord   Javier,   Would you consider ais! b ?   Mark   From:lilypond

RE: Changing the direction of a tuplet bracket

I want to change the direction of a tuplet bracket (up in this case). Try \tupletUp ahead of where you wish to implement the change in direction…there’s also \tupletDown, \tupletNeutral I read the manual on tuplets and it says Tuplet brackets may be manually placed above or below the

Positioning spanner at different height after line break

I have a TextSpanner going from one system to the next one below. The segment in the top-system needs to go under a slur, so I applied: \override TextSpanner.avoid-slur = #'inside \override TextSpanner.outside-staff-priority = ##f \override TextSpanner.staff-padding = 3.0 .to get the

RE: Positioning spanner at different height after line break

From: David Nalesnik Javier, On Wed, Jun 25, 2014 at 1:12 AM, Javier Ruiz-Alma jav...@ruiz-alma.com mailto:jav...@ruiz-alma.com wrote: I have a TextSpanner going from one system to the next one below. The segment in the top-system needs to go under a slur, so I applied

Sloped/Angled ottava spanner

It's been asked before http://lists.gnu.org/archive/html/lilypond-user/2010-11/msg00359.html . How does one angle an ottava (see attached) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Text inside hairpin

How can text be placed inside a hairpin? See image for sample. \version 2.18.2 { c''\ c'' c''-\markup \teeny \italic cresc. c''\! } ___ lilypond-user mailing list lilypond-user@gnu.org

RE: Text inside hairpin

Pierre Perol-Schneider wrote: How can text be placed inside a hairpin? See image for sample. %%% \version 2.18.2 { \once\override Hairpin.height = #1.2 c''\ c'' \once\override TextScript.extra-offset = #'(0 . 2)

RE: Text inside hairpin

-Schneider pierre.schneider.pa...@gmail.com: 2014-06-29 17:12 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com: How can text be placed inside a hairpin? See image for sample. %%% \version 2.18.2 { \once\override Hairpin.height = #1.2 c''\ c'' \once

RE: Text inside hairpin

user error! Reviewed the cited LSR instead of staying at openlilylib...my bad. Thanks for not letting me go without a shake. Javier From: Janek Warchoł [mailto:janek.lilyp...@gmail.com] 2014-06-30 0:32 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com: The scheme funct. places text outside

Broken Hairpin height not affected by \alterBroken

The 2nd Hairpin.height value in \alterBroken seems to get ignored.  Is this a limitation, or my bad syntax?I'm dealing with a broken multi-bar hairpin.  Not being able to adjust heights per segment results in either too-narrow first or too-wide second hairpin segment. \version 2.18.2 \paper {

Capped tuplet number

Is it possible to add these caps to tuplet numbers? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Beam subdivided at non-periodic intervals

I need help implementing beam subdivisions with non-periodic beat structure (see image). Thank You! Below base code for this measure: %% \version 2.18.2 \relative c{ \time 4/4 \key g \minor \set subdivideBeams = ##t \ottava #1 ees16[ d f ees d c b d c bes

Re: Beam subdivided at non-periodic intervals

+carsonmark=ca.rr@gnu.org] On Behalf Of Javier Ruiz-Alma Sent: Tuesday, July 08, 2014 5:55 PM To: LilyPond User Group Subject: Beam subdivided at non-periodic intervals   I need help implementing beam subdivisions with non-periodic beat structure (see image). Thank You!   Below base code

Re: Beam subdivided at non-periodic intervals

[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Javier Ruiz-Alma Sent: Tuesday, July 08, 2014 5:55 PM To: LilyPond User Group Subject: Beam subdivided at non-periodic intervals   I need help implementing beam subdivisions with non-periodic beat structure (see image). Thank You

Re: Beam subdivided at non-periodic intervals

, Pierre Perol-Schneider pierre.schneider.pa...@gmail.com wrote: Hi Javier, 2014-07-09 8:11 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com: The \subdivideBeams statement adds the unwanted subdivisions at the time signature beats. Hum, strange... You've written that before my mail and I

Re: Shorten ledger lines

Am 04.04.2014 12:35, schrieb Fredrik Wallberg: Hi Urs, you could try: \override Staff.LedgerLineSpanner.length-fraction = 0.5 / Fredrik Thanks, that's exactly what I needed :-) Somehow I thought this must be possible with a property override but wasn't

Re: Shorten ledger lines

Note, when applied to the end of a Staff group, the bar segment that joins both staves is omitted. Avoiding line breaks works as described. Thanks ! Javier % \version 2.18.2 \score { \new PianoStaff \new Staff \with { \remove Time_signature_engraver } \relative c'''{

Column line spacing changed with 2.18

Need troubleshooting help with a two-line markup block. The block is used for the copyright statement in scores published by Mutopia and has to remain dimensionally stable over a wide range of possible staff-sizes. To accomplish this, \abs-fontsize characters and \override #'(baseline-skip .

RE: Column line spacing changed with 2.18

From: David Kastrup It would appear to be at least correlated to URL:https://code.google.com/p/lilypond/issues/detail?id=3483, version 2.17.24 (it is easy to do git revert 6e8698dcb9a9b9a98d8b1a644c84fcb737f99bdc in order to experiment with this). It is not clear to me what the exact relation

RE: Column line spacing changed with 2.18

David Kastrup said: It is not clear to me what the exact relation is, however. It may be that the problem just surfaces with different sizes. I tested the abs-fontsize range 11.6-12.6 with zero baseline-skip. The width of the hairline gap in the text column fluctuates cyclically with varying

Nachschlag - Passing Appoggiatura - hook?

I'm typesetting BWV 1055, which includes these so-called nachschlags (or passing appoggiaturas, accents) They can appear coming down or up to the following note (see attached). These are explained here: http://www.iment.com/maida/familytree/henry/music/bachnotation.htm#passinga How to

Fixed distance between staves in all systems

I'm in the process of upgrading LP code from version 2.2.0 to 2.18. In the following section: %%%- start snipp, li { white-space: pre-wra\layout{ \context { \PianoStaff \accepts Dynamics \override VerticalAlignment.forced-distance = #6 } }%%%- end snip Not being

RE: Nachschlag - Passing Appoggiatura - hook?

-Original Message- From: Hans Aberg On 29 Nov 2014, at 23:19, Javier Ruiz-Alma jav...@ruiz-alma.com wrote: I'm typesetting BWV 1055, which includes these so-called nachschlags (or passing appoggiaturas, accents) They can appear coming down or up to the following note (see

How to remove gap in UpPrall spanner?

Is it possible to have the spanner join the upprall glyph in a trillspanner? Looking to avoid the gap between the glyph and the spanner: \version 2.18.2 \relative c'' { \override TrillSpanner.bound-details.left.text = \markup{ \raise #1.0 \halign #-1.1 \smaller \musicglyph

RE: How to remove gap in UpPrall spanner?

\musicglyph #scripts.upprall \hspace #-.6 } \override TrillSpanner.bound-details.left.padding = #'0 \override TrillSpanner.to-barline = ##t a4\startTrillSpan a a a a\stopTrillSpan } 2015-02-07 20:44 GMT+01:00 Javier Ruiz-Alma jav...@ruiz-alma.com mailto:jav...@ruiz-alma.com

Way to flatten nested \include's?

I have code split into multiple files. Is there a way to ask lilypond to expands nested \include's and dump into new file, such I can review/compile a flattened version of the code (i.e. for debugging)? ___ lilypond-user mailing list

RE: Way to flatten nested \include's?

program. And wouldn't it be user-friendly to provide such a script with our default binaries, that is alongside convert-ly? My 2cts, Simon Knute Snortum (via Gmail) On Sat, Aug 22, 2015 at 2:20 PM, Javier Ruiz-Alma jav...@ruiz-alma.com mailto:jav...@ruiz-alma.com wrote: I have code

Re: Overriding font size in markup variable

text/html; charset=us-ascii: Unrecognized ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Successive crescendo/decrescendo fades to silence

This tiny example with swells of crescendo-decrescendos compiles without warning, typesets as expected, but the midi unexpectedly fades to silence.  Terminating the crescendos with \! before adding the decrescendo fixes the issue, but NR shows this as valid syntax.  Bug? \version

RE: My finances for working on LilyPond

David, I appreciate all you do to bring us a better LilyPond. As much as we all enjoy new feature releases, I also encourage you to continue with the important infrastructure work you often focus on, making the codebase more robust, maintainable, understandable. Glad to contribute! Javier

lilypond.org website is down

Alternative: view an archive.org snapshot of 6-Nov: https://web.archive.org/web/20151106034541/http://lilypond.org/ ___ lilypond-user mailing list lilypond-user@gnu.org

RE: Tuplets spaced unevenly

Yes. Perfectly cured now. Javier -Original Message- From: Simon Albrecht [mailto:simon.albre...@mail.de] Sent: Friday, November 13, 2015 1:59 AM To: Urs Liska ; lilypond-user@gnu.org Subject: Re: Tuplets spaced unevenly On 13.11.2015 09:40, Urs Liska wrote: > > Am

Stem-to-stem slurs

Other than adding \shape overrides, is there a way to tell LP to anchor the slurs to the stems instead of noteheads? %%---Begin snippet \version "2.18.2" <<{ \clef bass 2 }\\{ f'4( e') d'( c') }>> ___ lilypond-user mailing list

Re: Stem-to-stem slurs

| My apologies. On further research, the feature to anchor slurs to stems existed way before I knew of LilyPond, just no longer available.I'm sure I searched for this for an earlier project:http://lists.gnu.org/archive/html/lilypond-user/2005-08/msg00177.html | On Wednesday, October

Overriding font size in markup variable

I have a markup variable preformatted to specific font size. I wish to use the same variable elsewhere, but override the font-size to smaller size.  Can this be done? Snippet:%* \version 2.18.2 thisText = \markup { \abs-fontsize #20 My Text } \markup {   \column {

New bug tracker?

Is there a new bug tracker for Lilypond? LP site still points to the now-read-only tracker: http://lilypond.org/bug-reports.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: Issue 4236

https://code.google.com/p/lilypond/issues/detail?id=4236 This also produces the unwanted "warning: omitting tuplet bracket with neither left nor right bound": \version "2.18.2" \relative c''{ \tupletSpan 4 \tuplet 3/2 { c8 c c c c c c2.:8 } } Workaround: \version "2.18.2" \relative c''{

Violin notation advice requested

Pardon my ignorance RE: string notation. An 1800's typeset I'm transcribing uses different fonts for what I figured were all fingering indications. Is there a significance for the use of unique fonts for notes having both upper and lower number indications? I wondered if the lower digit may

Re: Phrasing slurs shortened when broken

I've dealt with this by either adding \noBreak's where slurs span beyond a measure with end-of-measure clef change, or by forcing the \break and correcting the \shape of the 1st segment. Does this qualify as bug? Javier From: David Kastrup <d...@gnu.org> To: Javier Ruiz-Alm

Phrasing slurs shortened when broken

In a piece I'm working on, and only from bar 146 on, slurs which are broken across systems, the first broken slur will be typeset short for a reason I can't figure out.What could exclusively affect the length of the first segment of broken slurs?Changing from PhrasingSlur to Slur makes no

Re: Phrasing slurs shortened when broken

>> In a piece I'm working on, and only from bar 146 on, slurs which are >> broken across systems, the first broken slur will be typeset short for >> a reason I can't figure out.What could exclusively affect the length >> of the first segment of broken slurs?Changing from PhrasingSlur to >> Slur