Am 29.10.2017 um 15:50 schrieb Patrick Hubers:
Hi,
I'm trying to create titles in small caps by modifying the
bookTitleMarkup in my stylesheet. For some reason, all font modifiers
(\bold, \italic etc.) seem to work, except for \caps or \smallCaps.
[…]
Am I doing something wrong, have I
Am 29.10.2017 um 16:41 schrieb Malte Meyn:
Am 29.10.2017 um 15:50 schrieb Patrick Hubers:
Hi,
I'm trying to create titles in small caps by modifying the
bookTitleMarkup in my stylesheet. For some reason, all font modifiers
(\bold, \italic etc.) seem to work, except for \caps
Am 01.11.2017 um 01:19 schrieb Simon Albrecht:
The correct way would be
Music = \relative c'' {
c4 d e f\melisma
c d e f\melismaEnd
r d e f
c d e f
}
Ok, obviously that’s more correct than my solution. I didn’t know these
commands, nice to learn something new about LilyPond
Am 06.05.2018 um 22:35 schrieb Thomas Weber:
Can anybody help me with keeping the dynamics alive? Many thanks!
[…]
\layout {
\context {
\Score
Replace \Score by \Staff here.
\RemoveEmptyStaves
\override VerticalAxisGroup.remove-first = ##t
}
}
Am 05.05.2018 um 10:32 schrieb Thomas Weber:
when I compile the below example with 2.18.2, I get the output that I want - the
"pp" below the staff is offset as expected. When I compile with 2.19.54, more
unnecessary space is created after the barline to avoid that the dynamic crosses below
Am 05.05.2018 um 11:10 schrieb Malte Meyn:
I think that’s a buggy feature: You’re right, this is to avoid
collisions with SpanBars (the bar lines between staves) but of course
there is no SpanBar above the highest or below the lowest Staff in a
StaffGroup.
It has been added in 2.19.0
Am 09.05.2018 um 11:16 schrieb David Kastrup:
Aaron Hill writes:
Hi folks,
It would seem the release of version 2.20 must be nearing, but I have
not found anything published about the release schedule for the
project.
There isn't one.
[CC-ing to
Am 09.05.2018 um 15:16 schrieb Ben:
I also ran into your issue by compiling "SG_complete_DE.ly" on my
Windows 10 machine. 32GB RAM. Newest i7 build.
So, there is some consistency...I see the same errors you do.
However, I compiled your project successfully (and quite fast) on my
Linux Mint
Hi list,
the lyluatex manual
(https://github.com/jperon/lyluatex/releases/download/v1.0-beta/lyluatex.pdf)
says at p. 8 about vertical alignment of inline snippets:
“Note: The alignment works with the edges of the image file, there is no
notion of an ‘optical’ center or aligning with the
Just replying to fix the subject.
Am 10.05.2018 um 14:31 schrieb Malte Meyn:
Hi list,
the lyluatex manual
(https://github.com/jperon/lyluatex/releases/download/v1.0-beta/lyluatex.pdf)
says at p. 8 about vertical alignment of inline snippets:
“Note: The alignment works with the edges
Am 11.05.2018 um 10:22 schrieb Andrew Bernard:
Is there a way to set the font size of the lilypond log window to what one
desires? I am unable to find this setting.
Yes, the settings can be found at Edit→Preferences→Tools.
___
lilypond-user
Am 10.05.2018 um 15:07 schrieb Urs Liska:
Hi Malte,
don't know why my previous post got scrambled
I don’t know either; my Thunderbird doesn’t show the text in HTML view
but in plaintext view it’s fine.
The problem is that in a cropped image we don't have a clue as to where
the staff
Am 11.05.2018 um 11:33 schrieb Malte Meyn:
Am 11.05.2018 um 11:29 schrieb Andrew Bernard:
HI Malte,
Frescobaldi 3.0.0 on Ubuntu 16.04. The font changes, but not the size.
[But
thanks for the tip - I never found that setting before.]
Could this be a bug? The font size can be changed
Am 11.05.2018 um 11:16 schrieb Malte Meyn:
I found a way to do this for scores but not for toplevel markups. It’s
not even a complicated calculation: just let
VerticalAxisGroup.after-line-breaking print it’s Y-extent.
Oops, forgot about scores with multiple staves … And I’d thought
Am 11.05.2018 um 11:29 schrieb Andrew Bernard:
HI Malte,
Frescobaldi 3.0.0 on Ubuntu 16.04. The font changes, but not the size. [But
thanks for the tip - I never found that setting before.]
Could this be a bug? The font size can be changed in the editor window OK.
Can reproduce
Am 11.05.2018 um 10:21 schrieb Malte Meyn:
Am 10.05.2018 um 15:07 schrieb Urs Liska:
Hi Malte,
don't know why my previous post got scrambled
I don’t know either; my Thunderbird doesn’t show the text in HTML view
but in plaintext view it’s fine.
The problem is that in a cropped image
Am 11.05.2018 um 17:39 schrieb Urs Liska:
Hi all,
somehow I have the feeling this is a stupid question, but I'm unable to
find the solution.
Is there a convenient and semantically clean way to center a markup
above/below a measure?
I need a solution that doesn't rely on separate
Am 04.05.2018 um 13:34 schrieb foxfanfare:
Is it possible to change the default command "2 = 76-84" so it will take
my own markup preferences?
Looks like I should get issue 5215 done soon
(https://sourceforge.net/p/testlilyissues/issues/5215/). I haven’t had
much time for LilyPond the last
Am 05.05.2018 um 16:33 schrieb Gianmaria Lari:
This is more a notation question than a lilypond question.
Does exist a standard fingering notation to indicate that a note can be
played for example with 2 or 3?
I agree with David and Ralph: put them on top of each other or at
oppisite
Am 15.05.2018 um 10:27 schrieb Gianmaria Lari:
Thank you Gilles I have yet a problem, how can engrave the foo
generated list in a score?
You should make a music-function:
\version "2.19.81"
foo =
#(define-music-function (seq1 seq2) (ly:music? ly:music?)
(make-sequential-music
Am 20.05.2018 um 11:45 schrieb Menu Jacques:
Hello folks,
Working on intervals, I bump into this question.
How is the right column below to be filled?
Downward interval between B## and:
B#:augmented unison or minor second?
B: major second or ...?
Bb:
Am 20.05.2018 um 21:00 schrieb crimsonsunr...@protonmail.com:
Currently using the latest stable version.
The subject pretty much says it. I'm dealing with a score in which parts are
combined as voices on single staves, but the conductor score has text that's
only relevant to the conductior
Am 10.06.2018 um 16:59 schrieb shane:
Why is the ghost voraciously eating the table
cloth? Or am I misunderstanding the title?
It’s about handkerchiefs, not table cloths. The poem is a humourous (is
that how you spell it?) explanation for losing them every now and then.
Hi Robert,
please always try to give a minimal example. This could look like this:
%
\version "2.19.81"
\new PianoStaff <<
\new Staff \with {
connectArpeggios = ##t
} <<
{
a''2\arpeggio
} \\ {
\arpeggio
}
>>
\new Staff {
Am 04.06.2018 um 19:46 schrieb Ben:
but I wonder if it's possible to write a simple function to basically
'turn on add :32 tremolo to notes until turned off' - that would keep
the code much cleaner, although I know it's somewhat limited in it's
usability. But, just brainstorming here.
How
Am 20.06.2018 um 10:15 schrieb Gianmaria Lari:
I have a code similar to this
\version "2.19.81"
\markup "Etude"
{a b c' d'}
\markup "Etude"
{a b c' d'}
[.]
Is there any way to keep the markup and score together?
What do you mean by “together”?
And have you
Am 21.06.2018 um 08:26 schrieb Bernhard Kleine:
Could you please help me with that?
What is a training sign? Could you post an image of your desired output?
Are you looking for the \mark command?
\mark \default
or
\mark "A"
Ich habe auch den Begriff „Übungszeichen“ noch
Am 03.05.2018 um 09:54 schrieb Menu Jacques:
Hello,
It seems there are no names in Svenska and some other languages for sequiflat
and sesquisharp pitches.
Will that be added when triple accidentals are introduced?
Thanks for your help!
JM
I don’t think that Torsten is planning to do so
Am 30.04.2018 um 22:11 schrieb Hans Åberg:
On 30 Apr 2018, at 21:47, Malte Meyn <lilyp...@maltemeyn.de> wrote:
Am 30.04.2018 um 21:32 schrieb Hans Åberg:
One has to adapt the pitch on every note played, and the reference is typically
the string section, which in turn is
Am 30.04.2018 um 10:42 schrieb Robert Blackstone:
Dear all,
In the Lilypond documentation it is shown how to stack BC figures, but I
have not been able to find how to put a figure in the second row with
nothing above it.
In my score I get:
but what I need is:
I got this result by
Am 30.04.2018 um 21:32 schrieb Hans Åberg:
One has to adapt the pitch on every note played, and the reference is typically
the string section, which in turn is tuned in Pythagorean,
Many string players tune their perfect fifths a bit small so that
they’re near to equal temperament (700 ct)
Am 30.04.2018 um 15:50 schrieb Hans Åberg:
But orchestral instruments depart from Pythagorean tuning, not E12, so they are
not equivalent, differing by a comma of about 20 cents.
Which orchestral instruments do you refer to? All instruments that I
know good enough use equal temperament or
Am 23.10.2017 um 06:11 schrieb Rohan Srinivasan:
How would I go about engraving a piece for piano left hand solo?
Hi Rohan,
that’s a very unspecific question; what do you want to know? Piano for
left hand solo isn’t very much different from piano for two hands. Some
hints though:
• If
There is a category of music including piano left hand:
http://imslp.org/wiki/Category:Scores_featuring_the_piano_left_hand
Am 23.10.2017 um 08:39 schrieb Mark Stephen Mrotek:
Rohan,
For examples of published works for left hand alone, look at the
Petrucci Library, imslp.org.
Mark
Am 28.10.2017 um 10:01 schrieb David Kastrup:
James Harkins writes:
That other question...
I would like to notate some clusters, but articulated: blocks instead
of notes, but showing repeated, re-articulated blocks.
\makeClusters doesn't do it. Even if I put a "s"kip
, the output is transposed
to F Maj. Do let me know how to set fixed vertical spacing for staff-group.
Please reply thru the lilypond user list and do not share the file on the list.
Thanks.
On Fri, 29/12/17, Malte Meyn <lilyp...@maltemeyn.de>
Am 27.12.2017 um 16:54 schrieb nokel81:
Hello, is there a way so that lilypond treats an entire staff as a single bar
and just break the notes where it is best? I want to do this with stem-less
notes for modern chant.
How about this?
\version "2.19.80"
\relative {
\omit
Am 27.12.2017 um 20:59 schrieb Johannes Roeßler:
Hi,
is it possible (ok, its Lilypond, let me rephrase that... HOW is it
possible) to tweek the distance of the staff-group bracket from the
staff lines? (See attachment for clarification)
Cheers Joei
\version "2.19.80"
\new StaffGroup
Am 27.12.2017 um 20:57 schrieb Johannes Roeßler:
So I found this: (Its scheme? right?)
ep = #(make-dynamic-script (markup #:dynamic "p" ))
- but I have no idea how to integrate the size here.
You can use #:huge and friends or #:fontsize as seen below. Or you
switch to “non-scheme lilypond
Am 29.12.2017 um 05:30 schrieb Eby Mani:
Hi,
How to set fixed vertical spacing within staff-group ?.
Hi,
please always give a minimal working (and compilable) code example that
shows what you are doing currently.
I have tried the following in \layout { \context } section. Vertical
Am 23.12.2017 um 10:17 schrieb Malte Meyn:
\version "2.19.65"
\include "english.ly"
A small, slightly off-topic remark on these lines: Instead of \including
the file english.ly the standard way of setting the note name language
now (since version 2.14) is using
Am 23.12.2017 um 10:10 schrieb Andrew Bernard:
Also, with respect, when asking for help on the list people usually
provide an MWE, a minimum working example. For a case like this just a
note or two would suffice. If you give an MWE it is a lot easier for
people to help out, as they don't
Am 23.12.2017 um 20:38 schrieb Ali Cuota:
Excuse me, the New German Tabulatur is my topic.
https://de.wikipedia.org/wiki/Tabulatur#Neue_deutsche_Orgeltabulatur
Hi, I would be interested maybe; coincidentally I’m just now reading
Willi Apel’s book on notation and the next chapter I’ll read
Am 25.12.2017 um 14:22 schrieb Gianmaria Lari:
This code generate some 'regular', staccato and staccatissimo notes:
\version "2.19.80"
\score {
\fixed c' {c8 d e-. f-. g-! a-! r4}
\midi{}
\layout {}
}
Is there any way to change the default duration of
Am 25.12.2017 um 17:48 schrieb Menu Jacques:
The edge-height pair can be given a value with:
\once \override Staff.LigatureBracket.edge-height = #'(0 . +0.7)
but how can I change only one of the members of the pair, leaving the other one
as it is?
There are two options: Either use
Am 18.01.2018 um 14:09 schrieb Torsten Hämmerle:
Ah, yes, when in landscape mode, setting a negative string-distance makes the
whole diagram flip below the baseline.
Oh dear, another effect (in general):
capo numbers and other objects that should be placed in the margin of the
diagram.
When
Am 19.01.2018 um 17:29 schrieb Torsten Hämmerle:
Probably the easiest way to achieve this is just to use *ChoirStaff* and add
the Span_bar_engraver to get the bar lines.
That way, Lyrics will nonchalantly cross the bar lines as if they weren't
there and by setting the whiteout property, you're
Am 21.01.2018 um 14:57 schrieb bb:
I use
\set TabStaff.minimumFret = #7
\set TabStaff.restrainOpenStrings = ##t
[…]
Is there any possibility to throw an exception for a single note or a
group of notes?
How about \once \unset TabStaff.minimumFret ?
Am 22.01.2018 um 06:49 schrieb Brian Barker:
arranger = \markup {
\column {
\fill-line { " " "Arranger: Jacob Collier" }
\fill-line { " " "Transcriber: Álvaro Cáceres Muñoz" }
}
}
More simple solution for the same effect (but maybe with less side
effects in
Am 29.01.2018 um 10:53 schrieb Blöchl Bernhard:
In my limited knowledge of music I think that bar is wrong because of
the dotted 8th note?
Regards
%\version "2.19.80"
\version "2.18.20"
mus = \relative c'' {
d4 cis8 c8 b8. ais8 a gis
}
<<
\new Voice \mus
LilyPond does the right
Am 30.01.2018 um 09:01 schrieb mosea chen:
Hi,
I found it difficult to engrave the staff as the fingure:
内嵌图片 1
the "slur" just does not work.
The source is as follows:
\version "2.19.80"
{
\clef bass
\time 3/4
fis-2 ( e-1 d-2|
<<
{ r4 ) e4 a8 ( g8 |}
Am 21.02.2018 um 15:44 schrieb Malte Meyn:
Am 21.02.2018 um 15:40 schrieb Joshua Stutter:
[…]
fun = #(define-music-function (parser location note dur) (ly:pitch?
ly:duration?)
#{ $note$dur #})
and create notes from pitches and durations within #{ #}. I explained
that, to the best of my
Am 20.02.2018 um 16:57 schrieb Malte Meyn:
it’s possible with beamed notes but not (yet) for rests and flagged
notes because there are no rest/flag glyphs in the font for these note
durations. But they could be added …
Update: I made a patch that adds these glyphs but that will take some
Am 21.02.2018 um 15:46 schrieb Malte Meyn:
Oh, I forgot to say: This doesn’t work with 2.18.2 so you’re partially
right.
And again I made a mistake: It *does* work but only if you surround the
pitch by ##{ #}
\version "2.18.2"
fun = #(define-music-function (parser locatio
Am 21.02.2018 um 15:18 schrieb David Kastrup:
Marc Hohl writes:
Oh sorry, it looks lie a tie between b-flat and b-flat
With a syncopated rhythm adding up to a simple on-beat amount? That
would be quite curious for a tie.
But it’s quite common to have something like 4~
Am 21.02.2018 um 15:40 schrieb Joshua Stutter:
[…]
fun = #(define-music-function (parser location note dur) (ly:pitch?
ly:duration?)
#{ $note$dur #})
and create notes from pitches and durations within #{ #}. I explained
that, to the best of my knowledge, this is not possible and new notes
Am 20.02.2018 um 12:04 schrieb Amir Teymuri:
Hello,
is a 128 the smallest possible rhythmic value one can write in Lilypond
or is there a way to write even shorter values (e.g. 256 or even smaller)?
Thanks in advance,
- - - - - - - - - - -
ateymur...@gmail.com
Hi Amir,
it’s possible
Am 19.02.2018 um 15:42 schrieb Ethan Sue:
\clef bass
b16 b b8 b b16 b16 ~ b4 a8 b
Tie looks like a bump.
Cannot reproduce (2.18.2, 2.19.81).
That’s why we need *compilable* minimal examples.
___
lilypond-user mailing list
lilypond-user@gnu.org
Am 28.12.2017 um 15:22 schrieb Malte Meyn:
Set the clef stencil to ##f (\omit is a shorthand for that) and only set
the stencil for the first occurence.
As I realised some seconds after sending the message, this isn’t enough
if you want to have the clef at the beginning of each line
Am 28.12.2017 um 14:21 schrieb bb:
I attach an example code. (Sorry, my skills are just not developed
enough to shorten the code essential.)
Here is a much smaller example. It’s not minimal but near. How to build
such an example? Well, just leave everything out that has nothing to do
with
Am 28.12.2017 um 15:54 schrieb bb:
Thank you for answering. Your code has exactly the problem I wanted to
overcome. There is a "cleftext" every time the clef changes!
No it has not. Have a close look: I do
\omit Clef
\once \override Clef.stencil
You do
\override Clef.stencil
That’s
Am 28.12.2017 um 17:11 schrieb Wols Lists:
On 28/12/17 16:07, Malte Meyn wrote:
Have a look at the PDF in the post linked above: The function can do
both uppercase (AA) and mixedcase (Aa) (but not yet lowercase (aa)).
Sorry, I did look, but obviously missed it ... :-(
No problem ;)
Mixed
Am 28.12.2017 um 16:03 schrieb Jérôme Plût:
1. I am typesetting some music which is in 2/1, and mark using a cut
time signature. How is it possible with Lilypond to put a ℂ symbol for
a 2/1 time ? (see attachment, line 1)
\time 2/1
\set Score.timeSignatureFraction = 2/2
2. In virtually
Am 28.12.2017 um 16:34 schrieb Malte Meyn:
Am 28.12.2017 um 16:03 schrieb Jérôme Plût:
1. I am typesetting some music which is in 2/1, and mark using a cut
time signature. How is it possible with Lilypond to put a ℂ symbol for
a 2/1 time ? (see attachment, line 1)
\time 2/1
\set
Am 28.12.2017 um 16:57 schrieb Wols Lists:
My reaction would be to take your version, and rewrite all the others to
call it. That way you don't break existing code, but you simplify lily
itself in that there is just one function.
That’s what I would do too. I just have to figure out, which
Am 25.12.2017 um 19:01 schrieb David Kastrup:
David Kastrup writes:
\once \override Staff.LigatureBracket.edge-height =
#(grob-transformer 'edge-height
(lambda (grob original)
(cons 0.3 (cdr original
For example.
Malte's suggestion to use \offset does something
Am 31.12.2017 um 17:20 schrieb Neo Anderson:
1. How to change the look of the extender lines (dashes)? I'd like them
to be more dense or compact. The following -\tweaks with various values
won't make a difference.
-\tweak bound-details.dash-fraction #0
-\tweak
Am 01.08.2018 um 14:10 schrieb Karim Haddad:
Hello list,
I am finalizing an orchestra score and have this problem i don't know how to
resolve :
When a Page break occurs on a rehearsal mark, the mark is printed befor the
page turn. How can i force it to be :
Are you sure that it’s *before*
Am 10.08.2018 um 21:42 schrieb Galen Menzel:
Hi all,
I have a score in which the following measure renders nicely when only
the piano line is given:
However, when the vocal line is also given, the slurs above the
bass-clef g eighth notes become very hard to see:
Presumably the vocal
Am 24.08.18 um 05:58 schrieb Craig Dabelstein:
In the following MWE I get this error: /omitting tuplet bracket with
neither left nor right bound/
The compilation is fine. Anything I should do about this error?
Yes.
\tuplet 3/2 4 {
g2.:8
a2.:8
bf2.:8
bf2.:8
}
Am 28.08.18 um 15:29 schrieb Tom Swan:
Sorry for duplication but my previous try didn't seem to go through.)
It came through; it just seems like it was overlooked by many.
I need some help figuring out how to change chord names (C, F, G) into
intervals such as (I, IV, V). The short
Am 28.08.18 um 18:57 schrieb Jacques Menu Muzhic:
Do I guess it right that you’d like tonality-relative numbers, i.e. V7 for A7
in D major?
That’s indeed probable. There are two possibilities what to do about that:
1. Get the tonic from the key signature as it is done in these snippets:
Am 21.07.2018 um 08:55 schrieb Thomas Morley:
Afaik, we do so to follow the usual type-setting-rules.
I could be wrong here, though. I don't own Gould
Gould states that the to-barline default ##t is correct *but* in places
where the first beat of the next bar is far from the bar line (f. e.
Am 14.07.2018 um 02:26 schrieb Ben:
I am stumped on how to enclose these markup noteheads in one box around
them all? I can only seem to get them individually boxed. In the past, I
have only had to box text markup before, and that's about it. So I can't
figure out how to box marked-up notes
Am 14.07.2018 um 13:41 schrieb Ben:
Also, how can I beam these eighth notes together in the markup? Is
this possible?
This needs a \score in the \markup.
I don't understand, where is the score needed for these beams in the box?
See Klaus’ answer for a code example. (You can \remove
Am 30.08.18 um 20:02 schrieb ptoye:
I seem to have solved it by tweaking the Y-offset. But it's a bit odd: if I
change the offset by 0.0 it moves the text position up - I'd have thought it
should be unchanged. Also, it doesn't matter if I use ^ or _ to position the
text if I tweak the offset.
Am 05.09.18 um 10:53 schrieb foxfanfare:
I found in the configuration file how the sustainOn/Off works:
sustainOn = #(make-span-event 'SustainEvent START)
sustainOff = #(make-span-event 'SustainEvent STOP)
I think it would be possible to add an offset for the sustainOn shortcut but
I
Am 07.09.18 um 02:52 schrieb Simon Albrecht:
Hello everybody,
has anybody came across something like this? It’s a score for piano and
chorus, where in the last system all chorus staves are removed, and now
I’ve noticed that at the end the staff lines don’t go all the way to the
final bar
Hi list,
is there any barline support in the lilyglyphs package that I don’t know
of? For now I use 턇\kern-2.8pt턆 (using glyphs from the Vollkorn font)
for a double repeat because Unicode doesn’t include a double repeat but
that’s not optimal.
Cheers,
Malte
Sorry for that, I accidentally used the wrong mail address and didn’t
expect that this mail would come to the list 33 minutes later ;)
Am 31.08.18 um 14:38 schrieb Malte Meyn:
Hi list,
is there any barline support in the lilyglyphs package that I don’t know
of? For now I use 턇\kern-2.8pt턆
Hi list,
is there any barline support in the lilyglyphs package that I don’t know
of? For now I use 턇\kern-2.8pt턆 (using glyphs from the Vollkorn font)
for a double repeat because Unicode doesn’t include a double repeat but
that’s not optimal.
Cheers,
Malte
Am 05.09.18 um 05:57 schrieb Simon Albrecht:
On 03.09.2018 18:35, Malte Meyn wrote:
\layout {
\context {
\Staff
\name "SmallStaff"
\alias "Staff"
fontSize = #(magnification->font-size 4/7)
\override StaffSymbol.staff-space = #4/<
}
\context
[Forwarding to bug-lilypond]
Hi foxfanfare,
Am 05.09.18 um 11:07 schrieb foxfanfare:
As you can see, the ledger line of the note containing the accidental is
shortned as expected, but the other aren't and you can see here the natural
appears too close.
that’s true, neighbouring ledger lines
Am 09.07.2018 um 21:09 schrieb Hwaen Ch'uqi:
I have found snippets that produce a series of blank systems, each
system naturally spreading across the page. How can I do this for a
single system?
\paper {
ragged-right = ##f
}
___
lilypond-user
Am 12.07.2018 um 07:33 schrieb Menu Jacques:
/tmp/frescobaldi-_MMpyy/tmpsaOidZ/document.ly:9:68: error: wrong type for argument 1.
Expecting duration, found "4."
"Allegretto vivace"\smaller \general-align #Y #DOWN \note
Am 24.01.2018 um 02:58 schrieb joedavnport:
Q1. Is there a way to create (and show) an empty stave in a score,
rather than creating {s1 s1 s1} spaces?
You can write s1*3 instead of s1 s1 s1 ;)
Q2. Sometimes I want to omit a phrasing for certain files (e.g. showing
repeat marks), instead of
Am 24.01.2018 um 07:28 schrieb Menu Jacques:
Hello folks,
P_POne_Staff_One_Voice_Two below contains rests which may seem to be
make the score more difficult to read that spacers.
Apart for single voice staves where rests are necessary, is there a
best-practise style for multivoice staves?
Am 17.01.2018 um 22:59 schrieb Thomas Morley:
2018-01-17 22:36 GMT+01:00 David Kastrup :
Thomas Morley writes:
Should we document it as is or introduce a details.subproperty setting
string-distance negative?
Left-handed diagrams are peculiar enough
Am 18.01.2018 um 05:58 schrieb Shane Brandes:
The following code produces what looks to me as an an unanticipated
result as the second two marcato marks are slightly elevated. I fixed
it with a Script.extra-offset but still wonder if this is some odd
edge case.
\version "2.18.2"
\new Staff
Am 11.09.18 um 17:50 schrieb foxfanfare:
- Is Latex a good replacement for Word? What manager you'd recommend to use?
If you want a replacement similar to MS Word, use LibreOffice instead.
But LaTeX is good in another way: It’s text based and WYGIWYM like
LilyPond. And there is lyluatex, a
Am 08.03.2018 um 02:01 schrieb Simon Albrecht:
On 08.03.2018 01:39, Edmundo Carmona Antoranz wrote:
So I asked
around[1] and apparently it's a "harmonic delay" or a prolongation...
There is no reason whatsoever for any fancy words. It’s just a dotted
note with the dot written at the
Am 11.03.2018 um 01:01 schrieb Lucas Werkmeister:
Hi everyone,
I’m getting the following error message when trying to build LilyPond
from git (specifically, building the AUR lilypond-git package).
[…]
The requested file, feta11.pfb, does not exist
I have a similar problem after
Am 09.03.2018 um 11:45 schrieb Arttu Punkkinen:
I was wondering, if there is a way to specify a multimeasure rest which
length is only relatively defined so that it ends at predetermined bar
number?
I often find myself needing to adjust or add material between
multimeasure rests, which
Am 08.03.2018 um 23:24 schrieb Carl Sorensen:
I ran this through Google Translate, and it mostly worked well. Except it named Harm as
"Grief", which brought me a smile.
I think the German “Harm” is similar to “harm” in English ;)
(see also “harmlos” = “harmless”)
On topic:
Ich hab sowohl
Am 07.04.2018 um 10:51 schrieb Menu Jacques:
I’m no pianist though: is this OK for a keyboard player, or is Finale’s
output: […] better, and if so, how can I obtain the cross-staves stems this way?
What is better depends on whether it should be played with one hand or
two. Please always
Am 05.04.2018 um 20:48 schrieb Lukas-Fabian Moser:
Can I help in any way?
You could review my proposed changes at
https://codereview.appspot.com/340660043
You don’t need to compile or review the code itself, just have a look at
the PDF I attached here:
Am 07.04.2018 um 22:44 schrieb Filip May'r:
Hello, I'm sending my response in an attachment.
Best,
Filip
Why don’t you write a regular e-mail but send a Word document that is
classified as junk by my mail program?
The God’s words are a tool to defend one’s arguments. Opinions are
Am 08.04.2018 um 20:13 schrieb David Sumbler:
\version "2.19.81"
nar = ^\markup \whiteout \pad-markup #2 \etc
Unfortunately the above produces "syntax error, unexpected \etc"
The older version works fine.
That’s because that’s a very recent change that hasn’t been released yet
so “\version
Am 04.04.2018 um 23:23 schrieb Noeck:
I see at least three options:
1. Use a \turn or \mordent
2. Use the symbol from Bravura (there is something like \smuflglyph
"ornamentHaydn" if you use openlilylib)
3. Create your own symbol from existing glyphs like:
{ d'^\markup \combine \huge "~"
Am 12.04.2018 um 11:24 schrieb Marco Bagolin:
I solved the second question using your proposal of code.
I did not solved the first question.
Have you tried overriding the slope?
And have you read my recommendation? Probably it would be possible to
bring the StemTremolos nearer to the note
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