Paolo,
It is possible to input pedal markings with \new Dynamics. This is what I do
for my piano scores.
I am trying to see how it would work with you example.
Mark
From: paolo prete [mailto:paoloprete...@gmail.com]
Sent: Saturday, March 24, 2018 10:25 AM
To: Mark Stephen Mrotek
Paolo,
Nothing ventured, nothing gained.
Shall be looking on the list for a resolution.
Mark
From: paolo prete [mailto:paoloprete...@gmail.com]
Sent: Saturday, March 24, 2018 11:07 AM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: SustainPedal on shifted notes
Paolo,
The Lilypond Snipped Repository is at
http://lsr.di.unimi.it/LSR/
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Paolo Prete
Sent: Sunday, March 25, 2018 10:40 AM
To: Thomas Morley
Cc: Lilypond-User Mailing List
Subject: Re:
Bernard,
Have a look at
http://lilypond.org/doc/v2.19/Documentation/notation/common-notation-for-key
boards#cross_002dstaff-stems
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Bernard Meylan
Sent: Wednesday, March 28,
Paul,
See the attached snippet.
Is it what you want?
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Paul Scott
Sent: Friday, March 30, 2018 3:54 PM
To: LilyPond User List
Subject: 2.19.81 pitchedTrill ending on rest
Bernard,
You can use “instrument.name.”
See
http://lilypond.org/doc/v2.19/Documentation/snippets/titles
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Sent: Friday, March 30, 2018 6:35 PM
To: lilypond-user Mailinglist
Andrew,
You are welcome.
Such “hijackings” make this list so worthwhile!
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of andrew.bern...@gmail.com
Sent: Saturday, March 31, 2018 2:53 AM
To: lilypond-user@gnu.org
Subject: RE: Movement t
018 6:20 PM
To: Mark Stephen Mrotek
Cc: 'LilyPond User List'
Subject: Re: 2.19.81 pitchedTrill ending on rest
On Fri, Mar 30, 2018 at 08:10:46PM -0700, Mark Stephen Mrotek wrote:
> Paul,
>
> See the attached snippet.
> Is it what you want?
Yes. That's a little embarra
Lukas-Fabian,
Looking at the site I saw that the PDF had been scanned. The score does not
appear, at least to me, to have been set with Lilypond.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Lukas-Fabian Moser
Sent: Sunday, April 01
Lukas,
Does this work?
\version "2.19.80"
\relative c'' {
\grace {a'4} g2\mordent
}
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Lukas-Fabian Moser
Sent: Wednesday, April 04, 2018 1:26 PM
To: lilypond-user
Subject: Articul
Lukas,
In which score did you see this ornament?
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Lukas-Fabian Moser
Sent: Wednesday, April 04, 2018 1:26 PM
To: lilypond-user
Subject: Articulation sign in Haydn
Dear all,
in a Hayd
Simon,
Realized on closer look.
Regret the misdirection.
Mark
-Original Message-
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Wednesday, April 04, 2018 3:01 PM
To: Mark Stephen Mrotek ; 'Lukas-Fabian Moser'
; 'lilypond-user'
Subject: Re: Articulati
FoxFanFare,
I set Chopin's Nocturne No. 12.
Lilypond allowed me to arrange beams, fingerings, and dynamics to suit my
reading.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
foxfanfare
Sent: Friday, April 06, 2018 2:09
Urs,
The link provided is nothing like the Chopin Etude #23, Op. 25 No 11 in my
Paderewski edition.
Hofstadter in his book "Goedel, Escher, Bach: The Golden Braid" offers a
mathematical/contrapuntal analysis.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+car
Carl,
I have no explanation, just a solution
\version "2.19"
\new Staff = "right"{
\clef treble
<<{e''8 f'' s4} \\ {a'4 b'4} >> c'' b' |
\voiceOne
e''8 f'' b'4 c'' b'
}
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr...
Carl,
Welcome, any time!
Mark
-Original Message-
From: Carl Sorensen [mailto:c_soren...@byu.edu]
Sent: Tuesday, April 10, 2018 7:37 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Why is there no auto beaming in temporary polyphony?
On 4/10/18, 8:10 PM, "Mark St
On Behalf Of
Noeck
Sent: Thursday, April 12, 2018 11:28 AM
To: lilypond-user@gnu.org
Subject: Re: Tremolo repeats and groups of notes
Am 12.04.2018 um 19:25 schrieb Mark Stephen Mrotek:
> Do not know how to give each tuplet is own 3.
Was that a question?
\tuplet 3/2 4 { a8 b c a b c a b c
Marco,
Got the 3's on each group - see attached.
Mark
\version "2.19.80"
\relative c {
\clef bass
\time 4/4
\key bes \major
r8
\tuplet 3/2 8 {f16 \upbow -\markup { \line {\concat { \dynamic p } \italic { accel. e cresc. }}}
f f
ges16 ges16
\se
Edward,
As Shane suggests, placing the pedal marking in a \new Dynamics allows specific
placement.
Attached is an example.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Edward Neeman
Sent: Saturday, April 14, 2018 3
Edward,
If you provide an example, I shall try to comply.
Mark
-Original Message-
From: Edward Neeman [mailto:edward.nee...@gmail.com]
Sent: Saturday, April 14, 2018 6:33 PM
To: Mark Stephen Mrotek
Cc: Lilypond-user
Subject: Re: Pedal bracket alignment
Hello Mark and Shane,
Thanks
Edward,
Your requirements are more exacting than my knowledge/skill can meet.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Edward Neeman
Sent: Saturday, April 14, 2018 8:04 PM
To: Lilypond-user
Subject: Re: Pedal bracket alignment
Maurits,
This is a known glitch. A "dummy" acciaccatura or appoggiatura must be added
to all other voices. See below
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Maurits Lamers
Sent: Tuesday, April 24, 2018 8:12 AM
To: Lilypond-User Mailing Li
Hello,
Tried to download for Windows. Get a "404 not found" error message.
Please direct me.
Thank you,
Mark
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-24 19:58, Mark Stephen Mrotek wrote:
> Hello,
>
> Tried to download for Windows. Get a "404 not found" error message.
>
> Please direct me.
>
> Thank you,
>
> Mark
Try here: http://lilypond.org/downloads/binaries/
-- Aaron Hill
Aaron,
Got it. Thank you!
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Aaron Hill
Sent: Tuesday, April 24, 2018 9:15 PM
To: lilypond-user@gnu.org
Subject: Re: V 2.19
On 2018-04-24 21:05, Mark Stephen Mrotek wrote
Helga,
It has to do with the \voiceOne.
\version "2.19.81"
\layout {
\context {
\PianoStaff
\consists #Span_stem_engraver
}
}
{
\new PianoStaff <<
\new Staff {
\time 6/8
r8
\voiceOne []
\voiceTwo
}
\new Staff {
\clef bass
Reggie,
You have
s1*4 \tempo "Largo" s1*3 \tempo "Allegro"
inside the \global. It shall start all parts. Remove it
You can change tempo with the \tempo command attached to a specific note.
S8*3 creates an eight note spacer three times. It is the same as s8 s s.
Mark
-Original Message-
Helge,
Welcome.
Mark
-Original Message-
From: Helge Kruse [mailto:helge.kr...@gmx.net]
Sent: Thursday, April 26, 2018 9:00 AM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Cross staff stems for beamed notes
Am 26.04.2018 um 16:43 schrieb Mark Stephen Mrotek:
> He
Rodrigo,
As a pianist what I wrote is clear, it may not be proper guitar, yet hopefully
it might give you some idea of what to do.
Mark
\version "2.18.2"
\new Staff
\relative c'' {
\time 2/4
<<
{ e8 e16 ees d8 d16 des }
\\
{ s1
Lukas,
A snippet to create octaves. Perhaps you could modify.
http://lsr.di.unimi.it/LSR/Item?id=445
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Lukas-Fabian Moser
Sent: Saturday, April 28, 2018 2:16 AM
To: lilypo
Urs,
Include a "right" after the "down left."
Good?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Urs Liska
Sent: Saturday, May 12, 2018 10:43 AM
To: lilypond-user
Subject: Avoid collision between fingering and oth
Brent,
As to No. 1, perhaps a cross staff arpeggio/bracket?
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines#arpeggio
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Brent Annable
Sent: Sunday, May 20,
Giampaolo,
Maybe a \set tieWiatForNote as in the attached?
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Giampaolo Orrigo
Sent: Sunday, May 20, 2018 10:12 AM
To: lilypond-user
Subject: Help with piano tenuto notes
[Reposting with
Crimson,
May I call you Crimson?
This worked for me, is it what you want?
\version "2.19.81"
\score{
{
\clef "bass"
<\parenthesize f->~ f,~ >2\> 8\! r8 r4
}
}
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of crimsonsunr...@
Sam,
Try putting \stemup before the d16.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Sam Bivens
Sent: Wednesday, June 06, 2018 1:39 PM
To: Lilypond-User Mailing List
Subject: Unwanted cross-staff kneed beams for p
Harold,
I get the same warning.
Note the “\lh b16” in the error message and the “weird” beaming produced to the
b16.
That is the meaning of the warning.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Harold Hausman
Sent: Saturday, J
\bunk \debunk
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Kieren MacMillan
Sent: Friday, June 15, 2018 8:38 AM
To: David Kastrup
Cc: Flaming Hakama by Elaine ; Lilypond-User Mailing
List ; Carl Sorensen
Subject:
Menu Jacques,
Trying to compile your code.
Not successful for the moment.
Shall try later tonight.
Mark
From: Menu Jacques [mailto:imj-...@bluewin.ch]
Sent: Tuesday, July 10, 2018 2:17 PM
To: Mark Stephen Mrotek
Cc: Menu Jacques ; Lilypond-User Mailing List
Subject: Re: Chord
Hello,
Remember seeing a snippet that does, f stretto, for example.
Searched the users' archives and the snippet repository.
Maybe not using correct search terms.
Please assist.
Thank you,
Mark
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lilypond-user@
Thanks Andrew,
Does the job.
Mark
From: Andrew Bernard [mailto:andrew.bern...@gmail.com]
Sent: Sunday, August 19, 2018 6:18 PM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: align dynamic with text
Hi Mark,
This may be what you are thinking of. This way
/2018 8:21 PM, Mark Stephen Mrotek wrote:
Hello,
Remember seeing a snippet that does, f stretto, for example.
Searched the users’ archives and the snippet repository.
Maybe not using correct search terms.
Please assist.
Thank you,
Mark
Mark,
There are a few different ways to
Hello,
I have two explicit voices.
Any suggestions?
Thank you,
Mark
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Pierre,
Thank you, I shall try it!
Mark
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Friday, August 24, 2018 2:34 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: a Chopin thingy
Hi Mark,
How about :
\version "2.19.82"
Ryan,
See my additions below.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Ryan Michael
Sent: Sunday, August 26, 2018 4:05 PM
To: lilypond-user
Subject: hide entire tuplet entity
Hello. I am currently working on a piano piece an
Brett and Trevor,
You could put the pedal in a separate “voice” using:
\new Dynamics {
s4.\sustainOn s\sustainOff |
s\sustainOn s\sustainOff }
for example.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Trevor Baca
FoxFanFare,
Why not place the slut above the notes?
To me that would be more conventional.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
foxfanfare
Sent: Sunday, September 09, 2018 3:12 AM
To: lilypond-user@gnu.org
S
Ooops,
It should be "slur."
Sorry.
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Mark Stephen Mrotek
Sent: Sunday, September 09, 2018 7:45 AM
To: 'foxfanfare' ; lilypond-user@gnu.org
Subject: RE: Sust
Joram
Consider using
pitch duration\rest, e.g.
b4\rest would place a quarter rest on "b."
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Noeck
Sent: Sunday, September 09, 2018 9:30 AM
To: lilypond-user
Subject: Posit
Joran,
Perhaps
\version "2.19.81"
\new Staff <<
\new Voice \relative {
\voiceOne c''4 d
b'2\rest
r4 r
b2\rest
}
\new Voice \relative {
\voiceTwo e'4 f
\override Rest.staff-position = -6
r2
\revert Rest.staff-position
r4 r
\override Rest.staff-pos
Kieren,
Thank you for the caveat.
Since I set piano scores, I rarely transpose (well maybe when I type!)
Mark
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Sunday, September 09, 2018 10:45 AM
To: Mark Stephen Mrotek
Cc: Noeck ; Lilypond-User
Triple,
Why not just start with a treble clef?
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
tripleamia
Sent: Tuesday, September 18, 2018 2:56 PM
To: lilypond-user@gnu.org
Subject: New to Lilypond, how do i change the
Simon,
Perhaps an alternative is under "compound time signatures" at
http://lilypond.org/doc/v2.19/Documentation/notation/displaying-rhythms#polymetric-notation
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Simon Alb
Jogchum,
I encountered the same when setting multi-voiced fugues and using the
<<{ }\\{ }\\{ }>> construct. Is that what you use?
My solution is to set each voice explicitly, e.g.,
\new Voice = "soprano"
{ \voiceOne \relative c'' {
f4 f f f }
}
\new Voice = "a
Bernard,
Try changing the #1 to #2.
Mark
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Andrew Bernard
Sent: Saturday, December 24, 2016 12:08 AM
To: lilypond-user@gnu.org
Subject: Beams across rests
Hi All,
When adjusting the number
Andrew,
Another suggestion: eliminate the" \set" commands and retain the [ ].
Lilypond seems to do it automatically.
Mark
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Andrew Bernard
Sent: Saturday, December 24, 2016 12:08 AM
To: lily
when you change the beam
counts that this problem arises. So I can't leave them out.
On 25 December 2016 at 03:43, Mark Stephen Mrotek mailto:carsonm...@ca.rr.com> > wrote:
Andrew,
Another suggestion: eliminate the” \set” commands and retain the [ ].
Lilypond see
Mogens,
This type of ossia is presented at
http://lilypond.org/doc/v2.18/Documentation/notation/modifying-single-staves#ossia-staves
I have done a revision (attached) accordingly.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of mog...
Gianmaria,
See the attached.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Gianmaria Lari
Sent: Saturday, January 14, 2017 2:08 AM
To: lilypond-user
Subject: beams in treble and bass staff
Novice question. Attached it's a small m
Amir,
Some instructions for cross staff stems are at
http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-key
boards#cross_002dstaff-stems
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Amir Teymuri
Jacques,
When I insert
\repeat volta 2 {c1}
Before the \alternative, no error messages appear.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jacques Menu Muzhic
Sent: Monday, April 10, 2017 12:47 AM
To: Stan Mulder
Cc: lilypond-use
Caagr98,
See
http://lilypond.org/doc/v2.18/Documentation/notation/modifying-single-staves
#ossia-staves
for the use of \context Staff = "ossia" for multiple ossiae.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
caag..
Andrew,
Well spoken.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Andrew Bernard
Sent: Tuesday, April 18, 2017 8:01 PM
To: 'Mirosław Doroszewski' ;
lilypond-user@gnu.org
Subject: RE: What does everyone want? (2)
Hel
Margaret,
Two methods are described at
http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Margaret Voorhaar
Sent: Sunday, April 23, 2017 6:35 PM
To: Han
Hello,
I want to format headers to produce this:
Woodland Sketches (%title)
E. MacDowell
Op. 51
To a Wild Rose (%subtitle for first
score)
\score
Will 'o the Wisp (%su
Brian,
Thanks, I shall try that.
Mark
-Original Message-
From: Brian Barker [mailto:b.m.bar...@btinternet.com]
Sent: Friday, April 28, 2017 8:40 AM
To: lilypond-user@gnu.org
Cc: Mark Stephen Mrotek
Subject: Re: placing "opus"
At 08:17 28/04/2017 -0700, Mark Stephen Mrotek wro
Hello,
In my \book \header I have fields of title, composer, and opus.
The manual (2.18) states "The values of the fields filter down this
hierarchy, with the values set higher in the hierarchy persisting unless
they are over-ridden by a value set lower in the hierarchy." This is
understand
Timothy Lanfear
Sent: Sunday, April 30, 2017 1:16 AM
To: lilypond-user@gnu.org
Subject: Re: opus conflict
On 29/04/17 23:34, Mark Stephen Mrotek wrote:
>
> Hello,
>
> In my \book \header I have fields of title, composer, and opus.
>
> The manual (2.18) states "The values of the
: Mark Stephen Mrotek
Cc: Timothy Lanfear ; lilypond-user
Subject: Re: opus conflict
2017-04-30 18:15 GMT+02:00 Mark Stephen Mrotek :
> Timothy,
>
> Thank you for your response. Your time spent writing out a solution is
> greatly appreciate.
> I would like to have something that is
Thomas,
Attached is the pdf generated by my code.
Thank you again.
Mark
opus.pdf
Description: Adobe PDF document
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' the Wisp
Is this possible with Lilypond?
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Sunday, April 30, 2017 10:55 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: opus
, April 30, 2017 12:34 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: opus conflict
2017-04-30 21:04 GMT+02:00 Mark Stephen Mrotek :
> Thomas,
>
> Thank you for your detailed explanation. Your patient effort is appreciated.
> As I understand now, some of the header fields are c
So we should burn the books because the ignorant refuse to learn?
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
msk...@ansuz.sooke.bc.ca
Sent: Wednesday, May 24, 2017 6:43 PM
To: lilypond-user@gnu.org
Subject: Re: Permission
Ming,
Use
\set tieWaitForNote = ##t
c8~ g'16~ e'~ 8
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of MING TSANG
Sent: Friday, May 26, 2017 6:35 PM
To: Lilypond-usermailinglist
Subject: help to tie individual note to a chord
Lilypo
Ming,
Try
\stemDown
Or
\stemNeutral
Mark
From: MING TSANG [mailto:tsan...@rogers.com]
Sent: Saturday, May 27, 2017 5:26 AM
To: Steven Weber ; Lilypond-usermailinglist
; Mark Stephen Mrotek
Subject: Re: help to tie individual note to a chord
Steven and Mark,
Thank you
Bernhard,
In measure 5 the voices have a "d8\rest" while the piano has a two beat chord.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Bernhard Kleine
Sent: Sunday, May 28, 2017 10:42 AM
To: lilypond-user@gnu.org
Sub
Sam,
Perhaps
http://lilypond.org/doc/v2.18/Documentation/notation/beams
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Sam
Frybyte
Sent: Wednesday, May 31, 2017 10:16 AM
To: lilypond user group
Subject: beaming with c
Johan,
Change the rest from "r8" to "b8\rest."
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Johan Vromans
Sent: Wednesday, May 31, 2017 2:17 PM
To: lilypond-user@gnu.org
Subject: Multiple voices and rest position
Hi
Musicus,
http://www.mail-archive.com/lilypond-user@gnu.org/msg96018.html
http://www.mail-archive.com/lilypond-user@gnu.org/msg114316.html
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of musicus
Sent: Thursday, June 01, 2017 11:31 AM
Peter,
In Frescobaldi:
Tools, rhythm, double/half duration
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
pe...@chubb.wattle.id.au
Sent: Wednesday, June 14, 2017 3:02 AM
To: lilypond-user@gnu.org
Subject: Halving/doubl
N. Andrew
Under
http://lilypond.org/doc/v2.18/Documentation/notation/figured-bass
scroll down to “continuation lines.”
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of N. Andrew Walsh
Sent: Thursday, June 22, 2017 10:57 AM
To: lilypond
Stan,
Complies under 2.18.2.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Stan Sanderson
Sent: Thursday, June 29, 2017 7:14 AM
To: Andrew Bernard
Cc: LilyPond Users
Subject: Re: old f-clef
> On Jun 28, 2017, at
Richard,
Try removing the \bar "".
Also the bar checks are in the wrong place.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Richard Chonak
Sent: Thursday, July 13, 2017 4:50 PM
To: lilypond-user@gnu.org.
Subject: Repeat starting in
Ivan,
Perhaps you could code a second voice with spacers and place the beginning
and ending of the hairpin exactly.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Ivan Kuznetsov
Sent: Monday, August 28, 2017 10:24 AM
T
Samuel,
First remove the { } around the \change Staff commands.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Samuel Cederlund
Sent: Monday, September 11, 2017 5:22 AM
To: lilypond-user@gnu.org
Subject: Tuplets and cross-staff beams
Gianmaria,
Try
c4 c c d
(c4^\markup {"X"}) c c c
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Gianmaria Lari
Sent: Thursday, September 14, 2017 2:14 AM
To: lilypond-user
Subject: \mark and slur
This compiles well
\vers
David,
What I presented was a suggestion that "worked."
In no way, shape, or form was it an "insistence."
With sincere respect for your work,
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, September 14, 2017 12:10 PM
To: Mar
David,
Understood. Thank you.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, September 14, 2017 1:52 PM
To: Mark Stephen Mrotek
Cc: 'Gianmaria Lari' ; 'lilypond-user'
Subject: Re: \mark and slur
"Mark Stephen Mrotek&q
Marco,
To make the staves line up, place a “dummy” acciaccatura, in the “other” voice.
It would be \acciaccatura s32.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Marco B.
Sent: Thursday, September 14, 2017 9:57 AM
To: lilypond-user
David,
Thanks for the clarification.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, September 14, 2017 11:58 PM
To: Mark Stephen Mrotek
Cc: 'Marco B.' ; lilypond-user@gnu.org
Subject: Re: Acciaccatura at the beginning
"Mark Stephen
Marco,
Have a look at
http://lilypond.org/doc/v2.18/Documentation/notation/inside-the-staff#fingering-instructions
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Marco Bianchi
Sent: Tuesday, September 19, 2017 1:39 AM
To: lilypond-use
-
From: Marco Bianchi [mailto:mr.whi...@gmail.com]
Sent: Tuesday, September 19, 2017 12:39 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Fingering position inside chords
Thank you Mark,
I've studied that part but I still don't understand how can I move only the &quo
Rohan,
For examples of published works for left hand alone, look at the Petrucci
Library, imslp.org.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Rohan Srinivasan
Sent: Sunday, October 22, 2017 9:12 PM
To: lilypond-user@gnu.org
Subj
Rohan,
By definition a Piano Staff consists of two staves.
What characteristic of the Piano Staff do you want to include in a single staff?
Mark
From: Rohan Srinivasan [mailto:itsroha...@gmail.com]
Sent: Monday, October 23, 2017 8:08 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
nu.org] On Behalf Of
Malte Meyn
Sent: Tuesday, October 24, 2017 3:11 AM
To: lilypond-user@gnu.org
Subject: Re: Piano Left Hand Alone
Am 24.10.2017 um 06:13 schrieb Mark Stephen Mrotek:
> By definition a Piano Staff consists of two staves.
No. There is piano music on one (f. e. Rachmaninov, R
Joe,
My sense is that you want.
A
1st ending
A
2nd ending
B
A
3rd ending as the end of the piece.
This would be accomplished with a “Da Capo al fine” at the end of the third A.
The 3rd ending would be noted as “fine.”
Mark
From: lilypond-user [mailto:lilypond-user-bounces+c
Damian,
http://lsr.di.unimi.it/LSR/Search?q=figured+bass
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of damianlegassick
Sent: Sunday, November 26, 2017 7:23 AM
To: Lilypond-User
Subject: figured bass / latex lilypond
Urs,
Not sure if it is the cause, a closing parenthesis is missing after the f4.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Urs Liska
Sent: Monday, December 04, 2017 2:57 AM
To: lilypond-user
Subject: Strange end
Martin,
Hemiola?
Cf. WTC I 3 Prelude, measures 97 – 104.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Martin
Neubauer
Sent: Tuesday, April 05, 2016 6:59 PM
To: Lilypond-User Mailing List
Subjec
groups of four against two groups of three.
To dismiss the possibility of a hemiola might deny some of Bach's
playfulness.
Regards,
Mark
-Original Message-
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Thursday, April 07, 2016 1:47 PM
To: Mark Stephen Mrotek ; &
our kind attention.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Werner LEMBERG
Sent: Thursday, April 28, 2016 9:06 PM
To: andrew.bern...@gmail.com
Cc: lilypond-user@gnu.org
Subject: Re: Replying to p
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