, to illustrate the flexibility available.
If you think this work might be useful for you I would like to hear
about it - there is also a mailing list at
[EMAIL PROTECTED]
Richard Shann
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in mind is applying
several pieces of text around a single chord with fine hand control over
the positioning using #'extra-offset (this is for Wysiwyg control of
positioning, dragging on the final pdf output in Denemo).
Richard Shann
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.}
\tweak #'extra-offset #'(0 . -10) _\markup {3}
Thanks too to Eluze for his response. And the handy warning that the
syntax is changing (I can put in a conditional to cover this).
Richard Shann
On Mon, 2012-12-10 at 11:28 +0100, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net
, or
one figure up/down?
Richard Shann
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\new Voice \VoiceI
}
I think this is enough for my purpose, though I would be intrigued to
know if a tweak is possible to move a single figure as well.
Richard Shann
On Sat, 2012-12-15 at 16:28 -0500, Shane Brandes wrote:
Richard,
Try \override Staff.BassFigure #'Y-extent = #'(z.z . w.w
googling the name ly:one-line-breaking I came up with this
\paper{
page-breaking=#ly:one-line-breaking
}
which appears to do the trick.
HTH
Richard Shann
On Sun, 2012-12-16 at 13:11 +0100, David Kastrup wrote:
Bric b...@flight.us writes:
Hi, all
Is there a way to have lilypond output
Can anyone spot what is wrong with this?
\version 2.16
MvmntIVoiceI = {
#(make-dynamic-script (markup #:normal-text #:bold #:italic
pia.)) a'4
}
\score {
\MvmntIVoiceI
}
It is supposed to place a customized dynamics pia. on the score. It
does this, but the
that be
using $ too, as the location data is wrong for the syntax given (see the
bug I emailed about this)?
Thank you for the speedy and informative reply.
Richard Shann
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I too am very interested in adding links to objects, but when I paste
your example into lilypond version 2.16.0 I get syntax errors - is it
specific to 2.17.9?
Below is the error messages (simply changing \version in the file does
not help).
Richard Shann
88
GNU LilyPond
, 2012-12-31 at 02:46 +0100, Thomas Morley wrote:
2012/12/31 Thomas Morley thomasmorle...@googlemail.com:
2012/12/30 Richard Shann richard.sh...@virgin.net:
I too am very interested in adding links to objects, but when I paste
your example into lilypond version 2.16.0 I get syntax errors
On Tue, 2013-01-08 at 14:15 -0600, David Nalesnik wrote:
Hi,
On Tue, Jan 8, 2013 at 2:10 PM, karol karo...@wp.pl wrote:
You have to use shape-tie function. First create file
shape-tie.ly and paste
the following code:
The \shape command is available in the
On Thu, 2013-01-10 at 06:39 -0600, David Nalesnik wrote:
Hi Richard,
On Thu, Jan 10, 2013 at 3:37 AM, Richard Shann
richard.sh...@virgin.net wrote:
On Tue, 2013-01-08 at 14:15 -0600, David Nalesnik wrote:
Hi,
Is that to say that shape
On Thu, 2013-01-10 at 16:49 +0100, Urs Liska wrote:
Am 10.01.2013 13:51, schrieb Richard Shann:
...
Yes, \shape covers the functionality of \shapeTie and can be used for
any curve that is specified by control points: Slur, PhrasingSlur,
RepeatTie, and LaissezVibrerTie, in addition to Tie
will try and include a fix in the script that checks the score for
unterminated tuplets, incomplete measures etc.
Richard Shann
On Sat, 2013-01-26 at 21:03 +0100, Federico Bruni wrote:
Il 26/01/2013 20:54, Jethro Van Thuyne ha scritto:
When trying to typeset grace notes on the first beat
the LilyPond text.
Richard Shann.
On Wed, 2013-02-13 at 00:31 +0100, Xavier Scheuer wrote:
On 12 February 2013 12:40, Joseph Rushton Wakeling
joseph.wakel...@webdrake.net wrote:
On 02/12/2013 03:05 AM, David Kastrup wrote:
The advantage LilyPond has over the hand engraver is that it does not
need
exactly this?
Richard Shann
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' ees'4 ees' ees' ees'8 ~
ees' ees'4 ees' ees' ees'8
}
}
Is this a bug? And more immediately, how can I omit the printing of the
accidental - I have been digging through the manual without success ...
Richard Shann
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On Tue, 2013-03-26 at 13:12 +0100, Janek Warchoł wrote:
On Tue, Mar 26, 2013 at 12:46 PM, Richard Shann
richard.sh...@virgin.net wrote:
Dear LilyPonders,
When a tied note with accidental ties across a line boundary the
accidental is repeated in the next bar. If there is a further note
That did the trick - thank you.
Richard
On Tue, 2013-03-26 at 12:58 +0100, Urs Liska wrote:
Am 26.03.2013 12:46, schrieb Richard Shann:
Dear LilyPonders,
When a tied note with accidental ties across a line boundary the
accidental is repeated in the next bar. If there is a further note
On Tue, 2013-03-26 at 09:52 -0400, Kieren MacMillan wrote:
Hi,
I wonder... The topics been up a few times already, once by myself years ago
when I just started with LilyPond. I already got used to remove the
accidentals manually, but what I'd really like is an automated way to
suppress
On Tue, 2013-03-26 at 21:50 +0100, Noeck wrote:
Am 26.03.2013 21:35, schrieb Kieren MacMillan:
I think Lilypond should offer as many options as possible, so that the
user/engraver can make the choice.
I'd like to second that. I think that’s some outcome of the discussion:
There is still
On Wed, 2013-03-27 at 14:50 +0100, Noeck wrote:
Hi Richard,
There is still something not said here: by default LilyPond is printing
two accidentals in the measure following the line break in the example I
posted.
It is.
Sorry, yes, you are quite right
(though perhaps my contribution
with the saved Denemo score. And further
tweaks can be inserted in the music in that window too. (Sadly, it still
lacks syntax coloring...).
Richard Shann
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for this?
Richard Shann
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On Fri, 2013-03-29 at 17:21 +0100, Noeck wrote:
Hi Richard,
\once \override Score.RehearsalMark #'break-visibility =
#end-of-line-visible \mark \markup { \musicglyph #scripts.ufermata }
Instead of #end-of-line-visible you can use #begin-of-line-invisible,
then it would be visible at
On a different topic you helpfully suggested:
On Tue, 2013-03-26 at 12:58 +0100, Urs Liska wrote:
You can use
suppressAccidental = {
\once \override Accidental #'stencil = ##f
}
I notice this can't be used on notes inside chords - I've been looking
at
Thank you - that worked nicely. Denemo now has a hide accidental
command :)
Richard
On Mon, 2013-04-01 at 11:50 +0200, Federico Bruni wrote:
2013/4/1 Richard Shann richard.sh...@virgin.net
On a different topic you helpfully suggested:
On Tue, 2013-03-26 at 12:58 +0100, Urs
under the line ... any
suggestions?
Richard Shann
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:08 +1100, Nick Payne wrote:
On 03/04/13 06:24, Richard Shann wrote:
I've found that the line dividing the footnote from the music is rather
close to the footnote text.
I can see I need to override this definition
footnote-separator-markup = \markup \fill-line { \override #'(span-factor
#scripts.ufermata } d'16 b' d'' b' d' b' d'' b' e' b' e'' b' e' b' e''
b'
}
I have tried reversing the order in which they appear in the lilypond
but that has no effect.
Any ideas how to get the fermata directly over the barline?
Richard Shann
= #3000
\tempo a tempo
\mark \markup { \musicglyph #scripts.ufermata }
d'16 b' d'' b' d' b' d'' b' e' b' e'' b' e' b' e'' b'
}
Note #' syntax instead of . notation.
Andrew
On 4/04/13 8:55 PM, Richard Shann wrote:
Thanks for the reply - you example does not compile
On Wed, 2013-04-03 at 12:31 -0600, Eduardo Silva wrote:
Subject: LilyPond featured in Demo videos.
From: richard.sh...@virgin.net
To: lilypond-user@gnu.org
Date: Thu, 28 Mar 2013 17:00:56 +
Dear LilyPond,
LilyPond features in a demo video that I have posted at
with the designing of slur shapes, but it is on
my list of things to do.
Thanks to Janek Warchoł on the lilypond-devel-request list for
triggering this solution, and Harm for the brilliant red-dot markers.
Richard Shann
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lilypond
in
(if (eq? line #t) (begin (ly:stencil-add (make-line-stencil 0.05 (car
(first cps)) (cdr (first cps)) (car (second cps)) (cdr (second cps)))
cps)) (car (third cps)) (cdr (third cps))).
this is with 2.16.2
Richard Shann
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On Tue, 2013-04-16 at 15:44 +0200, Janek Warchoł wrote:
Thanks.
I'm wondering whether a similar feature could be easily implemented in
Frescobaldi.
There is quite a lot of machinery to achive this behind the scenes.
btw, maybe it would be possible to skip that click on the middle
line part of
On Tue, 2013-04-16 at 09:41 -0500, David Nalesnik wrote:
Hi,
On Tue, Apr 16, 2013 at 9:01 AM, Urs Liska li...@ursliska.de wrote:
Am 16.04.2013 14:07, schrieb Richard Shann:
On Tue, 2013-03-26 at 10:29 +0100, Urs Liska wrote:
BTW
On Tue, 2013-04-16 at 16:59 +0200, Janek Warchoł wrote:
2013/4/16 Richard Shann richard.sh...@virgin.net:
On Tue, 2013-04-16 at 15:44 +0200, Janek Warchoł wrote:
btw, maybe it would be possible to skip that click on the middle
line part of you used David Nalesnik's \offset
https
On Tue, 2013-04-16 at 16:59 +0100, Richard Shann wrote:
On Tue, 2013-04-16 at 09:41 -0500, David Nalesnik wrote:
Hi,
[...]
When I recently cut-and-pasted the code from the email, I had this
same problem. IIRC, the only problem was that a long comment line had
been broken across lines
of syntax so I immediately
started trying to guess what the parallel syntax might be...
Well, I can get stuck into this now - thanks!
Richard
Richard Shann richard.sh...@virgin.net schrieb:
On Tue, 2013-04-16 at 16:59 +0100, Richard Shann wrote:
On Tue, 2013-04-16 at 09:41
On Fri, 2013-04-19 at 10:19 +0200, Wilbert Berendsen wrote:
Op Tue, 16 Apr 2013 15:48:10 +0100
Richard Shann richard.sh...@virgin.net schreef:
On Tue, 2013-04-16 at 15:44 +0200, Janek Warchoł wrote:
Thanks.
I'm wondering whether a similar feature could be easily implemented
On Sun, 2013-04-21 at 10:38 +0200, Janek Warchoł wrote:
2013/4/19 Richard Shann richard.sh...@virgin.net:
Here is a short demo showing dragging the shape of a slur in Denemo
https://vimeo.com/64408182
The code to do this is in Denemo's git repository now.
Wow!! You know, i almost
On Tue, 2013-04-23 at 17:16 +0200, Urs Liska wrote:
David Nalesnik david.nales...@gmail.com schrieb:
Hi,
On Tue, Apr 23, 2013 at 9:36 AM, Janek Warchoł
janek.lilyp...@gmail.comwrote:
2013/4/23 Richard Shann richard.sh...@virgin.net:
On Sun, 2013-04-21 at 22:11 +0200, Janek
On Tue, 2013-04-23 at 17:31 +0200, Urs Liska wrote:
Am 23.04.2013 17:25, schrieb Richard Shann:
On Tue, 2013-04-23 at 17:16 +0200, Urs Liska wrote:
David Nalesnik david.nales...@gmail.com schrieb:
Hi,
On Tue, Apr 23, 2013 at 9:36 AM, Janek Warchoł
janek.lilyp...@gmail.comwrote
On Tue, 2013-04-23 at 17:49 +0200, Janek Warchoł wrote:
2013/4/23 Richard Shann richard.sh...@virgin.net:
On Tue, 2013-04-23 at 17:16 +0200, Urs Liska wrote:
David Nalesnik david.nales...@gmail.com schrieb:
I'm a little confused here too. I watched the demo (very cool, BTW!)
and you
On Tue, 2013-04-23 at 18:23 +0200, Janek Warchoł wrote:
2013/4/23 Richard Shann richard.sh...@virgin.net:
On Tue, 2013-04-23 at 17:49 +0200, Janek Warchoł wrote:
What about this: ask the user to drag the control points. Then he
doesn't have to click precisely on the control point
a command is in this context - what do I
write inside
\layout { }
to get the desired behavior? I dpn't even see anything in LSR for
this ...
Richard Shann
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On Sat, 2013-05-11 at 16:58 +0100, Phil Holmes wrote:
- Original Message -
From: Richard Shann richard.sh...@virgin.net
To: lilypond-user lilypond-user@gnu.org
Sent: Saturday, May 11, 2013 4:30 PM
Subject: Hara Kiri staff behavior
I'm currently baffled by not finding
On Sat, 2013-05-11 at 18:45 +0100, Phil Holmes wrote:
Look in the index for the command \RemoveEmptyStaves
??? that is precisely the page quoted above???
Richard
No it's not. Note the \ .
Ah, yes - thank you, I never noticed before that there was stuff indexed
under \blah as
On Sun, 2013-05-12 at 11:26 +0200, Thomas Morley wrote:
2013/5/12 Richard Shann richard.sh...@virgin.net:
With the page pointed to by \RemoveEmptyStaves I arrived at
\layout { \context { Staff \RemoveEmptyStaves } }
then I discovered that my recollection was correct - I had already
On Wed, 2013-05-15 at 10:05 +0200, Urs Liska wrote:
c)
I could initially create the score with all possible staves and just
let
\RemoveEmptyStaves do its job (well, that's what it is intended
for ...)
- But that would mean the extra overhead of filling the extra staves
with rests for all
On Wed, 2013-06-05 at 10:23 +0200, Stjepan Horvat wrote:
is there a way to split duration of long notes when chaning time signature:
\time 4/4
c1
to
\time 2/4
c2 ~ c2
i'm intrested in the output?
There is a command in Denemo to do this, but import from LilyPond into
Denemo is still
at the end of the work).
Could someone point me in the right direction here?
Richard Shann
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On Wed, 2013-06-05 at 16:58 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes:
I have just started using
\override #'(line-width . n)
for text markup, and I want the value n to be chosen so as to work out
as the distance between the margins of the paper I'm
On Wed, 2013-06-05 at 07:49 -0700, Eluze wrote:
Richard Shann wrote
I have just started using
\override #'(line-width . n)
for text markup, and I want the value n to be chosen so as to work out
as the distance between the margins of the paper I'm printing
This looks great Urs. I wrote a CriticalComment command for Denemo that
allows you to attach comments to notes in a score. These comments can
include \score {} blocks so that the music being commented on can be
engraved within the sentence. The Critical Comments are collected up and
referenced at
On Mon, 2013-06-10 at 18:52 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes:
This looks great Urs. I wrote a CriticalComment command for Denemo
that allows you to attach comments to notes in a score. These comments
can include \score {} blocks so that the music
On Mon, 2013-06-10 at 18:24 +0200, Urs Liska wrote:
Hi Richard,
thanks for the feedback. I'd be happy to design the stuff in a way that
it can be used by Denemo and Frescobaldi as well.
Am 10.06.2013 17:53, schrieb Richard Shann:
This looks great Urs. I wrote a CriticalComment command
in Denemo to achieve alignment with the lowest line of
the staff).
Richard
On Mon, 2013-06-10 at 20:40 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes:
On Mon, 2013-06-10 at 18:52 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes
I've just been digging around in the docs and lsr for typesetting two
time signatures right next to each other 3/4 6/8
I can see the stuff for putting one in brackets, but not for printing
both next to each other.
Anyone know where this is (I know it must exist, it is common enough),
Richard
On Mon, 2013-06-10 at 23:32 +0200, Pierre Perol-Schneider wrote:
...
see here : http://lsr.dsi.unimi.it/LSR/Item?id=782
or else : http://lsr.dsi.unimi.it/LSR/Search?q=time
Cheers,
Pierre
On Mon, 2013-06-10 at 23:43 +0200, Thomas Morley wrote:
...
After
On Mon, 2013-06-10 at 20:42 +0100, Richard Shann wrote:
(I guess that is why I put the \raise #6.0 in the Critical
Commentary code in Denemo to achieve alignment with the lowest line of
the staff).
In fact I think I see the issue you are grappling with, if the snippet
has a bass clef
On Tue, 2013-06-11 at 10:38 +0200, Urs Liska wrote:
Am 10.06.2013 18:52, schrieb David Kastrup:
Richard Shann richard.sh...@virgin.net writes:
This looks great Urs. I wrote a CriticalComment command for Denemo
that allows you to attach comments to notes in a score. These comments
can
On Fri, 2013-06-14 at 11:52 +0200, David Kastrup wrote:
Urs Liska u...@openlilylib.org writes:
Maybe it's obvious but I always wondered why LilyPond identifiers are
so restricted to [a-zA-Z] characters.
They aren't.
\version 2.16
Mvmnt1Voice1 = {
a b c
}
\score {
\Mvmnt1Voice1
}
Staff notation, such as key signatures, bar lines, etc.,
There has been a feature in LilyPond when grace notes coincide with bar
lines for many years now, so I have created a command in Denemo Install
Grace Note Hints to work around it. This means the user just has to put
in the grace notes
I don't know if this is the right forum for posting unfortunate examples
of LilyPond's output but I came across this one:
\version 2.16
\score {
f''4.\fermata
}
The fermata seems connected visually with the dot on the note, it looks
better to me dragged further away, which I have done for the
menu.
Richard
On Mon, 2013-07-15 at 09:38 -0700, SoundsFromSound wrote:
Hmm, that does like quite bad.
But Eluze has the right idea:
I would just use something like
f''4.- \tweak #'padding #1 \fermata
...as a temporary fix :)
-Ben
Eluze wrote
Richard Shann wrote
I
I have been compiling some examples of LilyPond's typesetting compared
with those of well-known alternatives:
http://denemo.org/CompareScorewriters
If anyone can provide better examples - these are just taken from
published work that I could find with a quick search - then please let
me know -
On Sun, 2013-07-21 at 23:20 +0200, Mats Bengtsson wrote:
I have been compiling some examples of LilyPond's typesetting compared
with those of well-known alternatives:
http://denemo.org/CompareScorewriters
If anyone can provide better examples - these are just taken from
published
On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
Am 20.07.2013 17:57, schrieb Richard Shann:
I have been compiling some examples of LilyPond's typesetting compared
with those of well-known alternatives:
http://denemo.org/CompareScorewriters
If anyone can provide better examples
On Tue, 2013-07-23 at 17:23 +0200, pls wrote:
On 23.07.2013, at 15:03, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Richard Shann
richard.sh...@virgin.net
To: Mats Bengtsson mats.bengts...@ee.kth.se
Cc: lilypond-user@gnu.org
Sent: Tuesday, July 23, 2013 1
On Tue, 2013-07-23 at 15:12 +0200, Urs Liska wrote:
Am 23.07.2013 15:09, schrieb Richard Shann:
On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
Am 20.07.2013 17:57, schrieb Richard Shann:
I have been compiling some examples of LilyPond's typesetting compared
with those of well-known
On Tue, 2013-07-23 at 13:01 -0400, Carl Peterson wrote:
On Tue, Jul 23, 2013 at 12:44 PM, Richard Shann
richard.sh...@virgin.net wrote:
On Tue, 2013-07-23 at 17:23 +0200, pls wrote:
(both MusicXML and their corresponding PDF/PNG files) as
reference files
if you like.
Richard
On Wed, 2013-07-24 at 17:05 +0100, Phil Holmes wrote:
- Original Message -
From: Richard Shann richard.sh...@virgin.net
To: Phil Holmes m...@philholmes.net
Cc: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Tuesday, July 23, 2013 5:49 PM
On Wed, 2013-07-24 at 11:34 -0700, arnepe wrote:
ok and done, both pdf's are on their way.
And here (last two examples) are the resultant comparisons:
http://denemo.org/compareFinale
Please check that I am not misrepresenting LilyPond here. I have put a
command into Denemo to fix slurs that
that would be good (but a lot of
work, of course, else you wouldn't be reading here :) )
Richard
On Wed, 2013-07-24 at 22:10 +0100, Phil Holmes wrote:
- Original Message -
From: Richard Shann richard.sh...@virgin.net
To: Phil Holmes m...@philholmes.net
Cc: Mats Bengtsson mats.bengts
On Sat, 2013-07-27 at 13:05 +1000, Nick Payne wrote:
On 27/07/13 07:52, Wim van Dommelen wrote:
Hi,
I've a piece starting with a \slashedGrace. See attached .png and .ly
for an example of what happens. I remember but cannot find back the
positioning at the beginning of a measure has
On Tue, 2013-07-30 at 13:56 -0400, Carl Peterson wrote:
On Tue, Jul 30, 2013 at 12:58 PM, Eduardo Silva
eduardo.su...@hotmail.com wrote:
What I would be interested in is a WYSIWYG editor that would
be able to take down notes and output a basic ly file, perhaps
On Wed, 2013-07-31 at 07:14 +1000, Nick Payne wrote:
On 31/07/13 01:21, D'Arcy J.M. Cain wrote:
On Tue, 30 Jul 2013 08:39:16 -0600
i...@soundand.com wrote:
Is anyone using a tablet to run lilypond and if so which one?
I was thinking about getting a tablet but why run Lilypond on it?
with a samll (5Mb) soundfont not to waste people's bandwidth
when, if they care, they will use one of the many free sound fonts that
suit their needs. For my own use I have a 100 Mb single harpsichord stop
patched in, replacing the grand piano.
Richard Shann
On Tue, 13 Aug 2013 12:17:17 +0200
Johan Vromans jvrom...@squirrel.nl wrote:
Federico Bruni fedel...@gmail.com writes:
Denemo already supports this two pass input, you can find a
screencast on Vimeo.
Yes, I did look at Denemo. With Denemo you have to enter the durations
using
On Tue, 13 Aug 2013 11:50:16 -0400
Carl Peterson carlopeter...@gmail.com wrote:
On Tue, Aug 13, 2013 at 11:19 AM, Richard Shann
richard.sh...@virgin.netwrote:
here is your problem. You are hoping that the timing of your
keypress could be interpreted and a duration of note estimated from
On Tue, 13 Aug 2013 18:00:01 +0200
Johan Vromans jvrom...@squirrel.nl wrote:
Richard Shann richard.sh...@virgin.net writes:
here is your problem. You are hoping that the timing of your
keypress could be interpreted and a duration of note estimated from
it. Such systems have been tried
On Tue, 13 Aug 2013 21:11:59 +0200
Johan Vromans jvrom...@squirrel.nl wrote:
Richard Shann richard.sh...@virgin.net writes:
If you can read music fluently and have a lot of music to enter
sequentially into LilyPond then Denemo gives you a way of leveraging
your sight-reading skill
On Tue, 13 Aug 2013 11:09:53 -0700
David Rogers davidandrewrog...@gmail.com wrote:
Richard Shann richard.sh...@virgin.net writes:
You could have played the entire piece in by the time you have set
about looking for mistakes in the automatic entry systems.
Richard: I think playing
On Tue, 13 Aug 2013 21:55:27 +0200
Johan Vromans jvrom...@squirrel.nl wrote:
Richard Shann richard.sh...@virgin.net writes:
Yes modern GUI based tools are slow. The main problem with your
method, is that you have to look at the screen. Looking away from
the music you are transcribing
Denemo can now help in transcribing an audio performance into notation
typeset by LilyPond.
The audio is loaded into an empty score and Denemo detects note-onsets
in the piece and provides a set of beats at whatever tempo you have
guessed at (you can suggest the time signature too).
You can then
.
As to listing them all, I notice that many have tags which can be
clicked on (e.g. as Richard Shann/Editor or Richard Shann/Arranger) to
find more.
Finally, I know of one other contributor to IMSLP that uses LilyPond,
namely Mario Bolognani. I am not sure that he explicitly mentions this,
but I am sure he
On Tue, 2013-09-03 at 09:09 +0100, Richard Shann wrote:
Urs,
[...]
As to listing them all, I notice that many have tags which can be
clicked on (e.g. as Richard Shann/Editor or Richard Shann/Arranger) to
find more.
hmm, that was dumb of me, of course I can give the links:
http://imslp.org
On Sun, 2013-09-22 at 08:05 +0200, Pierre Perol-Schneider wrote:
2013/9/22 Bric b...@flight.us
Is there a way to insert an arbitrary SVG shape?
It has to be eps.
You may like to use this to convert:
inkscape --export-text-to-path --export-bbox-page --without-gui
You may need to know about Denemo and Frescobaldi which both allow MIDI
input and generate LilyPond output.
Richard
On Wed, 2013-09-25 at 11:20 -0700, searchfgold6789 wrote:
Hello,
I was looking for a way to create Lilypond files at a better speed than just
typing them by hand. Someone
On Thu, 2013-09-26 at 09:32 +, James Harkins wrote:
- With a MIDI keyboard, I would be back to the Finale hell of
correcting
enharmonic misspellings.
Enharmonic misspellings are a thing of the past if you use Denemo to
play in the pitches from a MIDI keyboard. Firstly, because the set of
On Thu, 2013-09-26 at 11:52 +0200, David Kastrup wrote:
James Harkins jamshar...@gmail.com writes:
David Kastrup dak at gnu.org writes:
It's been some time since I last tried, but the basic answer I arrived
at for myself was don't bother. The tools are not good enough right
now to
On Thu, 2013-09-26 at 15:41 +0200, Johan Vromans wrote:
James Harkins jamshar...@gmail.com writes:
I have to agree with David here.
When I first started looking at LilyPond, one of my first questions was
about MIDI input. But then I realized:
... this is all based on using a MIDI
On Thu, 2013-09-26 at 19:16 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes:
On Thu, 2013-09-26 at 11:52 +0200, David Kastrup wrote:
Anway, my point is: the currently available tools are not good enough
right now to save time.
This very much depends
On Fri, 2013-09-27 at 13:41 +0800, James Harkins wrote:
On Sep 27, 2013 12:10 AM, Richard Shann richard.sh...@virgin.net
wrote:
Since introducing this I have had zero enharmonic misspellings in my
transcriptions. But this might not be suitable for some sorts of
music,
I confess.
My
On Thu, 2013-09-26 at 20:28 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes:
Denemo completely ignores the time-stamps on the midi input
stream. The midi events are serialized into a buffer by a separate
thread, and Denemo just picks them up in the order
On Fri, 2013-09-27 at 09:04 +0100, Richard Shann wrote:
So if you wanted some assorted
collection of sharps and flats (E-flat with A-flat but F-sharp ...)
whoops! it would have to be weirder than that, say D-Sharp with
A-flat ...
Richard
On Fri, 2013-09-27 at 11:38 +0200, David Kastrup wrote:
Sure, that may be of interest to the other people on the thread who
*are* looking for MIDI input. For myself, I prefer working with the
code directly, and I will likely continue to prefer the code even if
there's the option of
On Fri, 2013-09-27 at 04:20 -0700, MING TSANG wrote:
Lilyponders:
This email would be better sent to the Denemo mailing list
On the download page it said it includes lilypond. I already have
lilypond v2.16.2 and v2.17.26 installed on my desktop computer. Will
the installation clobber my
Nicholas Sceaux created a LilyPond include file to do title page stuff.
A modified version of it is available in the LilyPond output from Denemo
(if you give a book title to your score). In that version you can
additionally add a short excerpt from the score on the title page and a
border is drawn
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