Score.MeasureGrouping #'springs-and-rods =
#ly:spanner::set-spacing-rods
to your command \override Score.MeasureGrouping #'minimum-length = #10
in order to make it work.
So both commands are needed to see the effect.
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not know exactly why it is so, but it is sometimes necessary,
as explained in NR 5.4.6 Spanners
http://lilypond.org/doc/v2.15/Documentation/notation/spanners
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!
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% other instruments
}
\score {
\violinMvtII
% other instruments
}
% each movement
}
}
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something here?
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; there has been a lot of
improvements since 2.6.5!
Please seriously consider updating to 2.14.
It is also better because answers given on the mailing lists are using
the 2.14 syntax.
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\musicglyph #scripts.coda }
}
\relative c' {
c1 | c | c | c \toCoda
\bar || \break
\mark \default
c1 | c |
\mark \default
\markDown 23
c | c
}
End of snippet
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#'direction = #DOWN
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Staff.Clef #'break-visibility = #all-invisible
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) % timeSignatureFraction
#'(1 . 8) % baseMomentFraction
#'(4 4)% beatStructure
#'() % beamExceptions
or
\set Timing.beatStructure = #'(4 4)
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to _every voice_ in
_every staff_.
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~ } \voiceTwo q2 s4 | %17
}
}
}
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for a workaround.
To avoid the f natural on the next chord you can use
#(set-accidental-style 'voice) , although this is not a proper
solution.
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a \grace s8 there!
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' {
c1
\once \revert Staff.TimeSignature #'stencil
\time 3/4
c2.
\once \revert Staff.TimeSignature #'stencil
\time 2/4
c2
}
}
instead of removing the engravers.
HTH.
Cheers,
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, same indentation and same name
for the main staff)! Only the comments were not the same.
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c d }
\break
\once\override Staff.BarLine #'after-line-breaking =
#color-at-line-begin
\repeat volta 2 { d c b a }
}
Nice one!
Could you add it to the LSR?
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}
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= lyricsSecond \with {
% as suggested by XS
alignBelowContext = lyricsFirst
associatedVoice = first
} {
mi mi mi mi
}
|
d d d d
% […]
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specific to lyrics Lyrics and repeats
http://lilypond.org/doc/v2.15/Documentation/notation/techniques-specific-to-lyrics#lyrics-and-repeats
Only the alignBelowContext is an addition for your specific case.
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,
Xavier
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consider updating.
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On 24 July 2011 21:46, Xavier Scheuer x.sche...@gmail.com wrote:
Thanks Neil!
It works great. I'll use it as a workaround until Mike's fix is OK and
pushed. Thank you Mike too. Good luck.
I'm sorry, I always report issues and when people suggest a workaround
I manage to find issues
On 26 July 2011 14:01, Xavier Scheuer x.sche...@gmail.com wrote:
I'm sorry, I always report issues and when people suggest a workaround
I manage to find issues in the workaround; but I always need your help
to solve these issues.
I have an arpeggio in my piano score and even with Neil's
://lilypond.org/doc/v2.15/Documentation/notation/breaks.html
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On 24 July 2011 21:46, Xavier Scheuer x.sche...@gmail.com wrote:
Thanks Neil!
It works great. I'll use it as a workaround until Mike's fix is OK and
pushed. Thank you Mike too. Good luck.
I did not notice first but Neil's workaround produces a strange message
in the console when compiling
(with line break)
http://lsr.dsi.unimi.it/LSR/Item?id=190
Positioning segno and coda (without line break)
http://lsr.dsi.unimi.it/LSR/Item?id=198
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because you merge A, B and C into the _same voice_
by using a construct without \new Voice .
Hence one voice - one stem
- only one direction for ties, slurs.
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this time because you do not have contrary commands
( \tieUp and \tieDown ) merged into the same _voice_.
At least that's what I think!
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https
at the same time).
Thanks Neil!
It works great. I'll use it as a workaround until Mike's fix is OK and
pushed. Thank you Mike too. Good luck.
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https
-right-at-line-begin
\mark \default
\repeat unfold 8 c1 \break
\repeat volta 2 {
% no shift needed here, although it is applied!
\mark \default
\repeat unfold 8 c1
}
}
}
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). A feedback stating this issue is effectively (and
finally!) fixed would be appreciated.
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a tracker issue?
This is on the LSR, at least.
http://lsr.dsi.unimi.it/LSR/Item?id=639
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planned to, but please add such functions to the LSR.
They will be for sure useful to other people!
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use the \parenthesize command.
c4-\parenthesize -|
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On 20 July 2011 12:01, Andrea jayara...@gmail.com wrote:
Hi Xavier,
I didn't think it was that easy! This command will come handy many
times, thank you so much!
Yeah, LilyPond is a great software, isn't it? ;-D
Cheers,
Xavier
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!
Cheers,
Xavier
PS : Please note that since issue 620 has no lilypond code showing the
consequences of this issue, it is difficult for a lambda user to
understand it, hence IMHO the several duplicate report of this issue.
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plan to modify LilyPond’s G-clef ?
I like the current one and it is like a “signature”, allowing to
recognize scores nicely engraved with LilyPond.
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.
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#'font-size
\revert Stem #'stroke-style
s1*0)
}
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: That will also print also print other RehearsalMark on every
Staff of the ChoirStaff (such as \mark \default ).
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-rule 'same-octave 1))
...
}
}
See music-function.scm for how they are defined and engraver-init.ly
for some examples. Ideally this would be cleaner, but at least it's
possible.
Yeah! That works great.
Thanks a lot Jay.
Cheers,
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: That certainly deserves a snippet in the LSR.
I'll add it next week unless Jay does it before.
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but it
failed).
Is there a simple way to print the \sustainOff at the very end of the
measure (just before the bar line)?
Thanks in advance.
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. I'd like to be able to define this layout setting within
the \layout block, as I do for Score.skipBars or
MultiMeasureRest #'expand-limit for example.
Is there a way to define accidental style outside the music expression?
Cheers,
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anything in this case.
Any help would be appreciated.
Thanks in advance!
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\new FiguredBass \figBassBassFiguresII
\new Staff = left \with {
midiInstrument = acoustic grand
} { \clef bass \leftPianoII }
\score {
\pianoIPart
\pianoIIPart
% […]
}
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) see noticeable change between them.
Waiting for GLISS to see a proposal of official integration into
LilyPond.
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myVariable = \relative c' {
a b c d
e d c b
}
\score {
\myVariable
}
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-behavior
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a
\myVariable
?
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John's message).
It would be interesting to contact him (because the thread I linked is
quite old). It would be great if —thanks to your combined efforts—
you could offer a real, great, official LaTeX package to include
LilyPond characters!
Cheers,
Xavier
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correspond to your aksak-meter?
Cheers,
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On 20 June 2011 01:20, Hwaen Ch'uqi hwaench...@gmail.com wrote:
Dear Xavier,
Greetings, and many thanks for your solution of code -- and
especially for your explanation. It works beautifully now, and I fully
comprehend!
Great, glad I could help!
Cheers,
Xavier
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it though (as I said, I'm not a font specialist).
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/archive/html/lilypond-user/2011-04/msg00619.html
Did you recall making such upgrade between 2.13.46 and 2.14?
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\remove Bar_number_engraver
}
}
}
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!
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could solve it
within a not too long future (let's hope).
But thanks again Jay, your answer will help me for tweaking events in
other circumstances.
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ff dolce)
{ a1 a\ffdolce a }
%%
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Accidentals
Snippet Preventing extra naturals from being automatically added
http://lilypond.org/doc/v2.14/Documentation/notation/writing-pitches.html#accidentals
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lilypond
\context {
\PianoStaff
\remove Keep_alive_together_engraver
}
to your \layout block.
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, such as Ted Ross or
Gardner Read, maybe they could check the rules concerning key
signature and extra naturals.
I am not aware of (free) online version of music typesetting rules
(conventions), but again, maybe other users have advice.
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.linux.x86.sh
and it installs lilypond in /usr/local/lilypond
The bin PATH is /usr/local/bin/lilypond
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and I do not like proposal 4
because it does not show the symmetry of these 2 notes having the
same length.
Thanks again.
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to post
them as comments on the tracker too.
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) tempo, but maybe
dotted notes are better at slow (3 beats) tempo?
Thanks in advance!
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there. This could be a headache, though.
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this will be enough.
}
}
\score {
\test
}
}
%%% End Snippet %
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and ChordNames in
ly/engraver-init.ly in order to identify the engravers you need.
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and hosting it.
Sometimes —unfortunately— the LSR come down (it happens usually at the
same moment when you need it, then you realize how _useful_ the LSR is).
This raised a question in my mind: do we have some mirrors of the LSR?
Cheers,
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{
\lower
}
}
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).
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signatures, bar lines, etc., are also synchronized.
Take care when you mix staves with grace notes and staves without
http://lilypond.org/doc/v2.13/Documentation/notation/special-rhythmic-concerns.html#grace-notes
Cordialement,
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is not *explaining* how to use this feature, but rather
*informing* that this new feature exists.
NR is IMHO the reference that contains every command that could be used
by a user. It would be nice to have \cueDuringWithClef documented as
well in the NR, isn't it?
Cheers,
Xavier
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.
I first did not look at all the files of the PATCH, I just read the
description which mention \cleffedCueDuring .
Also I remembered this snippet in which it is called
\cleffedCueDuring: http://lsr.dsi.unimi.it/LSR/Item?id=388
I have nothing against the new name.
Cheers,
Xavier
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Cc: to James Lowe, the brave only full-time doc writer/editor?
On 17 April 2011 23:20, Xavier Scheuer x.sche...@gmail.com wrote:
Hi there!
I remember a discussion where Reinhold asked how should a clef looks
like in a CueVoice (I cannot find this again).
IIRC the conclusion was something
.
\override DynamicLineSpanner #'staff-padding = #2.0
\override DynamicLineSpanner #'Y-extent = #'(-1.5 . 1.5)
\override TextScript #'Y-extent = #'(-1.5 . 1.5)
http://lilypond.org/doc/v2.13/Documentation/notation/expressive-marks-attached-to-notes.html#dynamics
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}
}
}
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Glissando #'minimum-length = #4
\hideNotes
s1*0\glissando
}
stopGlissandoGraceMusic = {
\unHideNotes
s1*0
}
glissandoGrace = #(def-grace-function startGlissandoGraceMusic
stopGlissandoGraceMusic
(_i Create an invisible grace for glissando without starting note))
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= guitar tab
\new TabVoice = upper { \tabFullNotation \upper }
\new TabVoice = lower { \tabFullNotation \lower }
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-extend = ##t .
Would it be possible to magstep the stem-extend?
Yeah, this is an odd request!
Something like
\override Stem #'stem-extend-length-fraction = #(magstep -4)
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On 19 April 2011 13:35, alb84 alberto.em...@tiscali.it wrote:
I want to put the norm (or modulo, or absolute value, in math) on a note,
\turn
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On 19 April 2011 13:47, Xavier Scheuer x.sche...@gmail.com wrote:
\turn
Forget, see Marc's reply.
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{
\chordmode {
a1 c
}
}
\new Staff {
\relative c'' {
\key a \major
a1 c
}
}
}
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http
but it does not work.
Any idea how I could change the color of the ledger lines (ledger lines
only, I do not want to change the whole staff's color).
Thanks in advance.
Cheers,
Xavier
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in the middle
%% of a score.
%%
\version 2.13.60
\score {
\new Staff {
c c' c'' c'''
\override Staff.LedgerLineSpanner #'color = #red % no effect!
c c' c'' c'''
}
}
Cheers,
Xavier
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On 18 April 2011 13:31, Valentin Villenave valen...@villenave.net wrote:
How about restarting the staff, as in http://lsr.dsi.unimi.it/LSR/Item?id=700
?
Indeed, it works.
Thanks!
Cheers,
Xavier
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c1 a
}
}
}
Cheers,
Xavier
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{
\override Stem #'length-fraction = #(magstep -4)
e4 f g a
b c d e
f g a b
c d e f
g a b c
d e f g
}
}
}
Cheers,
Xavier
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attachment: stem-length-fraction-ledger-notes.png___
\paper variables
http://lilypond.org/doc/v2.13/Documentation/notation/flexible-vertical-spacing-_005cpaper-variables.html
Cheers,
Xavier
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staves
where I was expecting it.
For your second issue I do not know the cause of this but a simple
workaround is to use
\once \override Staff.BarLine #'stencil = ##f
at the end of the second line (in the ossia staff).
Hope that helps.
Cheers,
Xavier
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. gis8( gis2)
Then everything should be fine.
It is recommended to input your ly text file with one measure per
line, and you can use more barchecks '|' .
Cheers,
Xavier
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lilypond-user
/doc/v2.13/Documentation/notation/writing-rests.html#full-measure-rests
Cheers,
Xavier
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in this case could be to increase the length of the rests
measures.
\override Staff.MultiMeasureRest #'minimum-length = #24
Result is better with non-church rests:
\override Staff.MultiMeasureRest #'expand-limit = #1
but that does not solve the feature request.
Cheers,
Xavier
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Xavier
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