be a major selling point for
lilypond in the contemporary music world.
For completeness sake here's index of what you see in the linked PDF
(naturally eveything you see here is generated using lilypond alone):
1) Split-stem chords/clusters
2) Stemmed glissando
3) Bezier glissando w/arrowhead
4
it could be a major selling point for
lilypond in the contemporary music world.
For completeness sake here's index of what you see in the linked PDF
(naturally eveything you see here is generated using lilypond alone):
1) Split-stem chords/clusters
2) Stemmed glissando
3) Bezier glissando w
On Sun, Oct 12, 2014 at 7:06 AM, Piaras Hoban phoba...@googlemail.com
wrote:
I thought it might be interesting for those wondering what's possible in
lilypond to see some examples from the field. I've put together a page
collating those things I've done in the past year or so.
I'm
be great to develop a contemporary notation library for
lilypond
making these notations readily available to any user, I'm not sure what
that would involve but I know it could be a major selling point for
lilypond in the contemporary music world.
For completeness sake here's index of what you see
notation library for lilypond
making these notations readily available to any user, I'm not sure what
that would involve but I know it could be a major selling point for
lilypond in the contemporary music world.
Absolutely!
And if you'd like to write a short (or long) blog post about this, just
for lilypond
making these notations readily available to any user, I'm not sure what that
would involve but I know it could be a major selling point for lilypond in
the contemporary music world.
For completeness sake here's index of what you see in the linked PDF
(naturally eveything you see
Urs Liska wrote
Am 09.10.2014 06:31, schrieb Marco Bagolin:
The notation contemporary music is so diverse, I know.
I wonder if actually Lilypond has commands for drawing graphic
symbols, as line circle, curve, square, circle, etc...
A nice thing about LilyPond's approach is that once you
Hi,
2014-10-08 22:11 GMT+02:00 Marco Bagolin bagolin.ma...@gmail.com:
Hello all,
I'm new Lilypond user and I am interested in Contemporary Music Notation.
I read all 2.8 Contemporary music manual section:
http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music
but lot
Am 09.10.2014 06:31, schrieb Marco Bagolin:
The notation contemporary music is so diverse, I know.
I wonder if actually Lilypond has commands for drawing graphic
symbols, as line circle, curve, square, circle, etc...
I'll give you a few places to start:
http://www.lilypond.org/doc/v2.18
Urs Liska wrote
Am 09.10.2014 06:31, schrieb Marco Bagolin:
The notation contemporary music is so diverse, I know.
I wonder if actually Lilypond has commands for drawing graphic
symbols, as line circle, curve, square, circle, etc...
In addition to what Urs shared, here are a couple
Hello all,
I'm new Lilypond user and I am interested in Contemporary Music Notation.
I read all 2.8 Contemporary music manual section:
http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music
but lot of the chapters are empty and most of links are inactive.
Please how can I
Am 08.10.2014 22:11, schrieb Marco Bagolin:
Hello all,
I'm new Lilypond user and I am interested in Contemporary Music Notation.
I read all 2.8 Contemporary music manual section:
http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music
but lot of the chapters are empty
- Original Message -
From: Joshua Nichols
To: Mailinglist lilypond-user
Sent: Tuesday, January 07, 2014 4:29 AM
Subject: On features planned for 2.20 and Documentations on Contemporary
Music
So I check the documentation for the dev version, and I notice
that there are a few ideas
Phil Holmes m...@philholmes.net writes:
From: Joshua Nichols
To: Mailinglist lilypond-user
So I check the documentation for the dev version, and I notice
that there are a few ideas for the next release. Any ideas not
mentioned via documentation?
I don't know of any planning that is done
Hi Josh,
I was wondering if any examples of contemporary notation were ever going to
be put in the documentation. I know there is a spot for that, and when I've
checked back several stable versions, and alas... nothing.
As others have pointed out, we [the community] need to step up and fill
Thanks to Kieren, David, and Phil for your responses. Kieren, that was a
fantastic snippet.
I guess I would be willing to help, but I have no where to begin to start
that process. I would love to come up with some documentation on
contemporary music, but it seems that LilyPond does convential
music, but it seems that LilyPond does convential stuff
REALLY
well, in contrast to contemporary music which takes heavy tweaking and
coding to accomplish it.
So, if there is something I can do to help out with the documentation,
let
me know!
Maybe a good start would be to set up a place and collect
on
contemporary music, but it seems that LilyPond does convential stuff
REALLY
well, in contrast to contemporary music which takes heavy tweaking and
coding to accomplish it.
So, if there is something I can do to help out with the documentation,
let
me know!
Maybe a good start would be to set up
So I check the documentation for the dev version, and I notice that there
are a few ideas for the next release. Any ideas not mentioned via
documentation?
Also, I was wondering if any examples of contemporary notation were ever
going to be put in the documentation. I know there is a spot for
Hello, I am new in Lilypond, because I need to include contemprary music
notation in my socres, but I can not find
any code or examples in the part concerning to Contemporary Music Notation:
It is the same in the PDF version
http://lilypond.org/doc/v2.15/Documentation/notation/contemporary-music
On Apr 13, 2012, at 1:09 AM, Sabina Covarrubias wrote:
Hello, I am new in Lilypond, because I need to include contemprary music
notation in my socres, but I can not find
any code or examples in the part concerning to Contemporary Music Notation:
It is the same in the PDF version
Ok! But how can I avoid this?
How can I do to have a sign attached to the note?
Thanks!
In data sabato 18 febbraio 2012 07:37:36, David Kastrup ha scritto:
Two more notes: StudlyCaps are not the style used for markup commands,
you'd use contemp-sign for the markup. And putting the path in a
Mario Moles mario-mo...@libero.it writes:
Ok! But how can I avoid this?
How can I do to have a sign attached to the note?
Please don't toppost. Without an example to play around with, and you
obviously have such an example, it is much harder to make a useful
answer. In this case, one would
In data domenica 19 febbraio 2012 18:45:29, David Kastrup ha scritto:
Please don't toppost. Without an example to play around with, and you
obviously have such an example, it is much harder to make a useful
answer. In this case, one would likely have to play with the priority
overrides.
Mario Moles mario-mo...@libero.it writes:
In data domenica 19 febbraio 2012 18:45:29, David Kastrup ha scritto:
Please don't toppost. Without an example to play around with, and you
obviously have such an example, it is much harder to make a useful
answer. In this case, one would likely
In data domenica 19 febbraio 2012 21:13:43, David Kastrup ha scritto:
\version 2.15.30
#(define-markup-command (contemp-sign layout props) ()
(interpret-markup layout props
#{ \markup \override #'(filled . #t) \path #'0.25
#'((moveto 0.0 0.0)
On Fri, Feb 17, 2012 at 10:37 PM, David Kastrup d...@gnu.org wrote:
Two more notes: StudlyCaps are not the style used for markup commands,
you'd use contemp-sign for the markup. And putting the path in a
separate variable to keep the markup macro from messing with it seems
awkward.
There is
Hi lilyponders!
How do you make this contemporary sign
Thanks!
--
oiram/bin/selom
Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni.attachment: segno?.jpg___
lilypond-user mailing list
lilypond-user@gnu.org
On Fri, Feb 17, 2012 at 2:03 PM, Mario Moles mario-mo...@libero.it wrote:
Hi lilyponders!
How do you make this contemporary sign
Thanks!
--
oiram/bin/selom
Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni.
___
In data venerdì 17 febbraio 2012 14:23:38, Nathan ha scritto:
https://lists.gnu.org/mailman/listinfo/lilypond-user
\version 2.14.2
contempPath = #'((moveto 0.0 0.0)
(curveto -1.1 1.1 -0.5 1.5 0.5 0.5)
(lineto 1.1 1.1)
(closepath))
Nathan when.possi...@gmail.com writes:
\version 2.14.2
contempPath = #'((moveto 0.0 0.0)
(curveto -1.1 1.1 -0.5 1.5 0.5 0.5)
(lineto 1.1 1.1)
(closepath))
#(define-markup-command (contempSignMarkup layout props) ()
(interpret-markup
David Kastrup d...@gnu.org writes:
Nathan when.possi...@gmail.com writes:
\version 2.14.2
contempPath = #'((moveto 0.0 0.0)
(curveto -1.1 1.1 -0.5 1.5 0.5 0.5)
(lineto 1.1 1.1)
(closepath))
#(define-markup-command (contempSignMarkup
Bernardo Barros wrote:
I'm thinking of creating a font for contemporary music with the most
commonly used symbols.
Bernardo,
I did a ton of work on this a while ago, then ended up dropping it cold.
http://repo.or.cz/w/lilypond/mpolesky.git/shortlog/refs/heads/pictograms
I don't know
Very helpful. Thanks you, everyone.
I think the more adequate way would be FontForge - Metafont then.
Mark: I will take a look in your repo, thanks!
___
lilypond-user mailing list
lilypond-user@gnu.org
I think the more adequate way would be FontForge - Metafont then.
Well, yes and no. If you plan to add something to LilyPond's fonts,
designing with FontForge might work, but a direct translation of the
outlines to Metafont will most probably fail: You must add some
`metaness' to the MF stuff
I'm thinking of creating a font for contemporary music with the most
commonly used symbols.
I miss a lot of specific symbols and I'm sure a lot of LilyPond users do too.
I know that there are some sources for this purpose, and find them very useful.
But most are bloated with not very useful
On Jul 10, 2011, at 4:34 PM, Bernardo Barros wrote:
I'm thinking of creating a font for contemporary music with the most
commonly used symbols.
I miss a lot of specific symbols and I'm sure a lot of LilyPond users do too.
This is a fantastic idea.
I know that there are some sources
2011/7/10 Bernardo Barros bernardobarr...@gmail.com:
I'm thinking of creating a font for contemporary music with the most
commonly used symbols.
I miss a lot of specific symbols and I'm sure a lot of LilyPond users do too.
I know that there are some sources for this purpose, and find them
On 7/10/11 8:34 AM, Bernardo Barros bernardobarr...@gmail.com wrote:
I'm a fan of the SVG backend, because it allows an absolute final
touch in the score,
and realized that PostScript can not be very compatible with svg.
So, also in this case, a Font is a better options then PostScript
, and don't want
to get one just for this buy; so I'm stuck to PayPal or collection on my
German bank account. I might have more luck on Scandinavian download
sites, but it's hard to find a reputable one if you don't understand the
language.
So, does anybody know of a store which offers contemporary
hello,
On 06/01/2011 09:27, Alexander Kobel wrote:
So, does anybody know of a store which offers contemporary music for
download? Or by chance, does anyone know another record of Warning to
the Rich and can give me a pointer?
iTunes.
They have a free download of it apparently too!
Type
On 2011-01-06 15:02, James wrote:
hello,
On 06/01/2011 09:27, Alexander Kobel wrote:
So, does anybody know of a store which offers contemporary music for
download? Or by chance, does anyone know another record of Warning to
the Rich and can give me a pointer?
iTunes.
They have a free
I suggest using pictograms following Stone's example. I'll
try to look at my pictogram code again. Honestly, if
someone wants to support this, that might motivate me to
budget more time for it.
Hi Mark,
Thank you for your help.
1. Yes, pictogram symbols for percussion would be *very*
I suggest using pictograms following Stone's example. I'll
try to look at my pictogram code again. Honestly, if
someone wants to support this, that might motivate me to
budget more time for it.
There is this book about them:
Bernardo Barros wrote:
1. Yes, pictogram symbols for percussion would be *very*
useful!! That's something I would help if I had the
knowledge. Are you doing with Postscript?
I'll reply to this separately when I have some time.
2. I was trying to make everything in the same Staff
because I
Hi List,
I'm trying to figure out this. I have a part in a score that is for
percussion.
I read the manual and I find there is a lot of things done for percussion
notation, but it is not out-of-the-box for contemporary notation as far as I
could understand.
Imagine the very common situation of
Hum...
I can't do *this*, I guess. But is there another way to change the
number of staff lines from one measure to another?
\override Staff.StaffSymbol #'line-positions = #'(-8 -4 -2 1 0 1 2 6 8 9
10)
g16^[ g--(\ff\
b e']-)
g'32^[-.-( g-. b-. e'-.-)\!
\override Staff.StaffSymbol
Bernardo Barros wrote:
I can't do this, I guess. But is there another way
to change the number of staff lines from one measure to
another?
Keep your overrides, just add this before each new one:
\stopStaff \startStaff
- Mark
___
That's it! Thanks!!
On 22 April 2010 22:55, Mark Polesky markpole...@yahoo.com wrote:
Bernardo Barros wrote:
I can't do this, I guess. But is there another way
to change the number of staff lines from one measure to
another?
Keep your overrides, just add this before each new one:
Keep your overrides, just add this before each new one:
\stopStaff \startStaff
But I guess if I wnat to indicate the name of the instrument that
corresponds to these lines I have to do this in Inkscape or Adobe
Illustrator, right?
Thanks again!!
Bernardo
But I guess if I wnat to indicate the name of the instrument that
corresponds to these lines I have to do this in Inkscape or Adobe
Illustrator, right?
Sorry: the instrument that corresponds to each one of this space/lines.
Trying to figure that out here...
Bernardo Barros wrote:
1. How can I indicate with precision in the score itself
where is the location of each instrument? Perhaps with
post-editing in Illustrator with arrow? Must be a more
elegant solution.
Perhaps a more semantic solution would be to use a different
Staff (or
works, and as I am a guitarist there's almost only guitar music, but I'm
still looking for new works to publish and it's very open!
-
http://theshadylanepublishing.com/ The Shady Lane Publishing
--
View this message in context:
http://old.nabble.com/sheet-music-site-for-contemporary-music
!
--
View this message in context:
http://old.nabble.com/sheet-music-site-for-contemporary-music-tp27319809p27493086.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http
Dear community,
sorry, the topic is not really something about lilypond, but somehow related
to.
Do You know some good sheet-music sites, that contain contemporary music?
Off course, I knnow the great mutopia site, but it has only quite
contemporary pieces.
I thins it's the same problem
On Tue, Jan 26, 2010 at 10:18 AM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
A better one, in my opinion, is copyus, because it is specialized in
contemporary music, but it is not very well known.
Wow, thanks for sharing, I've been on the web a /lot/ and yet I never
stumbled upon
let me know!
2010/1/26 Valentin Villenave v.villen...@gmail.com
On Tue, Jan 26, 2010 at 10:18 AM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
A better one, in my opinion, is copyus, because it is specialized in
contemporary music, but it is not very well known.
Wow, thanks
Stefan, are you looking looking to create a free sheet music site or are you
looking
at helping composers generate revenue from sheet music of their compositions
(which is really the function of a sheet music publisher)? And by contemporary
music, are you thinking specifically classical
://theshadylanepublishing.com/fr/telechargements.php - getting an error
code 404)
--
View this message in context:
http://old.nabble.com/sheet-music-site-for-contemporary-music-tp27319809p27331326.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com
On 25 Sep 2009, at 07:11, Joseph Wakeling wrote:
Joe, can you come up with a short description and a minimal
example, so
Valentin can add it to the tracker?
Will do. Sorry for not replying earlier to your kind offer of help --
I'm going through a bit of a busy patch -- but will get to work
On Tue, Sep 22, 2009 at 3:00 PM, Carl Sorensen c_soren...@byu.edu wrote:
If you get the chromatic transposition working properly, I'll commit to
helping you get it embedded in LilyPond.
Carl, please consider yourself my personal beacon of light in such
discussions :-)
Could you give me a hint
On 9/24/09 1:29 PM, Valentin Villenave v.villen...@gmail.com wrote:
On Tue, Sep 22, 2009 at 3:00 PM, Carl Sorensen c_soren...@byu.edu wrote:
If you get the chromatic transposition working properly, I'll commit to
helping you get it embedded in LilyPond.
Carl, please consider yourself my
Carl Sorensen wrote:
Joe, can you come up with a short description and a minimal example, so
Valentin can add it to the tracker?
Will do. Sorry for not replying earlier to your kind offer of help --
I'm going through a bit of a busy patch -- but will get to work on this
ASAP. :-)
Best
On 22 Sep 2009, at 01:09, Joseph Wakeling wrote:
Currently Lilypond's transposition is tonal only, with the 'smart
transpose' snippet providing a Scheme function to minimise accidental
use. Unfortunately this function is incompatible with quarter-tone
notation.
Discussing with Graham Breed,
Hans Aberg wrote:
What you see is that
(i) without naturalizeMusic, transposition fails: transposition alone
leaves the final pitch being 'g+5/4' which has no accidental
I think is just a bug. Somehow the sharp drops out.
It's not so much a bug as a notational impossibility.
Think
On 22 Sep 2009, at 11:16, Joseph Wakeling wrote:
Hans Aberg wrote:
What you see is that
(i) without naturalizeMusic, transposition fails: transposition
alone
leaves the final pitch being 'g+5/4' which has no accidental
I think is just a bug. Somehow the sharp drops out.
It's not
Hans Aberg wrote:
The correct accidental is a # plus a !/4. It then does not change the
scale degree. This will also be correct in if the sharp and microtonal
accents are relative a tuning system other than E12.
No, it's a DOUBLE-sharp plus a 1/4, which quite obviously does not exist.
In
On 22 Sep 2009, at 11:49, Joseph Wakeling wrote:
The correct accidental is a # plus a !/4. It then does not change the
scale degree. This will also be correct in if the sharp and
microtonal
accents are relative a tuning system other than E12.
No, it's a DOUBLE-sharp plus a 1/4, ...
Yes,
this is exactly what it does -- and it does report a warning.
So I think you need to add a choice of glyph. LilyPond is too primitive
to treat # and b and other accidentals as operators acting on all
intervals.
Well, the point is that a glyph for 5/4 sharp is nonsensical. A
contemporary music player
On 22 Sep 2009, at 13:44, Joseph Wakeling wrote:
So I think you need to add a choice of glyph. LilyPond is too
primitive
to treat # and b and other accidentals as operators acting on all
intervals.
Well, the point is that a glyph for 5/4 sharp is nonsensical. A
contemporary music player
On 9/21/09 5:09 PM, Joseph Wakeling joseph.wakel...@webdrake.net wrote:
As I mentioned a little while back, I'm working on a specialist notation
section on contemporary music for the Notation Reference. And, as I
also mentioned, I'm going to be trying to implement and/or motivate some
On 22 Sep 2009, at 15:00, Carl Sorensen wrote:
If you get the chromatic transposition working properly, I'll commit
to
helping you get it embedded in LilyPond.
My impression is that this works properly, only that LilyPond does not
have the capacity to treat # and b as operators that can
Hello all,
As I mentioned a little while back, I'm working on a specialist notation
section on contemporary music for the Notation Reference. And, as I
also mentioned, I'm going to be trying to implement and/or motivate some
feature development to support this.
The first feature I'm looking
Joseph Wakeling wrote:
Currently Lilypond's transposition is tonal only, with the 'smart
transpose' snippet providing a Scheme function to minimise accidental
use. Unfortunately this function is incompatible with quarter-tone
notation. The attached snippet shows the problem. A quarter-tone
On Sun, Sep 06, 2009 at 10:08:02PM +0100, Neil Puttock wrote:
2009/9/4 Carl Sorensen c_soren...@byu.edu:
setInstrumentName =
#(define-music-function (parser location instrument-name) (string?)
#{
\set Staff.instrumentName = $instrument-name
#})
I'm not in favour of this type
2009/9/4 Carl Sorensen c_soren...@byu.edu:
And perhaps we should avoid the \set Staff.instrumentName tweaks by defining
a \setInstrumentName command
setInstrumentName =
#(define-music-function (parser location instrument-name) (string?)
#{
\set Staff.instrumentName = $instrument-name
Mark Polesky wrote Saturday, September 05, 2009 1:22 AM
my Windows hard drive
tragically fried last week, and I won't be able to do any
LilyPond work until next Wednesday at the earliest, and
that's when my work starts up again, so I may be delayed
quite a bit.
That's a bummer - I was
Carl Sorensen wrote Friday, September 04, 2009 11:57 PM
On 9/4/09 10:27 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Carl Sorensen wrote c_soren...@byu.edu Friday, September 04,
2009
3:06 PM
Also, as you plan sections, remember that anything using \set or
\override
belongs in a
On 9/4/09 10:37 AM, Joseph Wakeling joseph.wakel...@webdrake.net wrote:
Trevor Daniels wrote:
In order to have a
meaningful manual, this may require the addition of some new LilyPond
commands, which is *not* a problem.
And is to be recommended if it results in an
easier user interface.
Graham Percival wrote:
Those actual contemporary scores must be placed in the public
domain, licensed under Creative Commons, or licensed under the GNU
FDL. If you're thinking about an exerpt of Shostakovich or Glass,
then forget about it. Blame copyright law[1], not me.
Actually I was
On Fri, Sep 4, 2009 at 5:57 AM, Graham Percivalgra...@percival-music.ca wrote:
Oh, and make sure you vote for your country's Pirate Party.
Branches started recently in the UK and Canada, so I've got my
next elections' votes lined up. ;)
[off-topic] btw: French Pirate Party's first election is
Valentin Villenave wrote:
[off-topic] btw: French Pirate Party's first election is in two weeks
here, and since I'm the campaign manager that (partly) explains my
lack of time to work on LilyPond ;-)
On that note ... does the Pirate Party have any kind of official
response to this article by
On 9/4/09 3:36 AM, Joseph Wakeling joseph.wakel...@webdrake.net wrote:
Graham Percival wrote:
Those actual contemporary scores must be placed in the public
domain, licensed under Creative Commons, or licensed under the GNU
FDL. If you're thinking about an exerpt of Shostakovich or Glass,
Carl Sorensen wrote:
Also, as you plan sections, remember that anything using \set or \override
belongs in a snippet, not in the main text body. In order to have a
meaningful manual, this may require the addition of some new LilyPond
commands, which is *not* a problem.
Do you mean in the
On Fri, Sep 4, 2009 at 12:37 PM, Joseph
Wakelingjoseph.wakel...@webdrake.net wrote:
On that note ... does the Pirate Party have any kind of official
response to this article by Richard Stallman?
http://www.gnu.org/philosophy/pirate-party.html
Yes we do (as a matter of fact I am the Pirate
Carl Sorensen wrote c_soren...@byu.edu Friday, September 04, 2009
3:06 PM
Also, as you plan sections, remember that anything using \set or
\override
belongs in a snippet, not in the main text body.
This certainly is a rule for NR 1, but is not
absolutely essential for NR 2. But in
Trevor Daniels wrote:
In order to have a
meaningful manual, this may require the addition of some new LilyPond
commands, which is *not* a problem.
And is to be recommended if it results in an
easier user interface.
I do have some concrete ideas here, which I'll lay out in an email
sometime
On 9/4/09 10:27 AM, Trevor Daniels t.dani...@treda.co.uk wrote:
Carl Sorensen wrote c_soren...@byu.edu Friday, September 04, 2009
3:06 PM
Also, as you plan sections, remember that anything using \set or
\override
belongs in a snippet, not in the main text body.
This certainly is
?) of the contemporary
music pages would make heavy use of tweaks.
And perhaps we should avoid the \set Staff.instrumentName tweaks by defining
That would be nice!
a \setInstrumentName command
NOO!!! % Graham falls off the walkway into the garbage
% chute, soon to reappear
Joseph Wakeling wrote:
(i) Would people be interested in having this in the docs?
(ii) Any requests or suggestions for topics that should be covered?
(iii) What are the restrictions on including examples from actual
contemporary scores? I'm not thinking huge
Mark Polesky wrote:
I've already done a ton of work on keyboard tone-clusters
and percussion pictograms, but my Windows hard drive
tragically fried last week, and I won't be able to do any
LilyPond work until next Wednesday at the earliest, and
that's when my work starts up again, so I may be
Hello all,
Following my fun experience writing some documentation for makam.ly and Turkish
classical music, I'm thinking of writing a section on contemporary music for
the Notation Reference. This would join the existing sections of Chapter 2 on
various other forms of specialist notation
Bryan Stanbridge wrote:
One thing that's always been a pain to me are the box score notations
where a small snippet of music is enclosed in a box, then a dark line
with or without an arrow will run for the duration that the performer is
to repeat the box. I've stayed away from typesetting most
Joseph Wakeling wrote Thursday, September 03, 2009 1:15 PM
Following my fun experience writing some documentation for
makam.ly and Turkish classical music, I'm thinking of writing a
section on contemporary music for the Notation Reference. This
would join the existing sections of Chapter 2
addressed in the docs, but they're spread out and not
necessarily all easy to find -- one of the motivations for the proposed
section is to have one single 'contemporary music' space to guide people
to the right sections of the existing manuals.
I'll start working on this, bit by bit -- if it's OK
?
Not as far as I know.
To the general point, there are lots of contemporary notation
issues
already addressed in the docs, but they're spread out and not
necessarily all easy to find -- one of the motivations for the
proposed
section is to have one single 'contemporary music' space to guide
people
Trevor Daniels wrote:
Stubs are fine, but make them visible rather than commented out,
perhaps followed by TBC (to be completed). You could do this
in the Turkish section too - I'm sure that's what Graham meant.
Sure. In that case I just removed stuff because I was fairly sure I
wasn't
On Thu, Sep 03, 2009 at 02:15:50PM +0200, Joseph Wakeling wrote:
(iii) What are the restrictions on including examples from actual
contemporary scores? I'm not thinking huge extracts, but maybe
a couple of bars from a known work just to illustrate how a
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