(because it only contains meta information which shall not be played).
Does anyone know how I can say that voice X shall not be converted into the midi
file? Or does any know how I could assign this voice 'a silent instrument'?
Many thanks for your help
Karsten
--
Karsten Reincke/
ded another score section containing only the voices which shall be
audible. This score contains the midi infos, but no layout infos.
works.
thanks to all of you who would have answered ;-)
best regards Karsten
On Sun, 2019-12-15 at 12:56 +0100, Karsten Reincke wrote:
> Dear friends;
>
>
the links:
repository: https://github.com/kreincke/harmonyli.ly/
homepage: https://fodina.de/en/harmonyli-ly/
tutorial: https://kreincke.github.io/harmonyli.ly/tutorial.pdf
HAYM (= Happy Analyzing Your Music)
Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo<
...
Therefore I'm looking not for a new maintainer but for more people
engaging in the project, to build a community around it that can at
some point continue without my aid.
...
Best
Urs
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
t to
the including lilypond code. He would not lose anything: each
improvement to OpenLilyLib had to be released under the terms of the GPL
v3, too. And - as he might signal by his words in this discussion - the
using music code remains private.
The fact, that Mr. Bernard apparently does not w
e to read licenses. But to all those of you who want to
simplify the situation let me say: Complexity is like water. You can't
compress it.
With best regards
Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
ed under
the terms of the GPL v3, too. And - as he might signal by his
words in this discussion - the using music code remains private.
[...]
The fact, that Mr. Bernard apparently does not want to realize
point 5., puzzles me.
I remain respectfully yours
Karsten Reincke
On 22.09.20 14:58, Tim McNamara wrote:
On Sep 22, 2020, at 4:30 AM, Karsten Reincke wrote:
Dear Carl;
here is my explanation using the method of showing an analogy:
If I use Emacs to write a letter to my Aunt Tillie, even though Emacs
is licensed under the GPL my letter to Aunt Tillie
ms of the GPL. That's also good to hear.
Overall, that's not the best result we could get, but it is a result.
With best wishes and sincere thanks for the wonderful Lilypond Composer
environment
KR
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
looking forward to
your proposals.
heartfully your Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
looking forward to
your proposals.
heartfully your Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
of
> > analysis symbols.
> > Regarding musicological use cases you might want to also have a
> > look at
> > https://github.com/openlilylib/scholarly,
> > https://github.com/uliska/lyluatexmp and
> > https://github.com/uliska/lycritrprt (although the last
Dear Urs, dear Friends
In general, I've started the adoption of LSR snippet 967 in a
development branch of my harmonyli lib (
https://github.com/kreincke/harmonyli/tree/develop). This snippet isvery well
designed and written.
[...]
> Klaus Blum is listed in that LSR snippet as the author, and h
sten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
of distributing the larger work under different license is
often taken as 'relicensing' of the embedded MIT code. But in fact,
that's wrong - even if that does indeed not have any important effect.
best regards and thanks for your quick answer
Karsten
--
Karsten Reincke/\/\ (+4
On Wed, 2019-10-30 at 00:55 +, Carl Sorensen wrote:
>
> On 10/29/19, 5:46 PM, "David Kastrup" wrote:
>
> Karsten Reincke wrotes:
>
>[...]
> >
> > [4] But if a GPL licensed LilyPond snippet is used by another LilyPond
> &
On Wed, 2019-10-30 at 01:36 +0100, David Kastrup wrote:
> Karsten Reincke writes:
>
> > [...]
> >
> > Hence, if I use a piece of software as library, snippet, or module,
> > then I am using the advantage that I do not have to program that code
> > by myself
Dear Urs;
many thanks for your clever thoughts! You brought up a very seductive argument,
which I therefore will only summarize here for being sure that I've understood
you
correctly. May I condense your line of argumentation in the following way?
You point out that there could be a function in
Dear Elaine
On Tue, 2019-10-29 at 18:13 -0700, Flaming Hakama by Elaine wrote:
> [...]
> It seems you think that, if you use code from the LSR as part of your input
> files, that you are obligated to distribute both the input files and the
> resulting PDF/MIDI files under the GPL.
YES, if the LSR
On Wed, 2019-10-30 at 15:08 +0100, Henning Hraban Ramm wrote:
> [...]
> It’s the same if you publish a book using TeX:
No, it isn't.
> While original TeX is PD and some other parts have their own licenses, those
> never apply to the contents of your book or the PDF or printed version of it,
That
lele |
Sg | Subdominant-Gegenklang |
SS | Doppelsubdominante*|
D | Dominante | dominant
Dp | Dominant-Parallele |
Dg | Dominant-Gegenklang|
DD | Doppeldominante|
Any proposal is welcome
many thanks for your answers
Karsten
--
Karsten Reincke/\/
On Wed, 2019-10-30 at 09:41 -0700, ma...@masonhock.com wrote:
> On 10/30, Karsten Reincke wrote:
> > Here, the analogy of gcc and Lilypond matches perfectly: As we are
> > must distribute binaries which are compiled by the gcc on the base a
> > GPL licensed source code, we mus
he non-Riemannian
> translations for these terms (we tend to use Roman numerals), or would you
> prefer to keep the Riemannian approach?
> Sam
>
> On Wed, Oct 30, 2019 at 11:49 AM Karsten Reincke wrote:
> > Dear Friends;
> > [...]
> > Nevertheless, I need your help.
) ) seems to
executable.
The tutorial LilyPond Extending mentions that there exist such an opportunity
(page 19.), but does not contain any example.
Any help is appreciated.
many thanks Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:
ot;V1"))
The result is a box containing the text "V1blankV5": V1 is given by the second
(sic!) argument - the values of the possible keys k2 and k3 are ignored, because
their default values are "" and an empty list = null - the blank is default
value
of the unused key k4
On Mon, 2019-11-04 at 23:06 +0100, Thomas Morley wrote:
> Am Mo., 4. Nov. 2019 um 18:00 Uhr schrieb Karsten Reincke
> :
> [...]
> Let me quote another part of my reply:
>
> Am Fr., 1. Nov. 2019 um 16:01 Uhr schrieb Thomas Morley
> :
>
> > For variable amount of
On Mon, 2019-11-04 at 23:45 +, Urs Liska wrote:
Dear Urs;
many thanks for your comments and hints! I admire how thoroughly you read other
work and how many time you spend with helping others!
> Hi Karsten,
>
> 4. November 2019 17:59, "Karsten Reincke" schrieb:
> [.
Dear friends;
does anyone know how I could insert a (double) flat or a (double) sharp in a
lyric
text (or stanza or anywhe else) to comment a chord representation?
Many thanks for your help
Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >
15:53 -0800, Saul Tobin wrote:
> I usually just type the accidental signs as Unicode characters. I find the
> sizing and alignment works better than with the Lilypond markup commands.
>
> On Tue, Nov 5, 2019, 3:32 PM Karsten Reincke wrote:
> > Dear friends;
> >
> >
have an idea how I could solve this requirement? Unfortunately, the
percussion notation in the notation reference is a bit erratic for me.
Many thanks for your support
Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
On Fri, 2019-11-08 at 21:09 +0100, Thomas Morley wrote:
[...]
> RhythmicStaff
> ?
>
> Cheers,
> Harm
oH cool, exactly that what I was looking for. Many thanks!
heartfully Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailt
notation reference refers
to what.
Many thanks for your help
Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
, but more
than
only to fill one line, then my system is split into system parts (by a kind of
line feed) which are printed on the page.
So now I still have 2 questions:
a) What's the correct Lilypond word for a line (of staves)?
b) How do I increase the distance between the lines.
On Sat, 2019-11-09 at 19:17 +, Carl Sorensen wrote:
>
> On 11/9/19, 6:13 AM, "Karsten Reincke" wrote:
>
> Dear Friends;
>
> and (hopefully) a last question before I can gove something (hopefully)
> useful to
> the community:
>
us Blum approved to distribute 'harmonyli.ly' under these two licenses.
Hence, you can be certain that you get the rights which are granted by the
licenses.
With best regards
Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein
the
symbols). In other words: I need a bit time until I will come up with the next
release.
best regards Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodina.de
60431 Frankfurt a.M. \/http://www.fodina.de/kr/
s and the
opening reps. closing bracket condigurable which indicate an Intermediary
Function
/ Chord .
Any other test results and bug reports are welcome.
with best regards Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo< mailto:k.rein...@fodi
nctional system.
(B) Each modulation is constructed by a chord which dunction is reinterpreted
with
respect the next context. Such a link chord is indicated by an arrow and a box
C-Major: T S [Sp=>t] s D D7 t = C F d g A A7 d
I need this kind of expressivity for my own coming work. But if you
ossout' and 'double' should increase the
margin/paddding
values of the crossed out / doubled letter. But I do not have any idea, how to
do
that on the 'Lilyond' - Level. So, any hint is appreciated.
with best regards
Karsten
--
Karsten Reincke/\/\ (+49|
On Sun, 2019-11-10 at 14:37 -0700, Klaus Blum wrote:
> Hi Karsten,
>
>
> Karsten Reincke-2 wrote
> > 'crossout' and 'double' should increase the margin/paddding
> > values of the crossed out / doubled letter. But I do not have any idea,
> > ho
On Sun, 2019-11-10 at 16:20 -0700, Klaus Blum wrote:
> Now I found it:
> http://lsr.di.unimi.it/LSR/Item?id=628
>
> I knew there was a snippet on the LSR where the \overlay function was
> presented before it was an official part of 2.19 - but the snippet has
> another name... ;-)
oh wow! Then I
armonyli-ly-intro/
5 minutes tutorial (English): https://fodina.de/en/2019/harmonyli-ly-intro/
I got a lot of help by the community. So this is also the right place to thank
you
again!
best regards
Karsten
--
Karsten Reincke/\/\ (+49|0) 170 / 927 78 57
Im Braungeröll 31 >oo<
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