. Lilypond seems to recognize only the .ly extension. What program
should I be using to write/edit the input file?
Thank you for your kind attention.
Mark Stephen Mrotek
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for your kind attention.
Mark Stephen Mrotek
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as Administrator
and to set Frescobaldi preferences to use Lilypond.
Again after entering code and clicking the error message appear.
Thank you for your kind attention.
Mark Stephen Mrotek
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Fellow Lilyponders:
I recently joined this list serve. Since then I have received not only other
members inquiries but also multiple responses to each of their inquiries.
Is this the usual practice?
Thank you for your kind attention.
Mark Stephen Mrotek
Mr. Thomas:
Actually the musical term is in Italian. It is acciaccatura. If the little
note does not have the stroke it is called an appoggiatura and is played a
little bit before the principal note.
Mark Stephen Mrotek
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
ot; So the two
notes are "crushed" together with the acciaccatura released immediately.
Mark
From: Stefan Thomas [mailto:kontrapunktste...@gmail.com]
Sent: Monday, October 15, 2012 1:38 PM
To: lilypond-user@gnu.org; Mark Stephen Mrotek
Subject: Re: how to call these notes?
D
: Stefan Thomas [mailto:kontrapunktste...@gmail.com]
Sent: Tuesday, October 16, 2012 9:29 AM
To: lilypond-user@gnu.org; Mark Stephen Mrotek
Subject: Re: how to call these notes?
Dear Steven,
no, those notes are not (at least not exactly) simultaneous to the
following.
Can't they be called "s
in 1782.
Mark Stephen Mrotek
On 16 Oct 2012, at 19:20, David Rogers wrote:
> I don't have any of the engraving manuals - what is this note called
> in those books? It would probably be better to go along with the
> "industry standard name", even if that name turns out not
voice one stopped (I use Frescobaldi). I have checked the instructions
several times. I must still be missing something.
To save space I have attached the code as a Lilypond file and as a Word
file.
Thank you for your kind attention.
Mark Stephen Mrotek
\version "2.16.0"
upper =
my code. It gets an error message.
Does version 2.16.0 have a comparable command? Where is it discussed in the
manual?
Thank you for your kind attention.
Mark Stephen Mrotek
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ore {
\new Staff { \clef bass }
\layout { }
}
The eighth rest should be above the "g." What did I incorrectly code?
Thank you for your kind attention.
Mark Stephen Mrotek
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Sent: Monday, November 05, 2012 3:56 AM
To: lilypond-user@gnu.org
Subject: Re: misplaced rest
On 5/11/2012 7:00 AM, Mark Stephen Mrotek wrote:
Fellow Users:
Please look at this:
\version "2.16.0"
global = {
\key c \major
\numericTimeSignature
\time 3/8
}
f the measure. What should I do
to get them in the middle?
Thank you for your kind attention.
Mark Stephen Mrotek
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Thank you. Works perfectly.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Michael Rivers
Sent: Wednesday, November 07, 2012 8:14 PM
To: lilypond-user@gnu.org
Subject: Re: uncentered
, November 07, 2012 7:54 PM
To: lilypond-user@gnu.org
Subject: Re: uncentered rests
On 8/11/2012 2:46 PM, Mark Stephen Mrotek wrote:
Fellow Users:
Please look at this:
\version "2.16.0"
global = {
\key a \minor
\time 4/4
}
rightOne = \relative c'' {
\global
\clef bass
\repeat unfold 4 {
4\arpeggio
}
}
>>
1. Which of these lines (discounting change of pitch and duration)
should be used?
2. Where in an already started Piano score should they be inserted?
Thank you for your kind attention.
Hello:
How do I stop the staff from bleeding off the page? I have tried "\break."
Lilypond states the command was overridden. Lilypond suggests using bar
checks. They are already there.
Thank you for your kind attention.
Mark Stephen Mrotek
\version "2.16.0"
Hello!
Thanks to all who replied to my inquiry with the solution. Moving the " [ "
restored the break.
Mark Stephen Mrotek
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Hello:
Please refer to the attached.
Must the command "\times 2/3" be entered for every tuplet?
Thank you for your kind attention.
Mark Stephen Mrotek
\version "2.16.0"
global = {
\key e \major
\time 2/2
}
rightOne = \relative c'' {
\glob
, November 25, 2012 8:00 PM
To: lilypond-user@gnu.org
Subject: Re: Tuplets
Mark Stephen Mrotek wrote
> Hello:
>
>
> Please refer to the attached.
>
>
> Must the command "\times 2/3" be entered for every tuplet?
>
>
> Thank you for your kind at
ation = #(ly:make-moment 1 4)
from the manual and pasted it into the code, I am not sure what the error
is.
Thank you for your kind attention.
Mark Stephen Mrotek
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your kind attention.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Thomas Morley
Sent: Thursday, December 06, 2012 2:03 PM
To: Daniel Rosen
Cc: David Kastrup; lilypond-us
Mr. Morley
Thank you for your reply and the references. They should provide hours of
learning.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Thursday, December 06, 2012 2:42 PM
To: Mark Stephen Mrotek
Cc: Daniel Rosen; David Kastrup; lilypond
uot;unknown escaped string: '\rN'."
Where is my error?
Thank you for your kind attention.
Mark Stephen Mrotek
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Mr. Nalesnik
Thank you for your reply and the instructions. I have printed them out and
shall check my "grammar!"
Mark
-Original Message-
From: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Saturday, December 08, 2012 5:40 PM
To: Mark Stephen Mrotek
Cc: lilypond-us
ut { }
}
Lilypond responds:
"unknown escaped string: `\rN'," and
"cannot find Voice `leftTwo'."
Thank you for your kind attention.
Mark Stephen Mrotek
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From: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Saturday, December 08, 2012 6:48 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Harmonic Analysis
On Sat, Dec 8, 2012 at 8:11 PM, Mark Stephen Mrotek
wrote:
> Hello:
>
>
>
> Following Mr. Nalesnik’s sug
as a
"passing" tone. How can a "blank" be put in under that pitch?
Thank you for your kind attention.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Dav
Detailed information on points and inches can be read at
http://desktoppub.about.com/od/faq/qt/pointsinaninch.htm
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Noeck
Sent: Thursday
Hello:
The attached file is for a Prelude and Fugue. The header for the Prelude
does not appear and is replaced by the header for the Fugue. I have compared
mine to the examples in the manual and cannot find my error.
Would someone please point it out to me?
Thank you for your kind atte
Shane:
Thank you for your response and information. At least I know that some
"fudging" is needed. I shall work with the "\global" and scope out the
threads.
Mark
From: Shane Brandes [mailto:sh...@grayskies.net]
Sent: Friday, January 18, 2013 10:15 AM
To: Ma
Hello:
>From the manual:
\relative c' {
\time 2/4
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { c8 c c c c c }
}
I understand everything except how the "1" and "4" relate to the notation.
Would someone explain?
Thank you.
Mark
<>__
@gnu.org] On Behalf Of
Nick Payne
Sent: Friday, January 18, 2013 11:23 PM
To: lilypond-user@gnu.org
Subject: Re: tupletSpannerDuration
On 19/01/13 18:04, Mark Stephen Mrotek wrote:
Hello:
>From the manual:
\relative c' {
\time 2/4
\set tupletSpannerDuration = #(l
: tupletSpannerDuration
"Mark Stephen Mrotek" writes:
>> On 19/01/13 18:04, Mark Stephen Mrotek wrote:
>>
>> Hello:
>>
>> From the manual:
>>
>> \relative c' {
>>
>> \time 2/4
>>
>> \set tupl
A commentary on various interpretations of Haydn’s ornaments in general and the
“turn” in particular can be read at:
http://www.pianostreet.com/smf/index.php?topic=28410.0
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@
Hello:
For what term/command do I search the online manual for directions to
control the distance from one Piano staff to the next Piano staff?
Thank you for your kind attention.
Mark
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https
the next Piano staff to be the same for all variations even if a
white space appears at the bottom the page.
Is this possible?
Mark
From: Paul Morris [mailto:p...@paulwmorris.com]
Sent: Sunday, February 03, 2013 5:38 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re
Sr. Ruiz-Alma:
Thank you for your reply and instructions. I shall try them out the next
time I get into the piece.
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Javier Ruiz-Alma
Sent: Sunday, February 03, 20
Mr. Witmer:
Thank you for your reply. It does what I want!
Mark
-Original Message-
From: Mark Witmer [mailto:m...@markwitmer.com]
Sent: Monday, February 04, 2013 5:30 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Space between Piano Staves
Hi Mark,
You can
The second example differs from the first example. It does not have a
partial measure.
The first example is generated without error if the "s" is replaced with a
pitch or a "r."
\version "2.16.1"
\score {
\new Staff {
\partial 8
\relative c' { c8^\markup x }
} % Staff
Hello:
For what term/command in the online manual do I search for instructions as
to orientating an ornament, e.g., mordent, to the left of a middle pitch of
a chord, e.g., to the left of the "c" in < g c e >?
Thank you .
Mark
___
lilypond-us
Mr. Morley:
Thank you for your response and the two suggestions. I shall "play" with
both of them.
You have assisted my learning.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Sunday, February 10, 2013 12:20 PM
To: Mark Stephen
on.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Kastrup
Sent: Tuesday, February 12, 2013 3:18 AM
To: lilypond-user@gnu.org
Subject: Re: Orientation of Ornaments
Thomas Morley
Hello:
Within a piano staff
1) For what term/command do I search the on-line manual for directions
to print a bracket, " [ ," indicating one hand to play pitches on both
staves, and
2) Similarly for directions to print a line showing an inner voice
moving from one staff to the
Nathan:
Thank you for the reply and the explicit directions. I have printed and shall
study.
Mark
From: Nathan [mailto:when.possi...@gmail.com]
Sent: Saturday, February 23, 2013 3:00 PM
To: Mark Stephen Mrotek
Cc: LilyPond Users
Subject: Re: Special Symbols on Piano Staff
On Sat
Am 23.02.2013 22:47, schrieb Mark Stephen Mrotek:
Hello:
Within a piano staff
1) For what term/command do I search the on-line manual for directions
to print a bracket, " [ ," indicating one hand to play pitches on both
staves, and
>From my library files:
%{
Derek:
I moved the "\sustainOff" into the voice in which the sustain was turned on,
i.e. after . Sorry that I could not get the file to paste into this
e-mail.
The sustain off appears. Is this what you want?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.o
Derek:
No ignorance. I have been working with Lilypond for about six months and
most of the little that I know is from experimentation and the help of
others in the group.
My solution was gotten with a little experimentation. Since the \sustainOff
works when it is in the voice that started it, my
This may be of some help.
http://lists.gnu.org/archive/html/lilypond-user/2012-11/msg00627.html
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Urs
Liska
Sent: Tuesday, February 26
Nick,
"Creating a delayed turn" is at
http://www.lilypond.org/doc/v2.16/Documentation/snippets/expressive-marks.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick Payne
Sent: Fri
Sarah:
If by rolling chords you mean an arpeggio this might be of help:
http://www.lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-as
-lines
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@
Sarah:
What is the Chopin piece? I may have a copy and could "see" what you want.
Mark
-Original Message-
From: Sarah k Alawami [mailto:marri...@gmail.com]
Sent: Friday, March 15, 2013 4:58 PM
To: Mark Stephen Mrotek
Subject: Re: roling cords
lol. My hands are not that big.
Ivan:
When I write polyphony for the piano I use << { %here pitches for top voice
} \\ { %here pitches for bottom voice} >>. Lilypond seems to take care of
the stem directions.
I reset you example using this format. Some notes of the voices might need
to be adjusted.
\version "2.16.0"
\include
Sarah:
When I compiled the file I got the "unexpected string" error message for the
"unexpected String \set PianoStaff.instrumentName = #"Piano " ." My
experience is that this occurs when I fail to have a closing brace, "},"
correctly paired with an opening brace , "{". This may or may not be the
Hello:
In the following, I want to place a slur from the bes16 across the bar to
the aes8.
\version "2.16.2"
{ \key des \major
\time 4/4
bes2-3 a4~ a8. bes16 |
aes8. bes16 ( aes16. ) bes32 ( aes16. ) bes32
\set tupletSpannerDuration = #(ly:make-moment 1 8)
\times 2/3 { g16-1
across bar
On 30/04/2013 10:05 AM, Mark Stephen Mrotek wrote:
Hello:
In the following, I want to place a slur from the bes16 across the bar to
the aes8.
\version "2.16.2"
{ \key des \major
\time 4/4
bes2-3 a4~ a8. bes16 |
aes8. bes16 ( aes16. ) bes32 ( aes16. ) be
Hello:
The first 89 measures of a piano piece compiles without error. With the 90th
measure the notation runs off the right edge of the page. No error message
is given.
The attached file has measures 88 - 90 of the right hand.
Please point out my error.
Thank you for your kind atten
measure 90 (the one that starts with the bass
clef) does the "runoff" occur.
Mark
From: Phil Holmes [mailto:m...@philholmes.net]
Sent: Friday, May 03, 2013 12:39 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: run off page
You have a triplet that spans the who
:10 PM
To: lilypond-user@gnu.org
Subject: Re: run off page
On 04/05/13 05:20, Mark Stephen Mrotek wrote:
Hello:
The first 89 measures of a piano piece compiles without error. With the 90th
measure the notation runs off the right edge of the page. No error message
is given.
The attached
Marek Klein,
Thank you for the reply and the solution.
I appreciate the time and effort you spent to find it.
Mark
From: Marek Klein [mailto:ma...@gregoriana.sk]
Sent: Friday, May 03, 2013 12:59 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: run off page
Hello
Hello:
A metered arpeggiated chord is in my piano staff. It has been coded in two
ways (see attached files). Using automatic beaming (auto.ly) all of the
notes are beamed and the stems are of unequal and distracting length. Using
manual beaming (manual.ly) the stem are of equal length and the b
What did I do wrong?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Keith
OHara
Sent: Wednesday, May 08, 2013 8:55 AM
To: lilypond-user@gnu.org
Subject: Re: beams and note stems
Mark
nesday, May 08, 2013 8:55 AM
> To: lilypond-user@gnu.org
> Subject: Re: beams and note stems
>
> Mark Stephen Mrotek ca.rr.com> writes:
>
>> How can I get all of the notes beamed and the stems of consistent leng
nu.org] On Behalf Of
Nick Payne
Sent: Wednesday, May 08, 2013 9:45 PM
To: lilypond-user@gnu.org
Subject: Re: beams and note stems
\times 4/6 { \once \override Beam #'positions = #'(-3 . 3) f32 [ aes des
\change Staff = "right" f aes des ] }
On 09/05/13 13:49, Mark Stephen Mrotek
Hello:
A small cadenza appears at the end of a piano piece (see attached file).
The "des2." in the treble should be in the next measure.
The error message is: "barcheck failed at: 1/2 ees2\trill\fermata|."
How do I correct this?
Thank you for your kind attention.
Mark
\version "2
Nathan:
Thank you for your reply and the correction – not ugly at all especially since
it works!
Mark
From: Nathan [mailto:when.possi...@gmail.com]
Sent: Friday, May 10, 2013 8:55 AM
To: Mark Stephen Mrotek
Cc: LilyPond Users
Subject: Re: Cadenza alignment
On Fri, May 10, 2013 at
Sarah:
I notice that although you indicate 12/8 in the "global" command the score
prints with "C" or 4/4. I am not sure how to fix this yet I am sure that it
effects the bar checks.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bou
been and are
knowledgeable, informative, and instructive.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Kieren MacMillan
Sent: Sunday, May 19, 2013 4:39 PM
To: Urs
Hello:
A piano sonata has three movements each encoded in a separate file. The
three files shall be merged into one file for printing. Is "copy and paste"
sufficient or must something be done to the individual files?
Thank you for your kind attention.
Mark Step
20, 2013 3:01 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: merging files
Of course we don't know in detail how yyour files are organized. But copy &
paste is surely not a good solution.
You should create a new file that \include-s the existing movement files.
HTH
Ur
Olivier:
Thank you for the response.
I shall investigate the PDFEdit software.
Mark
From: Olivier Biot [mailto:olivier.b...@gmail.com]
Sent: Monday, May 20, 2013 2:58 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: merging files
You can always use a tool such as PdfEdit to
. Your response, sir, is pompous, bloated, and quite frankly,
snarky.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Kastrup
Sent: Monday, May 20, 2013 3:37 PM
To
: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Monday, May 20, 2013 6:28 PM
To: Mark Stephen Mrotek; lilypond-user
Subject: Re: merging files
Hi Mark,
On Mon, May 20, 2013 at 5:15 PM, Mark Stephen Mrotek
wrote:
Urs Liska:
Thank you for responding.
Pardon me for not being more
Karl,
1. \layout { indent = #0 }
2. Not sure what you mean by a key signature at the end of a staff. Can you
provide a snippet?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Karl
Karl,
Welcome. The elimination of the key signature has to do with an engraver
with which I am not that familiar. Someone else on the list could help you
there. Sorry.
Mark
From: Karl [mailto:karlhu...@gmail.com]
Sent: Saturday, August 08, 2015 2:08 PM
To: Mark Stephen Mrotek
David,
With a great deal of respect and admiration, I return to you a quote you once
sent to me:
Wrangling down that attacking Rottweiler was actually not all that hard. It
boils down to the same grips and holds we used to employ for killing lions when
I was young.
Sincerely,
Mark
-Ori
Joel:
Does this work for you? (see attachment)
Mafrk
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Joel
C. Salomon
Sent: Tuesday, September 08, 2015 1:48 PM
To: LilyPond Users
Subjec
Karen,
This might be of use:
http://www.lilypond.org/doc/v2.18/Documentation/snippets/vocal-music#vocal-music-piano-template-with-melody-and-lyrics
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David,
Here is a snippet. I am not sure where it is located in the manual, V 2.18.
\once \override Score.BreakAlignment #'break-align-orders = #(make-vector 3
'( staff-bar
clef
key-cancellation
key-signature
time-signature))
The order of the items can be changed to suit needs. All of them need n
Welcome!
Mark
-Original Message-
From: David Sumbler [mailto:da...@aeolia.co.uk]
Sent: Sunday, September 13, 2015 6:21 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: RE: Clef symbol after a barline
On Sat, 2015-09-12 at 14:10 -0700, Mark Stephen Mrotek wrote:
> Da
Nick,
Try changing the 9/4 to 3/2. Does that work?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick McManus
Sent: Monday, September 21, 2015 9:53 PM
To: lilypond-user@gnu.org
Sub
Stan,
Lilypond does handle mid-measure repeats, you just have to tell it that it is
mid-measure:
\version "2.18.2"
\score {
\new Staff {
\time 4/4
\repeat volta 2 {
a'8 b' c' e' c'2
a'4 b' }
\alternative {
David,
Thank you for the information.
My answer was determined by the version used.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, October 01, 2015 6:34 PM
To: Mark Stephen Mrotek
Cc: s.p.korzil...@gmail.com; lilypond-user@gnu.org
Subject: Re: Repeat
.
Thank you for your kind attention.
Mark Stephen Mrotek
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Mind sharing the source (file) that is being used when you get this error?
Thanks,
Abraham
On Friday, October 9, 2015, Mark Stephen Mrotek [via Lilypond] <[hidden
email]> wrote:
Hello,
Â
Using Lilypond2.18.0, Frescobaldi 2.18.1.
When clicking the Lilypond icon in Fresc
[mailto:f...@inventati.org]
Sent: Saturday, October 10, 2015 12:45 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: error message
Il giorno sab 10 ott 2015 alle 1:20, Mark Stephen Mrotek
ha scritto:
> Using Lilypond2.18.0, Frescobaldi 2.18.1.
>
> When clicking the
Hello,
I recall that instructions were once given to achieve:
p ma ben marcato,
yet my search of the LSP was not successful.
Please direct me to its location.
Thank you for your kind attention.
Mark
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Subject: Re: dynamic with markup
Am 11.10.2015 um 03:58 schrieb Mark Stephen Mrotek:
> Hello,
> I recall that instructions were once given to achieve:
> p ma ben marcato,
> yet my search of the LSP was not successful.
> Please direct me to its location.
> Thank
Xavier,
Thank you for the reference. I shall bookmark and add it to my collection of
snippets.
Mark
From: Xavier Scheuer [mailto:x.sche...@gmail.com]
Sent: Monday, October 12, 2015 7:49 AM
To: Mark Stephen Mrotek
Cc: Malte Meyn ; lilypond-user Mailinglist
; Janek Warchoł ; Urs
t tieWaitForNote = ##t g,4.~ } \\
{s8 \set tieWaitForNote = ##t b4~ } >> 4. |
}
Thank you for your kind attention.
Mark Stephen Mrotek
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Hwaen Ch'uqi,
Thank you for your reply. I shall try your suggestion.
Mark
-Original Message-
From: Hwaen Ch'uqi [mailto:hwaench...@gmail.com]
Sent: Monday, November 23, 2015 10:13 PM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: tieWaitForNote
Greeting
: tieWaitForNote
Am 24.11.2015 um 06:53 schrieb Mark Stephen Mrotek:
> Everything is correct except that the ties do not appear. What is my
error?
If you really want these note length values you need a << >> construct but
without \\ because that would create new Voices. The only new Voice
Urs,
V 2.18 has a snippet at:
http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-keyboards#staff_002dchange-lines
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf
Matthew,
Sotto voce?
Piu piano?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
msk...@ansuz.sooke.bc.ca
Sent: Monday, November 30, 2015 10:11 AM
To: lilypond-user@gnu.org
Subject: A
Simon,
Attached is a snippet for bracket and hand indication from my library. I
cannot remember from whom I got it, so I cannot properly ascribe.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] O
Gilberto,
A rather tedious, yet precise method, is:
\once \set stemRightBeamCount = #x
\once \set stemLeftBeamCount = #x
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Gilberto Ago
Bernard,
Not sure which “November” font to which you refer.
Here are some free fonts of the same name.
http://www.fontpalace.com/font-download/November+Regular/
https://www.fontyukle.net/en/November+Regular.ttf
http://www.azfonts.net/load_font/novem.html
http://ufonts.com/fonts/november-re
Mike:
Looking at the piece
http://petrucci.mus.auth.gr/imglnks/usimg/f/f5/IMSLP24315-PMLP55004-Mozart_3_Deutsche_Tanze_K.605.pdf
the first section does not have alternative endings.
The Trio starts a new staff/section.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[m
Andrew:
When I transcribe piano music I use:
\newDynamics { }
in the Staff context. It allows me to adjust the length of the sustain line by
fraction of a beat.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
What you term the pound sign, derives from the Latin libra, pound. The word was
altered into livre, £ (1550's), as a French monetary amount equal to one pound
of silver. The unit of measure was changed to the term franc. Today the same
symbol is used as designation for the English pound - at one
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