The one you can see here ?
http://arts.nationalpost.com/2010/09/20/qa-the-enduring-legend-of-robin-hood
-even-if-hes-not-a-cartoon/
http://article.wn.com/view/2010/09/23/New_to_DVD_Kevin_Durand_is_Robin_Hoods
_big_man/
V.
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De : lute-...@cs.dartmouth.edu [mailto:lute-..
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References
1.
http://www.mydealsguru.com/bptkzih/sy3sri08b5ovbe5yubgiok403xxbc.ce8uryyh0zat12llzu7zjs6
Yes, I am certainly able to shed some light. Hollywood commissioned
Dan Larson to construct 4 lutes for the "Robin Hood" movie, with
Russell Crowe. The production team was very much into tiny, minute
details. They wanted the Arnault lute design, but they had a
different rosette from the ori
Wayne,
Back when I ran the guitar program at Northern Kentucky University,
I successfully petitioned the music department to purchase a ten course
lute for the guitar students to use. At some point the theatre faculty
asked the music department chair if there happened to be a lu
I believe Dan Larson built two medieval lutes to be used on stage...
maybe I'm wrong..
A
Bruno
On Thu, Feb 7, 2013 at 2:20 PM, Steve Ramey
<[1]stevera...@sbcglobal.net> wrote:
A A Wayne,
A A I loaned my early Paki lute to a local theater company a few
years
Wayne,
I loaned my early Paki lute to a local theater company a few years
back. I sort of knew the fellow who would use it (an accomplished
clarinetist) and didn't really fear for its well being. Not that I
particularly feared for it anyway. I secured it by holding his check
fo
I jest of course, but in some ways it IS nerve-wracking for just that reason!
David
>Yikes! How do professional lute makers manage to sleep at night, with
>their products ready to go 'pop' at any moment?
>
>Bill
>From: David Van Edwards
>To: William Samson
>Cc: Martyn H
Yikes! How do professional lute makers manage to sleep at night, with
their products ready to go 'pop' at any moment?
Bill
From: David Van Edwards
To: William Samson
Cc: Martyn Hodgson ; Lute builder Dmth
Sent: Thursday, 7 February 2013, 16:39
Subject: [LUTE-BUILDER]
Yes, as far as I have observed no lutes were made using support
blocks, however obvious it would be to give strength. In fact one of
the commonest problems with amateur made instruments is the tendency
to make things too strong. It is a maxim to bear in mind that lutes
sound best when right on
I believe Dan Larson has built just such lutes for Cinema. As I
remember, they were much more "bullet proof" than a real lute, but far,
far superior to mere stage crap. Ed Martin can probably tell us more.
Dan
On 2/7/2013 4:18 AM, wayne cripps wrote:
Hi -
I regularly get requests from thea
Dear Martyn,
What you say makes perfect sense. I will continue to follow the
example set by the old ones.
Kind regards,
Bill
From: Martyn Hodgson
To: Lute builder Dmth
Sent: Thursday, 7 February 2013, 14:46
Subject: [LUTE-BUILDER] Further to: Bar end supports on lut
Further to the recent mailings about using supports to the bar ends of
lutes (as commonly found on guitars) to avoid then becoming loose,
there were few responses and the gist seemed to bit that it was a good
idea and unlikely to injure the instrument's tone.
This may be the case,
Dear Wayne,
The English Lute Soc has had such an instrument to hire for some
years. It might be an idea for the LSA to copy. Being robust and not
worth much it could be shipped cheaply and easily.
Best wishes,
David
At 07:18 -0500 7/2/13, wayne cripps wrote:
>Hi -
>
> I regularly get reque
Hi -
I regularly get requests from theatre people to rent a lute for a play. Are
there regular theatre rental companies who would have prop lutes that a theatre
company could rent? Something tough that looks like a lute to the audience?
It seems like there must be a market for such a thing
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