I heard he made himself ten years younger early in his career, so it must have
been impressive for a man in his nineties or even older...
Am 16.12.2013, 22:27 Uhr, schrieb Paul Overell p...@bayleaf.org.uk:
In message 57-52ae0970.3010...@tobiah.org, Tobiah t...@tobiah.org
writes
On 12/15/2013
All this criticiem of Segovia continuing to perform into his golden
years reminds me of Wynton Marsalis' reply to criticisms of Louis
Armstrong for continuing to perform into his 70s even though his range
and technical abilities had diminished, Nuance is the epitome of
technic.
Regarding
On Dec 16, 2013, at 4:28 AM, G. Crona kalei...@gmail.com wrote:
Segovia at los Olivos from 1967, when he was 75 years old, the other The
song of the guitar filmed in beautiful Granada, in 1976, when he was 84,
according to the liner notes. Of course you can hear that age had taken it's
toll,
TONE POEMS is a suite of short improvisations by Christian Vasseur
(liuto forte) and Gilbert Isbin (renaissance lute) Photo still by
Didier Eeckhout
[1]http://www.youtube.com/watch?v=wVJPBGP8xvo
Gilbert Isbin
[2]What's new
--
References
1.
Jeez, that kid deserved a medal for courage under fire! He also still appeared
to be brainwashed. Poor talented kid. Probably a venerated master by now.
On Dec 14, 2013, at 8:53 PM, David van Ooijen davidvanooi...@gmail.com wrote:
This is referred to often:
Great Ed! So a few of us here were actually floored! I further noticed that
both those documentaries are also available on youtube. On the actual DVD
there are some photos as extras. A.o. some drawings of a young Andres. There
could be no doubt about where Disney found his inspiration for
Yeah, but he had good taste in music. I had three of his books.
On Dec 17, 2013, at 2:19 AM, Tobiah t...@tobiah.org wrote:
On 12/16/2013 08:55 AM, Sean Smith wrote:
What? No love for Frederick Noad's, The Renaissance Guitar?
That book and others put me off of the Renaissance because I found
Yeah, but he had good taste in music. I had three of his books.
Absolutely. It was a real intro into some good Renaissance music at the time.
Allan
On Dec 17, 2013, at 2:19 AM, Tobiah t...@tobiah.org wrote:
On 12/16/2013 08:55 AM, Sean Smith wrote:
What? No love for Frederick Noad's, The
And not only had he good taste in music, but he also gave a lot of
information and valuable advice on the execution of the pieces, a great
number of which are probably the most played on the lute today among the
intermediate crowd. He in fact also recommends tuning 3rd down to F# on
several of
On 17/12/13 8:44 AM, G. Crona wrote:
And not only had he good taste in music, but he also gave a lot of
information and valuable advice on the execution of the pieces, a great
number of which are probably the most played on the lute today among the
intermediate crowd. He in fact also recommends
Does anyone know if the Chilesotti pieces has been published in lute
tablature?
Bill
[1]Sent from Yahoo Mail on Android
--
References
1. http://overview.mail.yahoo.com/mobile/?.src=Android
To get on or off this list see list information at
There is surprisingly an error on that table of contents, in that one of the
best pieces is missing!
John Dowland: Lady Hunsdon's Alman on page 91
- Original Message -
From: Geoff Gaherty ge...@gaherty.ca
To: Lutelist lute@cs.dartmouth.edu
Sent: Tuesday, December 17, 2013 3:07 PM
Thomas Schall kindly provided his own intabulations of the Chilesotti
pieces in three PDF volumes -- See:
* [1]http://lute.musickshandmade.com/collections/view/105
* [2]http://lute.musickshandmade.com/collections/view/104
*
The tablature illustrations in Noad's books gave me the idea of playing from
tablature sources. Since then my career started slowly, then tapered off. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ed Durbrow
Sent: Tuesday, December
Frederick Noad was on this lute list back in the mid '90s
Wayne
Begin forwarded message:
From: Sean Smith lutesm...@mac.com
Subject: [LUTE] Segovia and Pujol (was Bream Collection…) and now what?
Date: December 16, 2013 at 11:55:41 AM EST
To: lute lute@cs.dartmouth.edu
What? No love
It's 9 PDF files:
http://lautenist.de/chilesotti1.pdf
http://lautenist.de/chilesotti2.pdf
http://lautenist.de/chilesotti3.pdf
http://lautenist.de/chilesotti4.pdf
http://lautenist.de/chilesotti5.pdf
http://lautenist.de/chilesotti6.pdf
http://lautenist.de/chilesotti7.pdf
You're thinking about _*Da un Codice Lauten-Buch*_ which has 99
pieces. It's a commmonplace book assembled by a Nuerenberg merchant.
It has tablature and writings (jokes, saying, poems, etc.). Tablatue
edition buy Dick Hoban. Lyre Music Press.
This is _*Lauutenspieler*_. It
. . . Not to mention a huge body of dedicated baroque- and romantic-era
repertoire for guitar that was forgotten for generations because Segovia didn't
like it and instead opted to create a body of repertoire through transcription.
I don't think Segovia can be blamed for his tremendous
On 17/12/2013 10:02 AM, Thomas Schall wrote:
It's 9 PDF files:
http://lautenist.de/chilesotti1.pdf
http://lautenist.de/chilesotti2.pdf
http://lautenist.de/chilesotti3.pdf
http://lautenist.de/chilesotti4.pdf
http://lautenist.de/chilesotti5.pdf
http://lautenist.de/chilesotti6.pdf
Chapdelain was the first-ever winner of the Guitar Foundation of America
competition, but now specializes in fingerstyle arrangements of pop music on
steel-string guitar: http://www.michaelchapdelaine.com/. He's now fond of
taking the stage as a barefoot bohemian. Discussing the Segovia
I like his video of Barrios' Julia Florida here:
http://www.youtube.com/watch?v=xViga3wZK0Efeature=c4-overviewlist=UUz4pWE-2iug9aUF2_PXgaHg
- he does not seem to have the stiffness associated with CG playing...
He seems to avoid barrés whenever possible -- something I relate to and
might
I just listened to some of his arrangements. I really like is interpretation
(a romantic on the lute page - what the heck).
Thank you for the link. It looks like he moved on nicely from his encounter
with Segovia. Many would have been destroyed.
David
-Original Message-
From:
I have an 11 course lute where the 11^th course seems to be very
sensitive and difficult to get in tune. It is gut. No, I do not want to
use copper or silver wrapped strings.
So, my question is if there is a relationship between the sensitivity
of the frequency (pitch) to the
I've thought about this too. Here's another way of stating the same thing
(below). I would try and ensure that the octave string is in the same tension
range.
The slacker the string, the greater will be proportionate change in tension
when you press the string against a fret. Hence the
Dear David,
I'm kind of slow in the math department but in my experience low
tensions strings _are_ more difficult to tune. When you get close to
the breaking point - ok, and just a bit shy of almost there - they
find that sweet spot rather nicely and you get a fine action around
the
How does one go about preventing the tastes of one person from shaping
the tastes of an art? Van Gogh couldn't sell a painting to save his
life during his own time because of the prevailing taste of his era.
Popularity is a factor in determining an era's tastes in art. It seems
unfair to fault
The irony is that Michael's turn to steel string guitar and pop/folk
music would only have confirmed Segovia in his disdain.
Gary
On 2013-12-17 13:26, Braig, Eugene wrote:
Chapdelain was the first-ever winner of the Guitar Foundation of
America competition, but now specializes in fingerstyle
Does anyone have a source of a lute in tabulation of Mille Regretz by Josquin
des Pres? Seems like I remember one, but cannot locate it. Cheers,
trj
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On Dec 17, 2013, at 7:45 PM, theoj89...@aol.com wrote:
Does anyone have a source of a lute in tabulation of Mille Regretz by Josquin
des Pres? Seems like I remember one, but cannot locate it. Cheers,
Narvaez' Cancion del Emperador is a setting of Mille Regretz.
--
To get on or off this
Dear trj,
There's one in Pierre Phalese 1545 (Iirc, it's set by Hans Gerle
although like most other Phalese, attributions are lacking)
http://digirep.rhul.ac.uk/items/c311b9e8-4eec-3f28-f07c-4338ada80023/1/
There's another anonymous setting in Phalese 1552 Hortus Musarum (it
appears
Hans Neusidler wrote a superb intab, I don't remember the original
source- my copy is in an (English) Lute Society edition of German
Renaissance lute music, selected and transcribed into French tab. by
Martin Shepherd. Very different from the Narvaez, but just as rewarding.
Dan
On 12/17/2013
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