I find it hard to believe many of the discussion points that come up;
Robert Lundberg (lute builder, who died of cancer in 2001--he was a
good friend-- deserved person of great respect about lute building)
talked a lot about the very same subjects that people still discuss
(as if they're unaware,
I am certain that discussion concerning tone woods, nail-use, phrasing,
voice-leading, and the current famous-player-cult of adoration took place in
1400 and has continued to take place with only the voices changing right
down through history. I don't think this is a bad thing in any respect.
Yes. This is the nature of any relatively open listserv or electronic forum
with some longevity. The personal experience and knowledge base of individuals
simply vary; not everybody knows what you may take for granted or has enjoyed
your own diversity of experience. As new folk cycle
(first episode of much-hyped TV series in UK)
I was expecting an immediate response...
So anyway, here goes: music begins with Ah Robin (not sung - and
probably played on a lute?)...melds into Glassy instrumental stuff. A
tremolando mandoline churns out all the plucked expressive work,
Well said, Ron.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ron Andrico
Sent: Wednesday, January 21, 2015 5:31 PM
To: timothy swain; Braig, Eugene
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Spruce for lute vs guitar.
An interesting aspect of this on-line forum is that one can never
presume a baseline standard of knowledge from which we all build in
order to form a broad and deep understanding of our shared art. It
seems that we routinely receive questions and comments posed by people
from all
http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online?utm_medium=emailutm_source=alumnewsletter
http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online?utm_medium=emailutm_source=alumnewsletter
Apologies if someone already posted this.
â¦Bob
I can vouch for aA lute playing Ah Robin - it's none other than Jacob
Heringman, who also appears brieflyA with theA ensemble in
Boleyn'sA chamber.
On Wednesday, 21 January 2015, WALSH STUART [1]s.wa...@ntlworld.com
wrote:
(first episode of much-hyped TV series in UK)
I
There was no link.
Chris
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
WALSH STUART
Sent: Wednesday, January 21, 2015 5:39 PM
To: lutelist Net
Subject: [LUTE] Wolf Hall
(first episode of much-hyped TV series in UK)
I was expecting
Great!A Thanks, Robert.
Chris.
On Wed, Jan 21, 2015 at 7:42 PM, Robert Clair [1]rcl...@elroberto.com
wrote:
[2]http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-m
usic-go-online?utm_medium=emailutm_source=alumnewsletter
On 21/01/2015 4:42 PM, Robert Clair wrote:
http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online?utm_medium=emailutm_source=alumnewsletter
http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online?utm_medium=emailutm_source=alumnewsletter
Try this: http://cudl.lib.cam.ac.uk/collections/music . As far as I can
tell, though, for any given manuscript you have to download one page at a
time. After an intense 120 seconds of looking, I didn't find a way to
download an entire manuscript. Perhaps someone else can enlighten us.
The 6th course doesn't get much use in this piece! But I can sometimes
(just) detect the upper octave, and the lower octave is in the usual
place, I think, and audible. The octaves can be heard clearly on
courses 4 and 5, especially 5 where she has a tendency to use a rest stroke.
The lower
TREE EDITIONNEW February 2015
__
GIOVANNI GIROLAMO KAPSBERGER:
LIBRO PRIMO D INTAVOLTURA DI LAUTO, Roma 1611, facsimile
59 pieces for Ren. lute/Italian tablature/Renaissance tuning
Euro 20.-
GIOVANNI GIROLAMO KAPSBERGER:
14 matches
Mail list logo
