Those might be the suites where it says 'theorbo' in the continuo
parts
Locke's music with theorbo as part of the thorough bass section is
listet separately.
Those two single movements and the suite are listet as lute music,
distinctively. Unfortunately, no sources are given.
The English wiki
...music that's good for you.
I love it.A Thanks, Ron.
Best to all,
Chris.
wholeheartedly seconded!
Mathias
On Sat, Aug 30, 2014 at 11:20 AM, Ron Andrico
[1]praelu...@hotmail.com wrote:
A A We have posted our Saturday morning quote, Sage advice.
A A
F6, then choose fonts for tablature.
Mathias
-Original Message-
Date: Wed, 23 Apr 2014 15:40:10 +0200
Subject: [Fronimo_editor] Font for German tab
From: Arne Keller arnekelle...@yahoo.com
To: fronimo_edi...@yahoogroups.com
I noticed in Matthias' note to Catherine on May 30. 2011,
There are ten pieces for the 10c lute (or Archlute) available from TREE
edition, intabulated by Jonathan Rubin. And I seem to remember that Lynda
Sayce intabulated a whole suite by Purcell for the archlute.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
Well ... here you are: http://www.youtube.com/user/aluardy (pls have mercy)
Mathias
why wouldn't you play the Flat Tuning version of this piece by Mace to
the y-tube by your new 12-courser? It is in the page 189. It would be
highly interesting to hear the translation - as he calls it - by
://www.youtube.com/user/aluardy
Enjoy!
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Mathias Roesel
Gesendet: Donnerstag, 28. Juli 2011 14:24
An: baroque-lute mailing-list
Betreff: [BAROQUE-LUTE] Re: Found a concordance
Jul 2011 14:24:15 +0200, Mathias Roesel
mathias.roe...@t-online.de wrote:
Well ... here you are: http://www.youtube.com/user/aluardy (pls have
mercy)
Mathias
why wouldn't you play the Flat Tuning version of this piece by Mace
to the y-tube by your new 12-courser? It is in the page 189
This whole discussion begins to approach the (almost ZEN) question of:
What is
the pure lute sound?
Seems a religious approach, indeed. And answers given from this perspective
will always smell of the _religion_ of Music.
Look at how a lute will sound in different environments. Out in the
We would need to go
back to school to learn this baroque language. So too, I believe, with
the lute.
If one simply wants to play the renaissance or baroque literature, fine.
How so? When you just like to play the renaissance or baroque literature,
you'll always do it within the scope of what
Dear Luters,
if you happen to be near Bremen, Germany, on July 16th, don't miss Anna
Kowalska and Anton Birula (Warsaw) with their recital
Baroque Insight - Italian, Spanish and French jewelleries on the
baroque guitar and theorbo
Saturday July 16th, 7:30 pm
Kultursalon
Dear Luters,
if you happen to be near Bremen, Germany, on July 16th, don't miss Anna
Kowalska and Anton Birula (Warsaw) with their recital
Baroque Insight - Italian, Spanish and French jewelleries on the baroque
guitar and theorbo
Saturday July 16th, 7:30 pm
Kultursalon in der Galerie Stoll
Erm, did somebody mention already that gyne in Greek is neither a-declension
nor o-declension? It's gyné, gynaikós, gynaikí, gynaika, and in compounds
it's gynaiko- like in gynecologist, gynecology, gynecological, and
gynecotropism.
Gynoecium (generic term for all kinds of sporophyll) is derived
Why would you tell lies to children? Why would you confuse their budding
sense
of history?
Why would I? I wouldn't, and I don't think I lied to the kids. Children of
about six or seven years usually can't tell a month from thousand months.
So, kings and knights and dragons implied something
David,
this is awesome. I'll try to play it myself that way according to your
video. Who can attack you because of your assumed personal preferences?!?
Best wishes,
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von
[mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Mathias Roesel
Sent: 02 July 2011 22:38
To: 'lutelist Net'
Subject: [LUTE] Re: What's the point to 'historical sound'
Would you consider Lachrimae as a personal artistic expression of
Dowland
or
as an example of more general craftsmanship
Very simple answers. Composers expected money/food/lodging in exchange
for whatever music his (almost always his) patron desired.
Just kidding, right? Not even Charly Marx would have said so, I suppose.
Audiences expected to be pleased.
I beg to differ.
Mathias
To get on or off this
Art is a personal expression of universal value,
That concept of the arts has developed in Western Europe in the wake
of political emancipation during the 18th-19th centuries. Before that
era, artists would usually not consider themselves autonomous so as to
make use of their art in
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von David R
Gesendet: Samstag, 2. Juli 2011 20:52
An: Roman Turovsky
Cc: Mathias Roesel; lute@cs.dartmouth.edu
Betreff: [LUTE] Re: What's the point to 'historical sound'
On Jul 2, 2011, at 1:40
Would you consider Lachrimae as a personal artistic expression of Dowland
or
as an example of more general craftsmanship?
An expression of his sublime art, certainly. I do resist the notion,
however, that Dowland had personally fallen in love with queen Elizabeth. On
the other hand, I had the
People didn't suddenly
change from neoclassical robots into emotional beings in 1800.
Well, if we diminish the exaggeration just a bit ... I do think that
enlightenment and the French revolution brought about quite a turnabout. In
feudal societies, people would publicly express their feelings.
People didn't suddenly
change from neoclassical robots into emotional beings in 1800.
Well, if we diminish the exaggeration just a bit ... I do think that
enlightenment and the French revolution brought about quite a turnabout. In
feudal societies, people would NOT publicly express their
versions in terms of metre in that it
has a dotted crotched in the end, compensating for the initial upbeat,
whereas the concordances have a minim in the end.
Mathias
Dnia 2-06-2011 o godz. 0:28 Mathias Roesel napisał(a):
Dear everybody,
is someone familiar with the Tombeau de Mazarin? Pls
So, piece in PL-Wn 396 Cim. is example of interpretation, but we need to
do a
source criticism, because we could eliminated errors and we would know
some specific of interpretation this piece.
Yes, I think so. But I do not think of this piece (or of any French baroque
lute music) in terms of
Dear everybody,
is someone familiar with the Tombeau de Mazarin? Pls find sources and
concordances at
http://mss.slweiss.de/index.php?id=2type=mslang=deums=PL-Wn396page=44v
In PL-Wn396, fol 44v, there are three different ornaments, viz. comma, cross
and half-moon below. The cross once appears
Seem to remember there were recordings by Walter Gerwig available, but noton
YouTube, of course.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Grzegorz Joachimiak
Gesendet: Mittwoch, 25. Mai 2011 16:12
An:
[1]http://mss.slweiss.de/index.php?lang=engid=2type=mssmss=nam=Purcellk
ey=msnam=comp=
Sure, but these seem to be by Daniel Purcell, who was Henry's brother IIRC.
Does someone happen to own a copy of that ms. PL-Pu ms. 7033 (kept in
Poznan)?
Mathias
To get on or off this list see list
Dear everybody,
if you happen to be near Bremen on May 6th 2011, don't miss the opportunity:
Simon Linné
plays music by Robert Ballard on the 10c lute
Friday, May 6th 2011, 8:00 pm
St. Johannes-Kirche
In der Traenke 24
28279 Bremen
Bus # 51, stop Arster Kirche
Entrance is free, donations are
My top favourite is When I Am Laid In Earth (Dido), but that's not exactly a
song.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von David Tayler
Gesendet: Dienstag, 12. April 2011 06:02
An: lute-cs.dartmouth.edu
the
music.
One peculiarity is that dotted rhythm sign more often than not consist of the
dot only, lacking the shaft.
Seems to be so that Leipzig has been a very musical city... ;-)
I haven't the faintest about the provenance of the ms.
Mathias
On 08/04/11 01:00, Mathias Roesel wrote:
Try
Try Leipzig II.6.24. It's available from Tree as well.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von wikla
Gesendet: Donnerstag, 7. April 2011 21:50
An: baroque-lute@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Ms.
Very interesting final comment. I sometimes have the impression that
the seventeenth century is happening all over again, with more and more
people taking up baroque lute, baroque guitar, theorbo etc and leaving
the renaissance lute behind. Is it simply too hard?
I doubt that
The first recording of music by Saint-Luc that I could get hold of was the
CD
http://www.amazon.com/Works-Lute-Saint-Luc/dp/B265TY/ref=sr_1_8?s=music;
ie=UTF8qid=1300914259sr=1-8 by Stephen Stubbs (recommended!). In his
booklet, he militated against the idea that this music was penned by
Dear Arthur,
All I meant to say was that the keyboard arrangements cannot be played on
the lute. And I fr one do consider the Wandervogel lute a proper lute, btw.
Furthermore, many of these arrangements have instrumental introductions that
have been specifically composed for the piano. The
Erm … there were two …
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Martin Shepherd
Gesendet: Samstag, 19. März 2011 12:41
An: Lute List
Betreff: [LUTE] Re: Jacques Gallot and Francesco da Milano
Yes, I
I doubt that anyone will be able to find out what people who are dead were
_thinking_. As for Quantz, he wrote gut and schlecht. In modern German
schlecht means bad, but in Quantz's days, the word meant simple.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
*waves hand*
Mat
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Rob MacKillop
Gesendet: Dienstag, 8. März 2011 17:55
An: howard posner
Cc: Lute List
Betreff: [LUTE] Re: German tablature
Exactly.
Well, it's fun
Komisch kaum, dass mal einer was richtig vorstellt, reden sie alle von was
anderem wie Luftbefeuchtern
Ich verstehe das aber eher in dem Sinn: Dem war nichts hinzuzufügen.
Viele Grüße
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
People in the first two rows could hear him better, perhaps
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von magnus andersson
Gesendet: Sonntag, 6. März 2011 20:55
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Fasch
Yay … !
Mat
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von wi...@cs.helsinki.fi
Gesendet: Freitag, 4. März 2011 13:44
An: Jean-Marie Poirier
Cc: baroque-lute@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Re: Ms. Lei. II 6 14
Quantz uses these names.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Lex van Sante
Gesendet: Mittwoch, 2. März 2011 22:31
An: Herbert Ward; lute mailing list list
Betreff: [LUTE] Re: good bad instead of strong
May I say that I still use my copy (5th edition 1982). By and large it's
still useful for locating sources.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von David Tayler
Gesendet: Mittwoch, 2. Februar 2011 00:25
An:
Dear everybody,
If you happen to be near Bremen on the forthcoming weekend, don't miss
Pedro Alcacer's vihuela concerts! He will play music from all seven
known prints of music for the vihuela, including the famous six pavanas
by Luis Milan.
Venues:
Saturday February 5^th
Well, yes, the pond ... I forgot, sorry ;)
Mat the flat
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Eugene C. Braig IV
Gesendet: Mittwoch, 2. Februar 2011 00:08
An: 'Mathias Roesel'; 'Lute List'
Cc: palca...@gmail.com
More often than not the answer will be that there is no difference, separes
always starting from below. My individual opinion is, though, that you can
very well try to take \ as implying a start from the upper line (as long as
you keep the voices).
Mathias
-Ursprüngliche Nachricht-
Most exceptional thank you, Martin!
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Martin Shepherd
Gesendet: Sonntag, 30. Januar 2011 17:19
An: Lute List
Betreff: [LUTE] new piece of the month
Dear All,
Hello Eugene,
Thank you for clarifying this! It's true there is no discernable difference
between the two-staff-systems with solo music and with ensemble music in
dalla Casa, at first glance. That's why I first took the pieces, signed with
mandolin, to be arrangements of ensemble music for the
Thx for this one!!!
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von dem...@suffolk.lib.ny.us
Gesendet: Mittwoch, 5. Januar 2011 00:38
An: alexander
Cc: Ron Andrico; howardpos...@ca.rr.com; lute@cs.dartmouth.edu
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