>    Very interesting final comment.  I sometimes have the impression that
>    the seventeenth century is happening all over again, with more and more
>    people taking up baroque lute, baroque guitar, theorbo etc and leaving
>    the renaissance lute behind.  Is it simply too hard?

I doubt that the number of baroque lute players is increasing. They just
happen to be more present in public 8) 

I for one took up the baroque lute after the renaissance lute because I
wanted to play the lute music by Bach, primarily. I discovered that there's
much more to the baroque lute than Bach's music. I ended up in putting
Bach's on the shelf and finally focusing on the French.

That does not imply that I've ceased to play the renaissance lute. I do play
it and I enjoy it. Nevertheless, playing the baroque lute has had an impact.
My current renaissance epee is a 10c instrument, me focusing on Robert
Johnson, Robert Ballard, Nicolas Vallet.

Mathias

>    On 30 March 2011 13:59, Ron Andrico <[1][email protected]> wrote:
> 
>        Yes, of course jazz standards will work on lute, either in old
>      tuning
>        or in d-minor tuning.  The point in playing effective jazz guitar
>      is
>        not just playing triad harmonies (always altered) but voice
>      leading.
>        Listen to old recordings by Dick McDonough and the player who took
>      up
>        where he left off, George Van Eps.  The latter spent his entire
>        productive life demonstrating that improvisation with good voice
>        leading in four parts was not only possible but the standard by
>      which
>        idiomatic playing translates into good music you want to hear.
>      That is
>        why playing - and writing - polyphony is the best way to wrap your
>      head
>        around how any music fits on the lute.  Face it, guitar is easier
>      to
>        play, and block chords are simpler to understand.  This is why so
>      many
>        guitarists seem to gravitate toward music for baroque lute with
>      its
>        simpler treble - bass construction.
> 
>      Ron Andrico
>      [2]www.mignarda.com
> 
> 
> 
>    --
>    Peter Martin
>    24 The Mount St Georges
>    Second Avenue
>    Newcastle under Lyme
>    ST5 8RB
>    tel: 0044 (0)1782 662089
>    mob: 0044 (0)7971 232614
>    [3][email protected]
> 
>    --
> 
> References
> 
>    1. mailto:[email protected]
>    2. http://www.mignarda.com/
>    3. mailto:[email protected]
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


Reply via email to