lute
style. It's not about harmony.
Mathias
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--- Original-Nachricht ---
Von: Tristan von Neumann
Betreff: [LUTE] Re: Anachronistic playing style - Adriaenssen
: [LUTE] Re: Anachronistic playing style - Adriaenssen
Datum: 11.08.2019, 23:14 Uhr
An: lute@cs.dartmouth.edu
Thank you Sean, this is a well-pondered thought.
I very much appreciate this comment.
You are absolutely right. In one episode of me:mo, Lukas Henning talked
about a source
Claros and other tunes and models.
>
> Best
>
> Joachim
>
>
> -----Original-Nachricht-
> Betreff: [LUTE] Re: Anachronistic playing style - Adriaenssen
> Datum: 2019-08-10T12:55:41+0200
> Von: "Tristan
on behalf of Sean Smith
Sent: Sunday, August 11, 2019 7:05 PM
To: lute
Subject: [LUTE] Re: Anachronistic playing style - Adriaenssen
The answer may lie with the undocumented performers and performing
groups. They improvised and different groups would have varied
success
sets of variations on Conde Claros and other tunes and models.
>
> Best
>
> Joachim
>
>
> -----Original-Nachricht-
> Betreff: [LUTE] Re: Anachronistic playing style - Adriaenssen
> Datum: 2019-08-10T12:55:41+0200
&
of variations on Conde Claros and
other tunes and models.
Best
Joachim
-Original-Nachricht-
Betreff: [LUTE] Re: Anachronistic playing style - Adriaenssen
Datum: 2019-08-10T12:55:41+0200
Von: "Tristan von Neumann"
An: "lute@cs.dartmouth.edu"
Dear Joachim,
I us
I guess you are right about the character of this music as show-off.
It's just fun to listen to someone developing variations.
If you don't listen, the mood is constant and doesn't distract.
It's basically Jazz or Blues, as Victor Coelho put it.
Definitely the fanciest ideas I found in the
Dear Joachim,
I used this term to give the idea for someone who can't just look at it,
you know this is erbsenzahlery :)
And where is the same accuracy when trying to show me an example? ;-)))
By Condes Claros you mean those of Valderrabano I guess?
They are fancy, but not that fancy. I was
As far back (at least) as Paladin's 2nd Libro Primo there seems to be a
tradition(?) of the Galliard Antico switching to a major key for the
Represse. section. In the Adrianssen it not only switches to major but
alternates between the I and the V. This interestingly echos the
Hmmm... I just went through Phalese and I did not find anything similar.
Just elaborate passamezzi, but the question was about the specific
"Alberti" patterns.
Sean, I'd be happy to receive some direction, when you have the time.
But thanks, I neglected this Phalèse edition, it's very nice.
Thanks, I will check out Phalèse.
You mean Passamezzi, right?
On 10.08.19 05:04, Sean Smith wrote:
Not really. � �Check out the other Adr. as well as Phalese 1568.
There's a pattern to this. �
�I'm at work but those come to mind. �
hastily, Sean
On Fri, Aug
Nothing?
Here's something that came to mind afterwards:
Some fantasies by Dowland contain a hint of this. But that's probably it.
Anyone?
On 09.08.19 02:33, Tristan von Neumann wrote:
The "Passomeso in Basso" from Adriaenssen's Pratum Musicum 1584 features
two variations in a very odd
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