Yeah, but he had good taste in music. I had three of his books.
On Dec 17, 2013, at 2:19 AM, Tobiah t...@tobiah.org wrote:
On 12/16/2013 08:55 AM, Sean Smith wrote:
What? No love for Frederick Noad's, The Renaissance Guitar?
That book and others put me off of the Renaissance because I found
Yeah, but he had good taste in music. I had three of his books.
Absolutely. It was a real intro into some good Renaissance music at the time.
Allan
On Dec 17, 2013, at 2:19 AM, Tobiah t...@tobiah.org wrote:
On 12/16/2013 08:55 AM, Sean Smith wrote:
What? No love for Frederick Noad's, The
, December 17, 2013 2:17 PM
Subject: [LUTE] Re: Segovia and Pujol (was Bream Collection.) and now what?
Yeah, but he had good taste in music. I had three of his books.
On Dec 17, 2013, at 2:19 AM, Tobiah t...@tobiah.org wrote:
On 12/16/2013 08:55 AM, Sean Smith wrote:
What? No love for Frederick
On 17/12/13 8:44 AM, G. Crona wrote:
And not only had he good taste in music, but he also gave a lot of
information and valuable advice on the execution of the pieces, a great
number of which are probably the most played on the lute today among the
intermediate crowd. He in fact also recommends
Subject: [LUTE] Re: Segovia and Pujol (was Bream Collection.) and now what?
On 17/12/13 8:44 AM, G. Crona wrote:
And not only had he good taste in music, but he also gave a lot of
information and valuable advice on the execution of the pieces, a great
number of which are probably the most played
17, 2013 8:18 AM
To: Tobiah; LuteNet list
Subject: [LUTE] Re: Segovia and Pujol (was Bream Collection…) and now what?
Yeah, but he had good taste in music. I had three of his books.
On Dec 17, 2013, at 2:19 AM, Tobiah t...@tobiah.org wrote:
On 12/16/2013 08:55 AM, Sean Smith wrote:
What
Your paragraph implies that Chilesotti was made famous by Segivia, and
not by Respighi.
RT
sent from my payPhone
On 12/16/2013 6:24 AM, Mark Delpriora wrote:
No , but Paul Odette was.
Sent from my iPhone
On Dec 16, 2013, at 5:01 AM, r.turov...@gmail.com wrote:
So, Respighi was exposed to
...@gmail.com
Sent: Monday, December 16, 2013 6:22 AM
To: Mark Delpriora
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Segovia and Pujol (was Bream Collection.)
Your paragraph implies that Chilesotti was made famous by Segivia, and not
by Respighi.
RT
sent from my payPhone
On 12/16/2013 6:24 AM, Mark
On 16/12/13 9:38 AM, Chris Barker wrote:
I think that possibly more people heard more of Segovia's recordings of Six
Lute Pieces of the Renaissance than heard Respighi's Ancient Dances and
Aires for Lute.
That's extremely doubtful. I've attended orchestral concerts by major
symphony
and
Aires for Lute.
Chris
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of r.turov...@gmail.com
Sent: Monday, December 16, 2013 6:22 AM
To: Mark Delpriora
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Segovia and Pujol (was Bream
, December 16, 2013 6:22 AM
To: Mark Delpriora
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Segovia and Pujol (was Bream Collection.)
Your paragraph implies that Chilesotti was made famous by Segivia, and
not
by Respighi.
RT
sent from my payPhone
On 12/16/2013 6:24 AM, Mark Delpriora wrote
-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf
Of r.turov...@gmail.com
Sent: Monday, December 16, 2013 6:22 AM
To: Mark Delpriora
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Segovia and Pujol (was Bream Collection.)
Your paragraph implies that Chilesotti was made famous
On 12/16/2013 08:55 AM, Sean Smith wrote:
What? No love for Frederick Noad's, The Renaissance Guitar?
That book and others put me off of the Renaissance because I found that
most of the pieces, though simple enough looking, were full
of awkward fingerings that took more effort to master then
On Dec 16, 2013, at 7:51 AM, William Samson willsam...@yahoo.co.uk wrote:
A recent programme blurb for a Nigel North concert says that he was
first inspired by Hank B. Marvin of The Shadows (Cliff Richard's
backing group).
Not just at first. About 20 years ago, when I gave Nigel a ride
Funny, if I'm not mistaken, O'Dette said in interview that he was
deeply inspired by Julian Bream's lute performances (records?). This
seems more logical: Dowland played on a lute shaped instrument.
2013/12/16 [1]terli...@aol.com
As far as his influence on the lute: I heard Paul
For me it was Barney Kessell, Jim Hall, Charlie Byrd, Segovia and Julian
Bream.
Gary
On 2013-12-16 07:51, William Samson wrote:
A recent programme blurb for a Nigel North concert says that he was
first inspired by Hank B. Marvin of The Shadows (Cliff Richard's
backing group).
Being
They were right, the guitar is soft compared to the orchestral
instruments. Segovia made fame because of the new technology of
recording, something paralel to the exposure given by youtube
nowadays.
2013/12/15 howard posner [1]howardpos...@ca.rr.com
Segovia's Autobiography of
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