I've been asked to accompany a soprano next fall on a short program of music
for lute and voice. I'd like to present about 15 or 20 minutes of music for
soprano and Baroque lute, but since I'm new to the Baroque instrument, I don't
really know what might work. Can anyone recommend some pieces
Daniel
Well, thanks for replying, it is not always obvious that there is
someone out there listening. I am happy that this topic is of
interest to you. I think we may be in a minority, but I don't really
know.
Just before, I talk briefly about that, I would like to point out,
that I
Are there any Harmony Assistant users here using the program to make
lute tab?
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
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I used it for a while, but gave up after I got an Intel Mac that
could run windows and Django. Fonts never looked quite right.
DS
On Nov 17, 2007, at 7:09 AM, Ed Durbrow wrote:
Are there any Harmony Assistant users here using the program to
make lute tab?
Ed Durbrow
Saitama, Japan
I've been folllowing this discussion with a half-cocked
ear. I certainly agree that a new edition of the
Vivaldi works for mandolins and lute is needed. The
Malipiero presents too many questions, as you've already
noted here. And those cluttered pages--every slur has
brackets. Why not a note,
I also tried it but found that it had trouble putting the notes in the most
playable positions. Fronimo and Django work much better.
Stephen Arndt
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
To: LuteNet list lute@cs.dartmouth.edu
Sent: Saturday, November 17, 2007 4:09 AM
I keep it just in case, but HA output is rather ugly visually.
RT
I also tried it but found that it had trouble putting the notes in the most
playable positions. Fronimo and Django work much better.
Stephen Arndt
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
To: LuteNet
Open strings in 1/6 comma and wiggly frets (Paul Guy chording on Die
Wohltemperirte Gitarre):
http://truetemperament.com/main.php?go=5lan=1
Andrew
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Indeed, I quite understand that lute structure, could seem totally
uninteresting to someone who just leaves all this to his lute maker.
Such a person may not care at all for what is on the inside of his lute.
more likely they have eyes glazed over when the discusion goes technical.
I know
Dan,
I am sorry, in that I do not have it. I can try to get it for you will
let you know if I do.
I do not think that it was ever commercially available. I consulted Howard
Mayer Brown found in that it was in a printed book by Holborne. I will
ask the collective wisdom of the lute
Does anyone know the date of the Munich MS 1512?
--
Stephen Fryer
Lund Computer Services
**
The more answers I find, the more questions I have
**
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Hi Dana,
Your talking about FoMRHI makes me think - I've got a fair number of back
issues - did anyone ever get round to digitizing them, do you know? There's
a wealth of information in those I have, so I can only imagine what might
have come after I stopped subscribing.
Tony
-
On Sat, Nov 17, 2007, Tony Chalkley [EMAIL PROTECTED] said:
Hi Dana,
Your talking about FoMRHI makes me think - I've got a fair number of back
issues - did anyone ever get round to digitizing them, do you know?
problem is, copyright resides with the author on each article, so its
In two places the manuscript has the date 1533. Kurt
Dorfmueller believes it was copied at tghe Munich court
between 1533 and 1544. There is another manuscript
copied by the same scribe in Berlin (Mus Ms 40632).
For a thorough study see Dorfmueller's dissertation,
_*Studie zur Lautenmusik in
In two places the manuscript has the date 1533. Kurt
Dorfmueller believes it was copied at tghe Munich court
between 1533 and 1544. There is another manuscript
copied by the same scribe in Berlin (Mus Ms 40632).
For a thorough study see Dorfmueller's dissertation,
_*Studie zur Lautenmusik in
That should be Studien.
==AJN
Boston, Mass.
This week's free download from
Classical Music Library:
Mahler: Symphony No. 5
Go to my web page:
http://mysite.verizon.net/arthurjness/
For some free scores, go to:
http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/
- Original Message -
Harrumph! It would hardly hurt if they all waived their copyright this late
in the day - I seem to remember some pretty good analogue flame wars and
some nice drawings and stuff - must dust them off and flick through them.
With whom would the copyright of the index of articles lie? Any ideas?
Yes, Darsie did do an edition (I have a copy). I've no idea what's up with
his web site, though.
Guy
-Original Message-
From: Arthur Ness [mailto:[EMAIL PROTECTED]
Sent: Saturday, November 17, 2007 1:39 PM
To: [EMAIL PROTECTED]; Lute List
Subject: [LUTE] Re: Munich MS1512
In two places
I am new to this list, but not to the lute or lute construction. I am a
luthier operating in Nor Cal. (web site not yet complete). Thinning the edges
of a sound board and leaving the center thicker ( approx. 1.8 mm at center
tapering to 1.3 at edges) does cause the sound board to act as or
On Nov 17, 2007, at 9:34 PM, Michael Bocchicchio wrote:
With three different tags inside, do we know beyond the shadow of
a doubt that the whole soundboard was not remade in the later half
of the 17th century? -- It was a common practice. I saw no
discussion of that in the thread,
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