Yes, that I already have. Rich and good collection, too!
Most pieces in the ms. are anonymous, but concordances to quite a few pieces by
Reusner et al can be found. Many pieces are very well composed, some adroitly
and to full capacity using the advantages of deviating tunings. I love the
Hi All,
The new piece of the month is in the usual place:
www.luteshop.co.uk/month/pieceofthemonth.html
It's the last of a series of recordings I made with a Venere 7c lute
(67cm, strung all in gut) before it went to its new owner.
I hope you enjoy it.
Best wishes,
Martin
To get on or
Cool Martin!
Did you record it all in one go or weed out mistakes in audacity afterwards?
You seem to be quite unique in the lute community in that you BOTH build
excellent lutes as well as being a very sensitive and able player.
Kind regards
G.
- Original Message -
From: Martin
Thanks, Goeran.
We have debated on this list before the virtues or otherwise of live
performance-type recordings as opposed to perfect commercial CD-type
recordings.
I don't like to hear blemishes (especially my own!) but at the same time
I don't want to spend hours editing out every single
Dear Êîíñòàíòèí Ùåíèêîâ,
Well done for playing Queen Elizabeth's Galliard from memory. Am I right
in thinking that you learned the piece from a transcription in staff
notation, rather the original tablature?
Best wishes,
Stewart McCoy.
-Original Message-
From: lute-...@cs.dartmouth.edu
Indeed you most successfully have Martin. I should also have added an
excellent editor as well as a generous sharer of music and knowledge. In
short a compleat lutenist.
Cheers!
G.
- Original Message -
From: Martin Shepherd mar...@luteshop.co.uk
To: Lute List lute@cs.dartmouth.edu
Yes, that is very clear Martin. Well done!
ed
At 05:56 AM 4/8/2011, Martin Shepherd wrote:
I hope I have shown that gut strings can be used to good effect.
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: e...@gamutstrings.com
voice: (218) 728-1202
Dear Konstantin,
Thanks for your message. The reason I thought you might have learned the
piece from staff notation is that there is a wrong note (d1 instead of
e1) which occurs four times (in bars 8, 16, 21 and 29). It is so easy to
mix up accidentals when reading from staff notation - something
Another luthier who is a wonderful player is Andrew Rutherford.
Did you record it all in one go or weed out mistakes in audacity
afterwards? You seem to be quite unique in the lute community in
that you BOTH build excellent lutes as well as being a very
sensitive and able
Very beautiful!
But I would also very much like to _see_ the player and playing - important
part of performance... at least to me.
All the best,
Arto
On Fri, 8 Apr 2011 13:05:55 +0200, G. Crona kalei...@gmail.com wrote:
Indeed you most successfully have Martin. I should also have added an
Very lovely sound and playing, Martin. The difference between a 59cm string
length lute and 67cm lute is, perhaps, similar to the difference between a baby
grand and a concert grand piano, yes? But for the player, the concert grand
keyboard is essentially the same as the baby grand; for the
Thanks, Arto. Yes, I agree video is the thing - I just haven't got the
technology sorted out yet.
Meanwhile, why not do your own version?
Best wishes,
Martin
On 08/04/2011 18:26, wikla wrote:
Very beautiful!
But I would also very much like to _see_ the player and playing - important
part
On 08/04/2011 21:38, Martin Shepherd wrote:
Thanks, Arto. Yes, I agree video is the thing - I just haven't got
the technology sorted out yet.
Meanwhile, why not do your own version?
Best wishes,
Martin
Very nice gutty playing, Martin.
Just to get things in perspective though, roughly
Here's Merula's Cappriccio Cromatico played on a mean-tone organ:
http://www.youtube.com/watch?v=D5_bSrkEFXs
It was so insufferable I had to turn it off halfway through.
Enjoy, ye MT mavens.
RT
To get on or off this list see list information at
On Apr 8, 2011, at 4:26 PM, Roman Turovsky wrote:
Here's Merula's Cappriccio Cromatico played on a mean-tone organ:
http://www.youtube.com/watch?vÕ_bSrkEFXs
It was so insufferable I had to turn it off halfway through.
The second half was the best part.
--
To get on or off this list see
Sesqui means one and one half. So a sesquipedalian likes words that
are a foot and a half long.
In a sesquialtera proportion, you want, according to Morley
'three notes are sung to two of the same kinde' and Sesquitertia
is when four notes are sung to three of the same kinde
And 3/2 is one and
Hi David,
Can the sesquialtera be performed as triplets? In Spinacino there are 6
notes in a bar (duple time).
Thanks for the info.
2011/4/9 David Tayler [1]vidan...@sbcglobal.net
Sesqui means one and one half. So a sesquipedalian likes words that
are a foot and a
Very beautiful played Martin. Great lute sound too.
Gilbert
http://users.telenet.be/gilbert.isbin/contents.html
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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