[LUTE] Saturday morning quotes - Princes and a Pope

2015-07-04 Thread Ron Andrico
   We have posted our Saturday quotations, interconnectedness according to
   two Princes and a Pope.
   [1]http://wp.me/p15OyV-1ci
   Ron  Donna

   --

References

   1. http://wp.me/p15OyV-1ci


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[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread Stephen Fryer

On 04/07/2015 6:34 AM, Edward Chrysogonus Yong wrote:

I'm working on 'Une m'avoit promis' from Le Roy's Second Book for guitar, and 
rather puzzled. It's marked as 'Paduane' but has a 3, and is barred as three 
beats to the bar. Aren't pavanes always in duple time?

Confused,

Edward

Possibly parallel to marches in 3/4 time?

Stephen Fryer




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[LUTE] Questions for Monica

2015-07-04 Thread David Smith
   Thank you so much for the Corbetta work. I am looking forward to
   reading it.


   I have a couple of unrelated questions.


   I purchased a copy of Amat: Guitarra Espanola published by Chanterelle
   editions. I find that title page, the dedications and most of section 1
   are missing. I see that you were involved with this. Was this
   intentional or did I just get a bad print?


   Also, what do you use for creating mixed alfabetto and punteado
   tablature? I have seens some discussion on this in the past but it
   seemed like there were no good solutions.


   Best Regards

   David

   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread jmpoirier2
   Sure, but I can't remember pieces called Pavanes notated or played in
   triple time...

   Jean-Marie

   Envoye depuis mon appareil Samsung

    Message d'origine 
   De : Miles Dempster miles.demps...@gmail.com
   Date : 04/07/2015 19:49 (GMT+01:00)
   A : Lute List lute@cs.dartmouth.edu
   Objet : [LUTE] Re: Paduane in Triple Time
   Perhaps there are two distinct dances whose names sometimes merge:
   1. Pavane: From the word 'pavo' meaning peacock. This would suggest a
   stately dance (duple time).
   2. Paduan: From 'Padua (triple time)
   Miles
   On Jul 4, 2015, at 9:34 AM, Edward Chrysogonus Yong
   edward.y...@gmail.com wrote:
Dear Collective Wisdom,
   
I'm working on 'Une m'avoit promis' from Le Roy's Second Book for
   guitar, and rather puzzled. It's marked as 'Paduane' but has a 3, and
   is barred as three beats to the bar. Aren't pavanes always in duple
   time?
   
Confused,
   
Edward
   
   

   
tou%to ylektroniko'n taxudromei'on ek ei'Fwnou emeu% epe'mfthy.
Hae litterae electronicae ab iPhono missae sunt.
iPhone._
This e-mail was sent from my iPhone.
   
   
   
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread Ron Andrico
   There were indeed triple-time pavans.  The most commonly known example
   is found in Attaignant, Dixhuit basses danses, Paris, 1529.  You will
   recognize the piece in this recording:
   [1]https://mignarda.bandcamp.com/track/pavanne-2
   RA
Date: Sat, 4 Jul 2015 21:34:03 +0800
To: lute@cs.dartmouth.edu
From: edward.y...@gmail.com
Subject: [LUTE] Paduane in Triple Time
   
Dear Collective Wisdom,
   
I'm working on 'Une m'avoit promis' from Le Roy's Second Book for
   guitar, and rather puzzled. It's marked as 'Paduane' but has a 3, and
   is barred as three beats to the bar. Aren't pavanes always in duple
   time?
   
Confused,
   
Edward
   
   

   
II?III? I.IIuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
   IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
HA| litterA| electronicA| ab iPhono missA| sunt.
aeCUReaaeuaeP:c, 1/4eae-oe-aaa 3/4iPhonea
This e-mail was sent from my iPhone.
   
   
   
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

References

   1. https://mignarda.bandcamp.com/track/pavanne-2



[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread Sean Smith

This song/dance is more a brawl in 3/8. 

It's got plenty of verses so it invites a bit of variation. Here's the 
Baltimore Consort rising to the occasion.
https://youtu.be/EBC9ldiS2oM

Sean


On Jul 4, 2015, at 9:10 AM, Stephen Fryer wrote:

On 04/07/2015 6:34 AM, Edward Chrysogonus Yong wrote:
 I'm working on 'Une m'avoit promis' from Le Roy's Second Book for guitar, and 
 rather puzzled. It's marked as 'Paduane' but has a 3, and is barred as three 
 beats to the bar. Aren't pavanes always in duple time?
 
 Confused,
 
 Edward
Possibly parallel to marches in 3/4 time?

Stephen Fryer




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread jmpoirier2
   Isn't 3/8 considered triple time...?

   Jean-Marie

   Envoye depuis mon appareil Samsung

    Message d'origine 
   De : Sean Smith lutesm...@mac.com
   Date : 04/07/2015 18:45 (GMT+01:00)
   A : lute@cs.dartmouth.edu
   Objet : [LUTE] Re: Paduane in Triple Time
   This song/dance is more a brawl in 3/8.
   It's got plenty of verses so it invites a bit of variation. Here's the
   Baltimore Consort rising to the occasion.
   https://youtu.be/EBC9ldiS2oM
   Sean
   On Jul 4, 2015, at 9:10 AM, Stephen Fryer wrote:
   On 04/07/2015 6:34 AM, Edward Chrysogonus Yong wrote:
I'm working on 'Une m'avoit promis' from Le Roy's Second Book for
   guitar, and rather puzzled. It's marked as 'Paduane' but has a 3, and
   is barred as three beats to the bar. Aren't pavanes always in duple
   time?
   
Confused,
   
Edward
   Possibly parallel to marches in 3/4 time?
   Stephen Fryer
   To get on or off this list see list information at
   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] 'YES LOVE' YT LINK

2015-07-04 Thread Gilbert Isbin
   Forgot the YT link !
   [1]https://www.youtube.com/watch?v=4uFr_FjjIawfeature=youtu.be

   2015-07-04 15:12 GMT+02:00 Gilbert Isbin [2]gilbert.is...@gmail.com:

Dear Lutenists
Hereby 'Yes Love', composed by Gilbert Isbin and   performed by
 Stathis
Skandalidis at the Brugge Conservatory.
'Yes Love' is featured on the CD 'Stathis Skandalidis Plays
 Gilbert
Isbin
Distributed by [1]CdBaby,[2] Amazon.com, [3]I Tunes
With kind regards,
Met vriendelijke groeten,
Bien cordialement,
Gilbert Isbin
[4][3]www.gilbertisbin.com
[5][4]gilbert.is...@gmail.com
--
 References
1. [5]http://www.cdbaby.com/cd/stathisskandalidis
2.
 [6]http://www.amazon.co.uk/s/ref=ntt_srch_drd_B00ZKMPATY?ie=UTF8fie
 ld-keywords=Stathis%20Skandalidisindex=digital-musicsearch-type=ss
3. [7]https://itunes.apple.com/album/id1005832371
4. [8]http://www.gilbertisbin.com/
5. mailto:[9]gilbert.is...@gmail.com
 To get on or off this list see list information at
 [10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. 
http://telenet.us10.list-manage.com/track/click?u=872f7cf1fd94f824553c96ad2id=43ed6f5134e=c7d1205f11
   2. mailto:gilbert.is...@gmail.com
   3. http://www.gilbertisbin.com/
   4. mailto:gilbert.is...@gmail.com
   5. http://www.cdbaby.com/cd/stathisskandalidis
   6. 
http://www.amazon.co.uk/s/ref=ntt_srch_drd_B00ZKMPATY?ie=UTF8field-keywords=Stathis%20Skandalidisindex=digital-musicsearch-type=ss
   7. https://itunes.apple.com/album/id1005832371
   8. http://www.gilbertisbin.com/
   9. mailto:gilbert.is...@gmail.com
  10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread Valery SAUVAGE

   For what I know Paduana means a dance from Padua (Italian city) and is
   not a pavana but a triple meter dance.

   (But I don(t know how to dance it)

   V.





  Message du 04/07/15 15:37
  De : Edward Chrysogonus Yong edward.y...@gmail.com
  A : Lute List lute@cs.dartmouth.edu
  Copie A  :
  Objet : [LUTE] Paduane in Triple Time
 
  Dear Collective Wisdom,
 
  I'm working on 'Une m'avoit promis' from Le Roy's Second Book for
 guitar, and rather puzzled. It's marked as 'Paduane' but has a 3,
 and is barred as three beats to the bar. Aren't pavanes always in
 duple time?
 
  Confused,
 
  Edward
 
 
  
 
  II?III? I.IIuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I
 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
  HA| litterA| electronicA| ab iPhono missA| sunt.
  aeCUReaaeuaeP:c, 1/4eae-oe-aaa 3/4iPhonea
  This e-mail was sent from my iPhone.
 
 
 
  To get on or off this list see list information at
  http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 

   --



[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread jmpoirier2
   There are some Paduanas in Luys Milan written in C but obviously to be
   played in triple time... Something like French gigues written in duple
   time but mostly played in triple time.

   Best to all,

   Jean-Marie

   Envoye depuis mon appareil Samsung

    Message d'origine 
   De : Bernd Haegemann b...@symbol4.de
   Date : 04/07/2015 18:04 (GMT+01:00)
   A : Valery SAUVAGE sauvag...@orange.fr, Edward Chrysogonus Yong
   edward.y...@gmail.com, Lute List lute@cs.dartmouth.edu
   Objet : [LUTE] Re: Paduane in Triple Time
   There are paduane / padovane etc. examples of the type PAVAN  (duple
   time), and there are those others which are in triple time and the
   first
   dance after the passemezzo. One should go to Padova and ask the mayor.
   Grove mentions that - in contrast to the Pavan type - there is no
   preserved choreography for the padovana in triple meter.
   With a temperature of 34 degrees in Brussels the pavan ist the only
   survivable dance for the moment :-)
   On 04.07.2015 17:06, Valery SAUVAGE wrote:
For what I know Paduana means a dance from Padua (Italian city)
   and is
not a pavana but a triple meter dance.
   
(But I don(t know how to dance it)
   
V.
   
   
   
   
   
   Message du 04/07/15 15:37
   De : Edward Chrysogonus Yong edward.y...@gmail.com
   A : Lute List lute@cs.dartmouth.edu
   Copie A  :
   Objet : [LUTE] Paduane in Triple Time
  
   Dear Collective Wisdom,
  
   I'm working on 'Une m'avoit promis' from Le Roy's Second Book
   for
  guitar, and rather puzzled. It's marked as 'Paduane' but has a
   3,
  and is barred as three beats to the bar. Aren't pavanes always
   in
  duple time?
  
   Confused,
  
   Edward
  
  
   
  
   II?III? I.IIuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I
   1/4IuI-I?I
  1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
   HA| litterA| electronicA| ab iPhono missA| sunt.
   aeCUReaaeuaeP:c, 1/4eae-oe-aaa 3/4iPhonea
   This e-mail was sent from my iPhone.
  
  
  
   To get on or off this list see list information at
   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  
   
--
   
   



[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread Miles Dempster
Perhaps there are two distinct dances whose names sometimes merge:

1. Pavane: From the word 'pavo' meaning peacock. This would suggest a stately 
dance (duple time).

2. Paduan: From 'Padua (triple time)


Miles




On Jul 4, 2015, at 9:34 AM, Edward Chrysogonus Yong edward.y...@gmail.com 
wrote:

 Dear Collective Wisdom,
 
 I'm working on 'Une m'avoit promis' from Le Roy's Second Book for guitar, and 
 rather puzzled. It's marked as 'Paduane' but has a 3, and is barred as three 
 beats to the bar. Aren't pavanes always in duple time?
 
 Confused,
 
 Edward
 
 
 
 
 τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη.
 Hæ litteræ electronicæ ab iPhono missæ sunt.
 此電子郵件發送于自吾iPhone。
 This e-mail was sent from my iPhone.
 
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: Questions for Monica

2015-07-04 Thread Monica Hall

Hi David
Re: Amat
It sounds as if a whole section of the book is missing.  It should have ...
A short title page for the facsimile
An Introduction by me running to 12 pages unnumbered - in English.
The facsimile then starts with the title page followed by
Carta del Padre Meastro Fray Leonardo which =  2 pages
Al lector - Amat's letter to the reader = 2 pages
This is followed by 3 sonetos - one page for each.
Then chapter 1 of the actual book starts on p.1.
I wonder where you got it from.  I thought the book was now out of print.

The programme which I use for Italian tablature with alfabeto is Django. 
It worked reasonably well but was limited. I haven't used it for some time 
now and I haven't downloaded any of the updates for several years.
Alain Veylit was a one point interested in developing this aspect but I 
don't where he is at with it now.

Best wishes
Monica



- Original Message - 
From: David Smith d...@dolcesfogato.com

To: Lute List lute@cs.dartmouth.edu
Sent: Saturday, July 04, 2015 6:08 PM
Subject: [LUTE] Questions for Monica



  Thank you so much for the Corbetta work. I am looking forward to
  reading it.


  I have a couple of unrelated questions.


  I purchased a copy of Amat: Guitarra Espanola published by Chanterelle
  editions. I find that title page, the dedications and most of section 1
  are missing. I see that you were involved with this. Was this
  intentional or did I just get a bad print?


  Also, what do you use for creating mixed alfabetto and punteado
  tablature? I have seens some discussion on this in the past but it
  seemed like there were no good solutions.


  Best Regards

  David

  --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 





[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread Valery SAUVAGE

   Perhaps someone on this list is student in Basel ? and then could ask
   Veronique Daniels. Sure she will have an idea about this...

   V.




  Message du 04/07/15 20:04
  De : jmpoirier2 jmpoiri...@wanadoo.fr
  A : Miles Dempster miles.demps...@gmail.com, Lute List
 lute@cs.dartmouth.edu
  Copie A  :
  Objet : [LUTE] Re: Paduane in Triple Time
 
  Sure, but I can't remember pieces called Pavanes notated or played
 in
  triple time...
 
  Jean-Marie
 
  Envoye depuis mon appareil Samsung
 
   Message d'origine 
  De : Miles Dempster miles.demps...@gmail.com
  Date : 04/07/2015 19:49 (GMT+01:00)
  A : Lute List lute@cs.dartmouth.edu
  Objet : [LUTE] Re: Paduane in Triple Time
  Perhaps there are two distinct dances whose names sometimes merge:
  1. Pavane: From the word 'pavo' meaning peacock. This would
 suggest a
  stately dance (duple time).
  2. Paduan: From 'Padua (triple time)
  Miles
  On Jul 4, 2015, at 9:34 AM, Edward Chrysogonus Yong
  edward.y...@gmail.com wrote:
   Dear Collective Wisdom,
  
   I'm working on 'Une m'avoit promis' from Le Roy's Second Book
 for
  guitar, and rather puzzled. It's marked as 'Paduane' but has a 3,
 and
  is barred as three beats to the bar. Aren't pavanes always in
 duple
  time?
  
   Confused,
  
   Edward
  
  
   
  
   tou%to ylektroniko'n taxudromei'on ek ei'Fwnou emeu% epe'mfthy.
   Hae litterae electronicae ab iPhono missae sunt.
   iPhone._
   This e-mail was sent from my iPhone.
  
  
  
   To get on or off this list see list information at
   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 

   --



[LUTE] Re: Questions for Monica

2015-07-04 Thread David Smith
Wow. It is missing a whole section. I guess they are selling rejects. I
bought it through Amazon and supplied by Imagine-this. I guess I go back to
them and ask for a complete copy.

It does have an historical notes section at the end which is 18 pages long. 
Thanks for the confirmation and information.
Regards
David

-Original Message-
From: Monica Hall [mailto:mjlh...@tiscali.co.uk] 
Sent: Saturday, July 4, 2015 11:46 AM
To: David Smith
Cc: Lutelist
Subject: Re: [LUTE] Questions for Monica

Hi David
Re: Amat
It sounds as if a whole section of the book is missing.  It should have ...
A short title page for the facsimile
An Introduction by me running to 12 pages unnumbered - in English.
The facsimile then starts with the title page followed by Carta del Padre
Meastro Fray Leonardo which =  2 pages Al lector - Amat's letter to the
reader = 2 pages This is followed by 3 sonetos - one page for each.
Then chapter 1 of the actual book starts on p.1.
I wonder where you got it from.  I thought the book was now out of print.

The programme which I use for Italian tablature with alfabeto is Django. 
It worked reasonably well but was limited. I haven't used it for some time
now and I haven't downloaded any of the updates for several years.
Alain Veylit was a one point interested in developing this aspect but I
don't where he is at with it now.
Best wishes
Monica



- Original Message -
From: David Smith d...@dolcesfogato.com
To: Lute List lute@cs.dartmouth.edu
Sent: Saturday, July 04, 2015 6:08 PM
Subject: [LUTE] Questions for Monica


   Thank you so much for the Corbetta work. I am looking forward to
   reading it.


   I have a couple of unrelated questions.


   I purchased a copy of Amat: Guitarra Espanola published by Chanterelle
   editions. I find that title page, the dedications and most of section 1
   are missing. I see that you were involved with this. Was this
   intentional or did I just get a bad print?


   Also, what do you use for creating mixed alfabetto and punteado
   tablature? I have seens some discussion on this in the past but it
   seemed like there were no good solutions.


   Best Regards

   David

   --


 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 




[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread Bernd Haegemann
There are paduane / padovane etc. examples of the type PAVAN  (duple 
time), and there are those others which are in triple time and the first 
dance after the passemezzo. One should go to Padova and ask the mayor. 
Grove mentions that - in contrast to the Pavan type - there is no 
preserved choreography for the padovana in triple meter.


With a temperature of 34 degrees in Brussels the pavan ist the only 
survivable dance for the moment :-)


On 04.07.2015 17:06, Valery SAUVAGE wrote:

For what I know Paduana means a dance from Padua (Italian city) and is
not a pavana but a triple meter dance.

(But I don(t know how to dance it)

V.





   Message du 04/07/15 15:37
   De : Edward Chrysogonus Yong edward.y...@gmail.com
   A : Lute List lute@cs.dartmouth.edu
   Copie A  :
   Objet : [LUTE] Paduane in Triple Time
  
   Dear Collective Wisdom,
  
   I'm working on 'Une m'avoit promis' from Le Roy's Second Book for
  guitar, and rather puzzled. It's marked as 'Paduane' but has a 3,
  and is barred as three beats to the bar. Aren't pavanes always in
  duple time?
  
   Confused,
  
   Edward
  
  
   
  
   II?III? I.IIuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I
  1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
   HA| litterA| electronicA| ab iPhono missA| sunt.
   aeCUReaaeuaeP:c, 1/4eae-oe-aaa 3/4iPhonea
   This e-mail was sent from my iPhone.
  
  
  
   To get on or off this list see list information at
   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  

--







[LUTE] Re: Questions for Monica

2015-07-04 Thread Geoff Gaherty

On 2015-07-04 5:56 PM, David Smith wrote:

Wow. It is missing a whole section. I guess they are selling rejects. I
bought it through Amazon and supplied by Imagine-this. I guess I go back to
them and ask for a complete copy.


Books are often misprinted.  In this case its sounds like a whole 
signature (usually 32 pages) failed to be included in the binding 
process.  The first thing I do whenever I buy an expensive book is check 
for missing pages.  Usually the seller will happily replace it, since he 
can send it back to the publisher for a refund.  If the book is 
out-of-print, it's a bigger problem.


Geoff

--
Geoff Gaherty
Foxmead Observatory
Coldwater, Ontario, Canada
http://www.gaherty.ca
http://starrynightskyevents.blogspot.com/



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[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread jmpoirier2
   True. Pavanas as Paduanas in disguise seem to have been a Spanish
   speciality...

   Envoye depuis mon appareil Samsung

    Message d'origine 
   De : howard posner howardpos...@ca.rr.com
   Date : 05/07/2015 00:10 (GMT+01:00)
   A : Lute List lute@cs.dartmouth.edu
   Objet : [LUTE] Re: Paduane in Triple Time
On Jul 4, 2015, at 11:00 AM, jmpoirier2 jmpoiri...@wanadoo.fr
   wrote:
   
 Sure, but I can't remember pieces called Pavanes notated or played
   in
  triple time...
   You'll remember two obvious examples once someone mentions them: the
   sixth of Milan's pavanas, on page 82 of El Maestro (the 82nd page of my
   pdf version, anyway), and the Pavana my llana para taner on folio
    of Pisador's book, which is barred in two but played in three, and
   is known in other sources as the galliard La Gamba.
   To get on or off this list see list information at
   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Paduane in Triple Time

2015-07-04 Thread howard posner

 On Jul 4, 2015, at 11:00 AM, jmpoirier2 jmpoiri...@wanadoo.fr wrote:
 
  Sure, but I can't remember pieces called Pavanes notated or played in
   triple time...

You’ll remember two obvious examples once someone mentions them: the sixth of 
Milan's pavanas, on page 82 of El Maestro (the 82nd page of my pdf version, 
anyway), and the “Pavana my llana para taner” on folio  of Pisador’s book, 
which is barred in two but played in three, and is known in other sources as 
the galliard “La Gamba.



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[LUTE] STATHIS SKANDALIDIS PERFORMS 'YES LOVE' A GILBERT ISBIN COMPOSITION ON YOU TUBE

2015-07-04 Thread Gilbert Isbin
   Dear Lutenists
   Hereby 'Yes Love', composed by Gilbert Isbin and  performed by Stathis
   Skandalidis at the Brugge Conservatory.
   'Yes Love' is featured on the CD 'Stathis Skandalidis Plays Gilbert
   Isbin
   Distributed by [1]CdBaby,[2] Amazon.com, [3]I Tunes

   With kind regards,

   Met vriendelijke groeten,

   Bien cordialement,
   Gilbert Isbin
   [4]www.gilbertisbin.com
   [5]gilbert.is...@gmail.com

   --

References

   1. http://www.cdbaby.com/cd/stathisskandalidis
   2. 
http://www.amazon.co.uk/s/ref=ntt_srch_drd_B00ZKMPATY?ie=UTF8field-keywords=Stathis%20Skandalidisindex=digital-musicsearch-type=ss
   3. https://itunes.apple.com/album/id1005832371
   4. http://www.gilbertisbin.com/
   5. mailto:gilbert.is...@gmail.com


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[LUTE] Paduane in Triple Time

2015-07-04 Thread Edward Chrysogonus Yong
Dear Collective Wisdom,

I'm working on 'Une m'avoit promis' from Le Roy's Second Book for guitar, and 
rather puzzled. It's marked as 'Paduane' but has a 3, and is barred as three 
beats to the bar. Aren't pavanes always in duple time?

Confused,

Edward




τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη.
Hæ litteræ electronicæ ab iPhono missæ sunt.
此電子郵件發送于自吾iPhone。
This e-mail was sent from my iPhone.



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[LUTE] Re: My web site

2015-07-04 Thread David van Ooijen
   Well done, congratulations and a big thank you for making your work
   available.
   David

   ***
   David van Ooijen
   [1]davidvanooi...@gmail.com
   [2]www.davidvanooijen.nl
   ***
   On 4 July 2015 at 12:27, Monica Hall [3]mjlh...@tiscali.co.uk wrote:

 For those of you who are interested...
 My web site - [4]www.monicahall2.wordpress.com now has on it an
 extended study
 of Corbetta - the best of all in the words of Sanz and in my
 estimation
 too.
 The highlights of this are
 1.   An extended biography - I have collected together all the
 information
 currently known about his life and added a few snippets which I
 myself
 have discovered in the process and tried to set it out in coherant
 chronological order.
 2. A parellel translation of the Italian and French prefaces from
 La
 guitarre royale (1671) with his tablature example set out in a way
 which
 makes it possible to compare the two.
 It also includes translations of the instructions to the player from
 his
 four other books with examples and commentary.
 You will find it by clicking on the heading Corbetta on the home
 page
 preceding the edition of his manuscript pieces.
 It is all free!Not sure that Ron would approve of that after
 reading his
 last post but not belonging to the musical establishment or being
 part of
 anyone's business model this is the only way I can make my efforts
 available - not to mention expose them to publis scrutiny.
 Feel free to comment - but I am not likely to update this monumental
 work
 any time soon.
 But a monumental vote of Thanks to Rob who has made it all possible.
 Regards to all
 Monica
 [5]www.monicahall2.wordpress.com
 To get on or off this list see list information at
 [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:davidvanooi...@gmail.com
   2. http://www.davidvanooijen.nl/
   3. mailto:mjlh...@tiscali.co.uk
   4. http://www.monicahall2.wordpress.com/
   5. http://www.monicahall2.wordpress.com/
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: My web site

2015-07-04 Thread Ron Andrico
   Monica, I'm flattered that you read our blog post at all.
   For the record, I am less concerned about noted scholars sharing the
   results of their work than I am about having to compete for gigs with
   amateur lutenists who actually pay to play.
   Thank you for sharing your impressive work in this format.  Since
   academic publishing has gone down the tubes, the web has become a
   viable resource for making such important scholarship available.  But I
   am a dinosaur who knows how to use a library, and I still like to read
   books.
   RA
Date: Sat, 4 Jul 2015 11:27:02 +0100
To: lute@cs.dartmouth.edu
From: mjlh...@tiscali.co.uk
Subject: [LUTE] My web site
It is all free! Not sure that Ron would approve of that after reading
   his
last post but not belonging to the musical establishment or being
   part of
anyone's business model this is the only way I can make my efforts
available - not to mention expose them to publis scrutiny.

   --


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[LUTE] Re: My web site

2015-07-04 Thread Rob MacKillop
Dear Monica, the web address you gave works, but I created for you an easier 
one to remember:

http://monicahall.co.uk

Best wishes,

Rob

www.robmackillop.net 

 On 4 Jul 2015, at 11:27, Monica Hall mjlh...@tiscali.co.uk wrote:
 
 For those of you who are interested...
 My web site - www.monicahall2.wordpress.com now has on it an extended study
 of Corbetta - the best of all in the words of Sanz and in my estimation
 too.
 The highlights of this are
 1.  An extended biography - I have collected together all the information
 currently known about his life and added a few snippets which I myself
 have discovered in the process and tried to set it out in coherant
 chronological order.
 
 2. A parellel translation of the Italian and French prefaces from La
 guitarre royale (1671) with his tablature example set out in a way which
 makes it possible to compare the two.
 
 It also includes translations of the instructions to the player from his
 four other books with examples and commentary.
 
 You will find it by clicking on the heading Corbetta on the home page
 preceding the edition of his manuscript pieces.
 
 It is all free!   Not sure that Ron would approve of that after reading his
 last post but not belonging to the musical establishment or being part of
 anyone's business model this is the only way I can make my efforts
 available - not to mention expose them to publis scrutiny.
 
 Feel free to comment - but I am not likely to update this monumental work
 any time soon.
 
 But a monumental vote of Thanks to Rob who has made it all possible.
 
 Regards to all
 Monica
 
 www.monicahall2.wordpress.com 
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] My web site

2015-07-04 Thread Monica Hall

For those of you who are interested...
My web site - www.monicahall2.wordpress.com now has on it an extended study
of Corbetta - the best of all in the words of Sanz and in my estimation
too.
The highlights of this are
1.  An extended biography - I have collected together all the information
currently known about his life and added a few snippets which I myself
have discovered in the process and tried to set it out in coherant
chronological order.

2. A parellel translation of the Italian and French prefaces from La
guitarre royale (1671) with his tablature example set out in a way which
makes it possible to compare the two.

It also includes translations of the instructions to the player from his
four other books with examples and commentary.

You will find it by clicking on the heading Corbetta on the home page
preceding the edition of his manuscript pieces.

It is all free!   Not sure that Ron would approve of that after reading his
last post but not belonging to the musical establishment or being part of
anyone's business model this is the only way I can make my efforts
available - not to mention expose them to publis scrutiny.

Feel free to comment - but I am not likely to update this monumental work
any time soon.

But a monumental vote of Thanks to Rob who has made it all possible.

Regards to all
Monica

www.monicahall2.wordpress.com 




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html