ust a choice the painter made. When I say "archlute" of course I mean
>a large 17th century continuo archlute, not a liuto attiorbato, which
>would normally have double basses.
>
>M
>
>On 16/06/2015 14:41, Jean-Marie Poirier wrote:
>> Looks more like an arc
of course) liuto attiorbato as the
>standard modern continuo instrument in everything from Dowland to
>Vivaldi. As far as I'm concerned, it's a modern "folk" instrument.
>Nothing wrong with it except the claim that it is somehow "historical".
>
>M
&
Hahahaha ! Good shot Roland ;-) !
Jean-Marie, a Brossard's and Campion's (+ a few others') countryman :-)
--
>Re: the theorbo, were Brossard and Campion (7 or 8 on the petit jeu, single
>strung) "outliers" as well? Maybe just by being French. r
>
>-Original Message-
>From:
By the way you forgot good old Mersenne in your short list !
Jean-Marie
--
>Hahahaha ! Good shot Roland ;-) !
>
>Jean-Marie, a Brossard's and Campion's (+ a few others') countryman :-)
>
>--
>
>>Re: the theorbo, were Brossard and Campion (7 or 8 on the petit jeu, singl
Fantastic and awfully tedious job, David ! Thanks a lot for sharing ;-)
Best,
Jean-Marie
--
>Take a look at http://www.dolcesfogato.com/Music/.
>I just finished uploading a PDF of the complete Thistlewaite Manuscript.
>
>Regards
>David
>
>
>
>To get on or off this list see list in
Yes Martin ! From Julia Craig McFeely's thesis...
Best wishes,
Jean-Marie
--
>Many thanks for this, David - I'm sure there will be many people who are
>interested in this MS. The next question, of course, is does anyone out
>there have an inventory?
>
>M
>
>On 11/07/2015 10:52,
Oh, I forgot the list doesn't accept attachments :-( !
But Martin I suppose you had a copy of my previous email with the pdf from
Julia's thésis corresponding to the manuscript in question ???
Let me know, I can send it privately then.
Jean-Marie
--
>Many thanks for this, David - I
andoulieres.com . It is also possible
to ask for other colours than those presented in the photo. Just ask him !
All the best / Amicalement,
Jean-Marie Poirier
--
> Ce site est tres mysterieux : comment faire pour commander un de leurs
> articles !?
> J'avais
Dear Matthew,
Could you possibly point more precisely to this anecdote about "theorbo necks"
you mention ? I scanned the whole of Pepy's Diary with the keywords "theorbo"
"theatre" "actors" "lute" and got dozens of quotes but none about the forest of
theorbos you mention... I also gave Evelyn's
>
> Attachment didn't come through to the list. Can you send a link?
> > On Mar 2, 2016, at 7:19 AM, "[1]b...@symbol4.de" <[2]b...@symbol4.de>
> wrote:
> >
> > Merci very much, cher Jean-Marie!
> > Amicalement
> > B
> >
>
Paul Beier's tool is indeed a very useful one ! I recommend it too. You can
download it from there: http://www.musico.it/lute_software/index.html
Best,
Jean-Marie
--
>Dear Hubert,
>
>I think there is some confusion here. The PUL number (poids par unité de
>longueur) is given by
Wonderful job Dimitry ! Thank you for sharing this link !
All the best,
Jean-Marie
--
>OK, I know this is not strictly in accordance with copyright and all
>that, but I did try to contact the original publishers about it with no
>result...
>I have recently created a web-based "r
I do agree completely too !
Best and very well done indeed, Anton !
Do keep up the good work !
Jean-Marie Poirier
--
> Anton
>
> let me say that I admire your work very much. Of course playing ftom
> notation is always good to be able to do and something I ha
Thanks Martin ! Very interesting and promising !
Best wishes,
Jean-Marie
--
>Hi All,
>
>Just to let you know that I have put up a new blog post - let me know
>your thoughts.
>
>http://luteshop.co.uk/some-thoughts-on-string-tension/
>
>Best wishes,
>
>Martin
>
>
>---
>This email ha
Thank you for the info Thomas ! I would be interested in your CD "La Superbe"
but the shipping cost to Europe is preposterous ! It is more expensive than the
CD itself...
I'm afraid I will have to wait till it is available on Magnatune or Amazon or
other media to buy it.
Best wishes,
Jean-Mar
believe Dan has lossless files available, so one should still get the
> full auditory experience.
>
> Best,
>
> tom
> __________
>
> From: Jean-Marie Poirier
> Sent: Wednesday, September 14, 2016
The exact quotation from Mersenne is :
"...le son des grosses chordes de Luth est apperceu de l'oreille durant la
sixiesme partie, ou le tiers d'une minute, c'est à dire pendant que l'artère du
poux d'un homme sain, & sans emotion bat dix, ou vingt fois..."
which can be roughly translated by : t
Not sure about that Mimmo... Mersenne is a scientist, therefore a precise
observer and his observations are worth considering seriously. When he
describes the duration of the sound of the bass stings of a lute, he takes care
to precise ""...le son des grosses chordes de Luth est apperceu de l'or
Dear all,
All you want to know about this Fantasia by Mudarra :
http://www.lavihuela.com/Vihuela/My_publications_files/GRIFFITHS%201986%20mu%20fantasia.pdf
Best,
Jean-Marie
--
>
>Am Sonntag, 15. Januar 2017 22:37 CET, Mathias Rösel
> schrieb:
>
>
>> > and he wants to say tha
And in English here :
http://www.lavihuela.com/Vihuela/My_publications_files/GRIFFITHS%201989%20mudarra.pdf
--
>
>Am Sonntag, 15. Januar 2017 22:37 CET, Mathias Rösel
> schrieb:
>
>
>> > and he wants to say that the false relations sound fine if played fast
>> > enough.
>> > Th
And finally, the thesis by Roa Alonso, Francisco Javier (2016) : "Alonso
Mudarra, vihuelista en la casa del infantado y canónigo en la catedral de
Sevilla"
can be downloaded in pdf from here: http://eprints.ucm.es/39306/1/T37818.pdf
Have a look at pages 261 - 265 about the Fantasia 10 in quest
There you go David :
https://www.books2ebooks.eu/odm/orderformular.do;jsessionid=7CC03FEF47C6B9B8F9C16D1C15529ED5
Just fill in your payment details and you're done ;-) !
Best,
Jean-Marie
--
>Hi Mathew,
>I have the links. The first link takes me to a page with many manuscripts but
Well, no; it doesn't work actually.
So let's do a little tutorial :
1/ Connect to the site using Matthew's link :
http://biblio.bnu.fr/opac/.do?sysb=bnu&q=LIBERA:Lautenbuch#5
2/ Click on the second item in the list : Laütenbüch 3989
3/ At the bottom of the page choose "commander un ebook" and c
ost links have during a e-commerce transaction
>;-)
>
>HTH Ralf Mattes
>
>
>>
>
>> Sent from my iPhone
>>
>> > On Jan 24, 2017, at 8:04 AM, Jean-Marie Poirier
>> > wrote:
>> >
>> > There you go David :
>> > https:/
progress)
that pieces in transitional tuning also appear a bit later on in the D minor
tuning...
Best,
Jean-Marie Poirier
--
> Dear Ron,
> I have a whole volume of vieux Gautier by CNRS. Are you saying their
> scholarship is mostly just speculation?
> G.
&g
>So it is a matter rational reasoning to admit of that a good deal of his
>production lies in manuscripts in vieil ton and accord nouveaux.
>And there is some evidence, (scant at the moment but in it's a work progress)
>that pieces in transitional tuning also appear a bit later on
t; possibly in memory of; while the perhaps "de" as in "tombeau de X"
> could mean "by X", or "for X".
> Regards
> Anthony
> [2]Sent from Yahoo Mail for iPhone
>
> Le vendredi, février 10, 2017, 6:24 PM, Jean-Marie Poirier
>a é
I use Paul Beier's softaware which can be downloaded there :
http://www.musico.it/lute_software/StringCalculator.html
Best wishes,
Jean-Marie
--
>Can anyone recommend a good online string calculator? I used to use
>Arto's, but I'm currently being blocked by Java on my Mac (running
e for your help,
All the best,
Jean-Marie Poirier
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Rainer you should get the facsimile from the Dutch Lute society ! Excellent
edition to spare you poor old CNRS book ;-) !
A "marinière" would be a sailor girl... No idea why Vallet uses this term for
his piece.
Best,
Jean-Marie
--
>Dear lute netters,
>
>I wonder what the meaning
..and "un marinier" (masculine) means a man who skips a boat but rather on
rivers, not on the sea. "Marinière" would be the feminine form of that.
There is a song by by Guillaume Tessier, a Breton musician, published in 1582
(4 parts) with the text incipit :
"Les mariniers adorent un beau jour
mysterious title-page.
Would anyone on this list know where precisely this precious document is
preserved ?
Thank you for your feedback anyway !
Best wishes to all,
Jean-Marie Poirier
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
music
>in Accords Nouveaux. This can be found in Andreas Schlegel's website
>accordsnouveaux.ch.)
>
>Best wishes,
>
>Joachim
>
>
>-Original-Nachricht-----
>Betreff: [LUTE] Ballard 1623 ?
>Datum: 2017-03-15T10:03:06+0100
>Von: "Jean-Marie Poirier&
nd
>> Kapsperger's Libro secundo d'intavolatura di lauto (1619).
>> cheers,
>> tom
>> __________
>>
>> From: lute-...@cs.dartmouth.edu on behalf
>> of Jean-Marie Poirier
>> Sent: Wednesday,
Kapsperger's Libro secundo d'intavolatura di lauto (1619).
> cheers,
> tom
>__________
> From: lute-...@cs.dartmouth.edu on
> behalf
> of Jean-Marie Poirier
> Sent: Wednesday, March 15, 2017 4:54 AM
> To: jo.lued
ge.com/Music-in-Shakespearean-Tragedy/Sternfeld/p/book/9781315018676
I was disappointed by Duffin's book which at times doesn't appear to be very
reliable...
>From memoery, I can't remember pieces for 2 voices and continuo, but I may be
>wrong !
Good luck and best wishes,
Jean-Mari
It definitely comes from the editor's (unknown...) imagination !!
Best,
Jean-Marie
--
> So I went to rehearse this song with a singer who said she'd been
> working on it, and she was surprised as she had been working on this
> version:
> [1]http://ks.imslp.info/files/imgln
Violino Primo :
p. 8 : Balletto 3 and Balletto quarto
p. 9 : Zarabanda prima and Zarabanda Seconda
Violino Secondo :
p. 8 : Zarabanda Prima and Zarabanda Seconda
p. 9 : Zarabanda Terza and Zarabanda Quarta
Viola e Basso
p. 8 : Zarabanda Prima and Zarabanda Seconda (Tenor clef C3)
p. 9 : Zarabanda
Hi Nancy,
I have the same interest in Robert Ballard and I wrote to the library in Russia
where the only copy of Ballard's second book of 1614 is kept to ask about a
possible copy of it but I never got an answer...
I would be very interested to know if someone around owns a copy and would be
re
(Paris 1614)
>http://www.sf-luth.org/en/?%26nbsp%3BMusical_Publications/Le_Secret_des_Muses
>
>Kakinami
>
>-Original Message-
>From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
>Of Jean-Marie Poirier
>Sent: Friday, August 4, 2017
Diego, sei piu fortunato di me ! Aspettiamo ;-) !
Best wishes,
Jean-Marie
--
>I also wrote in Russia.
>
>It seems tht in september they are going to send me a reproduction.
>
>Let's wait and see.
>
>Greetings,
>
>
>Diego
>
>
>Il 04/
gs, unfortunately.
>
> Mathias
>
>
>
> -Ursprüngliche Nachricht-
> Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
> von Jean-Marie Poirier
> Gesendet: Freitag, 4. August 2017 12:03
> An: T.Kakinami; nancy
> Cc: 'Lute List
The tablature is just the transcription of the notated parts, note for note,
maybe an interesting insight into compositional processes of the time (mid-17th
century)...
Jean-Marie
--
> Hi
> has anyone looked at the lute tablature in this work (in french), or
> even read the
lished in 1558. The original has no tabl. so these
> are examples...
> The person who copied (and maybe also translated) the italian print did
> a monumental work!
> G.
>
> On Tue, Aug 8, 2017 at 9:18 PM, Jean-Marie Poirier
> <[1]jmpoiri...@wanadoo.fr> wrote
anno 1654 a
> 100 years after pub. I thought everyone had gone over to the other side
> by then! :)
> G.
> On Tue, Aug 8, 2017 at 10:10 PM, Jean-Marie Poirier
> <[1]jmpoiri...@wanadoo.fr> wrote:
>
> Yes but it certainly shows how lutenists could transpose music
applied on a
> renaissance tuning and a french translation of Zarlino in anno 1654
> a
> 100 years after pub. I thought everyone had gone over to the other
> side
> by then! :)
> G.
> On Tue, Aug 8, 2017 at 10:10 PM, Jean-Marie Poirier
>
u parties
> des
>Institutions harmoniques
>
> What baffles me is what a baroque tablature is doing, applied on
> a
> renaissance tuning and a french translation of Zarlino in anno
> 1654
> a
> 100 years after pub. I thought everyone
Highly recommended articles by Gian Luca !
8 of his articles (from 2010 to 2014) can be read on Academia here :
https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto
Best,
Jean-Marie
--
>Hi,
>
>the Italian lutenist Gian Luca Lastraioli is publishing a very ric
Sorry, not 8 but 13 articles on Battaglie per liuto, from 2010 to 2016, can be
found at this link !
Jean-Marie
--
>Highly recommended articles by Gian Luca !
>
>8 of his articles (from 2010 to 2014) can be read on Academia here :
>https://independent.academia.edu/IlLiutoRivistade
THis one :
https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto
Best,
Jean-Marie
--
>
>Am Mittwoch, 16. August 2017 16:19 CEST, "Jean-Marie Poirier"
> schrieb:
>
>> Sorry, not 8 but 13 articles on Battaglie per liuto, f
Sure Ralf, you can read the whole content of ALL the past copies of 'Il Liuto'
! And all the battle articles by Gian Luca are in there !
All the best,
Jean-Marie
--
>
>Am Samstag, 19. August 2017 11:59 CEST, "Jean-Marie Poirier"
> schrieb
Concordo con Francesco ! Excellent and rather worrying assessment... !
Best,
Jean-Marie
--
> Thank you for that reality check, Francesco. Your points are well
> taken. It is far too easy to allow our collective passion for the
> historical lute to devolve into chit-chat ov
sole pioneer?
> regards to all
> Martyn
> PS I know Eph Segerman was the very first on this scene with his
> experimental 'gutlon' in the 1970/80s. M
> - Forwarded Message -
> From: Jean-Marie Poirier
> To: Ron Andrico ; Francesco Tribioli
>
A paper I wrote, initially for the French Lute Society will appear in one of
the next a LSA Quarterly, in Doug Towne's translation, and deals partly with
this subject...
All the best,
Jean-Marie
--
>Dear Musicological Hive Mind: I have often heard it said that we are the first
exactly the point I make in my paper to be published by the Lute Society and
the LSA too ! Already available - in French of course ;-) -
from the Société Française de Luth and on Academia (
https://www.academia.edu/33549422/Ren%C3%A9_Robert_Ennemond_Charles_et_les_autres..._Ombres_et_lumi%C3%A8re
And incidentally I have made a recording of pieces by Gaultier in the old
tuning soon to be released as a (short) CD along with pieces by Lespine in old
tuning too...
These guys , Gaultier, Lespine and others, even though some of their production
appears in the new tunings, had been trained and
Actually you only need this part of the link to go to the page in question :
https://www.academia.edu/33549422
Jean-Marie
--
>exactly the point I make in my paper to be published by the Lute Society and
>the LSA too ! Already available - in French of course ;-) -
>from the Sociét
There was an edition of this piece in one of the Lute Society (English) music
supplements years ago... It was edited by Stewart McCoy if I remember well, but
I'm not 100% sure ;-) !
Best,
Jean-Marie
--
>There is a "Replete for 3 lutes" in the Brogyntyn lute book - It seems
>to
Lynda, have a look at Satge Gerbode's page
: [1]http://www.gerbode.net/new_postings.html
Best,
Kean-Marie
Le 27 sept. 2017 Ã 03:32, Lynda Kraar
<[2]guitargirl4scrab...@cs.dartmouth.edu> a écrit :
Can anyone tell me where can I find a copy of DÅugoraj's Tablature?
Oops!
Read "Sarge" and signed "Jean-Marie"!
Bloody telephone keyboard :-)!
Le 27 sept. 2017 Ã 09:21, Jean-Marie Poirier <[1]jmpoiri...@wanadoo.fr>
a écrit :
Lynda, have a look at Satge Gerbode's page
: [2]http://www.gerbode.net/new_posting
Dear Lynda,
Have a look at Sarge Gerbode's site. He has transcribed and put online a very
large part of the manuscript in question !
Ther's a section called "Latest Postings" where you will find a lot of
Dlugoraj's tablature.
Best wishes,
Jean-Marie
--
> Can anyone tell me where
Lynda,
Theris a a good deal of Dlugoraj's music on Sarge Gerbode's site (
http://www.gerbode.net/ )
Have a look at the section called "Latest Postings" and you will find a lot
there !
Best wishes,
Jean-Marie
PS : I don't know why but the mails to your personal address keep bouncing...
--
Sorry for doubling my email but I got "Undelivered" messages when I tried to
reply to Lynda !
Apparently only her email address was concerned...
Sorry for the bother !
Best,
Jean-Marie
--
>Lynda,
>Theris a a good deal of Dlugoraj's music on Sarge Gerbode's site (
>http://www.gerb
According to David Van Edwards's measurements of 26 lutes all over the world,
bridges span from 140 to 155 mm, with a average around 143 - 152...
Mine is 155 :-) !
Best,
Jean-Marie
--
>That is a personal preference, Roman, as it must have been at the time
>considering the great
According to David Van Ewdwards measurements, here are the results for lutes by
the Hoffmanns :
HOFFMANN, JC c. 1754 Horniman Museum
148
HOFFMANN, J C c. 1720 Berlin, No. 129 29
145
HOFFMANN, J C
Julien Stryjak replaced the bridge on my archlute (made by him) without
removing the top... And everything works fine now !
Jean-Marie
--
>On 06/10/2017 11:28, r.turov...@gmail.com wrote:
>> Pat O’Brien was an unquestionable authority on musician anatomy, and
>> according to him
measurements here
>>for comparison) ...
>>
>>.. and btw - I would say, it should be an easy
>>task for any lutemaker to exchange a bridge, if
>>it is too small or too big ,-).
>>
>>Best regards
>>Markus
>>
>>
>>Am 06.10.2017 um 11:1
Wonderful source ! Thank you Rainer !
More Gaultier, Dufaut, Héard etc...
Best wishes,
Jean-Marie
--
>http://resolver.staatsbibliothek-berlin.de/SBB00020710
>
>Click on the tool icon.
>
>Rainer
>
>
>
>To get on or off this list see list information at
>http://www.cs.dartmo
assive concordances (and a neat script)
> [1]http://mss.slweiss.de/index.php?id=1&type=ms&lang=eng&ms=D-B40068
> while the rest is a hopscotch of scribes, epochs and composers.
> Found not much info on this one?
> G.
> On Fri, Oct 6, 2017 at 7:33 PM, Jean-Mari
est is a hopscotch of scribes, epochs and composers.
>> Found not much info on this one?
>> G.
>> On Fri, Oct 6, 2017 at 7:33 PM, Jean-Marie Poirier
>> <[2]jmpoiri...@wanadoo.fr> wrote:
>>
>> Wonderful source ! Thank you Rain
; while the rest is a hopscotch of scribes, epochs and composers.
>> Found not much info on this one?
>> G.
>>
>>
>>
>> On Fri, Oct 6, 2017 at 7:33 PM, Jean-Marie Poirier
>> <[2]jmpoiri...@wanadoo.fr> wrote:
>>
>>
Thanks for the compliment, Rainer ;-) !!!
Jean-Marie
--
>Apparently there are still some people who always "reply to all".
>
>I don't know if they are lazy or idiots...
>
>I am really fed up with this. I don't want to receive the same mail twice.
>
>Rainer
>
>
>
>To get on or off th
Thank you Magnus !
No way the whole ms. can be downloaded except page by page ?
Best,
Jean-Marie
--
> Dear Lute friends,
> I don ´t know whether this is common knowledge already,
> but I was very happy to see that the Vatican has digitized many
> manuscripts-
> among the
..David Smith, maybe, who seems to be a wizard for downloading whole files ???
;-)
Jean-Marie
--
>Thank you Magnus !
>No way the whole ms. can be downloaded except page by page ?
>
>Best,
>Jean-Marie
>
>
>--
>
>> Dear Lute friends,
>> I don ´t know whether this i
d made available so far.
RA
__
From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu> on
behalf of Jean-Marie Poirier <[4]jmpoiri...@wanadoo.fr>
Sent: Friday, November 24, 2017 1:00 PM
To:
t;[3]lute-...@cs.dartmouth.edu> on
behalf of Jean-Marie Poirier <[4]jmpoiri...@wanadoo.fr>
Sent: Friday, November 24, 2017 1:00 PM
To: 'Lute List'
Subject: [LUTE] Re: Vatican Library
..David Smith, maybe, who seems to be a wizard for downloading whole
berini.
>
> Please let me know if there is more complete information on either of these.
> I found minimal from the Vatican.
>
> Regards
> David
>
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
> Of J
:-D !!!
> Le 25 nov. 2017 à 08:59, howard posner a écrit :
>
>
>> On Nov 24, 2017, at 9:43 PM, David Smith wrote:
>>
>> This is the highest I can get.
>
>
> Oh, like wow, man, are you like, totally sher about that? Like, totally the
> ultimate high? Can’t get ANY higher? Far out, dude.
Da Milano for sure but also Vallet for me and most of the transitional tunings
repertoire (Mesangeau, Dufaut, Bouvier, Chancy)
Jean-Marie
--
>Here's a poll for Renaissance Lutists -
>
>what do you consider most rewarding to play in terms of playability
>combined with beauty?
>So
:-D !!!
Jean-Marie
--
>Nancy,
>
>I hope this is an intentional typo, it is quite poetic:
>
>On 12/05/2017 07:04 AM, Nancy Carlin wrote:
>
> new Figital Music Supplement,
>
>To get on or off this list see list information at
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Excellent! Thank you so much for your wonderful work, David!
> Le 7 déc. 2017 à 09:08, David Smith a écrit :
>
> I received a request recently about this manuscript and went ahead and
> downloaded it. There are a LOT of blank pages and the theorbo parts
> start at the end, upside down, and
Andreas,
I am very curious to know about the arrangments for lute of 5 pieces by G. de
Marseille that you mention... Where are they preserved ?
All the best,
Jean-Marie
--
>Here an important text on the picture by Puget:
>
>Marie-Christine Gloton: Pierre et François Puget. Pein
informations from François-Pierre Goy.
>
>Ballard printed an anthology in 1707 with music by Gautier de Marseille, but
>it’s not in Gallica.
>
>All the best,
>
>Andreas
>
>> Am 13.12.2017 um 16:10 schrieb Jean-Marie Poirier :
>>
>> Andreas,
>> I am ve
Georges, Walsh Stuart did it before I could do anything !
The end of the paragraph you quoted is worth reading too :
"Secondement les esprits de ce temps sont préocupez de tant de vanité,
d'ambition et d'avarice, que la musique
ne trouve plus lieu pour s'i loger puissament, de sorte que pour la
Another interesting quote about the power of music, very similar to Pontus de
Tyard, if not purely lifted from him :
taken from Essay des Merveilles de Natures, 1622, p. 503. Can be seen there,
from Gallica :
https://tinyurl.com/y9cbqwqj
Jean-Marie
--
> Thanks to translators !
You mean « la mendiante » Francesco! A nice piece indeed ;-)!
Best wishes,
Jean-Marie
> Le 17 déc. 2017 à 09:30, "tribi...@arcetri.astro.it"
> a écrit :
>
> Also Nicolas Vallet, fantasia mediante. Very beautiful
> Francesco
> - Rispondi al messaggio -
> Da: "Tristan von Neumann"
Thank you Rainer ! Wonderful indeed !!!
Best,
Jean-Marie
--
>Dear lute netters,
>
>as most of you probably know this books was been inaccessible for decades.
>
>It is on-line now:
>
>https://vivaldi.nlr.ru/bn10585/view
>
>Rainer
>
>PS
>
>There is even a download button :)
>
>A
Dear Nancy,
When you are on the site of the Ballard print online, you have a button at the
bottom right of the page (last button ont he right) that you must press and
than you enter the numbers "1-10" as you can't download more than 10 pages at a
time and press the right button marked "skopirov
About Vallet’s quartets: with my ensemble “Le Concert du sieur Ballard” we do
play them regularly and came to the conclusion that there are very few
“mistakes” indeed.
Anne Van Royen’s edition is excellent and with very diplomatic corrections.
Very nice music to play !
Jean-Marie
> Le 13 janv. 2
Anke Reyerman
> www.anke-reyerman.de
>
>> Am 13.01.2018 um 19:06 schrieb Jean-Marie Poirier:
>> About Vallet’s quartets: with my ensemble “Le Concert du sieur Ballard” we
>> do play them regularly and came to the conclusion that there are very few
>> “mistakes” indeed.
&
https://www.academia.edu/ seems a good choice.
I look forward to reading your essay !
Best,
Jean-Marie Poirier
--
> Dear Collected Wisdom,
> I am about to finish writing an essay on John Dowland's Farewell.
> My writing is about the formal analysis on motiv
an extant instrument really. I still use this
instrument as an archlute and it works quite well indeed.
I think that's it for my "memorabilia" ;-).
Tony, hope to see you at our concert on Saturday !
Best to eveybody,
Jean-Marie Poirier
[EMAIL P
Exactly Jerzy.
I think that's what theoreticians call "tactus inequalis" : 1 tactus in a
binary measure (= normally a half measure in modern transcriptions ) is
equivalent to 1 tactus in triple time ( one measure in modern transcrition). In
other words if you beat time with a regular tactus in
orrect?
>Jurek
>__
>
>>> 1 galliard measure = 1/4 of a pavan measure.
>>>
>>> In mensural notation (not modern, often changing values) it might be:
>>> 3 half notes of a galliard (one measure) = 1 half note in a pavan
>>> (1/4 of a measu
I don't quite agree on that one ! I've been playing a lot of the English broken
consort repertoire and my colleagues always had fun too, believe me. This music
usually leaves a lot of space for divisions of other instruments than the lute
and it depends on how much the other musicians like to im
Merci Bernd !!!
Everything's OK then, Jerzy !
Best ,
Jean-MArie
=== 05-02-2008 18:51:39 ===
>
>
>
>
>>
>> PS : sorry I used a wrong name in my first post; I had not paid enough
>> attention to your
>> signature :-(
>
>
>Jurek, c'est le terme d'affection de Jerzy.
>
>:-)
>
>bonne soi
lliard measure = 1/4 of a pavan measure.
>>>>
>>>> In mensural notation (not modern, often changing values) it might
>>>> be:
>>>> 3 half notes of a galliard (one measure) = 1 half note in a pavan
>>>> (1/4 of a measure).
>>
>
Jaroslaw,
I think it's right ! I have attached two examples : the first strain of the
Pavane La Bataille in Phalèse, Chorearum Molliorum, 1583, and the eqivalent
first strain of the adjoining Gaillarde. What I tried to explain is apparent
here and the "tactus inequalis" applies perfectly. I wa
Sorry, Jaroslaw, the list doesn't seem to take attachments... :-(
JM
=== 06-02-2008 13:33:01 ===
>Jaroslaw,
>
>I think it's right ! I have attached two examples : the first strain of the
>Pavane La Bataille in Phalèse, Chorearum Molliorum, 1583, and the eqivalent
>first strain of the ad
, to a photographic site for example.
>Nice to see you on this list.
>Regards
>Anthony
>
>Le 6 févr. 08 à 13:38, Jean-Marie Poirier a écrit :
>
>> Sorry, Jaroslaw, the list doesn't seem to take attachments... :-(
>> JM
>>
>> === 06-02-2008 1
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