Two of my All time favorites !
Sal Salvaggio
--- On Sat, 3/19/11, Martin Shepherd mar...@luteshop.co.uk wrote:
From: Martin Shepherd mar...@luteshop.co.uk
Subject: [LUTE] Re: Jacques Gallot and Francesco da Milano
To: Lute List lute@cs.dartmouth.edu
Date: Saturday
Thank you howard
--- On Sun, 12/5/10, howard posner howardpos...@ca.rr.com wrote:
From: howard posner howardpos...@ca.rr.com
Subject: [LUTE] Re: C.P.E. Karamazov
To: Lute List lute@cs.dartmouth.edu
Date: Sunday, December 5, 2010, 2:04 PM
On Dec 5, 2010, at 9:19 AM,
thanks for the mac tips ss
--- On Sat, 9/18/10, Sal Salvaggio vag...@yahoo.com wrote:
From: Sal Salvaggio vag...@yahoo.com
Subject: [LUTE] mac
To: lute@cs.dartmouth.edu
Date: Saturday, September 18, 2010, 4:11 PM
Anyone out there who might be a fronimo user
Anyone out there who might be a fronimo user know of a mac program
that reads fronimo files - just got a mac = any suggestions
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Did you try a good pair of work gloves?
SS
--- On Tue, 6/29/10, Anthony Hind agno3ph...@yahoo.com wrote:
From: Anthony Hind agno3ph...@yahoo.com
Subject: [LUTE] incompatibility gardening/lute playing?
To: lute@cs.dartmouth.edu
Date: Tuesday, June 29, 2010, 5:09 AM
Hille Perl and Lee Santana recenty put out a duo cd of music for viol
and lute/theorbo etc.
--- On Wed, 7/15/09, Eleanor Smith s0347...@sms.ed.ac.uk wrote:
From: Eleanor Smith s0347...@sms.ed.ac.uk
Subject: [LUTE] Re: viol and theorbo
To: David van Ooijen
This is the Noah's Ark one. I would probably use the Arch lute - and
probably be bull whipped by purists in the process - SS
--- On Thu, 6/18/09, David van Ooijen davidvanooi...@gmail.com wrote:
From: David van Ooijen davidvanooi...@gmail.com
Subject: [LUTE] Vivaldi RV 588
Off TOpic - thought I'd pass this on
SS
La Petite Bande , Sigiswald Kuijkens baroque orchestra, is being
threatened in its existence from 2010 !
The 'independent' commission that has to advise and 'assist'
the
flemish culture minister Bert Anciaux in his decisions concerning the
Hello Eduard
I studied the pieces in the CNRS edition many years ago and have
revisited them
recently. Nice upper range writing. Good for your left hand technique
and knowledge
of the fretboard.
Sal Salvaggio
[1]www.salvaggio.50megs.com
--- On Sat, 1/31/09, E. Agullo
Hi Nigel
I'm usually lower on my 13 course hoffman rider copy.
SS
--- Nigel Solomon [EMAIL PROTECTED] wrote:
What pitch do people tune their baroque lutes to?
Baroque lutes tend to
be anywhere between 68-75 cm, which is a wide
range. Does everyone use
a' 415 or higher or lower?
Nigel
Matthew Spring's book The History of the Lute in
Britain has most of the info you will need on
transitional tunings.Great book , by the way
S.Salvaggio
--- David Rastall [EMAIL PROTECTED] wrote:
Dear Luters,
I'm trying to find out more about transitional
tunings for the 10-
course. I see
Does anyone out there have Pat O'brien's email
Please reply privately
Yahoo! oneSearch: Finally, mobile search
that gives answers, not web links.
How abot
Now, oh now her knees must part as the recessional-
I think Dowland wrote that
SS
--- Louis Aull [EMAIL PROTECTED] wrote:
To all,
Boy does this bring back memories. Good friends in
the Baha'i faith had me
play/sing at their wedding held in their front yard.
Right in the middle
That's the ticket. Way to go Malcolm!
SS
--- Malcolm Toms [EMAIL PROTECTED] wrote:
an interesting site about Partimenti
(Instructional basses)
http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/index.htm
Bream live on the lute in the 1960's in concert in
Europe audio only
http://www.youtube.com/watch?v=E8DsZj8N9cA
http://www.youtube.com/watch?v=t6LJlfGR18Y
http://www.youtube.com/watch?v=t6LJlfGR18Y
S.Salvaggio
Hey, how come veteran rocker and John Dowland
specialist Sting doesn't play with his pinkee
planted?
SS
--- Alain Veylit [EMAIL PROTECTED] wrote:
Come gather round and check out Bob Dylan's guitar
playing for a nice
medieval lute plectrum technique.
Alain
[EMAIL PROTECTED] wrote:
I saw
I will give my love an apple folk song arrangement
by Benjamin Britten
There are also some great 16th cent. tobacco songs if
you are into that
SS
--- LGS-Europe [EMAIL PROTECTED] wrote:
I'm looking for songs about food and drink. Both
lute songs and continuo
songs are welcome, even
Bach 2 part inventions will keep you busy! - 3 part
ones if you can cut the upper two parts.Some Scarlatti
sonatas work well too.
SS
--- [EMAIL PROTECTED] wrote:
Hi, my friend plays the baroque cello, and we want
to play some music
together. Does anyone know where to start looking
for duo
Hi
Anyone know who supplies wire renaissance cittern
strings in the US. Got a 4 course - 44cm?
S Salvaggio
Sucker-punch spam with award-winning protection.
Try the free Yahoo! Mail Beta.
Thought I'd add these:
Julian Bream Edition, Vol.5
Concertos Sonatas for Lute
works by Vivaldi, Handel + Kohaut
Julian Bream Edition, Vol. 20
J.S.Bach - Lute Suites Trio Sonatas.
SS
Never Miss an
How about Julian Bream?
SS
--- Roland Hogman [EMAIL PROTECTED] wrote:
Don't forget Eugen Muller-Dombois
Roland Hogman
2006-10-19 kl. 09.44 skrev [EMAIL PROTECTED]:
Hi,
I would add the Fathers of modern lute playing
Walter Gerwig and Michael Sch=C3=A4ffer.
Best
I had a 13 course baroque 1730's Hoffman copy with
sitka spruce built for me in 1980 by Dan Hachez. The
top is very thin and has wonderful tone and
projection.Probably my best instrument.One of the 1st
lightly built lutes I've owned. I have played spruce
classical guitars for years and
I thinkif my memory serves me correctly- that
later in life - Dowland did play thumb out. But how
about Paul O'dette playing theorbo and baroque lute
thumb under?(this is based on second hand sightings)
although I did see him years back play theorbo thumb
under. You know, after listening to
Fellow lutenetters and potential gambling buddies
I think we should start a lute cd pool to
see which lute cd has sold the most copies in the last
6 months..how's about 5 bucks a pop?
---anybody live in Nevada - I think we can run it from
there.odds anyone? (I'd love to win
These are the numbers for yahoo search results for
Dowland +__
194,000 for dowland Sting
16,500 for dowland o'dette
13,700 for dowland bream
10,500 for dowland deller (had to include this)
1,560 for dowland Hopkinson
These are the numbers for yahoo search results for
lute+__
Bravo Richard!
My opinion on the whole Sting thing is...well...
..maybe it will produce more work for lute
playersa little pop exposure can't hurt!
The ship has come in.
SS
--- [EMAIL PROTECTED] wrote:
Dear Luters,
I find it interesting that some people get so
ruffled at the idea
--- Thomas Schall [EMAIL PROTECTED] wrote:
Speaking about playing with modern orchestras:
If you should ever be asked to do so: Leave it!
I am playing these eve with a modern orchestra and
would say: It doesn't
make any sense. What has an archlute to do in an
ensemble of 8 modern
For those of you in the New York Area
The Classical Guitar Society of Upstate New Youk will
present it's Annual Fall Festival in Oneonta, New York
next weekend, Sept 30 + October 1. Featured performer
will be Jerry Willard playing the lute, baroque
guitar, 19th century guitar and modern guitar go
Django Reinhardt!
--- bill kilpatrick [EMAIL PROTECTED]
wrote:
many of the medical people i've known in my life
have
also been involved in the arts in someway.
musicians who paint (on-going list:)
- tony bennet
- frank sinatra
an actor but lee marvin was a wonderful painter.
---
Playing ALBERT DE RIPPE
--- Caroline Usher [EMAIL PROTECTED] wrote:
Francesco's birthday is coming up - Aug. 18. What
will you be doing?
Caroline
Caroline Usher
DCMB Administrative Coordinator
613-8155, Room B343 LSRC
Mailing address: Box
Hi
A dminor 11 or 13th course works - so does a G lute of
some sort- I've played it on a G lute and it works
well
- a lot of careful fingering on the G lute has to be
done though - some say it was written for a visiting
german lutenist who happened to play the Dm lute -
good heavens...could
I wonder if he works out? - sensitive playing though!
SS
--- Eugene C. Braig IV [EMAIL PROTECTED] wrote:
At 10:13 AM 5/26/2006, Paul Pleijsier wrote:
How about Sting's Bach?
http://www.youtube.com/watch?v=sAQRMrr4zpc
PP
Opting for Sting's choice in duds would not do any
favors
Has anyone ever built a crate for their lute + case.
I'm thinking about building one out of 1/4 inch
plywood with foam on the inside to hold the instrument
snug. Maybe put wheels on it? Some luthiers even us
cardboard boxes with
styrofoam spaghetti stuff for padding to ship new
instruments.
SS
There is, I believe, a prebyter (sp?) spacing - of
some sort that may be wider
SS
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Salvatore Salvaggio
http://www.Salvaggio.50megs.com
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Hi Wayne
Thanks for the heads up on that - I'll take my
signature
file off my postings - what a wierd thing to happen -
sorry about the mishap.Must be some kind of bizarre
cyber conspiracy - eegadds!
SS
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I wonder if he was playing on gut, nylon or nylgut?
SS
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I was browsing the Grammy site + clicked on
'Stars fete James Taylor video clip - tribute to
JT and lo and behold - Sting is singing to his -
ARCHLUTE!
here's the site http://www.grammy.com/GRAMMY_Awards/48th_Annual/
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
The
I'd love to see him play a tromba marina!
SS
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
The information transmitted is intended for
recipient or entity to which it is addressed and may
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material. Any review,
are in the area - stop by!
Sal Salvaggio
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
The information transmitted is intended for
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Hi
I'm using Finale and was wondering if anyone out there
knows how to change the auto tab function from numbers
to
letters for french tab style - I seemed to have done
it before - but I forgot what I did -
SS
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
Hi
I had a 10 course lute done up with a wider spacing
-based on a historical instrument - presybter(sp?)
spacing or something like that/works great - the
bridge is wider than my 13 course Hoffman copy!!! So I
gotta do a bit of prac. when I switch instruments.
SS
Salvatore Salvaggio
Hi
One thing I did years ago, prior to North's book and
other continuo tutors being published was to take
madrigal collections with keyboard reductions and read
the bottom 3 or 4 parts or just read them from a
choral score, then go back and take just the bass
line and do an on site
Jim
Concerning Music Theory - study basso continuo on your
instrumeni - chord inversions and such - Nigel North
has a great book on the subject.
Sal
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
Start your day
'THE ZONK OF THE LUTE IS OUT OFA' TUNA HALFA DA TIMEA'
SORRY - I COULDN'T HELP IT
ss
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
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Hi All
There is a fantastic biography by Thomas F. Heck
entitled Mauro Giuliani Virtuoso Guitarist and
Composer pub. by Editions Orphee 1995 that chronicles
the guitarist's life, the guitar in Italy and it's
place in the concert life of Vienna. A fascinating
must read for those interested in
How 'bout this name for a vihuela Quartet
EL MAESTROS
SS
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
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How 'bout a Spanish translation of:
We would love to play the lute but the Inquisitors
won't let us quartet.
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
Start your day with Yahoo! - make it your home page
This debate is turning into a soap opera
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
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What was the low pitch in Bach's Germany - 392?
SS
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
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A bit on Treble clef vs. tab and other ramblings-
When I started to play the renaissance lute back in
the winter of'75, I worked from keyboard
transcriptions. I didn't read tab at the time. I saw
the lines in this richly contrapuntal music and used
my skills at fingering to come up with
Chris wrote:
And as a very practical matter, if you're concerned
about being taken seriously as a musician, you are
going to get handed music in modern notation
And oh - how true this is - in my career as a
professional player the ability to read all the clefs
has helped get the gigs. The most
Arthur Ness - A helpful, articulate and scholarly
member of our list - a nice fellow as well!!!
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
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Luters,
I am presently working on a Pavan by Byrd set by
Francis Cutting for a program of Elizabethan Ballads
and Dances.I put the piece in with a group of Cutting
pieces. The Cutting style is evident
in his reworking or recomposition of this work. I
consider it as original in the way Mr.
to demonstrate how to do this. I
love this manuscript because it heavily leans in the
direction of the broken style of variation.
Sal Salvaggio
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Sal Salvaggio
www.Salvaggio.50megs.com
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I'm doing a little lecture recital for the
New Jersey Classical Guitar and Mandolin Society
Thursday, April 21 in Hoboken - Kapsberger, Sanz and
Dowland,,,should be fun!
Sal Salvaggio -
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I take it you do not care for Henze's music. Great
stuff really - especially when you read thru some of
it. Sort of breaks out of the mold of the spanish
guitar music stuff - difficult to play - takes
concentration and several hearings to appreciate.
Gesualdo probably had that same problem.
MT wrote
Renaissance music is not Romantic music (in the
context of the music history definition of the word)
-the players role is often to detach one's ego from
the performance and let the music speak for itself.
Oh- what treatise did you find the detached ego stuff
from - seems to me that your
built into it from the 2nd
string down to the 6th I believe - so coming from the
E guitar it might be kind of cool just a
thought.
Sal Salvaggio
www.salvaggio.50megs.com
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Yahoo! Netrospective
Does anyone know if Jacob Polak was Jewish?
SS
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The actual lute Hoppy played on his recent Dowland
tour was an eight course lute built in 2002 by Joel
Van Lennup. I heard him play in Troy NY a few weeks
ago and also played the instrument - which is
magnificent, by the way - But I don't know what
instrument is pictured in the flyer = his 8 c.
Ed,
It is sad to hear of Dawn's passing. I met her at a
LSA seminar many years ago. She was enthusiastic about
the lute and it's music. A devoted advocate for our
beloved instrument. She will be missed.
Sal Salvaggio
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Meet
With God On Our Side
Bob Dylan
Album:The Times They Are A-Changin'
LYRICS:
Oh, my name it ain't nothin', my age it means less
The country I come from is called the Midwest
It's taught and brought up there, the laws to abide
And that the land that I live in has God on its side.
Oh, the history
On Saturday, October 16th at 7;30 pm
at the Temple Beth El , 83 Chestnut St. in Oneonta, NY
David Raphaelson and Salvatore Salvaggio
will present a joint recital of solos and
duets by Lawes, Carulli, Scarlatti, Sanz, Vivaldi,
Foden and others on parlour guitar, baroque guitar,
lute and modern
The Windfall Dutch Barn, Salt Springville, NY will
present A Potpourri of 17th 19th Century Solos
and Duets on Wednesday, July 28 at 7:30. The
performers are Mary Ann Ross- Soprano, David
Raphaelson -baritone, 19th century modern guitars
and Salvatore Salvaggio -lute, baroque
The Windfall Dutch Barn, Salt Springville, NY will
present A Potpourri of 17th 19th Century Solos
and Duets on Wednesday, July 28 at 8 pm. The
performers are Mary Ann Ross- Soprano, David
Raphaelson -baritone, 19th century modern guitars
and Salvatore Salvaggio -lute, baroque
I thought this might be of interest..
From the Charlotte Observer - Jan 18 - 2004
Jim Morrill
If Bill Clinton's saxophone was a symbol of
exuberance, then Kerry's mid-life fascination with
mastering the classical guitar suggests a more subdued
inner nature ... Listening to Kerry play
Any one know why my lutelist stuff is
winding up in my bulk mail folder on Yahoo?
Sal
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and was wondering if anyone
has tried nylgut on 19th cent. guitars. I would do
regular gut but I've come to enjoy the
durability/predictable nature of nylgut on my baroque
guitar, they have a brighter quality. - and also, any
suggestions on wound/unwound basses?
Sal Salvaggio
To those in the Philadelphia Area
Salvatore Salvaggio
Lute and Baroque Guitar
French Baroque Suites by Grenerin, Campion + De Visee/
Fantasias, Ayres and Dances for lute by da Milano,
Dowland and others
Date + time:
Sunday, Oct. 12, 2003 3 pm
Location:
Settlement Music School
Mary
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