[LUTE] Re: All about micing...part II

2012-04-11 Thread David Tayler
net lute@cs.dartmouth.edu Sent: Tue, April 10, 2012 4:26:38 AM Subject: [LUTE] Re: All about micing...part II All instruments very authentic copies. Gamba and violin on gut, historical bows, baroque flute traversierre, 14 course theorbo in A on nylgut and copper and organo di

[LUTE] Re: All about micing...part II

2012-04-10 Thread hera caius
bClQindex0feature=plcp (recording was made in 2010) (the quality of the recording is not the best) --- On Tue, 4/10/12, David Tayler vidan...@sbcglobal.net wrote: From: David Tayler vidan...@sbcglobal.net Subject: [LUTE] Re: All about micing...part II To: lute lute

[LUTE] Re: All about micing...part II

2012-04-10 Thread Christopher Wilke
in the audience but my heart tells me that it's just wrong, wrong, wrong. Chris __ From: hera caius caiush2...@yahoo.com; To: lute net lute@cs.dartmouth.edu; Subject: [LUTE] Re: All about micing...part II Sent: Tue

[LUTE] Re: All about micing...part II

2012-04-10 Thread Lex van Sante
Subject: [LUTE] Re: All about micing...part II there and the music was generally very interesting but I hear your theorbo only on the solo piece... (a Kapsberger)...Na... There's nothing wrong with an audible theorbo in an ensemble, probably, but the thing

[LUTE] Re: All about micing...part II

2012-04-10 Thread William Samson
: Tuesday, 10 April 2012, 13:07 Subject: [LUTE] Re: All about micing...part II Hera, If I may be so bold, I might suggest playing closer to the bridge with the thumb far out in front of the fingers as the treatises and iconographic sources demonstrate. I feel that as pluckers

[LUTE] Re: All about micing...part II

2012-04-10 Thread howard posner
Some of the responses to the Harmoniis video might indicate that there was some problem with the balance. The continuo balance is good and I could hear the theorbo just fine. On Apr 10, 2012, at 4:26 AM, hera caius wrote: All instruments very authentic copies. Gamba and violin on gut,

[LUTE] Re: All about micing...part II

2012-04-09 Thread Mathias Rösel
there and the music was generally very interesting but I hear your theorbo only on the solo piece... (a Kapsberger)...Na... There's nothing wrong with an audible theorbo in an ensemble, probably, but the thing is, pluckers cannot hold their tones like singers, viols, flutes or organs do.

[LUTE] Re: All about micing...part II

2012-04-09 Thread Mathias Rösel
there and the music was generally very interesting but I hear your theorbo only on the solo piece... (a Kapsberger)...Na... There's nothing wrong with an audible theorbo in an ensemble, probably, but the thing is, pluckers cannot hold their tones like singers, viols, flutes or organs

[LUTE] Re: All about micing...part II

2012-04-09 Thread William Samson
: [LUTE] Re: All about micing...part II there and the music was generally very interesting but I hear your theorbo only on the solo piece... (a Kapsberger)...Na... There's nothing wrong with an audible theorbo in an ensemble, probably, but the thing is, pluckers

[LUTE] Re: All about micing...part II

2012-04-09 Thread David Tayler
. __ From: Mathias Roesel mathias.roe...@t-online.de To: lute net Lute@cs.dartmouth.edu Sent: Mon, April 9, 2012 5:50:11 AM Subject: [LUTE] Re: All about micing...part II there and the music was generally very interesting but I hear your

[LUTE] Re: All about micing...part II

2012-04-09 Thread Edward Mast
. __ From: Mathias Roesel mathias.roe...@t-online.de To: lute net Lute@cs.dartmouth.edu Sent: Mon, April 9, 2012 5:50:11 AM Subject: [LUTE] Re: All about micing...part II there and the music was generally very interesting but I hear