Excellent! There aren't nearly enough lute songs employing the Baroque
lute. Perfect lute for Maestro Wait's vocal range & style.
On 12/26/2017 7:13 AM, Roman Turovsky wrote:
I have a couple of Tom Waits songs worked up on baroque lute, but that
is an entirely different brow level!
King Crimson’s Epitaph also works well!
Sent from my iPhone
> On Dec 26, 2017, at 1:32 PM, Dan Winheld wrote:
>
> Excellent! There aren't nearly enough lute songs employing the Baroque lute.
> Perfect lute for Maestro Wait's vocal range & style.
>
>
>> On 12/26/2017 7:13
Pat had told me that I could freely share his files but not his jazz
intabulations, which he meant as gifts for Ellen Hargis. Perhaps with Ellen’s
permission we can share them. She will be the Pat O’Brien lecturer this summer
at the LSA meeting.
For now, his other files can be found at
You might want to consider that if the Tieffenbruckers had modern mass
production facilities, they would have been the first to use them...
Am 25.12.2017 um 19:28 schrieb Ron Andrico:
In defense of our highly skilled luthiers, I have to say that lutes are
comparatively under-priced.
I have a couple of Tom Waits songs worked up on baroque lute, but that
is an entirely different brow level!
RT
On 12/25/2017 1:15 PM, Ron Andrico wrote:
Interesting that you mention Taylor Swift and the lute. A sound
engineer who twists knobs for her live shows discovered our
Dear Daniel,
those intabulations would be wonderful to be able to access! Are they?
Best
G.
On Tue, Dec 26, 2017 at 10:14 PM, Daniel Shoskes
<[1]kidneykut...@gmail.com> wrote:
Pat's wonderful arrangements were fully intabulated.
--
References
1.
Maybe it's my personal taste, but having worked with an Early Baroque
group at one time taught me something.
It consisted of Recorder, Violin, Viola da Gamba, Dulcian,
Theorbo/Guitar, Harpsichord and a big Double Bass.
Mostly the dulcian played with the Basso Continuo except for select sonatas.
Pat’s wonderful arrangements were fully intabulated.
> On Dec 26, 2017, at 3:34 PM, guy_and_liz Smith wrote:
>
> I've been playing a fair amount of jazz lately (on trombone, not lute, but
> that's another story). Jazz charts are conceptually similar to figured base;
>
I've been playing a fair amount of jazz lately (on trombone, not lute, but
that's another story). Jazz charts are conceptually similar to figured base;
the details are different, but it's the same basic idea. Shouldn't be any
harder to play from a chart with lute than it is with guitar, and
Epitaph is a great one. I nearly wrecked my wrist practicing the middle section
of Crimson's aptly-named "Fracture" on baroque lute. Constantly running
straight 16th notes at 120 without a single break for close to 4 minutes. Ouch!
Hats off to Robert Fripp who composed and performed that beast
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