[LUTE] Harp Consorts

Does anyone know where to find more of W. Lawes's Harp Consorts than are in Musica Britannica (vol. 32?). roland hayes Sent via the WebMail system at legalaidbuffalo.org To get on or off this list

[BAROQUE-LUTE] Francesco Conti

Curious if anyone knows what kind of lute Francesco Conti wrote for in his songs with strings, oboe or flute, lute and b.c. in Vienna, ms. available in two volumes from SPES. -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Single-strung 13-course Baroque Lutes?

Terry Schumacher does! From: David Rastall [mailto:[EMAIL PROTECTED] Sent: Tue 11/13/2007 1:26 PM To: Lute List Subject: [LUTE] Single-strung 13-course Baroque Lutes? As long as we're talking about single-strung archlutes, why not single-strung 13-course

[LUTE] Re: airs for lute in d minor tuning

Some hymns as well, e.g., Reusner's hundert geistliche melodien for voice and 11 c. No mensural notation for the voice, you're expected to know the hymn or use another source. -Original Message- From: damian dlugolecki [mailto:[EMAIL PROTECTED] Sent: Sunday, January 13, 2008 1:30 PM

[LUTE] Re: airs for lute in d minor tuning

It has been a while since I looked at these pieces but as I recall the melody was missing in the ones we performed. R. -Original Message- From: Rob [mailto:[EMAIL PROTECTED] Sent: Monday, January 14, 2008 9:53 AM To: Roland Hayes; lute@cs.dartmouth.edu Subject: RE: [LUTE] Re: airs

[LUTE] Re: airs with lute in d minor tuning

I think Michel Lambert, Sebastien le Camus and otherrs take up the torch for airs de cour but with theorbo and figured bass. A little earlier Etienne Moulenie may have published some air de cour with figured bass; his first three books at least have tab for renaissance lute. -Original

[LUTE] Re: Theorbo in G?

gm not nearly as bad as it seems on an A theorbo. Peri also wrote a lot in g and G maj. and his pieces work well too. Even F is okay once you figure out how to stay away from the Bb barr chord on the first fret. Reentrant tuning helps . R. From: Ed

[LUTE] Re: Pittoni's theorbo?

What about a lowered 1st on what we would otherwise consider a large archlute? I seem to remember an archlute piece (Doni ms.) that does not use a chanterelle. To me this implies that the first course was problematic at times at least (a la french 11 c. pieces w/o chanterelle) and may have been

[LUTE] Re: Longest 6c piece?

Probably not as long but worth mention as through composed pieces are a couple of the tientos by Luis Milan. -Original Message- From: Orphenica [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 16, 2008 6:24 AM To: Anthony Hind Cc: Rob MacKillop; lute@cs.dartmouth.edu Net Subject: [LUTE]

[LUTE] Re: Making a duet from a solo.

I think the Valderrabano itabulations for two vihuelas work that way. -Original Message- From: Joseph Mayes [mailto:[EMAIL PROTECTED] Sent: Monday, April 28, 2008 9:22 AM To: Herbert Ward; lute@cs.dartmouth.edu Subject: [LUTE] Re: Making a duet from a solo. Hello When making a

[LUTE] Re: Lute songs

Speaking of lute songs, does anyone know where to find a renaissance version of What if a day with tab accompaniment? The director for a program I'm accompanying only has a version from the Reliquary of English song circa 1910 w/piano in e minor (!!). Thanks for any help.

[LUTE] Re: Michelangelo Galilei

Are there concordances anywhere for his pieces from his book I of 1620? They just don't seem to turn up in the Ballard/Cherbury/Louis de Moy etc. group. R. -Original Message- From: Roman Turovsky [mailto:[EMAIL PROTECTED] Sent: Friday, August 29, 2008 2:35 PM To: Lutelist Subject:

[LUTE] Re: Theorbo question

I say start relearning. And start enjoying D major and minor and A major and minor as easy chords/tonic home bases. Also, it's good to get used to playing g minor on the theorbo as there is plenty of it (even Caccini and Peri on an A instrument). I think also it's more of an adjustment to use

[LUTE] Re: Old Satoh Vinyl Recording

a fabric softener sheet does wonders as well. easy to grab between numbers. r __ From: Edward Martin [mailto:e...@gamutstrings.com] Sent: Mon 2/2/2009 7:12 PM To: Eugene C. Braig IV; 'lutelist' Subject: [LUTE]

[LUTE] Re: Theorbo Nicki don't lose that number

What about the Castaldi duets? What tuning for the smaller instrument? R -Original Message- From: Martyn Hodgson [mailto:hodgsonmar...@yahoo.co.uk] Sent: Thursday, February 19, 2009 2:58 AM To: lutelist Net; howard posner Subject: [LUTE] Re: Theorbo Nicki don't lose that number

[LUTE] Re: IMSLP / Petrucci Music Library!!

Check out the tiorba line in the concerto in D by Heinichen, from a manuscript score! Plus Rossi Lib. III for 2 violins and chitarrone! Awesome! r. __ From: lute-...@cs.dartmouth.edu on behalf of Stuart Walsh

[LUTE] hasse opera arias lute ms.

What do we think of the ms. with continuo written above a part for 13c. lute in normal d minor tuning for certain arias? Are these settings for chamber perfromance but not the operas themselves? the handwriting seems identical to large portions of the Weiss Dresden ms. Curious

[LUTE] Re: Unbalanced

Funny. An orchestra in Buffalo must must not be able to play decently? Come here and check them out for yourself. Or you can swap grammy award winning cds with Joanne so she can check you out. BTW I loved your intabulation of the polka and fugue from Schwanda the Bagpiper. R. -Original

[LUTE] Re: Jan Gruter's technique

More important to the debate is whether you alternate thumb and first finger to play melody. That is true thumb under. Otherwise you are (merely) adjusting your thumb/hand angle to have better access to basses. R. -Original Message- From: lute-...@cs.dartmouth.edu

[LUTE] Re: Left hand gut issues

I oil my gut strings to reduce humidity sensitivity. Not sure it works but the feel is less squeaky. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Daniel Shoskes Sent: Wednesday, November 25, 2009 11:40 AM To: lute Subject: [LUTE]

[LUTE] Re: silk string sighting

I recall bringing some silk strings from Singapore to the LSA Seminar in 1987 and Grant Tomlinson and others were not impressed on a lute and ren. Guitar. Maybe on a viol they would be better. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On

[LUTE] Re: Thumb rest stroke

When I play a 13c. I cannot access the low basses with any reliability without playing with my fingers practically parallel to the higher register strings. I can play closer to the bridge, or not for tone difference, but rotating my hand to more of a thumb open is not an option. I do use rest

[LUTE] Re: Caccini's theorbo

As no low F is written in my version, I tune the F to F# for Amarilli. Victor Coelho has an article in the Journal of Seventeenth Century Music (vol 9 2003) about the Camerata, Caccini and the nuove musiche and how it wasn't so new when finally published. r -Original Message- From:

[BAROQUE-LUTE] Re: Reusner A minor

As there are therobo piece(s) attributed to Reussner in Goess theorbo book, I play these pieces, when I can, with theorbo on the bass, which is figured in the modern editions. The suites do correspond to actual suites in the 1667 Delitiae Testudinis; suites in a, F and C and g I believe. I

[LUTE] Re: Correction - Edition of the Rohrau manuscripts (Weiss et al.)

When do you expect to ship the edition? r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Markus Lutz Sent: Monday, May 31, 2010 2:34 PM To: Lutelist Subject: [LUTE] Correction - Edition of the Rohrau manuscripts (Weiss et al.) Sorry

[LUTE] Re: baroque mandolins - single/double courses experiment

How can one get this music? Has anyone tried to transcribe it for archlute? r __ From: lute-...@cs.dartmouth.edu on behalf of Stuart Walsh Sent: Sun 6/6/2010 10:41 AM To: Lute List Subject: [LUTE] Re: baroque

[LUTE] Re: lute sighting

Not very flattering to us players, but what if these depictions are of someone not playing loud as possible but merely providing the muzak to the moment, the kind of unsurprising unremarkable music that makes a cocktail party a little nicer? I have played at such things myself, was relatively

[LUTE] Re: Tapping the soundboard.

When I already knew I had a loose brace, I tapped the top in different places after I plucked a string and was able to stop the buzz if I pressed in one spot- where the brace was loose. This information was helpful to the builder who fixed it. r -Original Message- From:

[LUTE] Re: Temporarily fixing an open seam.

You could apply a cover to the top, perhaps wax or egg wash that would protect the top from the tape. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of howard posner Sent: Tuesday, July 20, 2010 10:58 AM To: lute-cs.dartmouth.edu List

[LUTE] Re: RV93 materials?

Do you have a list of sources besides Filippo dalla Casa? r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of franco pavan Sent: Monday, January 03, 2011 3:17 PM To: giulio.chiande...@libero.it Cc: lute@cs.dartmouth.edu Subject: [LUTE] Re:

[LUTE] Re: New to the list

Years ago I had a lute peg that would not turn, period. Dan Larson - Lute Doctor at the LSA Seminar that year- tapped it loose from the exposed end with a small hammer and a pencil (new unsharpened with the eraser cut off cleanly) to deliver the tap, while the lute was on its side and the

[LUTE] Re: Hand moisturizer.

Not a moisturizer, but I often keep a dryer sheet in my right pants pocket for a little immediate non-squeak insurance. Really helps my tone. r __ From: lute-...@cs.dartmouth.edu on behalf of Herbert Ward Sent:

[LUTE] Re: Strap slips off left shoulder.

Do you have a leather strap where the inside is rough and will grab your shirt? If not, try one. And no silk shirts. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Herbert Ward Sent: Wednesday, March 09, 2011 10:20 PM To:

[LUTE] Re: Saint-Luc again. Was: Foscarini Experience

MH you should feel free to suggest and speculate but until you have a cold hard fact you should continue to label your speculations as such. For the researchers AJN is referring to, their research has reached an end for now on there being only one St luc. enough!!

[LUTE] Re: tuners

Violab tuner will give you al the different a pitches you want and in 10+ different tunings. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Garry Warber Sent: Friday, August 05, 2011 6:16 AM To: lute@cs.dartmouth.edu Subject: [LUTE]

[LUTE] Re: diatessaron/diapente

I think it goes back to socrates. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of howard posner Sent: Friday, November 04, 2011 6:03 PM To: Lutelist Subject: [LUTE] Re: diatessaron/diapente On Nov 4, 2011, at 2:29 PM, William Samson

[LUTE] Re: accords nouveaux

Wow, thank you. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Rob MacKillop Sent: Thursday, December 01, 2011 5:38 PM To: Lex van Sante Cc: lute mailing list list Subject: [LUTE] Re: accords nouveaux Temporary link for Panmure 4

[LUTE] Giovanni Battista Marella

Aside from one suite in A major, and an LSA microfilm, is any of Marella's music available in facsimile or otherwise? Looking for Books I, 1757 and II, 1762 for english guitar. r -- To get on or off this list see list information at

[LUTE] Re: RCH cases

I have one for my archlute from Paolo Busato and the case is fine. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of mcluckie stuart Sent: Thursday, February 16, 2012 7:58 AM To: Lutelist Subject: [LUTE] RCH cases Can anyone advise

[LUTE] Re: Pronunciation of Fuenllana's name.

I would suggest Fwenyana not fwaynyana. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Stephen Fryer Sent: Tuesday, March 27, 2012 11:36 AM To: Herbert Ward Cc: lute@cs.dartmouth.edu Subject: [LUTE] Re: Pronunciation of Fuenllana's

[LUTE] Re: Arpeggio question

And then there's Hagen! Almost every ascending arpeggio turns around and descends. Lots of a-m-i a-m-i going down. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Daniel Winheld Sent: Thursday, May 17, 2012 12:30 PM To: Bernd

[LUTE] Re: Chitarrone

Fertile ground? r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of William Samson Sent: Thursday, November 01, 2012 3:47 PM To: David Tayler; lute Subject: [LUTE] Re: Chitarrone I'm afraid you are correct, David. Of course Bob

[LUTE] Re: Reusner and Reymann

I believe the Reusner in Das Erbe is Esaias Reusner the younger, who used d minor tuning; Musikalischer Lustgarten is by his father whose hymn settings are in viel ton. -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of

[LUTE] Re: general public Lute awareness - astronomy analogy?

For me it was JB's Lute music from the Royal Courts of Europe which I got in 1975. Still a great record. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of A.J. Padilla MD Sent: Monday, August 12, 2013 9:13 AM To: 'Geoff Gaherty';

[LUTE] Re: Segovia and Pujol (was Bream Collection…) and now what?

The tablature illustrations in Noad's books gave me the idea of playing from tablature sources. Since then my career started slowly, then tapered off. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Ed Durbrow Sent: Tuesday, December

[LUTE] Re: Bream Collection... I just noticed we got so far away from the [LUTE]-forum

If you play enough Hagen, S.L W. starts to sound outdated. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Dan Winheld Sent: Wednesday, December 18, 2013 4:47 PM To: erne...@aquila.mus.br; Jarosław Lipski Cc: lute@cs.dartmouth.edu

[LUTE] Re: how to use Korg OT-120 for Pythagorean tuning?

I use my tuner at 415 and 6th comma meantone. First I tune the open strings. Then I select pitches I know I need on the strings at certain frets and move the fret to get the pitch right. So a piece with D Major I would want a good F# on fourth course 1st fret, so I'll try to move the fret to

[LUTE] St Matthew Passion lute part Komm Susses Kreuz

No. 57, Aria, has a lute part and I am curious if anyone has performed it, it looks like it might fit on the instrument (d minor lute) fairly well. Thanks in advance. r -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Ren lute as sub for theorbo

I suggest its origins were for the solo singer to accompany himself (Peri, Caccini, others in Italy ca. 1600). Salamone Rossi calls for it in instrumental dances very early, and it makes sense with one on a part strings - the chords and the basses plucked really stand out. From there to the

[LUTE] Re: 19c theorbo?

His libro primo also I believe. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Martin Shepherd Sent: Tuesday, March 17, 2015 10:54 AM To: lute@cs.dartmouth.edu Subject: [LUTE] 19c theorbo? Dear Collective Wisdom, Is there any music

[LUTE] Re: Tiorba

..and Castaldi's illustration is phoney? r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Ron Andrico Sent: Tuesday, June 16, 2015 3:29 PM To: mar...@luteshop.co.uk; lute@cs.dartmouth.edu Subject: [LUTE] Re: Tiorba Thank you for

[LUTE] Re: Tiorba

, for instance), but they are attempting to deceive their audience if they claim some kind of historical justification for practices which go so clearly against the historical evidence. M On 16/06/2015 22:54, Roland Hayes wrote: ..and Castaldi's illustration is phoney? r -Original Message- From

[LUTE] Re: Satie Gymnopedie 1

Ask Albert Reyerman. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Edward Chrysogonus Yong Sent: Wednesday, July 29, 2015 1:42 PM To: Lute List Subject: [LUTE] Satie Gymnopedie 1 hi Lutenetters! years ago i bought a copy of Erik

[LUTE] Re: theorbo tuning experiment

Tune it to F# and it's an archlute at Roman pitch, sort of. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Geoff Gaherty Sent: Friday, January 15, 2016 11:50 AM To: lute@cs.dartmouth.edu Subject: [LUTE] Re: theorbo tuning experiment

[LUTE] Re: Theorbo in G

Mentioned by a few people in early 1600s; Praetorius for one. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Bruno Figueiredo Sent: Thursday, March 17, 2016 12:37 PM To: Edward Chrysogonus Yong Cc: Lute List Subject: [LUTE] Re:

[LUTE] Mozart on the lute

Aside from Scheidler's song from Don Giovanni, does anyone know of intabulations contemporary or modern of Mozart's music? r -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Johann Kropfgans

He wrote 32 lute trios? What are the sources? I just heard one in c minor w/ Lutz Kerchoff. Outstanding!! r __ From: lute-...@cs.dartmouth.edu on behalf of Wayne

[LUTE] Re: Johann Kropfgans

To: lute@cs.dartmouth.edu; Roland Hayes Subject: [LUTE] Re: Johann Kropfgans In one of the lexika of the end of the 18th or beginning of the 19th century there is a remark, that Johann Kropfgans wrote 32 lute trios, but I cannot say at the moment, in which one it is written. We on

[LUTE] Re: gallot

Does anyone have a Gallot works cnrs edition for sale? r __ From: lute-...@cs.dartmouth.edu on behalf of Roman Turovsky Sent: Saturday, March 24, 2018 2:52:44 PM

[LUTE] Angelo Michel Bartolomi

Aside from Goess theorbo ms and Vienna 17706, does anyone know of more theorbo pieces by this virtuoso, including any modern editions? Thanks in advance. r Get [1]Outlook for Android This message is intended only for the use of the individual or entity to which it is addressed,

[LUTE] Re: Angelo Michel Bartolomi

Sent: Sunday, March 24, 2019 9:39:10 AM To: Roland Hayes Cc: Lute List; lute-...@cs.dartmouth.edu Subject: [LUTE] Re: Angelo Michel Bartolomi There are two more pieces for theorbo in GB-NH Fh 3431.c, as far as I know. Am 24.03.2019 14:19 schrieb Roland Hayes: > Aside from Go

[LUTE] Re: baroque lute duets

Scribd has Doug Towne's baroque duets. Get [1]Outlook for Android __ From: lute-...@cs.dartmouth.edu on behalf of Roman Turovsky Sent: Saturday, March 23, 2019 10:59:09 AM To: b...@symbol4.de;

[LUTE] Re: Sv: Re: right hand technique -- bending the pinky

Van: Roland Hayes [[1]mailto:[2]rha...@legalaidbuffalo.org] Verzonden: woensdag 6 maart 2019 21:02 Aan: lex.eisenhardt <[2][3]lex.eisenha...@gmail.com> Onderwerp: Re: [LUTE] Re: right hand technique -- bending the pinky I would add "almost"

[LUTE] Re: Gut Diapasons >180cm

You could try tying a leader to the peg box end and hope that as you bring it to pitch the leader ends up wrapped around the peg and the string makes it over the nut and reaches your pitch. Get [1]Outlook for Android

[LUTE] Re: Julian Bream on Lute

When asked why he practiced three hours a day at age 85 Pablo Casals said "because I think I am getting better" Get [1]Outlook for Android __ From: lute-...@cs.dartmouth.edu on behalf of Leonard Williams

[LUTE] Re: De Visee

Now that's what i'm talking about! Great sounding nails. How politically incorrect these days! Get [1]Outlook for Android __ From: Roland Hayes Sent: Wednesday, May 8, 2019 12:59:35 PM To: Christopher Wilke

[LUTE] De Visee

Do we think he played with nails? Lutenists did not as I understand, but I have always thought his lute pieces were merely arrangements of guitar/theorbo pieces. For those instruments we can establish the use of nails. And if deVisee played guitar with nails, then he most

[LUTE] Re: De Visee

__ From: lute-...@cs.dartmouth.edu on behalf of M Del Sent: Tuesday, May 7, 2019 5:57:33 PM To: magnus andersson Cc: Yuval Dvoran; John Mardinly; Roland Hayes; jslute; Lute Subject: [LUTE] Re: De Visee My first guitar teacher Rolando Valdes-Blain taught

[LUTE] Re: RH folk style

I play lots of finger pick blues and the technique is very similar to baroque lute technique. I use fingerpicks to avoid getting calluses on the right hand. And keep the pinky on the top. Works! Get [1]Outlook for Android

[LUTE] Re: Test 9od temperament)

Or you could get a meantone tuner and use your ears and not a measuring tape Get [1]Outlook for Android __ From: lute-...@cs.dartmouth.edu on behalf of Martyn Hodgson Sent: Friday, July 26, 2019 4:52:38 AM

[LUTE] Re: Bach and the lute

I say "e." Get [1]Outlook for Android __ From: lute-...@cs.dartmouth.edu on behalf of Mark Probert Sent: Sunday, July 21, 2019 2:41:44 AM To: lute@cs.dartmouth.edu Subject: [LUTE] Bach and the lute Hi

[LUTE] Re: historically accurate concerts

I have played Weiss at a candle lit Advent labyrinth for a church. Like a slow meditative walk. This year I am playing deVisee on theorbo. Preludes work well. Gavottes and gigues not so much. The biggest problem is lighting to see the music. r Get [1]Outlook for Android

[LUTE] Re: Fuenllana "author. D."

F for "facil" easy and D for "dificil" difficult... Get [1]Outlook for Android __ From: lute-...@new-old-mail.cs.dartmouth.edu on behalf of Tristan von Neumann Sent: Wednesday, January 15, 2020 10:56:03 AM

[LUTE] Re: Julian Brean has died

Lute music at the Royal courts of Europe. Most amazing collection of pieces still. Get [1]Outlook for Android __ From: lute-...@new-old-mail.cs.dartmouth.edu on behalf of Leonard Williams Sent: Friday,

[LUTE] Re: Bartolotti music for theorbo

While the unascribed pieces could by someone else, they surely play and sound like Bartolotti. Is there any other theorbo player from that time that we know of, who could match the style and technique of these pieces? r Get [1]Outlook for Android

[BAROQUE-LUTE] stringing

Is it possible to have the first course at g (440) with a string length of 67cm? ( what material?) Roland Hayes From: Richard Stone [mailto:[EMAIL PROTECTED] Sent: Fri 9/7/2007 8:17 PM To: baroque-lute@cs.dartmouth.edu Subject: [BAROQUE-LUTE] Theorboed 13-c

[BAROQUE-LUTE] Re: I would appreciate som help with my research :)

I think the piece is by enemonde le Vieux who could have known L'Enclos; Denis was much younger if I recall. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, September 26, 2008 7:59 AM To: Mathias Rösel Cc: baroque Lutelist Subject: [BAROQUE-LUTE] I

[BAROQUE-LUTE] Re: B-lute 6th course, with octave or no?

What about reversing the order of the strings in the sixth course? That way the index or middle (melody) hits fundamental, while the thumb plays a diapason? __ From: lute-...@cs.dartmouth.edu on behalf of Roman

[BAROQUE-LUTE] Re: D-minor tuning and ET? Remedy?

Sometimes you can see the avoidance of certain strings/frets as an indication of MT for everything else. Also, even a rancid note/interval/chord in a passage or sequence may work to create contrast to the sweet return of the tonic. r -Original Message- From: lute-...@cs.dartmouth.edu

[BAROQUE-LUTE] translation

Could anyone point me to a translation of Monteverdi's Chi vol che m'innamori from the Selva Morale e Spirituale? Thank you. r -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[BAROQUE-LUTE] Re: Bittner 1682/1702

Kremsmunster L 82 has a complete ms. copy of the book in with lots of other 11c. pieces. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Bernd Haegemann Sent: Wednesday, April 13, 2011 11:17 AM To: baroque-lute@cs.dartmouth.edu;

[BAROQUE-LUTE] Re: B-minor suite with tabulature!

I was terrified of Bach's Trauer-ode in b minor/Dmaj. But it works really well on 13c. Lute. -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Christopher Wilke Sent: Thursday, December 15, 2011 2:15 PM To: baroque-lute@cs.dartmouth.edu;

[BAROQUE-LUTE] John Jenkins

There is an ms described as having 20 or so 4-part dances with a continuo part unfigured but marked lute in Jenkins's hand, in the British museum if I remember. Does anyone know of any other surviving music for lute, continuo or otherwise, by Jenkins, who was praised for his lute

[BAROQUE-LUTE] Respighi/the birds/Gallot

Dear Collective Wisdom: Does anyone know which Gallot piece was used for the dove by Respighi as part of The Birds? Thanks in advance. r -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html