Fertile ground? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
William Samson
Sent: Thursday, November 01, 2012 3:47 PM
To: David Tayler; lute
Subject: [LUTE] Re: Chitarrone
I'm afraid you are correct, David. Of course Bob Spen
I believe the Reusner in Das Erbe is Esaias Reusner the younger, who used d
minor tuning; Musikalischer Lustgarten is by his father whose hymn settings are
in viel ton.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
heiman.dan...@jun
For me it was JB's Lute music from the Royal Courts of Europe which I got in
1975. Still a great record. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
A.J. Padilla MD
Sent: Monday, August 12, 2013 9:13 AM
To: 'Geoff Gaherty'; 'lut
The tablature illustrations in Noad's books gave me the idea of playing from
tablature sources. Since then my career "started slowly, then tapered off." r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ed Durbrow
Sent: Tuesday, Decembe
If you play enough Hagen, S.L W. starts to sound outdated. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Dan Winheld
Sent: Wednesday, December 18, 2013 4:47 PM
To: erne...@aquila.mus.br; Jarosław Lipski
Cc: lute@cs.dartmouth.edu
Subje
I use my tuner at 415 and 6th comma meantone. First I tune the open strings.
Then I select pitches I know I need on the strings at certain frets and move
the fret to get the pitch right. So a piece with D Major I would want a good
F# on fourth course 1st fret, so I'll try to move the fret to
No. 57, Aria, has a lute part and I am curious if anyone has performed
it, it looks like it might fit on the instrument (d minor lute) fairly
well. Thanks in advance. r
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I suggest its origins were for the solo singer to accompany himself (Peri,
Caccini, others in Italy ca. 1600). Salamone Rossi calls for it in
instrumental dances very early, and it makes sense with one on a part strings -
the chords and the basses plucked really stand out. From there to the tr
MH you should feel free to suggest and speculate but until you have a
cold hard fact you should continue to label your speculations as
such. For the researchers AJN is referring to, their research has
reached an end for now on there being only one St luc. enough!!
__
Violab tuner will give you al the different a pitches you want and in
10+ different tunings. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Garry Warber
Sent: Friday, August 05, 2011 6:16 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] tu
I think it goes back to socrates. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: Friday, November 04, 2011 6:03 PM
To: Lutelist
Subject: [LUTE] Re: diatessaron/diapente
On Nov 4, 2011, at 2:29 PM, William Samson w
Wow, thank you. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Rob MacKillop
Sent: Thursday, December 01, 2011 5:38 PM
To: Lex van Sante
Cc: lute mailing list list
Subject: [LUTE] Re: accords nouveaux
Temporary link for Panmure 4
h
Aside from one suite in A major, and an LSA microfilm, is any of
Marella's music available in facsimile or otherwise? Looking for Books
I, 1757 and II, 1762 for english guitar. r
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I have one for my archlute from Paolo Busato and the case is fine. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of mcluckie stuart
Sent: Thursday, February 16, 2012 7:58 AM
To: Lutelist
Subject: [LUTE] RCH cases
Can anyone advise me
I would suggest Fwenyana not fwaynyana. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Stephen Fryer
Sent: Tuesday, March 27, 2012 11:36 AM
To: Herbert Ward
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Pronunciation of Fuenllana's nam
And then there's Hagen! Almost every ascending arpeggio turns around and
descends. Lots of a-m-i a-m-i going down. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Daniel Winheld
Sent: Thursday, May 17, 2012 12:30 PM
To: Bernd Haegemann
C'mon guys, reference a season please. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Toby
Sent: Monday, October 01, 2012 12:36 PM
To: howard posner
Cc: LuteNet list
Subject: [LUTE] Re: On shimming frets.
>> Then it would be best
>>
Does anyone have a Gallot works cnrs edition for sale? r
__
From: lute-...@cs.dartmouth.edu on behalf
of Roman Turovsky
Sent: Saturday, March 24, 2018 2:52:44 PM
To: Ron Andrico; Lutelist Net
Subject: [LUTE] R
He wrote 32 lute trios? What are the sources? I just heard one in c
minor w/ Lutz Kerchoff. Outstanding!! r
__
From: lute-...@cs.dartmouth.edu on behalf
of Wayne
Sent: Tuesday, May 15, 2018 10:36:29 AM
To: Ste
Apologies. I meant trio for lute violin and cello. r
__
From: lute-...@cs.dartmouth.edu on behalf
of Markus Lutz
Sent: Tuesday, May 15, 2018 7:11:22 PM
To: lute@cs.dartmouth.edu; Roland Hayes
Subject: [LUTE
__
From: Christopher Wilke
Sent: Wednesday, May 16, 2018 10:34:29 AM
To: Richard Brook; Markus Lutz
Cc: Roland Hayes; Lutelist
Subject: Re: [LUTE] Re: Johann Kropfgans
Iâve found Kropfgansâs chamber music to
You could try tying a leader to the peg box end and hope that as you
bring it to pitch the leader ends up wrapped around the peg and the
string makes it over the nut and reaches your pitch.
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Van: Roland Hayes [[1]mailto:[2]rha...@legalaidbuffalo.org]
Verzonden: woensdag 6 maart 2019 21:02
Aan: lex.eisenhardt <[2][3]lex.eisenha...@gmail.com>
Onderwerp: Re: [LUTE] Re: right hand technique -- bending the
pinky
I would add "almost"
Scribd has Doug Towne's baroque duets.
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From: lute-...@cs.dartmouth.edu on behalf
of Roman Turovsky
Sent: Saturday, March 23, 2019 10:59:09 AM
To: b...@symbol4.de; richa...@ptd.net
Aside from Goess theorbo ms and Vienna 17706, does anyone know of more
theorbo pieces by this virtuoso, including any modern editions? Thanks
in advance. r
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This message is intended only for the use of the individual or entity
to which it is addressed,
Sent: Sunday, March 24, 2019 9:39:10 AM
To: Roland Hayes
Cc: Lute List; lute-...@cs.dartmouth.edu
Subject: [LUTE] Re: Angelo Michel Bartolomi
There are two more pieces for theorbo in GB-NH Fh 3431.c, as far as I
know.
Am 24.03.2019 14:19 schrieb Roland Hayes:
> Aside from Go
Do we think he played with nails? Lutenists did not as I understand,
but
I have always thought his lute pieces were merely arrangements of
guitar/theorbo pieces. For those instruments we can establish the use
of nails.
And if deVisee played guitar with nails, then he most likely
droid
__
From: lute-...@cs.dartmouth.edu on behalf
of M Del
Sent: Tuesday, May 7, 2019 5:57:33 PM
To: magnus andersson
Cc: Yuval Dvoran; John Mardinly; Roland Hayes; jslute; Lute
Subject: [LUTE] Re: De Visee
My first guitar teacher Rolando Valdes-Blain t
Now that's what i'm talking about! Great sounding nails. How
politically incorrect these days!
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From: Roland Hayes
Sent: Wednesday, May 8, 2019 12:59:35 PM
To: Christo
When asked why he practiced three hours a day at age 85 Pablo Casals
said "because I think I am getting better"
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From: lute-...@cs.dartmouth.edu on behalf
of Leonard Williams
Sent:
I say "e."
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From: lute-...@cs.dartmouth.edu on behalf
of Mark Probert
Sent: Sunday, July 21, 2019 2:41:44 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Bach and the lute
Hi
Or you could get a meantone tuner and use your ears and not a measuring
tape
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From: lute-...@cs.dartmouth.edu on behalf
of Martyn Hodgson
Sent: Friday, July 26, 2019 4:52:38 AM
I play lots of finger pick blues and the technique is very similar to
baroque lute technique. I use fingerpicks to avoid getting calluses on
the right hand. And keep the pinky on the top. Works!
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I have played Weiss at a candle lit Advent labyrinth for a church. Like
a slow meditative walk.
This year I am playing deVisee on theorbo.
Preludes work well. Gavottes and gigues not so much.
The biggest problem is lighting to see the music.
r
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F for "facil" easy and D for "dificil" difficult...
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From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of Tristan von
Neumann
Sent: Wednesday, January 15, 2020 10:56:03 AM
While the unascribed pieces could by someone else, they surely play and
sound like Bartolotti.
Is there any other theorbo player from that time that we know of, who
could match the style and technique of these pieces?
r
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Lute music at the Royal courts of Europe. Most amazing collection of
pieces still.
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From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of Leonard Williams
Sent: Friday, Aug
I say start relearning. And start enjoying D major and minor and A major
and minor as easy chords/tonic home bases. Also, it's good to get used
to playing g minor on the theorbo as there is plenty of it (even Caccini
and Peri on an A instrument). I think also it's more of an adjustment
to use the
a fabric softener sheet does wonders as well. easy to grab between
numbers. r
__
From: Edward Martin [mailto:e...@gamutstrings.com]
Sent: Mon 2/2/2009 7:12 PM
To: Eugene C. Braig IV; 'lutelist'
Subject: [LUTE]
What about the Castaldi duets? What tuning for the smaller instrument? R
-Original Message-
From: Martyn Hodgson [mailto:hodgsonmar...@yahoo.co.uk]
Sent: Thursday, February 19, 2009 2:58 AM
To: lutelist Net; howard posner
Subject: [LUTE] Re: Theorbo Nicki don't lose that number
Pra
I find I can read and play lute music in modern notation, but not as
well as tab. If it's not lute music it is usually awkward to play
without dropping parts or changing key. Try reading and playing figured
bass as something more useful for lute instruments. Then you'll really
appreciate having on
Check out the tiorba line in the concerto in D by Heinichen, from a
manuscript score! Plus Rossi Lib. III for 2 violins and chitarrone!
Awesome! r.
__
From: lute-...@cs.dartmouth.edu on behalf of Stuart Walsh
Sent:
What do we think of the ms. with "continuo" written above a part for
13c. lute in normal d minor tuning for certain arias? Are these
settings for chamber perfromance but not the operas themselves? the
handwriting seems identical to large portions of the Weiss Dresden
ms. Curious
Funny. An orchestra in Buffalo must must not be able to play decently?
Come here and check them out for yourself. Or you can swap grammy award
winning cds with Joanne so she can check you out. BTW I loved your
intabulation of the polka and fugue from Schwanda the Bagpiper. R.
-Original Me
More important to the debate is whether you alternate thumb and first
finger to play melody. That is true thumb under. Otherwise you are
(merely) adjusting your thumb/hand angle to have better access to
basses. R.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs
I oil my gut strings to reduce humidity sensitivity. Not sure it works
but the feel is less squeaky. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Daniel Shoskes
Sent: Wednesday, November 25, 2009 11:40 AM
To: lute
Subject: [LUTE] Le
I recall bringing some silk strings from Singapore to the LSA Seminar in
1987 and Grant Tomlinson and others were not impressed on a lute and
ren. Guitar. Maybe on a viol they would be better. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Beha
His libro primo also I believe. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Martin Shepherd
Sent: Tuesday, March 17, 2015 10:54 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] 19c theorbo?
Dear Collective Wisdom,
Is there any music a
..and Castaldi's illustration is phoney? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ron Andrico
Sent: Tuesday, June 16, 2015 3:29 PM
To: mar...@luteshop.co.uk; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Tiorba
Thank you for this
banjo, for instance), but they are attempting to deceive their
audience if they claim some kind of historical justification for practices
which go so clearly against the historical evidence.
M
On 16/06/2015 22:54, Roland Hayes wrote:
> ..and Castaldi's illustration is phoney? r
>
&g
Ask Albert Reyerman. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Edward Chrysogonus Yong
Sent: Wednesday, July 29, 2015 1:42 PM
To: Lute List
Subject: [LUTE] Satie Gymnopedie 1
hi Lutenetters!
years ago i bought a copy of Erik Sa
Tune it to F# and it's an archlute at Roman pitch, sort of. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Geoff Gaherty
Sent: Friday, January 15, 2016 11:50 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: theorbo tuning experiment
O
Get the playford collection and strum along, before you know it you'll develop
your own bass line. Or get the 4 part arrangements for a bass line provided.
r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
jsl...@verizon.net
Sent: Th
Mentioned by a few people in early 1600s; Praetorius for one. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Bruno Figueiredo
Sent: Thursday, March 17, 2016 12:37 PM
To: Edward Chrysogonus Yong
Cc: Lute List
Subject: [LUTE] Re: Theorbo
Aside from Scheidler's song from Don Giovanni, does anyone know of
intabulations contemporary or modern of Mozart's music? r
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Some hymns as well, e.g., Reusner's hundert geistliche melodien for
voice and 11 c. No mensural notation for the voice, you're expected to
know the hymn or use another source.
-Original Message-
From: damian dlugolecki [mailto:[EMAIL PROTECTED]
Sent: Sunday, January 13, 2008 1:30 PM
To
It has been a while since I looked at these pieces but as I recall the
melody was missing in the ones we performed. R.
-Original Message-
From: Rob [mailto:[EMAIL PROTECTED]
Sent: Monday, January 14, 2008 9:53 AM
To: Roland Hayes; lute@cs.dartmouth.edu
Subject: RE: [LUTE] Re: airs
I think Michel Lambert, Sebastien le Camus and otherrs take up the torch
for airs de cour but with theorbo and figured bass. A little earlier
Etienne Moulenie may have published some air de cour with figured bass;
his first three books at least have tab for renaissance lute.
-Original Message
gm not nearly as bad as it seems on an A theorbo. Peri also wrote a lot in g
and G maj. and his pieces work well too. Even F is okay once you figure out
how to stay away from the Bb barr chord on the first fret. Reentrant tuning
helps . R.
From: Ed Durbrow
What about a lowered 1st on what we would otherwise consider a large
archlute? I seem to remember an archlute piece (Doni ms.) that does not
use a chanterelle. To me this implies that the first course was
problematic at times at least (a la french 11 c. pieces w/o chanterelle)
and may have been rep
Probably not as long but worth mention as through composed pieces are a
couple of the tientos by Luis Milan.
-Original Message-
From: Orphenica [mailto:[EMAIL PROTECTED]
Sent: Wednesday, April 16, 2008 6:24 AM
To: Anthony Hind
Cc: Rob MacKillop; lute@cs.dartmouth.edu Net
Subject: [LUTE]
I think the Valderrabano itabulations for two vihuelas work that way.
-Original Message-
From: Joseph Mayes [mailto:[EMAIL PROTECTED]
Sent: Monday, April 28, 2008 9:22 AM
To: Herbert Ward; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Making a duet from a solo.
Hello
When making a gu
Speaking of lute songs, does anyone know where to find a renaissance version of
"What if a day" with tab accompaniment? The director for a program I'm
accompanying only has a version from the Reliquary of English song circa 1910
w/piano in e minor (!!). Thanks for any help.
Are there concordances anywhere for his pieces from his book I of 1620?
They just don't seem to turn up in the Ballard/Cherbury/Louis de Moy
etc. group. R.
-Original Message-
From: Roman Turovsky [mailto:[EMAIL PROTECTED]
Sent: Friday, August 29, 2008 2:35 PM
To: Lutelist
Subject: [LUT
Hey Wayne! Happy New Year! I bought the sharp tuning book a year or more ago
and have finally got around to playing the pieces in it. I am having so much
fun that I am even playing pieces in Ren Mesangeau's CNRS in teh flat tuning as
well. My 10 c. ren. lute is 65 cm so it works well, and I a
Curious if anyone knows what kind of lute Francesco Conti wrote for in his
songs with strings, oboe or flute, lute and b.c. in Vienna, ms. available in
two volumes from SPES.
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Terry Schumacher does!
From: David Rastall [mailto:[EMAIL PROTECTED]
Sent: Tue 11/13/2007 1:26 PM
To: Lute List
Subject: [LUTE] Single-strung 13-course Baroque Lutes?
As long as we're talking about single-strung archlutes, why not
single-strung 13-course Baroq
Does anyone know where to find more of W. Lawes's Harp Consorts than are in
Musica Britannica (vol. 32?). roland hayes
Sent via the WebMail system at legalaidbuffalo.org
To get on or off this
Maybe if Sting acknowledges that others perform it better, and have done so for
years in reviving this music, all of which i doubt. Roland Hayes
-- Original Message --
From: Michal Gondko <[EMAIL PROTECTED]>
Date: Thu, 25 May 2006 20:51:34 +0200
&g
There's a Mesangeau piece near the end (?) that is well worth playing. R.
--
Roland Hayes
--
I am tired of deleting all the messages on this subject. Why don't you who wish to
pursue it go off line? R. -- Original Message
--
From: Matanya Ophee <[EMAIL PROTECTED]>
Date: Fri, 05 Dec 2003 13:06:54 -0500
>At 11:43 AM 12/5/2003 -0600, Herbert Ward
When I play a 13c. I cannot access the low basses with any reliability without
playing with my fingers practically parallel to the higher register strings. I
can play closer to the bridge, or not for tone difference, but rotating my hand
to more of a thumb open is not an option. I do use rest
As no low F is written in my version, I tune the F to F# for Amarilli.
Victor Coelho has an article in the Journal of Seventeenth Century Music
(vol 9 2003) about the Camerata, Caccini and the nuove musiche and how
it wasn't so new when finally published. r
-Original Message-
From: lute-
As there are therobo piece(s) attributed to Reussner in Goess theorbo book, I
play these pieces, when I can, with theorbo on the bass, which is figured in
the modern editions. The suites do correspond to actual suites in the 1667
Delitiae Testudinis; suites in a, F and C and g I believe. I woul
When do you expect to ship the edition? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Markus Lutz
Sent: Monday, May 31, 2010 2:34 PM
To: Lutelist
Subject: [LUTE] Correction - Edition of the Rohrau manuscripts (Weiss et al.)
Sorry fo
How can one get this music? Has anyone tried to transcribe it for
archlute? r
__
From: lute-...@cs.dartmouth.edu on behalf of Stuart Walsh
Sent: Sun 6/6/2010 10:41 AM
To: Lute List
Subject: [LUTE] Re: baroque m
Not very flattering to us players, but what if these depictions are of someone
not playing loud as possible but merely providing the muzak to the moment, the
kind of unsurprising unremarkable music that makes a cocktail party a little
nicer? I have played at such things myself, was relatively ig
When I already knew I had a loose brace, I tapped the top in different
places after I plucked a string and was able to stop the buzz if I
pressed in one spot- where the brace was loose. This information was
helpful to the builder who fixed it. r
-Original Message-
From: lute-...@cs.dartm
You could apply a cover to the top, perhaps wax or egg wash that would
protect the top from the tape. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: Tuesday, July 20, 2010 10:58 AM
To: lute-cs.dartmouth.edu List
Subj
Do you have a list of sources besides Filippo dalla Casa? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of franco pavan
Sent: Monday, January 03, 2011 3:17 PM
To: giulio.chiande...@libero.it
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re:
Years ago I had a lute peg that would not turn, period. Dan Larson - Lute
Doctor at the LSA Seminar that year- tapped it loose from the exposed end with
a small hammer and a pencil (new unsharpened with the eraser cut off cleanly)
to deliver the tap, while the lute was on its side and the othe
Not a moisturizer, but I often keep a dryer sheet in my right pants
pocket for a little immediate non-squeak insurance. Really helps my
tone. r
__
From: lute-...@cs.dartmouth.edu on behalf of Herbert Ward
Sent:
Do you have a leather strap where the inside is rough and will grab your
shirt? If not, try one. And no silk shirts. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Herbert Ward
Sent: Wednesday, March 09, 2011 10:20 PM
To: lute@cs.dart
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